Coram Boy: Ideal for the 2024 and 2025 exams
By Jamila Gavin
4/5
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About this ebook
The modern classic and Whitbread Book of the Year 2000 is a haunting, thrilling and captivating story, for historical fiction fans and readers of Hilary McKay’s The Skylark’s War and Katherine Rundell’s The Good Thieves
The Coram man takes babies and money from desperate mothers, promising to deliver them safely to a Foundling Hospital in London. Instead, he murders them and buries them by the roadside, to the helpless horror of his son, Mish.
Mish saves one, Aaron, who grows up happily unaware of his history, proving himself a promising musician. As Aaron's new life takes him closer to his real family, the watchful Mish makes a terrible mistake, delivering Aaron and his best friend Toby back into the hands of the Coram man.
A gripping and haunting story about a dark time in British history, Coram Boy won the 2000 Whitbread Children's Book of the Year, was shortlisted for the Carnegie Medal and has been adapted into a highly acclaimed stage play.
Jamila Gavin
Jamila Gavin was born in Mussoorie, India, in the foothills of the Himalayas. With an Indian father and an English mother, she inherited two rich cultures that ran side by side throughout her life and always made her feel she belonged to both countries. Jamila’s family moved to England when she was 11. She studied music and worked for the BBC before having a family of her own and becoming a children’s writer, wanting to reflect the multicultural world in which she and her children now lived.
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Reviews for Coram Boy
62 ratings7 reviews
- Rating: 5 out of 5 stars5/5A fabulous Dickensian novel that keeps the reader engrossed in hte struggle between the upper and lower classes of society.
- Rating: 3 out of 5 stars3/5Sort of enjoyed this one but it was very different to what I was expecting. I thought it would be set in some exotic location.
Didn't like all the different characters' points of view, felt like some were kind of unnecessary, like the Prologue.
Felt like the author took a few liberties with the time and social attitudes, such as Alexander and Melissa with Aaron.
Interested in learning more about the Coram House, how it worked and what happened to it.
Liked the way the book looked, it's slightly smaller than a regular paperback. Made it feel like something a bit different. - Rating: 4 out of 5 stars4/5This book is a deep and insightful one. I found myself getting lost in the pages, because the story was so compelling.
Strictly speaking this is a children's/young adult book (which I had to read for Uni), but I found that it was very engaging and I think adult readers will enjoy it just as much as younger readers.
I enjoyed it a lot. - Rating: 3 out of 5 stars3/5I was rather disappointed by this book overall. I was interested in the subject matter and it was a winner of the Whitbread Children's Book award and shortlisted for the Carnegie medal so I was really looking forward to it. But while the book had some good ideas, I was left with the impression of an opportunity missed.
Initially we are introduced to Mesak 'a simpleton' who in 1741 together with his pedlar father Otis travels the highways and byways of Gloucestershire. But Otis is not just a pedlar: he is a Coram Man who for a payment undertakes to deliver the unwanted and illegimate babies of rich and poor alike to the Coram Hospital in London where they will be cared for. But while Otis always arrives at the Hospital with some babies, they are never the same ones that he started with, as why should he bother to take care of them when there are always so many new babies who can take their place? There is a particularly horrific scene at the start of the book where the babies, both living and dead are buried together in a ditch. The story then switches to Thomas and Alexander, the first the son of a carpenter, the second the son of a rich man and the heir to a great estate, who are both choristers at Gloucester cathedral, and follows them on a visit to Ashbrook, Alexander's ancestral home. Despite Alexander's seeming advantages - it is he who has to deal with a father adamant that he should not become a musician. A jump in time of nine years finds both Alexander and Thomas working as muscians in London with the great composer Handel, while two new boys are introduced: Aaron brought to the Coram Hospital by his protector Mish; and Toby, an African boy born while his mother was on a slave ship. Eventually, the different threads of the story intertwine among themes of black slavery, white slavery, illegitimacy, with an underlying current of music.
