Constellations
By Ian Pindar
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Constellations - Ian Pindar
IAN PINDAR
Constellations
to the Carpenter
Contents
Title Page
Dedication
Acknowledgements
I
1
2
3
4
5
6
7
8
9
II
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
III
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
IV
54
55
56
57
58
59
60
V
61
62
63
64
65
66
67
68
69
70
71
72
73
74
VI
75
76
77
78
79
80
81
82
83
84
85
86
87
88
About the Author
Also by Ian Pindar from Carcanet Press
Copyright
Acknowledgements
My thanks to Michael Schmidt and Chris Hamilton-Emery, Judith Willson and everyone at Carcanet. Thanks are also due to the editors of The English Review, Poetry Review and Wave Composition, where some of the poems in Constellations first appeared in slightly different forms. I am grateful to A.P. Watt Ltd on behalf of The Literary Executors of the Estate of H.G. Wells for permission to quote from The Time Machine on p. 104. As always, Ali, Izzy and Tom graced me with their days.
Constellations
I
1
Sweetness, some cloudlessness, some shapes,
a random horse, the rolling arrangement
of the mind, with open eyes.
Fluttering gold limbs of brown leaves
sunned by straight cloudless blue in October,
bits and pieces of the sometimes Sunday.
A real skyline for its own sake.
Not regret in the sky but late light,
little certainty in the dusk.
Old cars and roses. The yard prepares for evening.
It knows the colour of yesterday,
as the shapes in the yard are angles of themselves.
This night of royal blue can taste the sea,
reflected in a field of smoothness,
gulls tumbling over the tide.
The tide goes out, the tide comes in.
Everything seems to want to be
electric. Everything comes alive.
2
The multiple appearances of the world,
the shapes it makes, a succession of organic forms,
of breaths of irreducible beings, the breath
that hesitates between the haunted and the painted.
Flower, landscape, portrait, self-portrait.
Humans, plants, animals, manifestations
of the question, finite nuances of nature,
numerous ripples and representations of forms,
muscle, flesh, bone, breath, the expressionless
coolness of the day, capturing colour
and light, the life of rain, the secret surging
of the sea. The