Ancient Aliens: The Official Companion Book

CONTENTS

FOREWORD KEVIN BURNS

INTRODUCTION

The content of this work is derived in part from prior interviews with the named contributors to the Ancient Aliens® series

ERICH VON DÄNIKEN EZEKIEL’S WHEEL

GIORGIO A. TSOUKALOS THE EGYPTIAN CONNECTION

DAVID HATCHER CHILDRESS THE MYSTERIES OF PERU

GIORGIO A. TSOUKALOS THE GREAT PUZZLE OF PUMA PUNKU

JASON MARTELL THE CRADLE OF ALIEN CIVILIZATION

DAVID HATCHER CHILDRESS TEMPLES OF BLOOD AND GOLD

GIORGIO A. TSOUKALOS THE MEGALITHS

PHILIP COPPENS LEGENDS OF THE LOST

KATHLEEN MCGOWAN POWERFUL RELICS AND SACRED TALISMANS

JONATHAN YOUNG THE POWERS OF MYTH

RABBI ARIEL BAR TZADOK GOD’S MAGIC BOX

DAVID WILCOCK THE WORLD GRID

LINDA MOULTON HOWE THE ROSWELL FILES

NICK POPE OBJECTS IN THE SKY

WILLIAM HENRY STARGATES

PHOTO CREDITS

ACKNOWLEDGMENTS

ABOUT THE AUTHOR

BACK AD

CREDITS

COPYRIGHT

ABOUT THE PUBLISHER

De Agostini / Archivio J. Lange / De Agostini Picture Library / Getty Images

FOREWORD

KEVIN BURNS

EXECUTIVE PRODUCER/CREATOR, ANCIENT ALIENS®

Chariots of the Gods! You mean to tell me you have never heard of Chariots of the Gods?"

I was speaking with my producer, Nikki Boella, and her team. They were about to start production on a documentary special for the History Channel entitled Indiana Jones and the Ultimate Quest. It was commissioned by Lucasfilm as a tie-in to their first Indiana Jones film in more than three decades, Indiana Jones and the Kingdom of the Crystal Skull. My company, Prometheus Entertainment, would be producing it, and we wanted it to be something more than just a making-of movie special.

Didn’t anyone here see the Sun Classic Pictures documentary? The one that came out in the 1970s? The one with all of those rhetorical questions?

Still nothing.

I was facing a room with wide-eyed stares and blank expressions. A sea of empty vessels waiting to be filled. I had to accept the fact that my producer and her staff were all under the age of forty—and not one of them had ever heard of Erich von Däniken and his groundbreaking book from 1968, Chariots of the Gods.

Now, I admit that—even by this time—I had not read the book. I had only seen the documentary back when I was in high school. Nevertheless, it made a huge impact on me.

For the Indiana Jones project, the folks at Lucasfilm wanted us to do a two-hour special, but they did not want to share with us any details about their upcoming film. Everything about their project was top secret. All they would share with us was the trailer and the movie poster. That was it.

What could this new movie be about? I wondered. The first one was about the Ark of the Covenant. The second was about the sacred Sankara Stones of India. The third was about the Holy Grail. All three previous films had had a religious theme. All three films were about holy worship and humankind’s devotion to God.

Corrigan, Troy. Wikipedia.org, https://en.wikipedia.org/wiki/File:Film_Poster_for_Chariots_of_the_Gods.jpg

But what about this fourth film?

I looked carefully at the poster and noticed something strange about the crystal skull depicted. It was elongated!

That’s it! Aliens! The new Indiana Jones film is going to be about aliens! Just like Chariots of the Gods.

This revelation—later justified when I actually saw the finished film—turned out to be a godsend. It also offered the perfect hook into how my company could approach a feature-length documentary about the world’s favorite fictional archaeologist. Why does man dig?

As far as I was concerned, the answer was simple: We dig because we are looking to find out where we come from. We are looking for Daddy. We are looking for proof of God.

