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The Great Godden
The Great Godden
The Great Godden
Ebook161 pages2 hours

The Great Godden

Rating: 4 out of 5 stars

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About this ebook

SHORTLISTED for the Costa Children's Book Award 2020.

This is the story of one family, one dreamy summer – the summer when everything changes. In a holiday house by the sea, in a big, messy family, one teenager watches as brothers and sisters, parents and older cousins fill hot days with wine and games and planning a wedding.

Enter the Goddens – irresistible, charming, languidly sexy Kit and surly, silent Hugo. Suddenly there's a serpent in this paradise – and the consequences will be devastating.

From bestselling, award-winning author Meg Rosoff comes a lyrical and quintessential coming-of-age tale – a summer book that's as heady, timeless and irresistible as Bonjour Tristesse and I Capture the Castle but as sharp and fresh as Normal People.
LanguageEnglish
Release dateJul 9, 2020
ISBN9781526618528
The Great Godden
Author

Meg Rosoff

Meg Rosoff is a hugely versatile novelist for children and adults and has won the Branford Boase Award, the Carnegie Medal, the Guardian Children’s Fiction Prize and the Printz Award. Her post-apocalyptic How I Live Now was made into a major motion picture starring Saoirse Ronan and Picture Me Gone was shortlisted for the National Book Award in the USA. Originally from Massachusetts, Meg now lives in London.

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Reviews for The Great Godden

Rating: 3.8265305918367347 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    I requested expecting a coming-of-age story with hints to The Interestings or even The Secret History. Maybe it was because of this expectations, but the book fell flat for me. For me, there was no real character growth and or much build up to the story either. A big part of the "tension" of the book depends on Kit's supposed allure while at the same time making him two-dimensional, which felt forced to me. Hugo is written as a counterpart of his brother, but he is mostly absent during 2/3 of the book, so there is no balance to their personalities. Finally, it felt that Kit's sexualization was more of "shocking prop" than a real story device.
  • Rating: 4 out of 5 stars
    4/5
    A very interesting coming of age story. I thouroghly enjoyed this novel. I had some trouble getting into at points but overall good. The story was somewhat jumbled and there was a lot left up to the reader to figure out/decide. However, this worked for the story, especially by not naming or even giving a definitive gender to the narrator. It was definetly different from what I usually read and it is a book to check out.
  • Rating: 4 out of 5 stars
    4/5
    This is a collection of stereotypical characters that works very well. You have the aging, anorexic movie star with narcissistic tendencies, her golden boy older son who has learned well by watching her, the theater performer who's not nearly as talented as he thinks and hides a secret, the kid brother who's too smart at times for his own good and is enthralled with creatures, particularly bats, the horse-crazy, temperamental youngest sister, the too-beautiful-for-her-own-good middle sister, and the slightly detached, but eventually vulnerable older sister. There are others, but you'll discover them when you read this fast paced story. All of them are deposited at adjoining summer cottages on the English seaside where the addition of one of the above players changes almost all the dynamics. A very satisfying read.
  • Rating: 4 out of 5 stars
    4/5
    I loved this book. The author has an easy style that appeals to me. I was left wishing there was a second book so that I could watch the future unfold for several of the characters, yet the ending was as it should be. I closed the last page with a constriction in my chest;
  • Rating: 5 out of 5 stars
    5/5
    I will say one thing as an eighteen year old… this story resonated so much with me that it actually made me realise that a person who I thought was my best friend, my companion and the first person I ever fell in love with, was in fact the Kit of my own life.
  • Rating: 5 out of 5 stars
    5/5
    It's a story of summer, a story of changes, a story of tensions, a story of relationships, a story of attractions, a story of growing up.

    A family of four children and two parents spends every summer at the beach, and nearby is a cousin and her longtime boyfriend. This summer two young men join them, and that changes everything.

    Meg Rosoff builds an atmosphere bone-wrenchingly candid about the teenage experience of alienation and confusion and agonizing learning, starting with a mysterious teen narrator whose name and gender are never specified, and adding hints of disconcerting behavior from most of the characters, and culminating in sharp shards of broken glass as relationships shatter.

    The story is beautifully told, and the characters feel so true-to-life as to be painful to read.
  • Rating: 4 out of 5 stars
    4/5
    The tension builds as the story progresses over a summer at the shore for a family getting away from the city. (If you told me it was set at the Hamptons and not England I would easily believe you. Nothing about the book felt British.)
    The unnamed narrator (and ungendered, but I didn't notice that and made my own assumptions) and a sister both fall for the charming American actor who arrives with his brother to stay at the beach. The book is short, and more full of events than character development. Let's say there is character revelation rather than development. That was okay in such a short book, and the overall dark mood and foreshadowing made up for that.
    Fans of Rosoff will appreciate the (somewhat) absent parents, the unsettling atmosphere, and the teenage viewpoint.
  • Rating: 4 out of 5 stars
    4/5
    The 17-year-old main character’s family of six, plus an aunt and uncle, have spent every summer in a house at the seaside for as long as they can remember. This summer is different, though, when their godmother drops off her two teenage sons. Moody Hugo mopes and hides, but Kit, the charismatic golden child, blows up their lives. The main character’s childhood ends.