I have a number of problems with the book. By trying to tell the story from the point of view of too many characters Gavin doesn't seem to make any of the characters really come alive. The timing is also very strange - at times there is a lot of description giving the characters back history which does get quite dull, and at other times much more exciting elements seem hugely rushed. The ending in particular almost reads as if the author had got bored with the book and just wanted to finish it as quickly as possible - the fate of the villain is left completely blank. I don't mind an ambiguous ending if it's there for a purpose but this reads as if the author just couldn't be bothered to put it in. And I wasn't 100% convinced by some elements of the eighteenth century atomosphere. So overall - an OK read - but could have been done so much better. - Rating: 3 out of 5 stars3/5My daughter bought this one after we saw the play for my birthday celebration. The play follows the first part of the book very closely, but twists the ending a bit. No spoilers here. I enjoyed the book. The plot, characters and setting are Dickensian, but Gavin's writing is plain and straightforward. I think she intended this as YA novel, but it works for adults as well.
- Rating: 5 out of 5 stars5/5This is an award winning book set around the philanthropic venture of one Captain Thomas Coram, who set up a home for orphans in the 18th century - the Foundling Hospital. Thomas Coram and his orphanage were quite real - it was said to be the first incorporated charity in the World. Other characters in the book are also real (such as George Frideric Handel , although the story is, of course, fictional.
Nevertheless the story feels very real. It is the kind of story that could almost certainly have happened, and no doubt something akin to the events here did happen. Fictional faces tell us real and painful stories. This book read like a modern day Dickens. Indeed, the author also makes good use of the Dieckensian coincidence. Of course Dickens was describing current events for him, whereas this story is history - but what a wonderful and well researched historical tale this is.
The story starts in Gloucester with Otis who takes babies and money, saying he will deliver them to Coram's Foundling Hospital. However he murders most of the children. Meanwhile we follow the lives of two young people as they grow to maturity, before leaping forward 9 years to follow the lives of two friends in the hospice. There are many story threads here, but they all twine together to make something beautiful. - Rating: 4 out of 5 stars4/5Although I liked a lot of things about this book, it took a while for me to get into it. It wasn't that I felt squeamish about the babies - rather I think that the Foreword and the Prologue led me to believe that the story would be preachy, so I set my mind against it. Once I got further into the story, I started to enjoy the plot, but the characters never felt real to me.
Book preview
Coram Boy - Jamila Gavin
Prologue
‘Afine lady went to Stowe Fair. She was pregnant for the first time and, keen to know what the future held for her, she consulted an old gypsy woman.
‘Why, my dear, I do believe you will have seven babies,
said the gypsy woman studying her hand. The fine lady went away and thought no more about it.
‘When the time came for her child to be born, a midwife was summoned to attend the labour. What have we here?
she exclaimed as she delivered first one baby, then another and another.
‘Oh no!
cried the young wife, remembering the gypsy’s prophecy. That can’t be so!
She wept. But sure enough, one by one, seven little baby girls were born and laid into a basket.
‘The fine lady was upset fit to die. I don’t care what the gypsy prophesied; I will only keep one baby. Take the other six away,
she begged the midwife. Drown them in the river, but whatever you do, don’t tell my husband,
and she pressed a purse of silver into her hand.
‘So the midwife took the basket of six babies down to the river. But on the way she met the husband, a fine gentleman. He heard little squealings and noises. Pray, what have you in that basket?
he asked.
‘Oh it’s nothing but six little kittens I am going to drown in the river,
quoth she.
‘I’m going that way myself,
said he. Give them to me. I shall deal with them.
Whereupon, he took the basket and rode down to the river.
‘When the husband got to the riverbank and opened the basket, what did he see, but six little newborn girls. He frowned a dark, dreadful frown, then closing the basket took it away to a secret place.
‘Seven years passed. The gentleman and his fine lady prepared to celebrate their daughter’s birthday and to give thanks to God for preserving her through infancy. First they would go to church for a special service, then afterwards throw a party to which the whole village was invited.
‘And what shall our daughter wear for this special day?
the husband asked his wife.
‘Because she was born in October, I shall stitch her a dress of autumn colours,
the fine lady told him.
‘The little girl’s birthday dawned and she was all decked out in nut-brown velvet trimmed in red. The gentleman and his fine lady set off for the church with their pretty little daughter between them.
‘They sat in the front pew and said their prayers. The organ played, the choir sang. The minister raised his hand to give the blessing and make the sign of the cross, but he was interrupted. The east door of the church swung open. Everyone turned to see who had arrived so late. There standing in the threshold were six little girls, all dressed in nut-brown velvet trimmed in red. All were identical to the fine lady’s daughter.
‘At the sight of them, the fine lady gave one dreadful scream and fell down dead.’
The children clustered round the nursemaid were silent as she ended.
‘That’s a sad story,’ one whispered at last.