That is, indeed, the ultimate quest.

Interestingly, our Indiana Jones documentary—and its connections to Chariots of the Gods—would also open the door into another exciting area: ancient astronaut theory.

Believing that Indiana Jones and the Kingdom of the Crystal Skull would be borrowing much from Erich von Däniken, I asked Nikki to find us the new Erich von Däniken. There must be someone, I reasoned, who is carrying his mantle into the twenty-first century.

Enter Giorgio Tsoukalos, a young man with a deep tan, an eager grin, and a mane of thick, restless hair.

After he gave his interview for our documentary, I asked to meet with him. You really believe in all this aliens stuff? I asked. I do not believe, he said to me, using a combination of precise diction flavored with a vaguely traceable Euro-Swiss accent, I know.

The documentary special premiered on May 18, 2008. It was well received, and everyone associated with it was proud to have been part of it.

Several weeks later, I had an opportunity to have lunch with an executive from History. It was then I confided that my inspiration for the Indiana Jones special was Erich von Däniken and Chariots of the Gods.

"I love Chariots of the Gods! my client enthused. I’d love to do a new Chariots of the Gods for television!"

Armed with this bit of good news, I dashed back to my office and called Giorgio.

Is Erich von Däniken still alive? I asked, gingerly.

Absolutely! replied the hirsute pop-icon-to-be. He lives in Switzerland and I will be happy to arrange a phone call for you.

The rest, as they say, is History (Channel).

My phone conversation with Erich convinced me that a new approach to Chariots of the Gods was not only long overdue, it was imperative that it be done. Much work and research had been done in the field of ancient astronaut theory in the forty years since Erich’s book had first been published, and since that time, humankind had landed on the moon—and even sent robots to Mars!

We would call our documentary Ancient Aliens. We also made a deliberate decision to not populate the program with the usual phalanx of naysayers, skeptics, and debunkers. Not because we didn’t want balance, mind you. It was simply because we wanted our show to be open-minded.

For us, Ancient Aliens was—and remains—a show about questions and possibilities. It is about a theory. The big What if?

We knew from the start that we couldn’t prove ancient astronaut theory any more than we could prove the resurrection of Jesus. It was an interpretation based on evidence.

The show premiered on March 8, 2009, and quickly became a hit.

One two-hour documentary special led to five more—and each of those was based on five rhetorical questions: Who were they? (The Visitors.) Why did they come? (The Mission.) What did they leave behind? (The Evidence.) Where did they go? (Closer Encounters.) Will they return? (The Return.)

At this point, I thought we were finished. Six two-hour television documentaries about ancient astronaut theory. Even Sun Classic Pictures didn’t accomplish that!

My client at History called again. We need another ten hours.

After that there was another ten. And another. And another.

As of this writing, we are well past one hundred programs, and there is no end in sight.

"Ancient Aliens was—and remains—a show about questions and possibilities. It is about a theory. The big What if?

Have I become a believer? Let’s just say I remain open-minded, just as I hope our audiences are. I think of myself as the narrator of the show. I deal only in facts—but I’m open to asking questions: Could it be? What if? How can we be sure? In this way our series remains honest. We let the ancient astronaut theorists have their day in court. We let them give answers to the questions we pose. Sometimes the answers are plausible. Sometimes they’re outrageous. All of them are honestly held and thoughtfully given.

Shortly after the series premiered, I came across an article written by a history professor. In it, he accused our series of offering pseudo science and pseudo history and of having, what he termed, a post-colonial attitude. That is to say, he objected to our questioning of conventional history and suggesting that third-world peoples in ancient times could not have produced architectural wonders without the help of some kind of superior, outside guidance.

Excuse me?

I think it’s fair to remind those skeptics in our audience that it is not we, the producers of Ancient Aliens, who suggest that some sort of extraterrestrial intelligence inspired the building of ancient pyramids, tombs, and temples; it is the ancient astronaut theorists in the program who suggest that. And where do they get this notion from? Why, from the very walls of the pyramids, tombs, and temples!