    It’s impossible not to compare this book to Rosoff’s most famous, [How I Live Now]. Both protagonists are standing on the precipice of adulthood, in fairly normal lives, when something external happens to shove them over the edge. The impetus in this book is not the ravages of war, it’s just sexual awareness, but it’s somehow more unsettling. The lack of name and even gender for the main character (though I didn’t notice the lack of gender while reading, I assumed they were female) makes the point of view feel even closer and more visceral. Definitely worth reading.
  • Rating: 5 out of 5 stars
    5/5
    As soon as I dove into The Great Godden, I felt a *****star review in the making. Rosoff's writing is stellar, the picture she creates of summertime, and family life, is evocative. I felt I was there in the room, sitting around the table. But more, the way she describes the effect of Kit Godden on the women around him took me back to teenaged (and later) crushes. The narrator is an unnamed sister, who is telling the story as an adult, looking back on that summer.

    I love the way Rosoff described Kit's very deliberate manipulation of the feelings of Mattie, the 16 year old. Kit's wavering feelings creating an unhealthy attachment in the teen. And the narrator's own desire for him, despite herself.

    The climax of the story was a shocker. A real surprise, that Rosoff describes in very few words without actually saying what was happening. That was brilliant!

Book preview

The Great Godden - Meg Rosoff

1

Everyone talks about falling in love like it’s the most miraculous, life-changing thing in the world. Something happens, they say, and you know. You look into the eyes of your beloved and see not only the person you’ve always dreamed you’d meet, but the you you’ve always secretly believed in, the you that inspires longing and delight, the you no one else really noticed before.

That’s what happened when I met Kit Godden.

I looked into his eyes and I knew.

Only, everyone else knew too. Everyone else felt exactly the same way.

2

Every year when school ends we jam the car full of indispensable junk and head to the beach. By the time six people have crammed their bare essentials into the car, Dad says he can’t see out the windows and there’s no room for any of us, so half of everything is removed but it doesn’t seem to help; I always end up sitting on a tennis racket or a bag of shoes. By the time we set off, everyone’s in a foul mood.

The drive is a nightmare of shoving and arguing and Mum shouting that if we don’t all pipe down she’s going to have a breakdown and once a year Dad actually pulls over to the side of the road and says he’ll just sit there till everyone shuts the fuck up.

We’ve been coming to the beach since we were born, and on the theory that life existed even before that, Dad’s been coming since he was a child, and Mum since she met Dad and gave birth to us four.

The drive takes hours but eventually we come off the motorway and that’s when the mood changes. The familiarity of the route does something to our brains and we start to whine silently, like dogs approaching a park. It’s half an hour precisely from the roundabout to the house and we know every inch of landscape on the way. Bonus points are earned for deer or horses glimpsed from car windows or an owl sitting on a fence post or Harry the Hare hopping down the road. Harry frequently appears in the middle of the road on the day we arrive and then again on the day we leave; incontrovertible proof that our world is a sophisticated computer simulation.

There’s no such thing as a casual arrival. We pull into the grass drive, scramble out of the car, and then shout and shove our way into the house, which smells of ancient upholstery, salt, and musty stale air till we open all the windows and let the sea breeze pour through in waves.

The first conversation always goes the same way:

MUM (dreamy): I miss this place so much.

KIDS: So do we!

DAD: If only it were a little closer.

KIDS: And had heat.

MUM (stern voice): Well, it’s not. And it doesn’t. So stop dreaming.

No one bothers to mention that she’s the one who brings the subject up every time.

Mum’s already got out the dustpan and is sweeping dead flies off the window sills while Dad puts food away and makes tea. I run upstairs, open the drawer under my bed and pull on last summer’s faded sweatshirt. It smells of old house and beach and now so do I.

Alex is checking bat-box cameras on his laptop and Tamsin’s unpacking at superhuman speed because Mum says she can’t go down to see her horse until everything’s put away. The horse doesn’t belong to her but she leases him for the summer and would save him in a fire hours before she’d save any of us.

Mattie, who’s recently gone from too-big features and no tits to looking like a sixteen-year-old sex goddess, has changed into sundress and wellies and is drifting around on the beach because she sees her life as one long Instagram post. At the moment she imagines she looks romantic and gorgeous, which unfortunately she does.

There’s a sudden excited clamour as Malcolm and Hope arrive downstairs to welcome us to the beach. Gomez, Mal’s very large, very mournful basset hound, bays at the top of his lungs. Tamsin and Alex will be kissing him all over so really you can’t blame him.

Mal clutches two bottles of cold white wine and while everyone is hugging and kissing, Dad mutters, ‘It’s about time,’ abandons the tea and goes to find a corkscrew. Tam hurls herself at Mal, who sweeps her up in his arms and swings her around like she’s still a little girl.