‘It’s a sad world out there,’ agreed the nursemaid. ‘Now come on, Nanny says it’s time for bed.’
There came six maids on their knee.
When do they come?
They come by night as well as by day,
To take your little child away.
My little child is yet too young,
To stay away from his mam.
Whether he’s old or whether he’s young
We’ll take him as he am.
Part One – 1741
Chapter One
float image 1The Coram Man
‘Oi! Meshak! Wake up, you lazy dolt!’ The sound of the rough voice set the dogs barking. ‘Can’t you see one of the panniers is slipping on that mule there! Not that one, you nincompoop,’ as the boy leapt guiltily from the wagon and darted in an agitated way among the overloaded animals, ‘that one – there – fifth one back! Yes. Fool of a boy. Why was I so cursed with a son like you? I don’t have to have eyes in the back of my head to know that one of the mules had his load slipping. What goes on inside that addled brain of yours?’
A man and his boy were coming out of the forest with a wagon and a train of six mules. They were heading for the ferry at Framilodes Passage, which would take them across the River Severn and on to the city of Gloucester.
‘Why I don’t ditch you is more than I can say. Thank your lucky stars that blood is thicker than water. Tighten him up properly. Don’t want no hold ups now. We can just catch the ferry before nightfall if we hurry!’
Otis Gardiner, pots man, Jack-of-all-trades and smooth-tongued entrepreneur, ranted non-stop. It was a side of Otis that not everyone saw; he could be so attractive, so charming, so sweetly spoken. A young man still, he had wide, appealing, brown eyes and shoulder-length red-brown hair drawn back to show off his broad, handsome brow. He could barter the hind leg off a donkey – especially if the donkey was a lady. By flirting with the wives, bantering with the gentlemen, demonstrating magic tricks to little children, he could persuade a customer to part with twice as much money as they should, all the while making them think they had themselves a bargain.
Meshak tightened the straps round the mule’s belly. He ignored the faint kitten-like wails which came from the sacks and tried not to look at the sneering face of the man he called his father. From his driving seat Otis peered round the covered wagon and flicked his whip at him. Jester, the brown scraggy lurcher, shadowed Meshak among the mules as the boy tried to compensate for his negligence by meticulously checking all the panniers. The other dogs, tied to the wagon by bits of string, barked their heads off and leapt and twisted in a frenzied bid to pull free. They didn’t calm down till Meshak and Jester were back on the wagon.
Meshak was an awkward lad. At fourteen he was taller than his father and growing. But he looked as if he had been put together all wrong; his body was all over the place, his head too large, his ears too sticking out, his lips never quite closing. There seemed always to be a sleeve at his runny nose. His arms and legs dangled from his body, uncoordinated and clumsy; he dropped things, tripped over things, fumbled and stumbled. All this meant that people – especially his father – shouted at him, cuffed him, jeered and sneered at him, so his whole look was that of a cowering dog. If he had had a tail, it would have always been between his legs, as he slunk by waiting for the next kick. He had a vulnerable, infantile look, with his pale-freckled face beneath a stack of wild red hair, and his large, watery, blue eyes, which often stared round at the world with incomprehension. But no one ever saw him cry or laugh. People called him a simpleton – a loon – and wondered why his father hadn’t abandoned him years ago. People assumed that he was nothing but an empty vessel, lacking in all substance, feeling or emotion; neither able to love nor in need of being loved.
How could Meshak speak of his terrors? There was no one to tell except Jester. He saw trolls and witches; evil creatures crouching in shadows, lingering round trees, hanging in the sky; demons with hairless heads and glinting teeth. He never knew when they would come to poke and prod him, to torment his sleep and rampage through his head. Even now, the darkness of the forest they had just left behind seemed to be creeping down the road after them, gobbling up their tracks, soon to consume them too.
His father was mean with the lamps and only kept one up in front for the road ahead, so Meshak hated being out on the highway at night. He was afraid of the dark. It was not just the spirit world which frightened him, but the real world of robbers and highwaymen, especially near the forest. And then there were the wild animals. He hated the green eyes which glimmered in the dense undergrowth, and the scufflings and gruntings of unseen creatures stalking among the trees.
Most of all he hated the pathetic squeals which came from the sacks bumping against the scraggy flanks of the mules, and the task Otis and he often performed at night in some bleak lonely place. He never told anyone of the frightful nightmares he had, and how he had learnt to smother his gasping whimpers lest he woke his father. He never told anyone of the faces and voices and clutching fingers of all those children, who drifted like lost spirits through his dreams.
