Understanding Copyright: Author's Edition
By Teresa Lynn
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About this ebook
• What copyright is • What copyright covers • When and how to register copyright • Fair Use • Using real people and places • What to do if your work is stolen • How to transfer copyright
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Understanding Copyright - Teresa Lynn
Understanding Copyright:
Author’s Edition
Understanding Copyright:
Author’s Edition
Teresa Lynn
Tranquility Press 2019
Understanding Copyright: Author’s Edition
© Teresa Lynn 2019 All rights reserved
No part of this book may be reproduced, adapted, distributed, displayed, copied, or used in any manner whatsoever, except for brief quotations embodied within a review, without written permission.
For information:
Tranquility Press
TranquilityPress.com
723 W University Ave
#300-234
Georgetown TX 78626
The information contained herein is for informational and educational purposes only. It does not constitute legal advice. Consult an attorney for advice concerning copyright law.
Paperback ISBN: 978-1-950481-12-5
e-book ISBN: 978-1-950481-11-8
Library of Congress Control Number:2019947682
Library of Congress Cataloging-in-Publication Data
Names: Lynn, Teresa, 1969- author
Title: Understanding copyright : authors edition / Teresa Lynn
Description: | Austin, Texas : Tranquility Press, 2019 | Includes bibliographical references
Identifiers: LCCN 2019947682 (print) |
ISBN 978-1-950481-12-5 (print) | 978-1-950481-11-8 (e-book)
Subjects: LCSH: Copyright—United States.
Classification: LCC KF2995 | LCC KF3020 |
DDC 346.7304/82-dc23
Contents
Note from the Author
Chapter 1: What Is Copyright?
What Copyright Is Not
Chapter 2: Fair Use
Chapter 3: What Does Copyright Cover?
What Copyright Does Not Cover
Chapter 4: Who Owns the Copyright?
Chapter 5: How Long Does Copyright Last?
Handy charts
Chapter 6: Protecting Your Rights
Chapter 7: How to Find a Copyright Owner
Obtaining Permission for Use
Chapter 8: Online Works: How Are They Different
Chapter 9: Special Considerations
Book Covers and Illustrations
Music
Film & Video
Chapter 10: Conveyance
Literary Estates
Chapter 11: Trademarks
Chapter 12: Other Limitations
Where to Find More Information
About the Author
Disclaimer
Note from the Author
I am not an attorney. I am a writer, an editor, and a publisher.
In each of these capacities, I often run into issues dealing with copyright. Misunderstandings about this topic abound. I’ve spent many hours reading copyright law, studying guidelines from the US Copyright Office, and consulting with attorneys to keep both myself and my clients from running afoul of the law.
The purpose of this book is to share some educational information on the issues that arise most often for writers. It is not, and should not be considered or taken as, legal advice.
Please note that while every effort has been made toward accuracy, laws—including those dealing with copyright—are subject to change at any time; and they often do. Therefore, always seek the advice of an attorney specializing in intellectual property regarding any specific questions about your own work.
Teresa Lynn
August 2019
Chapter 1
What Is Copyright?
Although we speak of copyright in the singular, that is misleading. Copyright is actually several separate rights, bundled together and treated as one. Each of these rights is exclusive to the holder, or owner, of the copyright.
The rights included in copyright are:
1) to reproduce the copyrighted work;
2) to prepare derivative works based upon the copyrighted work;
3) to distribute copies of the copyrighted work to the public for compensation or by transfer of ownership;
4) to perform the copyrighted work publicly;
5) to display the copyrighted work publicly; and
6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.
Let’s examine each of these rights individually.
Right to Reproduce
When discussing copyright, the right to reproduce is often the one that first comes to mind. Reproducing means duplicating or copying by any method, including manually, mechanically, electronically or digitally.
Everyday Application
Saving a photo or meme you find online and then posting it on your social media is a form of reproducing. Since that’s a right reserved to the copyright owner, it shouldn’t be done without permission.
Right to Prepare Derivatives
Next is the right to prepare derivative works. A derivative work is created by transforming some aspect of one or more existing works to create a new form of the work. To qualify as a derivative work under the law, the new work must use a substantial
amount of the preexisting work. This means the new work must contain enough of the preexisting work that an average person would recognize that it was adapted from the previous work. There are several ways this right could be exercised by writers: adapting a book into a screenplay or play; translating a book into