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The Divine Comedy by Dante, Illustrated, Paradise, Complete
The Divine Comedy by Dante, Illustrated, Paradise, Complete
The Divine Comedy by Dante, Illustrated, Paradise, Complete
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The Divine Comedy by Dante, Illustrated, Paradise, Complete

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The Divine Comedy is a classic Italian narrative poem by Dante Alighieri, which laid the foundations for the art of the Renaissance. It was completed a year before Dante's death in 1321. It is widely considered the most critical work in Italian literature and one of the greatest works of world literature. Constitutionally, it consists of three parts Hell, Purgatory, and Paradise. Here, we present the last part of the trilogy: Paradise.
LanguageEnglish
PublisherDigiCat
Release dateMay 28, 2022
ISBN8596547024491
The Divine Comedy by Dante, Illustrated, Paradise, Complete
Author

Dante Alighieri

Durante degli Alighieri, known as Dante (1265–1321), was a major Italian poet of the Middle Ages. His Divine Comedy is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature

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    The Divine Comedy by Dante, Illustrated, Paradise, Complete - Dante Alighieri

    Dante Alighieri

    The Divine Comedy by Dante, Illustrated, Paradise, Complete

    EAN 8596547024491

    DigiCat, 2022

    Contact: [email protected]

    Table of Contents

    Format Choice

    PARADISE

    From

    THE VISION

    OF

    HELL, PURGATORY, AND PARADISE

    BY

    DANTE ALIGHIERI

    ILLUSTRATED BY GUSTAVE DORE

    TRANSLATED BY

    THE REV. H. F. CARY, M.A.

    PARADISE

    LIST OF CANTOS

    CANTO I

    CANTO II

    CANTO III

    CANTO IV

    CANTO V

    CANTO VI

    CANTO VII

    CANTO VIII

    CANTO IX

    CANTO X

    CANTO XI

    CANTO XII

    CANTO XIII

    CANTO XIV

    CANTO XV

    CANTO XVI

    CANTO XVII

    CANTO XVIII

    CANTO XIX

    CANTO XX

    CANTO XXI

    CANTO XXII

    CANTO XXIII

    CANTO XXIV

    CANTO XXV

    CANTO XXVI

    CANTO XXVII

    CANTO XXVIII

    CANTO XXIX

    CANTO XXX

    CANTO XXXI

    CANTO XXXII

    CANTO XXXIII

    Format Choice

    Table of Contents

    The present format is best for most laptops and computers, and generates well to .mobi and .epub files. The higher quality images in this file do not reduce in size to fit the small screens of Tablets and Smart Phones—part of the larger images may run off the side. Two other formats are available by clicking on the following lines:

    1. The original ebook which was split into several small files.

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    PARADISE

    Table of Contents

    From:

    Table of Contents

    THE VISION

    OF

    HELL, PURGATORY, AND PARADISE

    BY

    Table of Contents

    DANTE ALIGHIERI

    Table of Contents

    ILLUSTRATED BY GUSTAVE DORE

    Table of Contents

    TRANSLATED BY

    Table of Contents

    THE REV. H. F. CARY, M.A.

    Table of Contents

    ENLARGE TO FULL SIZE

    ENLARGE TO FULL SIZE

    front2.jpg (41K)

    ENLARGE TO FULL SIZE

    title2.jpg (21K)

    PARADISE

    Table of Contents

    LIST OF CANTOS

    Table of Contents

    Canto 1

    Canto 2

    Canto 3

    Canto 4

    Canto 5

    Canto 6

    Canto 7

    Canto 8

    Canto 9

    Canto 10

    Canto 11

    Canto 12

    Canto 13

    Canto 14

    Canto 15

    Canto 16

    Canto 17

    Canto 18

    Canto 19

    Canto 20

    Canto 21

    Canto 22

    Canto 23

    Canto 24

    Canto 25

    Canto 26

    Canto 27

    Canto 28

    Canto 29

    Canto 30

    Canto 31

    Canto 32

    Canto 33

    CANTO I

    Table of Contents

    His glory, by whose might all things are mov'd,

    Pierces the universe, and in one part

    Sheds more resplendence, elsewhere less. In heav'n,

    That largeliest of his light partakes, was I,

    Witness of things, which to relate again

    Surpasseth power of him who comes from thence;

    For that, so near approaching its desire

    Our intellect is to such depth absorb'd,

    That memory cannot follow. Nathless all,

    That in my thoughts I of that sacred realm

    Could store, shall now be matter of my song.