He glimpsed the tall towers of Gloucester Cathedral in a distant smoky haze, and his heart leapt. He loved churches because there were angels there, sometimes within gleaming stained-glass windows or out in the graveyards; stone angels with gentle hands and loving faces. He would go to the cathedral as soon as he could and find his favourite angel. His father would usually abandon him in the city and go off for days on end, making his deals, meeting his contacts, disappearing into the pubs and taverns to indulge in gambling, dog-baiting, womanising and furthering his career. Meshak knew his ambition was boundless. He would not stay a pots man. Meshak, mean-while, would live and sleep in the wagon. With the few pence he was given, he could fend for himself, especially as he always had Jester.
‘Get on up front, boy!’ A yell from his father indicated that he had spotted someone on the roadside. Otis liked to have his ‘idiot’ son up next to him during certain transactions. It gave him the air of being a devoted and caring father; a man you could trust and entrust with secrets. Meshak dutifully climbed up next to him.
With a shock of pleasure he saw the vast shining back of the river, so close now. The first tremulous lights of the fires and torches were being lit along the riverbank as dusk deepened into evening. Great hulks of ships brooded at anchor, and small craft scuttered like insects to and fro across the surface. Silhouetted tall and stiff as a scarecrow was the ferryman standing on his punt with pole in hand, about to embark with a full load of passengers, sheep and mules and baskets of goods. Corgis barked and scuttled in and out of the other animals’ legs to keep them from bunching together.
Otis and Meshak were in a queue of at least three drovers’ trains ahead of them, each with their thirty or so head of cattle, so they would be lucky to get across before nightfall.
‘Pots, pots, pans and pots, griddles and ladles, kettles and skillets, mugs and jugs, knives, forks and spoons, farming tools, all Cornish tin and Newcastle iron,’ Otis sang out in his trader’s patter.
‘The charity man’s here!’ A murmur went round. Word had gone on ahead that he was coming and some had waited for him.
In recent times, Meshak had got used to his father being called a ‘charity man’, though it had puzzled him. A wayfaring minister to whom they had once given a lift told him that in the Bible the word ‘charity’ meant ‘love’. It was true that a lucrative part of his father’s business as a travelling man was to collect abandoned, orphaned and unwanted children – many from local churches and poorhouses – and take them to the ever increasing number of mills that were springing up throughout the country. Otis always called the children ‘brats’ – as if, like rats, they were really vermin – but he made money out of them. Older boys, he handed over to regiments and naval ships, which were always on the lookout for soldiers and sailors to fight whatever wars were going on with the Prussians or the French abroad or the Jacobites up in the north. Down at the docks of London, Liverpool, Bristol and Gloucester, he made deals with ships who took both girls and boys to North Africa, the Indies or the Americas, along with their cargoes of slaves, cloth, timber and metal.
That may have been considered by some to be an act of charity, but Meshak wasn’t at all sure that it was love. He only had a vague idea about what love was. He thought he had been loved by his mother, though he could hardly remember her. She used to hug him and kiss him; she had played with him and told him stories. Then one day she had died and was gone for ever, and no one ever hugged or kissed him again, except for Jester – if you count face-licking, tail-wagging and jumping up a dog’s way of hugging and kissing. Meshak knew he loved his dog and that Jester loved him, but he would never have called that charity.
The children whom his father picked up on the open road or in small villages, towns and cities, and took into his wagon as an act of charity, never looked happy or grateful. They were usually handed over roughly, received roughly, fed little, beaten often. All in all, Meshak couldn’t say that either they, or indeed himself, were loved. If this was love, it was also business. Money changed hands, sometimes a lot of it.
But Meshak accepted that his father was a good and Christian man because everyone said he was. He was admired for this most Christian virtue, charity.
The sky was darkening not just with evening, but with a cloud bank of dark, purple rain expanding across the sky. A spiral of gulls circle-danced across the surface of the river; the evening light turned their white underbellies to silver. A few foresters and farming people converged eagerly on their wagon, bearing tools which needed sharpening, mending or exchanging.
Meshak knew what to do. He pulled back the flaps of the wagon and lifted out the pots and pans, knife-sharpeners, meat hooks, scissors, graters, mincers, goblets, griddles, knives and axes, as well as knick-knacks like combs and beads, bobbins and cottons, balls of string, trinkets and baubles. He spread out a large piece of sail cloth in a clearing by the side of the road and laid everything out so they could finger and question and calculate their terms for bargaining.
