Delphi Complete Works of Parthenius (Illustrated)
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About this ebook
The tutor of the epic poet Virgil, Parthenius of Nicaea was a Greek grammarian and poet that flourished in the first century AD. Regarded as the last of the Alexandrians, Parthenius was a writer of elegies and short epic poems. His sole surviving work, ‘Love Romances’, is a collection of thirty-six epitomes of mythological love stories, all of which have tragic or sentimental endings. The tales are valuable in providing information on Alexandrian poets and grammarians whose works are now lost. The ‘Love Romances’ would play an important part in the development of the love story – especially the tragic love story – in the course of Western literature. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Parthenius’ complete extant works, with illustrations, informative introductions and the usual Delphi bonus material. (Version 1)
* Beautifully illustrated with images relating to Parthenius’ life and works
* Features the complete extant works of Parthenius, in both English translation and the original Greek
* Concise introduction to the text
* Features S. Gaselee’s 1916 translation, with footnotes, previously appearing in the Loeb Classical Library
* Includes rare fragments of Parthenius
* Excellent formatting of the texts
* Easily locate the sections you want to read with individual contents tables
* Provides a special dual English and Greek text, allowing readers to compare the sections paragraph by paragraph — ideal for students
* Features a bonus biography — discover Parthenius’ ancient world
Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set
CONTENTS:
The Translation
Love Romances
The Greek Text
Contents of the Greek Text
The Dual Text
Dual Greek and English Text
The Biography
Introduction to Parthenius by S. Gaselee
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Delphi Complete Works of Parthenius (Illustrated) - Parthenius of Nicaea
The Complete Works of
PARTHENIUS
(fl. 1st century BC)
img1.jpgContents
The Translation
Love Romances
The Greek Text
Contents of the Greek Text
The Dual Text
Dual Greek and English Text
The Biography
Introduction to Parthenius by S. Gaselee
The Delphi Classics Catalogue
img2.png© Delphi Classics 2021
Version 1
img3.jpgBrowse Ancient Classics
img4.jpgimg5.jpgimg6.jpgimg7.jpgimg8.jpgimg9.jpgimg10.jpgThe Complete Works of
PARTHENIUS OF NICAEA
img11.pngBy Delphi Classics, 2021
COPYRIGHT
Complete Works of Parthenius
First published in the United Kingdom in 2021 by Delphi Classics.
© Delphi Classics, 2021.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 80170 009 2
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: [email protected]
img12.pngwww.delphiclassics.com
The Translation
img13.jpgAncient ruins at Nicaea, northwestern Anatolia, primarily known as the site of the First and Second Councils of Nicaea — Parthenius’ birthplace
img14.jpgİznik Walls at Istanbul Gate, Nicaea
Love Romances
img15.pngTranslated by S. Gaselee, 1916, Loeb Classical Library
Parthenius of Nicaea was a Greek grammarian and poet that flourished in the first century AD. According to the Suda, he was the son of Heraclides and Eudora, while Hermippus of Berytus claims that his mother’s name was Tetha. We know very little of Parthenius’ life and career. He was taken prisoner by Helvius Cinna in the Mithridatic Wars and carried to Rome in 72 BC. He subsequently visited Neapolis, where he reportedly taught Greek to the future epic poet Virgil, as recorded by Macrobius. He is believed to have lived until the accession of Tiberius in 14 AD.
Sometimes described as the last of the Alexandrians
, Parthenius was a writer of elegies, especially dirges, and of short epic poems. His sole surviving work, the Ἐρωτικὰ Παθήματα (Love Romances), was set out, as Parthenius states in his preface, in the shortest possible form
and dedicated to the poet Cornelius Gallus, as a storehouse from which to draw material
. It is a collection of thirty-six epitomes of mythological love stories, all of which have tragic or sentimental endings. Parthenius is one of the few ancient writers whose work survives in only one manuscript, called Palatinus Heidelbergensis graecus 398 (P), which was likely written in the mid-ninth century.
It contains a diverse mixture of geography, excerpts from Hesychius of Alexandria, paradoxography, epistolography and mythology. As the author usually quotes his authorities, these tales are valuable in providing information on the Alexandrian poets and grammarians whose works are now lost. Parthenius was famous to the literary world of the ancients as one of the regular Alexandrine school of poets, though pedantic and obscure, often opting for the less well known legends of mythology. Yet, these mini-epic tales would play an important part in the development of the love story – especially the tragic love story – in the course of Western literature.
img16.pngApollo and Daphne, a marble sculpture by Bernini, c. 1625 – Daphne’s tragic love story is one of the thirty-six romances narrated by Parthenius.