We don’t say extraterrestrials created humankind. Ancient texts and scriptures say that.

In fact, ancient astronaut theory is no more audacious than the theologies of just about every religion in the world, and both are ultimately as connected to science and archaeology as they are to each other. All of them are looking for proof of humankind’s origins. All of them are looking for God.

As the series creator and executive producer of Ancient Aliens, I am frequently asked if I believe in the stories we tell—if I believe in ancient astronaut theory.

My answer is simple: I’m open to it.

According to the Greek philosopher Plato, his mentor, Socrates, believed that a man knew everything who admitted he knew nothing. I believe there is much about our history—and our origins—that we still don’t know. But one fact is certain: our world is filled with architectural riddles and scientific anomalies. Science and religion each attempt to provide answers to the profound questions of the universe. Ancient Aliens attempts to answer these same questions but with a unique and profound filter: What if intelligent beings had existed on this planet thousands of years ago? What if they influenced our past and guided our future?

As we ask at the beginning of each new episode of our series . . .

What if it were true?

All we ask is that you, our audience, keep an open mind.

INTRODUCTION

Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind . . . sometimes hiding in plain sight? What if we could find the evidence?

Each week, hundreds of thousands of viewers tune in to History’s wildly popular hit show Ancient Aliens, seeking insight into those very questions—and to become part of a compelling, probative conversation about the mysteries that surround us.

Throughout recorded history, archaeologists have discovered fascinating and bizarre structures—as well as carvings and texts—that have forced us to question the established notions of the past. Ruins dating back thousands of years reveal engineering skill that surpasses even our most modern technological capabilities. Religious texts from diverse, ancient cultures tell incredibly similar stories of gods descending from the heavens in fiery crafts. Ancient rock art depicts figures that resemble modern-day astronauts. And mysterious monoliths—many placed in alignment with heavenly constellations—dot the landscapes of nearly every continent.

In his 1968 book, Chariots of the Gods, Swiss author Erich von Däniken proposed that all of this evidence pointed to one profound but logical possibility: extraterrestrials visited Earth in the distant past and so changed the course of human history. This concept—later known as ancient astronaut theory—is today embraced by literally millions of people around the world.

Ancient Aliens®: The Official Companion Book has been carefully researched and edited by the producers of Ancient Aliens in an effort to give both hard-core fans and open-minded enthusiasts as complete—and equally satisfying—an experience as the one they receive while watching a one-hour weekly episode. We have gone into our own ancient archives and pulled a number of the interviews we conducted with our top contributors during the course of our eight-year run.

Because much of the material discussed during these interviews had to be trimmed down to conform to the limitations of a forty-three-minute television episode, we are now able to give readers the benefit of a more in-depth discussion—one that digs even deeper into topics ranging from Neolithic monoliths to stargates, from Egyptian pyramids to UFOs.

The stories in this book are told directly, as they were told to us, by the very best proponents of ancient astronaut theory. They represent thousands of hours of research—as well as centuries of human knowledge.

While reading them you may once again find yourself asking:

Who were they?

Why did they come?

What did they leave behind?

Where did they go?

Will they return?

DEA / G. DAGLI ORTI / De Agostini Picture Library / Getty Images

Many years ago, I gave a speech at NASA, in Huntsville, Alabama. During this speech, I spoke briefly about Ezekiel, the biblical prophet and author of the book of Ezekiel. I touched on Ezekiel’s famed vision of a fiery chariot descending from the heavens—and how we can now see that this is a description of advanced technology for which Ezekiel himself did not possess the language.

Later, at dinner, Joe Blumrich, one of NASA’s chief engineers at the time, said to me, "Erich, that was very interesting. I had never heard the story of Ezekiel. But in the Bible you will definitely not find any examples