    Benign Apollo! this last labour aid,

    And make me such a vessel of thy worth,

    As thy own laurel claims of me belov'd.

    Thus far hath one of steep Parnassus' brows

    Suffic'd me; henceforth there is need of both

    For my remaining enterprise Do thou

    Enter into my bosom, and there breathe

    So, as when Marsyas by thy hand was dragg'd

    Forth from his limbs unsheath'd. O power divine!

    If thou to me of shine impart so much,

    That of that happy realm the shadow'd form

    Trac'd in my thoughts I may set forth to view,

    Thou shalt behold me of thy favour'd tree

    Come to the foot, and crown myself with leaves;

    For to that honour thou, and my high theme

    Will fit me. If but seldom, mighty Sire!

    To grace his triumph gathers thence a wreath

    Caesar or bard (more shame for human wills

    Deprav'd) joy to the Delphic god must spring

    From the Pierian foliage, when one breast

    Is with such thirst inspir'd. From a small spark

    Great flame hath risen: after me perchance

    Others with better voice may pray, and gain

    From the Cirrhaean city answer kind.

    Through diver passages, the world's bright lamp

    Rises to mortals, but through that which joins

    Four circles with the threefold cross, in best

    Course, and in happiest constellation set

    He comes, and to the worldly wax best gives

    Its temper and impression. Morning there,

    Here eve was by almost such passage made;

    And whiteness had o'erspread that hemisphere,

    Blackness the other part; when to the left

    I saw Beatrice turn'd, and on the sun

    Gazing, as never eagle fix'd his ken.

    As from the first a second beam is wont

    To issue, and reflected upwards rise,

    E'en as a pilgrim bent on his return,

    So of her act, that through the eyesight pass'd

    Into my fancy, mine was form'd; and straight,

    Beyond our mortal wont, I fix'd mine eyes

    Upon the sun. Much is allowed us there,

    That here exceeds our pow'r; thanks to the place

    Made for the dwelling of the human kind

    I suffer'd it not long, and yet so long

    That I beheld it bick'ring sparks around,

    As iron that comes boiling from the fire.

    And suddenly upon the day appear'd

    A day new-ris'n, as he, who hath the power,

    Had with another sun bedeck'd the sky.

    Her eyes fast fix'd on the eternal wheels,

    Beatrice stood unmov'd; and I with ken

    Fix'd upon her, from upward gaze remov'd

    At her aspect, such inwardly became

    As Glaucus, when he tasted of the herb,

    That made him peer among the ocean gods;

    Words may not tell of that transhuman change:

    And therefore let the example serve, though weak,

    For those whom grace hath better proof in store

    If I were only what thou didst create,

    Then newly, Love! by whom the heav'n is rul'd,

    Thou know'st, who by thy light didst bear me up.

    Whenas the wheel which thou dost ever guide,

    Desired Spirit! with its harmony

    Temper'd of thee and measur'd, charm'd mine ear,

    Then seem'd to me so much of heav'n to blaze

    With the sun's flame, that rain or flood ne'er made

    A lake so broad. The newness of the sound,

    And that great light, inflam'd me with desire,

    Keener than e'er was felt, to know their cause.

    Whence she who saw me, clearly as myself,

    To calm my troubled mind, before I ask'd,

    Open'd her lips, and gracious thus began:

    "With false imagination thou thyself

    Mak'st dull, so that thou seest not the thing,

    Which thou hadst seen, had that been shaken off.