CONTENTS
PARTHENIUS TO CORNELIUS GALLUS, GREETING
I. THE STORY OF LYRCUS
II. THE STORY OF POLYMELA
III. THE STORY OF EVIPPE
IV. THE STORY OF OENONE
V. THE STORY OF LEUCIPPUS
VI. THE STORY OF PALLENE
VII. THE STORY OF HIPPARINUS
VIII. THE STORY OF HERIPPE
IX. THE STORY OF POLYCRITE ³¹
X. THE STORY OF LEUCONE ³⁶
XI. THE STORY OF BYBLIS
XII. THE STORY OF CALCHUS
XIII. THE STORY OF HARPALYCE
XIV. THE STORY OF ANTHEUS
XV. THE STORY OF DAPHNE
XVI. THE STORY OF LAODICE
XVII. THE STORY OF PERIANDER AND HIS MOTHER
XVIII. THE STORY OF NEAERA
XIX. THE STORY OF PANCRATO
XX. THE STORY OF AËRO
XXI. THE STORY OF PISIDICE
XXII. THE STORY OF NANIS
XXIII. THE STORY OF CHILONIS
XXIV. THE STORY OF HIPPARINUS
XXV. THE STORY OF PHAYLLUS
XXVI. THE STORE OF APRIATE
XXVII. THE STORY OF ALCINOE
XXVIII. THE STORY OF CLITE
XXIX. THE STORY OF DAPHNIS
XXX. THE STORY OF CELTINE
XXXI. THE STORY OF DIMOETES
XXXII. THE STORY OF ANTHIPPE
XXXIII. THE STORY OF ASSAON
XXXIV. THE STORY OF CORYTHUS
XXXV. THE STORY OF EULIMENE
XXXVI. THE STORY OF ARGANTHONE
FRAGMENTS
FRAGMENT 1
FRAGMENT 2
FRAGMENT 3
FRAGMENT 4
FRAGMENT 5
FRAGMENT 6
FRAGMENT 7
FRAGMENT 8
FRAGMENT 9
FRAGMENT 10
FRAGMENT 11
FRAGMENT 12
FRAGMENT 13
FRAGMENT 14
FRAGMENT 15
FRAGMENT 16
FRAGMENT 17
FRAGMENT 18
FRAGMENT 19
FRAGMENT 20
FRAGMENT 21
FRAGMENT 22
FRAGMENT 23
FRAGMENT 24
FRAGMENT 25
FRAGMENT 26
FRAGMENT 27
FRAGMENT 28
FRAGMENT 29
FRAGMENT 30
FRAGMENT 31
FRAGMENT 32
FRAGMENT 33
FRAGMENT 34
FRAGMENT 35
FRAGMENT 36
FRAGMENT 37
FRAGMENT 38
FRAGMENT 39
FRAGMENT 40
FRAGMENT 41
FRAGMENT 42
FRAGMENT 43
FRAGMENT 44
FRAGMENT 45
FRAGMENT 46
FRAGMENT 47
FRAGMENT 48
img17.jpgClassical depiction of Oenone holding pan pipes; detail from a sarcophagus, Palazzo Altemps, Rome, c. AD 140 — another subject of Parthenius’ romances, Oenone was the first wife of Paris of Troy, whom he abandoned for Helen of Sparta.
img18.jpgA third century Roman mosaic of Virgil, Parthenius’ esteemed pupil, seated between Clio and Melpomene, Hadrumetum, Tunisia
PARTHENIUS TO CORNELIUS GALLUS, GREETING
I THOUGHT, my dear Cornelius Gallus, that to you above all men there would be something particularly agreeable in this collection of romances of love, and I have put them together and set them out in the shortest possible form. The stories, as they are found in the poets who treat this class of subject, are not usually related with sufficient simplicity; I hope that, in the way I have treated them, you will have the summary of each: and you will thus have at hand a storehouse from which to draw material, as may seem best to you, for either epic or elegiac verse. I am sure that you will not think the worse of them because they have not that polish of which you are yourself such a master: I have only put them together as aids to memory, and that is the sole purpose for which they are meant to be of service to you.
