Selected Poems
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Anne Brontë
Anne Brontë (1820–1849) was an English poet and novelist—the youngest of the famous Brontë sisters. Throughout her brief career, she developed a reputation as an unwaveringly realistic writer in an era when candor was uncommon. Brontë was first published with her sisters under a pseudonym, with the poetry collection Poems by Currer, Ellis, and Acton Bell in 1846. She then wrote the semiautobiographical Agnes Grey and followed that with the daring Tenant of Wildfell Hall. Soon after the deaths of her sister Emily and her brother, Branwell, Brontë succumbed to tuberculosis and died.
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Selected Poems - Anne Brontë
SELECTED POEMS
C
HARLOTTE
B
RONTË
(1816-1855) is best known for her novels, Jane Eyre (1847), Shirley (1849), Villette (1853) and The Professor (1857). A collection of poems by Charlotte and her sisters Emily and Anne was published in 1846.
E
MILY
B
RONTË
(1818-1848) is best known for her novel Wuthering Heights (1847).
A
NNE
B
RONTË
(1820-1849) is best known for her novel The Tenant of Wildfell Hall (1848).
S
TEVIE
D
AVIES
is a literary critic, novelist, historian and biographer. She was elected a Fellow of the Royal Society of Literature in 1998, and now works as the Royal Literary Fund Writing Fellow at the University of Wales in Swansea, her home town. She taught English Literature at Manchester University before becoming a full-time author in 1984. She has written four distinguished books on Emily Brontë and edited Anne Brontë’s The Tenant of Wildfell Hall for Penguin Classics. Her history of the seventeenth century, A Century of Troubles (2001), accompanied a Channel 4 TV series. Stevie Davies’ first novel, Boy Blue, won the Fawcett Prize in 1989 and her latest novel, The Element of Water (Women’s Press, 2001) was longlisted for the Booker Prize.
FyfieldBooks present poetry and prose by great as well as sometimes overlooked writers from British and Continental literatures. Clean texts at affordable prices, FyfieldBooks make available authors whose works endure within our literary tradition.
The series takes its name from the Fyfield elm mentioned in Matthew Arnold’s ‘The Scholar Gypsy’ and in his ‘Thyrsis’. The elm stood close to the building in which the Fyfield series was first conceived in 1971.
Roam on! The light we sought is shining still.
Dost thou ask proof? Our tree yet crowns the hill,
Our Scholar travels yet the loved hill-side
from ‘Thyrsis’
THE BRONTË SISTERS
Selected Poems
Edited with an introduction by
STEVIE DAVIES
To the dear memory of my Father
CONTENTS
Title Page
Dedication
Introduction
The Brontës as Poets
Charlotte Brontë
Emily Jane Brontë
Anne Brontë
Poems by Charlotte Brontë
Lines Addressed to ‘The Tower of All Nations’
Written upon the Occasion of the Dinner Given to the Literati of the Glasstown
Home-Sickness
from Retrospection
The Wounded Stag
‘Turn not now for comfort here’
‘He could not sleep! – the couch of war’
The Teacher’s Monologue
Diving
Gods of the Old Mythology
Parting
Preference
Morning
Master and Pupil
Reason
‘He saw my heart’s woe, discovered my soul’s anguish’
On the Death of Emily Jane Brontë
On the Death of Anne Brontë
Poems by Emily Jane Brontë
‘High waving heather, ’neath stormy blasts bending’
‘All day I’ve toiled, but not with pain’
‘I am the only being whose doom’
‘Only some spires of bright green grass’
‘Now trust a heart that trusts in you’
A. G. A. (‘Sleep brings no joy to me’)
‘I’ll come when thou art saddest’
‘I’m happiest when most away’
Song (‘King Julius left the south country’)
‘And now the house-dog stretched once more’
‘Shed no tears o’er that tomb’
A. A. A. (‘Sleep not, dream not; this bright day’)
Song (‘O between distress and pleasure’)
‘There was a time when my cheek burned’
‘Well, some may hate, and some may scorn
’
‘It is too late to call thee now’
‘Riches I hold in light esteem’
‘Shall Earth no more inspire thee’
‘Aye, there it is! It wakes to-night’
How Clear She Shines!
