Why Follow Rules?: Trust your Intuition

Why Follow Rules?

Trust your Intuition

James Maberly

Published by James Maberly

www.cultivating-intuition.com

Why Follow Rules?

Copyright © James Maberly

First published in 2014 by James Maberly

The right of James Maberly to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988.

All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, by lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in writing, in any form or binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser.

The author gratefully acknowledges permission from the following sources to reprint material in their control; Franklin Covey Co. and Hyrum W Smith, The 10 Natural Laws of Successful Time and Life Management, Copyright © 1994. All rights reserved. All other permissions are listed after the final chapter.

Every reasonable effort has been made to contact the copyright holders of material reproduced in this book. If any have inadvertently been overlooked, the publisher would be glad to hear from them and make good in future editions any errors and omissions brought to their attention.

Cover design; Victorine Lieske - www.indiebookcovers.blogspot.co.uk

A catalogue record for this book is available from the British Library

ISBN no. 978-0-9575826-3-7

To my family; Veronica, Ted, Harry, Jasper and JoJo.

Thank you for everything. You are amongst my greatest teachers.

I love you all.

Main donors towards publication costs

Fifty two people very generously contributed towards the cost of publication for this book. They are all listed on the website and I am most grateful to all of them for their vision and support.

In particular, I wish to mention two who gave extremely generously. Scott Russell and Ernie Patterson, thank you both so much for showing your confidence in this book. I offer you my very grateful thanks.

"How easy it is to get covered over by all of the rules and the controls and the perceptions of life.

How easy it is to negotiate yourself away from your enlightenment. "

Adamus St Germain

Preface

Writing this book has been an exciting and fascinating journey. When I started out I felt I already knew what to write. Little did I realise that in the process of writing it I would have learnt so much more about myself, others and the whole subject of Cultivating Intuition. Thank you as the reader for allowing me this privilege. If it were not for you I may never have taken the journey in quite the same way.

I believe we are our own best guides as to when we are ready to learn, even if we are not conscious of it. We learn some pretty good lessons early on from our teachers, parents, elders and books but we only learn the important lessons of life as and when we are ready to do so. Thus I assume that those who read this will do so because they are on a journey of exploration as I was (and still am). I hope you enjoy the experience.

I have several people to thank for their assistance in the writing of this book. I would like to thank my family for their patience and their constructive ideas that have assisted me along the way and for allowing me to use anecdotes about them and some of their art images throughout the book. To Binkie Andrews for her regular assistance with typing, proof reading, friendship and excellent advice; to Keir Wyatt, for his help in proof reading and his wise counsel; to Mandi Rukuni for his friendship, support and advice; to Josee Honeyball for her consistent support; to Alan Doyle for his scrupulous proof reading and questioning mind and for our camaraderie in the self-publishing arena; to Charles Boscawen for his important input; to Sam Passow for his considered and useful guidance; to Monique Drummond for her insight; to Seymour Jacklin for his clear vision and editorial eye; to Victorine Lieske for such a wonderful cover and to Jason Mathews for his continued responses to my many questions.

I have two friends whose work and wisdom have inspired me greatly over the years and have played a very important part in the formulation of this book. The first is Ken Anderson whom I have known for many years and the second is Charles Handy.  His 'Thoughts for the day' audio tape remains one of my most treasured possessions. The website (detailed below) has been set up in order for those interested to find further information, links to books, talks and courses that encourage us to think and act differently and to remind us again of the extraordinary facility our intuition offers us in our everyday existence.

James Maberly

Suffolk, United Kingdom

June 2014

Visit www.cultivating-intuition.com for more background, links to talks, images, references and a regular blog of new ideas.

Table of Contents

      Introduction

Part one - Intuition, Creativity and Original thought

1 So what is Intuition?

2 Intuition; going beyond the mind

3 Creativity; synergy between intuition and the mind

Part two -The Eight Critical Questions

4 The Eight Critical Questions - an introduction

5 Whose rules are you following and why?

6 Do you really know who you are?

7 Do you have the courage to make mistakes openly?

8 Are you willing to embrace change?

9 Do you honestly trust yourself?

10 What is the tone of your communication with others?

11 Are you a true or a selfish leader?

12 What is your passion?

Part three – Those who have broken the mold

13 Those that have broken the Mold - an introduction

14 Steve Jobs - A lifetime of wisdom in a paragraph

15 Scott Russell - from jewellery repair to multi-millionaire

16 Francois le Roux - a man who inspires others to make music

17 Joanna Jones - an artist who paints with her body

18 Becky Overy-Owen - Flying high after the fall

19 Conclusion - Where to now?

      An afterthought

      About the author

      Permissions

Introduction

In the summer of 2011 I was visiting Zimbabwe and whilst there, chanced upon a workshop run by Francois Le Roux, a classical cellist, encouraging young advanced musicians to play their instruments intuitively; to ‘improvise’ as he called it. Slowly but surely he coaxed a number of them up to play their instruments with him, without guidance, just listening to their own creative intuition and freeing themselves from the necessity of following a written score.