    Thou art not on the earth as thou believ'st;

    For light'ning scap'd from its own proper place

    Ne'er ran, as thou hast hither now return'd."

    Although divested of my first-rais'd doubt,

    By those brief words, accompanied with smiles,

    Yet in new doubt was I entangled more,

    And said: "Already satisfied, I rest

    From admiration deep, but now admire

    How I above those lighter bodies rise."

    Whence, after utt'rance of a piteous sigh,

    She tow'rds me bent her eyes, with such a look,

    As on her frenzied child a mother casts;

    Then thus began: "Among themselves all things

    Have order; and from hence the form, which makes

    The universe resemble God. In this

    The higher creatures see the printed steps

    Of that eternal worth, which is the end

    Whither the line is drawn. All natures lean,

    In this their order, diversely, some more,

    Some less approaching to their primal source.

    Thus they to different havens are mov'd on

    Through the vast sea of being, and each one

    With instinct giv'n, that bears it in its course;

    This to the lunar sphere directs the fire,

    This prompts the hearts of mortal animals,

    This the brute earth together knits, and binds.

    Nor only creatures, void of intellect,

    Are aim'd at by this bow; but even those,

    That have intelligence and love, are pierc'd.

    That Providence, who so well orders all,

    With her own light makes ever calm the heaven,

    In which the substance, that hath greatest speed,

    Is turn'd: and thither now, as to our seat

    Predestin'd, we are carried by the force

    Of that strong cord, that never looses dart,

    But at fair aim and glad. Yet is it true,

    That as ofttimes but ill accords the form

    To the design of art, through sluggishness

    Of unreplying matter, so this course

    Is sometimes quitted by the creature, who

    Hath power, directed thus, to bend elsewhere;

    As from a cloud the fire is seen to fall,

    From its original impulse warp'd, to earth,

    By vicious fondness. Thou no more admire

    Thy soaring, (if I rightly deem,) than lapse

    Of torrent downwards from a mountain's height.

    There would in thee for wonder be more cause,

    If, free of hind'rance, thou hadst fix'd thyself

    Below, like fire unmoving on the earth."

    So said, she turn'd toward the heav'n her face.

    CANTO II

    Table of Contents

    All ye, who in small bark have following sail'd,

    Eager to listen, on the advent'rous track

    Of my proud keel, that singing cuts its way,

    Backward return with speed, and your own shores

    Revisit, nor put out to open sea,

    Where losing me, perchance ye may remain

    Bewilder'd in deep maze. The way I pass

    Ne'er yet was run: Minerva breathes the gale,

    Apollo guides me, and another Nine

    To my rapt sight the arctic beams reveal.

    Ye other few, who have outstretch'd the neck.

    Timely for food of angels, on which here

    They live, yet never know satiety,

    Through the deep brine ye fearless may put out

    Your vessel, marking, well the furrow broad

    Before you in the wave, that on both sides

    Equal returns. Those, glorious, who pass'd o'er

    To Colchos, wonder'd not as ye will do,

    When they saw Jason following the plough.

    The increate perpetual thirst, that draws

    Toward the realm of God's own form, bore us

    Swift almost as the heaven ye behold.

    Beatrice upward gaz'd, and I on her,

    And in such space as on the notch a dart

    Is plac'd, then loosen'd flies, I saw myself

    Arriv'd, where wond'rous thing engag'd my sight.

    Whence she, to whom no work of mine was hid,

    Turning to me, with aspect glad as fair,

    Bespake me: "Gratefully direct thy mind

    To God, through whom to this first star we come."

    Me seem'd as if a cloud had cover'd us,

    Translucent, solid, firm, and polish'd bright,

    Like adamant, which the sun's beam had smit

    Within itself the ever-during pearl

    Receiv'd us, as the wave a ray of light

    Receives, and rests unbroken. If I then

    Was of corporeal frame, and it transcend

    Our weaker thought, how one dimension thus

    Another could endure, which needs must be

    If body enter body, how much more

    Must the desire inflame us to behold

    That essence, which discovers by what means

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