Hope makes us stand in order of age: me, Mattie, Tamsin and Alex. She steps back to admire us all, saying how much we’ve grown and how gorgeous we all are, though it’s obvious she’s mainly talking about Mattie. I’m used to being included in the gorgeous-Mattie narrative, which people do out of politeness. Tam snorts and breaks rank, followed by Alex. It’s not like we don’t see them in London, but between school and work, and what with living in completely different parts of town, it happens less than you might think.

‘There’s supper when you’re ready,’ Hope calls after them.

Dad wipes the wine glasses with a tea towel, fills them, and distributes the first glass of the summer to the over-eighteens, with reduced rations for Mattie, Tamsin and me. Alex reappears and strikes like a rat snake when Hope leaves her glass to help Mum with a suitcase. He downs it in two gulps and slithers away into the underbrush. Hope peers at the empty glass with a frown but Dad just fills it again.

Everyone smiles and laughs and radiates optimism. This year is going to be the best ever – the best weather, the best food, the best fun.

The actors assembled, the summer begins.

3

Our house is picturesque and annoying in equal measure. For one thing it’s smaller than it looks, which is funny because most houses are the opposite. My great-great-grandfather built it for his wife as a wedding present in 1913, constructed in what Mum calls Post-Victorian-Mad-Wife-in-the-Attic style. It stayed in the family till the 1930s, when my ancestor had to sell it to pay off gambling debts. His son (my great-grandfather) bought it back twenty years later, restored the original periwinkle blue, and thereafter everyone refrained from mentioning the time it left the family. He also built a house down the beach for family overflow, which is now owned by Hope. Since Mal came on the scene we think of it as their house, even though technically it’s not.

Our house was built as a summer place, a kind of folly, not to be lived in year round, so we don’t. It’s draughty, has no insulation, and the pipes freeze if you don’t drain them and fill the toilets with antifreeze in November, but we love every tower and turret and odd-shaped window and even the short staircase that ends in a cupboard. My great-great-grandfather must have had a great-great sense of humour because everything in the house is pointlessly idiosyncratic. But you can see the sea from nearly every window.

My bedroom is the watchtower. Most people wouldn’t want it because it’s ridiculously small, no room to swing a rat. Someone tall enough could touch all four walls at once by lying flat with arms and legs outstretched. The tower comes with a built-in captain’s bed and a ladder, and the ladder goes up to a tiny widow’s walk, so-named because women needed a place to walk while gazing out to sea through the telescope, waiting for their husbands to come back. Or not. Hence widow.

I am the possessor of the brass telescope that belonged to my great-grandfather. He was in the Navy and in his later years spent a lot of time doing what I do – standing in the square tower with his telescope trained outwards. I have no idea what he saw – probably the same things I do: boats, Jupiter, owls, hares, foxes and the occasional naked swimmer. It’s kind of an unwritten rule that the telescope goes with the room. No one takes a vote, it just gets handed to the right person. Theoretically, the telescope and the room might have gone to Mattie, Tamsin or Alex, but it didn’t.

There are lots of traditions in my family, like the passing down of this house and the passing down of the telescope. On the other hand, we’re distinctly lacking in the kind of traditions grand families have, like naming every oldest son Alfred or being feeble-minded, and there’s no sign of the gambling gene re-emerging so that’s kind of a relief. But, wobble aside, when it comes to keeping property in the family from one generation to the next we’re practically on a par with the Queen.

On the other side of the house is a turret. Before we four were born, Mum and Dad used the turret as a bedroom, which was romantic but impractical as it threatens to blow away from the house altogether in a high wind. About five years ago they moved down a floor to a room-shaped room over the kitchen. Mum makes costumes for the National Opera so the turret became her summer workroom. Alex’s room is across the hall and everyone calls it the cut-throat. I used to think that was because of some murky historical murder, but Dad says it’s because it’s so small it makes you want to cut your throat. On the plus side, it has a hexagonal window and feels snug as the berth of a boat.

Mattie and Tamsin shared a room for ages, but once Mattie hit twelve they had to be separated to prevent bloodshed. Even Mum and Dad realised that no one on earth could live with Mattie, so she ended up sole proprietor of the little guest house in the garden, which makes her feel exactly as special as she imagines she is. Tamsin has the room all to herself now, which suits everyone, as it smells powerfully of horse.

Between the bedrooms is a long landing with a built-in window seat where you can stretch out and read or meet to play cards or look out the big window to the sea. The cotton cover on the window seat is so faded it’s hard to tell what colour it once was. When we were little we used to call this area the playroom, but it’s actually just a corridor.

Outside, the house is decorated with Victorian curlicue gables and brackets, so even the fishermen stop to take pictures on their phones. It doesn’t help that it’s painted periwinkle blue. When I asked Dad why we couldn’t paint it a slightly less conspicuous colour he shrugged and said, ‘It’s always been periwinkle blue,’ which is the sort of thing you get a lot in my family. Mindless eccentricity.

Hope is Dad’s much younger cousin; Dad was twenty-two when Hope was born. Since they got together, Mal and Hope started staying at the little house together every summer. It’s only a hundred metres down the beach from ours and it’s built of wood and glass, very modern for its time, with big wooden decks where

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