I watched, mesmerised as he drew from these youngsters the most magical sounds, all of their own creation. Tense with anxiety, their first few notes were jarred and awkward but once they realised that they could actually do it, their bodies began to weave with the music and they found a momentum and energy that was delightful to watch. What I was witnessing was each of these young players accessing their own intuitive genius, their own natural creativity unleashed.

So what was it that made this event so extraordinary? Was it the skill of the players? Was it their ability to play their instruments so beautifully? No. It was a lesson for each of them and for everyone watching that they do not have to follow other people’s music forever. If they so choose, they can create their own music. After all, all music is but the intuitive inspiration and creative work of another person. It all began with someone ‘improvising’ and then writing it down, the start of a process of original creation.

Education systems around the world encourage us not to listen to our intuition. Intuition is considered unreliable and without foundation. If it hasn’t been scientifically proven then it simply can’t exist, or certainly it shouldn’t be taken seriously. So much of education is based on simply learning what our forebears believed to be necessary for youngsters to get on in life, despite the fact that the majority of it will probably never be used again once they have left school. I have absolutely no recollection of anything but the basic Latin, Geography and Maths I was taught at school. Why? I simply don’t use them and I am often completely befuddled by the homework my children bring home with them.

Yet if I listen to talks or read books about some of our most creative and original thinkers, they regularly refer to the value of their intuition. They understand without question that their link to creativity and original thought comes directly from this extraordinary quality that exists in all of us; our abundant, dynamic and remarkable intuition.

Visit www.cultivating-intuition.com for more background, links to talks, images, references and a regular blog of new ideas.

Part 1

Intuition, creativity and original thought

Listen to your intuition – it will tell you all you need to know.

Anthony J. D’Angelo

Author of ‘The College Blue Book’ and ‘Rich Grad Poor Grad’.

Intuitive drawing using found objects by Christina Orrock

1

So what is Intuition?

Intuition is the birth place of all original thought.

Everyone has intuitive thoughts every day, whether we recognise them as such or not. Some are highly original. It was intuition that gave Nikola Tesla¹, the brilliant Serbian-American inventor the source for his extraordinary ideas. It gave Einstein, Leonardo da Vinci, Benjamin Britten and Richard Branson theirs and it also gives the poet who lives next door to us the source of her creative thoughts as well. Steve Jobs of Apple fame has often said he lived by his intuition.

When puzzling out some challenging problem which simply does not seem to add up or to make sense to us, our minds often go round and round in circles. Often the moment we relax and drift away from our incessant thoughts, the necessary information comes through in a sudden burst of clarity and a ‘Eureka’ moment occurs.

At the moment of arrival of an inspirational idea (let’s call it a ‘spark’), the mind has not yet kicked in. The ‘spark’ arrives quietly without fanfare (often at unusual times), deposits itself in our minds and waits for us to decide whether we want it or not. If not, then it simply disappears. If the ‘spark’ prompts us to apply active thought and work out how to complete our puzzle, then that is our ‘Eureka’ moment.

Whatever the puzzle or challenge is, the method or approach by which we choose to respond to this unique inspiration is entirely our own because it is coloured by each of our personalities and the multitude of experiences we have had in our lifetimes. By continuing to listen to the original ‘sparks’ that flash into our minds at each stage of the creative process, what emerges is an original idea which is uniquely ours. Whether we decide to make use of that thought, expand it and effectively ‘bring it to life’ is also entirely up to us. We are the creators - the choice is ours, or to make it more personal, mine.

I asked myself, ‘can you and will you stand up and make your mark or are you too tied to the ‘norms’ and rules of the society around you? Will you relax into and follow your heart or will you do as so many do and let the ideas slip by, foiled by the need to conform or the fear of losing a steady income to pay the bills’?