I. THE STORY OF LYRCUS
From the Lyrcus of Nicaenetus¹ and the Caunus² of Apollonius Rhodius
When Io, daughter of King Inachus of Argos, had been captured by brigands, her father Inachus sent several men to search for her and attempt to find her. One of these was Lyrcus the son of Phoroneus, who covered a vast deal of land and sea without finding the girl, and finally renounced the toilsome quest: but he was too much afraid of Inachus to return to Argos, and went instead to Caunus, where he married Hilebia, daughter of King Aegialus, who, as the story goes, had fallen in love with Lyrcus as soon as she saw him, and by her instant prayers had persuaded her father to betroth her to him; he gave him as dowry a good share of the realm and of the rest of the regal attributes, and accepted him as his son-in-law. So a considerable period of time passed, but Lyrcus and his wife had no children: and accordingly he made a journey to the oracle at Didyma,³ to ask how he might obtain offspring; and the answer was , that he would beget a child upon the first woman with whom he should have to do after leaving the shrine. At this he was mighty pleased, and began to hasten on his homeward journey back to his wife, sure that the prediction was going to be fulfilled according to his wish; but on his voyage, when he arrived at Bybastus,⁴ he was entertained by Staphylus, the son of Dionysus, who received him in the most friendly manner and enticed him to much drinking of wine, and then, when his senses were dulled with drunkenness, united him with his own daughter Hemithea, having had previous intimation of what the sentence of the oracle had been, and desiring to have descendants born to her: but actually a bitter strife arose between Rhoeo and Hemithea, the two daughters of Staphylus, as to which should have the guest, for a great desire for him had arisen in the breasts of both of them. On the next morning Lyrcus discovered the trap that his host had laid for him, when he saw Hemithea by his side: he was exceedingly angry, and upbraided Staphylus violently for his treacherous conduct; but finally, seeing that there was nothing to be done, he took off his belt and gave it to the girl, bidding her to keep it until their future offspring had come to man’s estate, so that he might possess a token by which he might be recognized, if he should ever come to his father at Caunus: and so he sailed away home. Aegialus, however, when he heard the whole story about the oracle and about Hemithea, banished him from his country; and there was then a war of great length between the partisans of Lyrcus and those of Aegialus: Hilebia was on the side of the former, for she refused to repudiate her husband. In after years the son of Lyrcus and Hemithea, whose name was Basilus, came, when he was a grown man, to the Caunian land; and Lyrcus, now an old man, recognized him as his son, and made him ruler over his peoples.
¹ A little-known Alexandrine poet, whose works are not now extant.
² No longer extant. In addition to the Argonautica, which we possess, Apollonius Rhodius wrote several epics describing the history of various towns and countries in which he lived at different times. The same work is called the Kaunon ktisis in the title of No. XI.
³ Lit. to the temple of Apollo at Didyma,
an old town south of Miletus, famous for its oracle.
⁴ Also called Bubasus, an old town in Caria.
II. THE STORY OF POLYMELA
From the Hermes of Philetas⁵
While Ulysses was on his wanderings round about Sicily, in the Etruscan and Sicilian seas, he arrived at the island of Meligunis, where King Aeolus made much of him because of the great admiration he had for him by reason of his famous wisdom: he inquired of him about the capture of Troy and how the ships of the returning heroes were scattered, and he entertained him well and kept him with him for a long time. Now, as it fell out, this stay was most agreeable to Ulysses, for he had fallen in love with Polymela, one of Aeolus’s daughters, and was engaged in a secret intrigue with her. But after Ulysses had gone off with the winds shut up in a bag, the girl was found jealously guarding some stuffs from among the Trojan spoils which he had given her, and rolling among them with bitter tears. Aeolus reviled Ulysses bitterly although he was away, and had the intention of exacting vengeance upon Polymela; however, her brother Diores was in love with her, and both begged her off her punishment and persuaded his father to give her to him as his wife.⁶
⁵ An elegiac poet of Cos, a little later than Callimachus. We do not now posses his works.
⁶ See Odyssey x. 7. Aeolus had six sons and six daughters, all of whom he married to each other.
III. THE STORY OF EVIPPE
From the Euryalus⁷ of Sophocles
Aeolus was not the only one of his hosts to whom Ulysses did wrong: but even