Meshak was up to dealing with simple transactions so, while he bartered, his father moved away in deep conversation with a well-dressed man, who led him into the cottage. He was not a wigged gentleman but a parish man with his hair drawn back under a broad-brimmed hat and wearing brown wool breeches and leather boots.
The skies darkened further and the first plops of rain thudded to earth. The queue for the ferry had shortened to just one wagon in front now, and Meshak had already repacked the wagon by the time Otis reappeared.
‘Get these brats in,’ he muttered. He referred to five solemn, poorly clad children in tow: a girl and a boy as young as three and five, who clutched each other’s hand tightly, and the rest – all boys – aged eight and nine years old. The children were silent, as though they had been born learning to stifle their fears. They allowed Meshak to herd them into the back of the wagon.
When the children were in place, tucked round the sides, still mute, still staring, Meshak and Otis began to separate the train of mules from the wagon. The ferryman was impatient now, looking anxiously at the stormy sky and the low sun, and urged them to hurry.
Otis tugged the reins down over the wagon mule’s ears and roughly cajoled it on to the ferry. The nervous animal resisted, unwilling to step on to the rocking craft, until a sharp stroke of the whip made it leap aboard with a clatter of hooves. Otis pulled a sack over the animal’s head to blinker it from the heaving water. He had just about cajoled a fourth mule on to the ferry when a woman’s voice called out softly, ‘Are you the Coram man?’
Meshak turned to see. He was surprised that his father reacted instinctively, as if that had always been his name. Meshak had never heard it before. Otis tossed Meshak the reins. ‘The boy will see them on,’ he yelled to the ferryman, and as Meshak took the reins and soothed the frightened mule, his father had already leapt ashore.
It was no housemaid or potato picker, like so many others who had hailed him, but a gentlewoman who, though trying to look modest and inconspicuous, was unmistakably a lady. Even had her refined voice not given her away, the cut and cloth of her cloak betrayed her. Her head was lowered into a basket, which she hugged tightly to herself, and she hung back in the shadows of the trees on the riverbank, trying not to be seen or identified.
The transaction was rapid. A heavy purse of money went into Otis’s pouch and he took the basket with a great show of reverence and concern, as if he would protect it with his life. Meshak heard the lady give one short, pitiful shriek of grief, quickly stifled. Otis leapt back on to the wagon and thrust the bundle into Meshak’s arms. ‘Look caring,’ he muttered, ‘till we’re on the other side.’
The ferry pulled away, but the woman continued to stand stiffly at the water’s edge, watching them. Meshak felt her eyes fixed on them all the way across. She was still standing there when they disembarked.
Chapter Two
float image 1The Black Dog
The rain came down with a vengeance. The wind swished through the trees, making them bend and sway. The road turned to mire, and they still had two or three miles before they reached Gloucester city centre. The mules bowed their heads into the driving rain. The squeaks and mewlings in the sacks ceased. The wooden wheels ground along the deep, water-logged ruts, heavy with wet, sticky, clinging mud which sent out a spray with every turn and coated the dogs outside. Their legs kept running incessantly, also sending out muddy sprays; running, running, because they had no choice but to keep their legs moving, tied as they were to the axle. Jester was lucky; as Meshak’s dog he was allowed in the wagon.
Meshak pulled the flaps tightly shut to keep out the damp cold. The brats all looked at him with long, doleful glances as he snuggled up to Jester for warmth. He shut his eyes so as not to witness their despair. He felt hungry. They felt hungry. They were starving, probably hadn’t eaten since dawn. He didn’t want to know. Didn’t want to think about it. He had an apple in his pocket. He took it out with his eyes still closed and began to munch. He knew they were staring at him, their eyes huge with longing. He ate it as quickly as he could and fed the core to Jester. There was a shudder of repressed envy from the brats. They would have fallen eagerly on it and eaten every scrap if they could. Jester swallowed the core in a gulp.
It was dark now. The rain still beat down on the canvas covering and, for a while, they were mesmerised by the rhythmic swish and sway of the wagon and the hollow slurpy plod of the animals’ hooves. There was a stir of surprise and a quiver of anxiety among the children when the creaking of the wheels stopped and they came to a halt. Apart from the sound of the rain and the snorting of mules, blowing away the rain from their nostrils, there was no other sound.
