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Othello - William Shakespeare
Othello - William Shakespeare
Othello - William Shakespeare
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Othello - William Shakespeare

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The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in the year approximately 1603, and based on the short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. This tightly constructed work revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but unfaithful ensign, Iago. Because of its varied and current themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike and has been the basis for numerous operatic, film, and literary adaptations.
LanguageEnglish
Release dateJun 3, 2021
ISBN9783985947942
Othello - William Shakespeare
Author

William Shakespeare

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

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    Othello - William Shakespeare - William Shakespeare

    Act I

    SCENE I. Venice. A street.

    Enter RODERIGO and IAGO

    RODERIGO

    Tush! never tell me; I take it much unkindly

    That thou, Iago, who hast had my purse

    As if the strings were thine, shouldst know of this.

    IAGO

    'Sblood, but you will not hear me:

    If ever I did dream of such a matter, Abhor me.

    RODERIGO

    Thou told'st me thou didst hold him in thy hate.

    IAGO

    Despise me, if I do not. Three great ones of the city,

    In personal suit to make me his lieutenant,

    Off-capp'd to him: and, by the faith of man,

    I know my price, I am worth no worse a place:

    But he; as loving his own pride and purposes,

    Evades them, with a bombast circumstance

    Horribly stuff'd with epithets of war;

    And, in conclusion,

    Nonsuits my mediators; for, 'Certes,' says he,

    'I have already chose my officer.'

    And what was he?

    Forsooth, a great arithmetician,

    One Michael Cassio, a Florentine,

    A fellow almost damn'd in a fair wife;

    That never set a squadron in the field,

    Nor the division of a battle knows

    More than a spinster; unless the bookish theoric,

    Wherein the toged consuls can propose

    As masterly as he: mere prattle, without practise,

    Is all his soldiership. But he, sir, had the election:

    And I, of whom his eyes had seen the proof

    At Rhodes, at Cyprus and on other grounds

    Christian and heathen, must be be-lee'd and calm'd

    By debitor and creditor: this counter-caster,

    He, in good time, must his lieutenant be,

    And I—God bless the mark!—his Moorship's ancient.

    RODERIGO

    By heaven, I rather would have been his hangman.

    IAGO

    Why, there's no remedy; 'tis the curse of service,

    Preferment goes by letter and affection,

    And not by old gradation, where each second

    Stood heir to the first. Now, sir, be judge yourself,

    Whether I in any just term am affined

    To love the Moor.

    RODERIGO

    I would not follow him then.

    IAGO

    O, sir, content you;

    I follow him to serve my turn upon him:

    We cannot all be masters, nor all masters

    Cannot be truly follow'd. You shall mark

    Many a duteous and knee-crooking knave,

    That, doting on his own obsequious bondage,

    Wears out his time, much like his master's ass,

    For nought but provender, and when he's old, cashier'd:

    Whip me such honest knaves. Others there are

    Who, trimm'd in forms and visages of duty,

    Keep yet their hearts attending on themselves,

    And, throwing but shows of service on their lords,

    Do well thrive by them and when they have lined

    their coats

    Do themselves homage: these fellows have some soul;

    And such a one do I profess myself. For, sir,

    It is as sure as you are Roderigo,

    Were I the Moor, I would not be Iago:

    In following him, I follow but myself;

    Heaven is my judge, not I for love and duty,

    But seeming so, for my peculiar end:

    For when my outward action doth demonstrate

    The native act and figure of my heart

    In compliment extern, 'tis not long after

    But I will wear my heart upon my sleeve

    For daws to peck at: I am not what I am.

    RODERIGO

    What a full fortune does the thicklips owe

    If he can carry't thus!

    IAGO

    Call up her father,

    Rouse him: make after him, poison his delight,

    Proclaim him in the streets; incense her kinsmen,

    And, though he in a fertile climate dwell,

    Plague him with flies: though that his joy be joy,

    Yet throw such changes of vexation on't,

    As it may lose some colour.

    RODERIGO

    Here is her father's house; I'll call aloud.

    IAGO

    Do, with like timorous accent and dire yell

    As when, by night and negligence, the fire

    Is spied in populous cities.

    RODERIGO

    What, ho, Brabantio! Signior Brabantio, ho!

    IAGO

    Awake! what, ho, Brabantio! thieves! thieves! thieves!

    Look to your house, your daughter and your bags!