In the chapters that follow I provide questions, thoughts and considerations I have encountered along my own journey on how to develop an intuitive idea into something tangible and effective and there is far more to it than one might imagine. Some people are very good at this but there are not nearly enough. We need original thinkers now more than ever. We need them to break away from the stereotypical systems, rules and structures of the past and emerge with new and vibrant ideas for the future. We need more people to step forward and make the necessary changes needed in our society. It requires a shift in our appreciation of ourselves and our abilities and a better understanding of the nature of our inner core, the root of all our creativity, innovation and originality.

Original thought is critical to our future progress. Engage with it, own it and bring it to life. The power to do so is in our hands.



¹ Nikola Tesla invented fluorescent lighting, the Tesla induction motor, the Tesla coil, the alternating current (AC) electrical supply system that included a motor and transformer, and 3-phase electricity. Tesla is now also credited with inventing modern radio.

Two Intuitive drawings made using found objects by Xenia Dautzenberg aged 11 (made at extraordinary speed).

2

Intuition: going beyond the mind

Intuition:  the ability to understand something instinctively, without the need for conscious reasoning; Knowledge or belief obtained neither by reason nor by perception; instinctive knowledge or belief independent of any reasoning process; the quality or ability of having direct perception or quick insight.

Sources: Oxford, Collins, Merriam-Webster, Dictionary.com, Wikipedia.

Albert Einstein realised the power of his intuition. He recognised that inspiration comes from beyond us and that we have lost sight of its true value. He wrote: The Intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honours the servant and has forgotten the gift.¹

As mentioned in Chapter 1, another genius who recognised that inspiration came to him through his intuition was the inspired Serbian-American inventor, Nikola Tesla. Not only did Tesla recognise the power of his intuition, he also had visions that were so clear to him that he could actually see the full workings of his ideas before he had even put thought and reason into the process. 

Jonas Salk, the inventor of the polio vaccine wrote that ‘The intuitive mind tells the thinking mind where to look next.’²

Both of the above quotations remind us that intuition is the source of all originality. The logical mind takes that spark of intuition and molds it into something more tangible by helping us to expand on ideas we may already have or by cultivating new and original ideas.

They also both suggest that there is such a thing as the ‘intuitive mind’. This is what I refer to as the ‘intuitive self’; it is entirely separate from the mind as we know it and the idea that we have a ‘conscious thought’ about one thing and a ‘spark of inspiration’ about something else suggests immediately that there is a separation between the two. The intuitive self works with the mind but is separate from it, just as the ego is separate from it also.

Consider that the left and right sides of the brain need each other to function correctly. Equally, they both need information to process. Images, thoughts, sounds, smells and all manner of information are entering our brains all the time whilst we go about our daily tasks and the brain processes that information in order to make sense of it all. We discern the feelings and emotions of others around us through sight, sound and touch and through sensing the energy they are radiating outwards. All this we know and we do automatically.

Intuition picks up on the information which we are processing and drops ideas (particles if you like) into our minds on a regular basis and most of the time we ignore them as we are either busy, already engrossed in some task that does not require intuition to further our aims or because we have taken on board the teachings through religion or through education that intuition is unreliable and cannot be trusted. Some religions are consciously counter-intuitive which is a great shame and is perhaps one of the reasons why some of them are stuck so solidly in the past and not shifting with the times into a new, exciting and creative world.

After a fair amount of time considering and indeed listening to my intuitive self, I have come to realise that the mind is not the primary driving force within us. It is important and crucial to our daily existence but in reality the mind is simply a tool to be used constructively. It is a processor which we can use to our advantage and it has the capacity to process information logically and creatively, allowing us to move our societies forward. Our primary driving force however is the heart, where the soul resides, and that is part of the intuitive self.

This is a difficult point to argue but can be clearly understood when we consider the music and songs we listen to on a daily basis. How many of them concentrate on subjects such as maths, geography, French, the stock market, engineering, diplomacy or the Royal Bank of Scotland? Do we sing about real estate, driving conditions or traffic cones? Most songs, most musical communications and most poetry relate to love in its many guises; desperate love, lost love, rejection, unrequited love, a need for love or relationships in general.  When all is said and done we are driven by the impulses of the heart, not by the mind. If someone is rude to you, you feel hurt. If you win a prize you feel elated. If your girlfriend or boyfriend walks out on you, it seriously messes up your ability to concentrate and be productive at work. If you have a brilliant idea, which has great potential, it is not the reasoning behind it that will make it work. It is the feeling you have about your own ability to make it happen, and where does that come from? The heart.

It is also from exactly this point that the spark of intuition comes and it emerges quietly and beautifully as described in the definition above, without inference or the