They were not yet within earshot of the city. Meshak sat up, his arms still clasped round Jester. The brats’ eyes gleamed in the darkness. They seemed not to have moved a muscle since he had climbed inside to get out of the rain half an hour ago. He heard Otis jump down. The light of his lantern swung a yellow shaft across the canvas. Then the flap opened and his dark drenched face looked in. Rain was spangled through his thick, straggly hair, reflecting in the light like so many diamonds. He nodded curtly to Meshak. ‘Get the spade. There’s a good ditch just here. We’ll dig them in,’ he jerked his head in the direction of the panniers strapped to the train of mules. ‘I don’t want to take them into Gloucester.’ Meshak jumped out and had to tie the flap to keep Jester in, so he then set up a continuous barking. Meshak knew from many, many times before that they couldn’t have Jester digging anything up.
It was a hurried affair in all that wind and rain and darkness and the swinging light from the storm lantern, which Otis hung on a branch directly over the ditch. Otis plunged in his spade. Nothing too deep or careful. There was a lot of water. Just dig a hole deep enough to submerge the bundles. Foxes would do the rest. He wouldn’t have bothered burying them had he not taken money for them and given undertakings. Otis dug and Meshak went from mule to mule, extricating one bundle after another from the panniers to hand to his father, who dropped them like seeds into the ditch. Meshak stared wonderingly as they sank into the mud and vanished even before his father had shovelled a few spadefuls of earth over them. What was it like to be dead? Meshak tried to imagine. What did they see under the mud? Would they find angels there; angels like the ones he saw in church windows?
They came to the last one – the one the lady had given them on the other side. Meshak hesitated. ‘Come on, lad – drop it in!’ rasped Otis.
‘Moving. Still alive,’ stammered Meshak. Usually, if they weren’t dead, they at least tried to sell them off first.
‘Not worth it. Drop it in, I say.’
Meshak let go the feebly moving bundle. He heard it splosh into the ditch. He backed away whimpering. He never did like burying the live ones. He felt the apple he had just eaten rise with the bile up his gullet. He vomited against a tree, leaning his head into the bark so that it left its imprint on his brow.
‘Don’t go lily-livered on me,’ snarled Otis, grabbing his coat and herding his son back to the wagon. Jester was still barking. ‘Go on, get in. Mrs Peebles is expecting us tonight at the Black Dog.’ Jester stopped barking.
Meshak didn’t need eyes to know they had entered Gloucester. Despite the constant thud of rain on to the canvas covering, he heard the swell of sound. It came towards them like a distant wave and then crashed over them; an overwhelming cacophony of babble, all the stuff of humans and their animals and their livelihoods. He had been dozing, lying with his face still partly buried in Jester’s fur, relishing the sounds of the city while not yet ready to face it. He didn’t even open the flap when he heard the wagon and the mules’ hooves clattering over cobblestones; nor when he smelt the stench of open sewers and foraging pigs, and the manure of horses and mules, and wet straw intermingled with women’s perfume and polished leather and charcoal fires and grilled fish. He knew without looking, by the heavy smell of beer and the raucous sounds of fiddling and singing, that they had entered the courtyard of the Black Dog inn.
No good getting too excited yet. There were jobs to be done: the wagon unhitched, the mules unloaded, water pumped, hay gathered, stable space negotiated . . .
‘I want to piss,’ whimpered a child.
Oh yes, and the brats seen to. He would have to rope them all together so they wouldn’t run away, and lead them out of the far gate to relieve themselves in all that rain and mud, and then go to the kitchen and get them some gruel. It reminded him of how hungry he was.
It was still raining. Girls in bonnets and shawls slopped across the yard to and from the kitchen, fetching and carrying water for the cook, or chickens for the slaughter, and buckets of swill and scrapings for the animals. Young lads, eager to make a few pennies, rushed forward to grab the bridles and lead the mules to the barns, clamouring to offer their services. Otis selected three of them, yelled out orders, and then made for the door of the inn. ‘See to things. I’ll be inside,’ he yelled, leaving Meshak squelching about in the yard, ankle-deep in mud and manure.
Meshak ‘saw to things’ as he always did, but began to feel his stomach tightening with hunger, especially with a smell of roast beef coming from the kitchen. He was almost tempted to eat the gruel dolloped out from the kitchen for the brats, though just looking at it made him want to puke. He was sure even the pigs wouldn’t eat it. But the brats fell