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Constellations
Constellations
Constellations
Ebook109 pages30 minutes

Constellations

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Constellations begins by celebrating sunlight and ends with the appearance of the moon, the coming of winter, snow and 'perpetual night'. In poems of compelling beauty Pindar takes us from a summer love affair by the sea to war and its aftermath, when night falls and 'the song that was promised has been sung'.
LanguageEnglish
Release dateJul 27, 2012
ISBN9781847776495
Constellations

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    Book preview

    Constellations - Ian Pindar

    IAN PINDAR

    Constellations

    to the Carpenter

    Contents

    Title Page

    Dedication

    Acknowledgements

    I

    1

    2

    3

    4

    5

    6

    7

    8

    9

    II

    10

    11

    12

    13

    14

    15

    16

    17

    18

    19

    20

    21

    22

    23

    24

    25

    26

    27

    28

    29

    III

    30

    31

    32

    33

    34

    35

    36

    37

    38

    39

    40

    41

    42

    43

    44

    45

    46

    47

    48

    49

    50

    51

    52

    53

    IV

    54

    55

    56

    57

    58

    59

    60

    V

    61

    62

    63

    64

    65

    66

    67

    68

    69

    70

    71

    72

    73

    74

    VI

    75

    76

    77

    78

    79

    80

    81

    82

    83

    84

    85

    86

    87

    88

    About the Author

    Also by Ian Pindar from Carcanet Press

    Copyright

    Acknowledgements

    My thanks to Michael Schmidt and Chris Hamilton-Emery, Judith Willson and everyone at Carcanet. Thanks are also due to the editors of The English Review, Poetry Review and Wave Composition, where some of the poems in Constellations first appeared in slightly different forms. I am grateful to A.P. Watt Ltd on behalf of The Literary Executors of the Estate of H.G. Wells for permission to quote from The Time Machine on p. 104. As always, Ali, Izzy and Tom graced me with their days.

    Constellations

    I

    1

    Sweetness, some cloudlessness, some shapes,

    a random horse, the rolling arrangement

    of the mind, with open eyes.

    Fluttering gold limbs of brown leaves

    sunned by straight cloudless blue in October,

    bits and pieces of the sometimes Sunday.

    A real skyline for its own sake.

    Not regret in the sky but late light,

    little certainty in the dusk.

    Old cars and roses. The yard prepares for evening.

    It knows the colour of yesterday,

    as the shapes in the yard are angles of themselves.

    This night of royal blue can taste the sea,

    reflected in a field of smoothness,

    gulls tumbling over the tide.

    The tide goes out, the tide comes in.

    Everything seems to want to be

    electric. Everything comes alive.

    2

    The multiple appearances of the world,

    the shapes it makes, a succession of organic forms,

    of breaths of irreducible beings, the breath

    that hesitates between the haunted and the painted.

    Flower, landscape, portrait, self-portrait.

    Humans, plants, animals, manifestations

    of the question, finite nuances of nature,

    numerous ripples and representations of forms,

    muscle, flesh, bone, breath, the expressionless

    coolness of the day, capturing colour

    and light, the life of rain, the secret surging

    of the sea. The

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