    Thieves! thieves!

    BRABANTIO appears above, at a window

    BRABANTIO

    What is the reason of this terrible summons?

    What is the matter there?

    RODERIGO

    Signior, is all your family within?

    IAGO

    Are your doors lock'd?

    BRABANTIO

    Why, wherefore ask you this?

    IAGO

    'Zounds, sir, you're robb'd; for shame, put on

    your gown;

    Your heart is burst, you have lost half your soul;

    Even now, now, very now, an old black ram

    Is topping your white ewe. Arise, arise;

    Awake the snorting citizens with the bell,

    Or else the devil will make a grandsire of you:

    Arise, I say.

    BRABANTIO

    What, have you lost your wits?

    RODERIGO

    Most reverend signior, do you know my voice?

    BRABANTIO

    Not I what are you?

    RODERIGO

    My name is Roderigo.

    BRABANTIO

    The worser welcome:

    I have charged thee not to haunt about my doors:

    In honest plainness thou hast heard me say

    My daughter is not for thee; and now, in madness,

    Being full of supper and distempering draughts,

    Upon malicious bravery, dost thou come

    To start my quiet.

    RODERIGO

    Sir, sir, sir,—

    BRABANTIO

    But thou must needs be sure

    My spirit and my place have in them power

    To make this bitter to thee.

    RODERIGO

    Patience, good sir.

    BRABANTIO

    What tell'st thou me of robbing? this is Venice;

    My house is not a grange.

    RODERIGO

    Most grave Brabantio,

    In simple and pure soul I come to you.

    IAGO

    'Zounds, sir, you are one of those that will not

    serve God, if the devil bid you. Because we come to

    do you service and you think we are ruffians, you'll

    have your daughter covered with a Barbary horse;

    you'll have your nephews neigh to you; you'll have

    coursers for cousins and gennets for germans.

    BRABANTIO

    What profane wretch art thou?

    IAGO

    I am one, sir, that comes to tell you your daughter

    and the Moor are now making the beast with two backs.

    BRABANTIO

    Thou art a villain.

    IAGO

    You are—a senator.

    BRABANTIO

    This thou shalt answer; I know thee, Roderigo.

    RODERIGO

    Sir, I will answer any thing. But, I beseech you,

    If't be your pleasure and most wise consent,

    As partly I find it is, that your fair daughter,

    At this odd-even and dull watch o' the night,

    Transported, with no worse nor better guard

    But with a knave of common hire, a gondolier,

    To the gross clasps of a lascivious Moor—

    If this be known to you and your allowance,

    We then have done you bold and saucy wrongs;

    But if you know not this, my manners tell me

    We have your wrong rebuke. Do not believe

    That, from the sense of all civility,

    I thus would play and trifle with your reverence:

    Your daughter, if you have not given her leave,

    I say again, hath made a gross revolt;

    Tying her duty, beauty, wit and fortunes

    In an extravagant and wheeling stranger

    Of here and every where. Straight satisfy yourself:

    If she be in her chamber or your house,

    Let loose on me the justice of the state

    For thus deluding you.

    BRABANTIO

    Strike on the tinder, ho!

    Give me a taper! call up all my people!

    This accident is not unlike my dream:

    Belief of it oppresses me already.

    Light, I say! light!

    Exit above

    IAGO

    Farewell; for I must leave you:

    It seems not meet, nor wholesome to my place,

    To be produced—as, if I stay, I shall—

    Against the Moor: for, I do know, the state,

    However this may gall him with some cheque,

    Cannot with safety cast him, for he's embark'd

    With such loud reason to the Cyprus wars,

    Which even now stand in act, that, for their souls,

    Another of his fathom they have none,

    To lead their business: in which regard,

    Though I do hate him as I do hell-pains.

    Yet, for necessity of present life,

    I must show out a flag and sign of love,

    Which is indeed but sign. That you shall surely find him,

    Lead to the Sagittary the raised search;

    And there will I be with him. So, farewell.

    Exit

    Enter, below, BRABANTIO, and Servants with torches

    BRABANTIO

    It is too true an evil: gone she is;

    And what's to come of my despised time

    Is nought but bitterness. Now, Roderigo,

    Where didst thou see her? O unhappy girl!

    With the Moor, say'st thou? Who would be a father!

    How didst thou know 'twas she? O she deceives me

    Past thought! What said she to

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