‘In the earth, the earth, thou shalt be laid’
A. G. A. to A. S. (‘This summer wind, with thee and me’)
‘Come, walk with me’
To Imagination
‘O thy bright eyes must answer now’
The Philosopher’s Conclusion
R. Alcona to J. Brenzaida (‘Cold in the earth, and the deep snow piled above thee!’)
‘Death, that struck when I was most confiding’
‘Ah! why, because the dazzling sun’
‘How beautiful the Earth is still’
from Julian M. and A. G. Rochelle
‘No coward soul is mine’
‘Why ask to know what date, what clime?’
Stanzas (‘Often rebuked, yet always back returning’)
Poems by Anne Brontë
A Voice from the Dungeon
The North Wind
Verses to a Child
Retirement
Despondency
To Cowper
A Word to the ‘Elect’
Past Days
A Reminiscence
A Prayer
Night
Dreams
If This be All
Song (‘We know where deepest lies the snow’)
Song (‘Come to the banquet; triumph in your songs!’)
Oh, They Have Robbed Me of the Hope
Domestic Peace
Severed and Gone
Farewell to Thee! But Not Farewell
Last Lines
Notes
Copyright
PREFACE
My text of the poems by Charlotte and Anne Brontë is based on the Shakespeare Head edition of The Poems of Charlotte Brontë and Patrick Branwell Brontë and The Poems of Emily Jane Brontë and Anne Brontë (Oxford, 1934), edited by T. J. Wise and J. A. Symington. However, for the poems of Emily Jane Brontë, I have used C. W. Hatfield’s invaluable edition of The Complete Poems of Emily Jane Brontë (New York, 1941). Of the wealth of Brontë scholarship, I must particularly mention my debt to F. E. Ratchford’s reconstruction of the Gondal and Angrian stories in The Brontës’ Web of Childhood (New York, 1941) and to W. Gérin’s Charlotte Brontë: The Evolution of Genius (Oxford, 1967).
I should like to thank Rosalie Wilkins for her constant encouragement. And I am deeply grateful to Douglas Brooks for all his kindness, especially in advising me on the preparation of the notes.
Stevie Davies
Manchester
INTRODUCTION
The Brontës as Poets
Charlotte, Emily and Anne Brontë are generally far better known as novelists than poets. Charlotte’s Jane Eyre and Emily’s Wuthering Heights are the masterpieces everyone still recalls from childhood, and they hold something of the haunting quality of having long been assimilated into one’s personal history. The lives of the three have likewise entered the collective consciousness, which has proceeded to mythologize them, so that the village where they lived, Haworth in Yorkshire, is the destination of hosts of visitors to the north of England. Haworth itself clusters around that century-old myth: its cafés, streets and souvenir shops bear their name and all its signposts seem to point in their direction.
There are various consequences of the perpetuation of their bleak and romantic story as a kind of folk-memory. First, their names have become a kind of sentimental public property, and interest in their nature as opposed to their work takes on the character of an assault. It is not only that the tiny parsonage at Haworth resounds with the footsteps of the curious – a fact that would have appalled the sisters as a nightmare incursion on their reserve. There are also the biographical works which prodigiously swell Brontë criticism, not to mention the whimsical plays and novels, whose protagonist is less likely to be the individual Brontë than the consumption that made off with her. It is often assumed that their whole lives are important only as a prelude to those heartrendingly early deaths.
In the hierarchy created by romantic taste, therefore, the lives come first, the novels (as an index to those lives) second, and the poems last, a condition which has changed little since The Poems of Currer, Ellis and Acton Bell were received in 1846 by an indifferent public, which could not be persuaded into buying more than a total of two copies. The edition had later to be destroyed as unsaleable. Yet none of the Brontës is a negligible poet, and Emily is a great one. They were Romantic in inspiration, writing both passionate confessional