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    Modern Papermaking: Techniques in Handmade Paper, 13 Projects
    Modern Papermaking: Techniques in Handmade Paper, 13 Projects
    Modern Papermaking: Techniques in Handmade Paper, 13 Projects
    Ebook280 pages1 hour

    Modern Papermaking: Techniques in Handmade Paper, 13 Projects

    By Kelsey Pike

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    About this ebook

    Making your own paper is a mesmerizing and versatile craft. Let Modern Papermaking show you how to create countless paper sheets with a few tools and practice. Among many other things, the paper you make can be a foundation for painting, illustration, stationery, and lettering. Handmade paper can upgrade the starting point of your creative work, or you can use the techniques to create stand-alone works of art to display, gift, and share. The craft is relatively easy and accessible since all the essential tools and supplies can be DIY'd, recycled, and thrifted.

    LanguageEnglish
    PublisherC&T Publishing, Inc.
    Release dateSep 25, 2023
    ISBN9781644033081
    Modern Papermaking: Techniques in Handmade Paper, 13 Projects

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      Book preview

      Modern Papermaking - Kelsey Pike

      Introduction

      I’ve spent the past 14 years studying and practicing to make the best paper I possibly can. With this book, I’m hoping to give the next generation of papermakers a head start on their journeys. I hope you fall as hopelessly in love with this craft as I have!

      This book brings you into the craft with a brief history of papermaking, including how it developed over time and the science of how it works. Then the book jumps to the present day to discuss the modern tools and supplies that you’ll need to make paper on your own—including lots of accessible options. I’ve included instructions for building some of your own papermaking tools: a mould and deckle, a couching table, and a press.

      Then it’s time to make your very first sheets! We’ll go through the whole process from start to finish to make a simple batch of paper. The detailed instructions allow you to practice the basics. Then you’ll expand your knowledge base with techniques like color and additives, shaping paper, and preparing different types of pulp. The Professional Techniques section is for when you’re ready to take your papermaking to the next level.

      The final and most fun section in this book contains the projects. Here, we’ll take everything you’ve learned to make all kinds of exciting and beautiful papers, from papers that look like the moon to a tiny envelope and card.

      Papermaking is a craft that can be calming, repetitive, and meditative. Making beautiful, useful sheets from start to finish is a truly satisfying experience, sure to make you feel accomplished when you see the stack of finished papers. It can also be exciting and full of creative expression! Every project leaves ample room for fun, experimentation and your personal style. My goal is to walk you through the various parts of the process so that, in the end, you can use these techniques in your own way to make the papers of your dreams!

      Papermaking

      Paper

      You probably work with paper every day, but what exactly is it? Paper is made from cellulose pulp. Cellulose is the main constituent of plant cell walls. Paper can be made out of any plant or anything that used to be a plant, like cotton fabric. Cellulose material becomes pulp when it is pulverized into a soft, wet mush.

      Then, to form paper, the cellulose pulp is diluted by a large amount of water, and the pulp is drained through a screen.

      So to make paper:

      1. Beat cellulose material to a pulp

      2. Dilute the pulp with water

      3. Drain the water from the pulp

      Before Paper

      Before the invention of paper, ancient people used other materials as writing surfaces, like leaves, stones or bones, and clay tablets.

      Stone tablet

      About five thousand years ago, Egyptians developed papyrus. It was made by harvesting native aquatic sedge, a grass-like plant, then cutting it into thin strips. The strips were then placed in layers crosswise and pounded, which laminated them together. Papyrus was generally made in long pieces, then rolled into scrolls. It is a paper-adjacent material as it uses the same principles of creation, but it is woven in structure, not matted, and the pulp is never suspended in water.

      As long as four thousand years ago, people wrote on animal skins. Parchment—made from the skins of cows, sheep, or goats—was widely used for books in Europe before the advent of paper. To form parchment, the hair is removed from the skin manually or chemically, then the surface is scraped and sanded until smooth. A particularly fine sort of parchment was called vellum, and it was made exclusively from young calves’ skins. Parchment was very expensive and time-consuming to produce. Today, there are papers available called parchment or vellum, but they are instead made from plastic or wax-coated papers.

      Even today, after the advent of paper, other pounded, paper-like materials—huun, amatl, amate, and tapa—are made around the world using traditional processes. These materials are made using the same principles as paper, but the pulp is never suspended in water. Tapa cloth, for instance, is made by soaking, beating, and scraping the branches of the paper mulberry tree until they are flat and smooth. The resulting material has a soft texture, much like fabric.

      The Conception of Paper

      Papermaking developed in China around two thousand years ago. It’s been theorized that the technique was discovered unintentionally—women traditionally washed hemp clothes in bodies of water by pounding them with stones in tightly woven reed baskets. Beating the clothing caused bits of hemp fiber to break off and float in the water. Then, when the baskets were lifted, straining out the water, the hemp particles left in the baskets formed a very basic paper! The technology was slowly developed and then popularized by a member of the Chinese court and adviser to the emperor, Cai Lun, around 105 BCE.

      This early paper was used for writing, woodblock printing by hand, and brush calligraphy. Because paper could be made from scrap materials and was cheaper to produce than the woven silk fabrics being used as writing surfaces previously, it quickly became the preferred writing surface in China. Materials like recycled fishing nets and various plant fibers were soaked, then hand beaten with mallets or rocks. The paper was then left to dry in a mould (the tool used to give shape to the paper). These earliest Chinese papermakers needed many moulds since only one piece of paper could be created at a time in each mould.

      The Development of Paper

      As papermaking spread, different regions modified the process to work for the types of fibers that were available in their areas and the types of paper they wanted to make (usually with qualities similar to the writing surfaces they were accustomed to), resulting in the widely varied papermaking techniques present in this chapter.

      Papermaking knowledge arrived in Europe in around 1200 CE. European paper was made from worn cotton and linen rags. Rag pickers would buy people’s old clothing and sell it to mills. The clothing was sorted based on color, grade, and condition. The buttons and clasps were removed, and then the rags were washed and cut into strips. Nice white rags were used to make bright white paper for manuscripts and heirloom bibles. Recycled and dirty rags and ropes were used to make disposable pamphlets and eventually paper wrappings for foods and goods. Fabrics were transformed into pulp in stamping mills, which used waterwheels or horsepower to operate giant mortar-and-pestle like devices.

      Around 1680, the Hollander beater was invented, and it increased the efficiency of papermaking production. While today, industrial paper factories use other means of making pulp, the Hollander beater is still the standard for hand papermakers. This machine has a rotating wheel of blunt knives that macerates and fibrillates fibers into pulp.

      In the early American colonies, the supply of imported papers from Europe was inconsistent. So William Rittenhouse, a skilled papermaker from Holland, was recruited to immigrate to the colonies. He was the first person to make paper in North America in 1690, at his Rittenhouse Mill in Germantown, Pennsylvania. This location was perfect for papermaking because the water was clean and the town had a blacksmith who could fabricate the heavy machinery needed, a butcher who could provide sizing for the paper (see Sizing), and a weaving mill that provided scrap cotton and linen rag.

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