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The Oriental Rug
The Oriental Rug
The Oriental Rug
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The Oriental Rug

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DigiCat Publishing presents to you this special edition of "The Oriental Rug" by William De Lancey Ellwanger. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
LanguageEnglish
PublisherDigiCat
Release dateSep 4, 2022
ISBN8596547234579
The Oriental Rug

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    The Oriental Rug - William De Lancey Ellwanger

    William De Lancey Ellwanger

    The Oriental Rug

    EAN 8596547234579

    DigiCat, 2022

    Contact: [email protected]

    Table of Contents

    PREFACE

    LIST OF PLATES

    THE MYSTERY OF THE RUG

    The Oriental Rug

    Chapter I

    THE MYSTERY OF THE RUG

    GENERAL CLASSIFICATION

    Chapter II

    GENERAL CLASSIFICATION

    OF THE MAKING, & OF DESIGNS, BORDERS, ETC.

    Chapter III

    OF THE MAKING, & OF DESIGNS, BORDERS, ETC.

    OF THE DYEING

    Chapter IV

    OF THE DYEING

    OF PERSIAN RUGS, SPECIFICALLY

    Chapter V

    OF PERSIAN RUGS, SPECIFICALLY

    CAUCASIAN RUGS, DAGHESTAN AND RUSSIAN TYPES

    Chapter VI

    CAUCASIAN RUGS, DAGHESTAN AND RUSSIAN TYPES

    OF TURKISH VARIETIES

    Chapter VII

    OF TURKISH VARIETIES

    TURKOMAN OR TURKESTAN RUGS

    Chapter VIII

    TURKOMAN OR TURKESTAN RUGS

    OF ORIENTAL CARPETS, SADDLE-BAGS, PILLOWS, ETC.

    Chapter IX

    OF ORIENTAL CARPETS, SADDLE-BAGS, PILLOWS, etc.

    AUCTIONS, AUCTIONEERS, AND DEALERS

    Chapter X

    AUCTIONS, AUCTIONEERS, AND DEALERS

    INSCRIPTIONS AND DATES

    Chapter XI

    INSCRIPTIONS AND DATES

    GENERAL OBSERVATIONS AND PARTICULAR ADVICE

    Chapter XII

    GENERAL OBSERVATIONS AND PARTICULAR ADVICE

    INDEX

    Index

    W. D. ELLWANGER

    Title Page Text


    PREFACE

    Table of Contents

    That Oriental rugs are works of art in the highest sense of the term, and that fine antique specimens, of even modest size, have a financial value of ten, fifteen, or thirty-eight thousand dollars, has been recently determined at public auction. At this auction, several nations had a representative voice in the bidding, and the standard of price was fairly established. The value of rugs may have been imaginary and sentimental heretofore; it is now a definite fact, with figures apparently at the minimum. What the maximum may prove, remains to be seen.

    Choice old rugs, therefore, to-day come into the same class with genuine paintings of the old Dutch School; with canvases of Teniers, Ruysdael, Cuyp, Ostade, or whatever similar artist’s work may have escaped the museums. They vie in prestige with the finest examples of Corot, Diaz, Troyon, or Daubigny; and in monetary supremacy they overtop the rarest and grandest of Chinese porcelains.

    And yet the Oriental rug, as against such competitors for the wealthy collectors’ favour, has hardly a history, and is practically without a name or a pedigree. Experts will tell you at a glance whether or not your Wouverman is genuine, or inform you where every true Corot was owned or whence it was bartered or stolen. In Chinese porcelains, the knowing dealer will easily prove to you not only under what dynasty but in what decade or year a particular piece was produced.

    The painting has descent, signature, or the brush mark of a school to father it. The Chinese vase, bowl, or jar has its marks, cyphers, stamps and dates, and an undoubted genealogy to vouch for its authenticity. The rug must speak for itself and go upon its intrinsic merits. It is its own guarantee and certificate of artistic and financial value.

    The study of Oriental rugs, therefore, can never lead to an exact science or approximate dogmatic knowledge. Whoever is interested in them must needs rely upon his personal judgment or the seller’s advice. There is practically only one current book authority in the premises.

    A new volume on the subject would thus seem to be well justified. It is the hope of the author that this book may prove itself sound and practical, and that it may help to make more clear and simple the right appreciation of a valuable rug.

    W. D. ELLWANGER

    Rochester, N.Y.

    , 1903


    LIST OF PLATES

    Table of Contents


    THE MYSTERY OF THE RUG

    Table of Contents

    The Oriental Rug

    Chapter I

    Table of Contents

    THE MYSTERY OF THE RUG

    Table of Contents

    To judge of an Oriental rug rightly, it must be looked at from several points of view, or, at least, from two aspects; against the light and with the light. From the first standpoint, against the light of knowledge, speaking figuratively, there may be seen only a number of rude and awkward figures in crude colours scattered erratically on a dark or dingy-looking background, a fringe of coarse and ragged strings at either end, and rough frays of yarn at the sides. This is what is accepted by many people as an Oriental rug. And indeed this is what most rugs are.

    If, on the other hand, we view our rugs with the light of a better wisdom and happier experience, we will see the richest and softest of colours, the most harmonious shadings and blendings, medallions brilliant as jewels, or geometrical designs beautiful as the rose windows of a cathedral; or, again, graceful combinations of charmingly conventionalized flowers and delicate traceries and arabesques,—all these displaying new glories of ever changing and never tiring beauty. Each woven picture, too, is as soft to tread upon as a closely mown lawn, and caresses the feet that sink into its pile. These are Oriental rugs as their admirers know and love them.

    Perhaps the chief charm of all such beautiful rugs is in their mystery. Their designs are odd and strange and full of hidden meanings, and their effects are often evolved from the crudest and clumsiest figures, hooks and squares and angles;

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