The Chicago Guide to Grammar, Usage, and Punctuation
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Grammar
Punctuation
English Language
Language
Writing Style
Academic Pursuits
Love Triangle
Self-Discovery
Betrayal
Knowledge Is Power
Empowerment
Power of Language
Academic Rivalry
Historical Context
Intellectual Curiosity
Writing
Parts of Speech
Communication
Sentence Structure
Linguistics
About this ebook
The author of The Chicago Manual of Style’s popular “Grammar and Usage” chapter, Bryan A. Garner is renowned for explaining the vagaries of English with absolute precision and utmost clarity. With The Chicago Guide to Grammar, Usage, and Punctuation, he has written the definitive guide for writers who want their prose to be both memorable and correct.
Garner describes standard literary English—the forms that mark writers and speakers as educated users of the language. He also offers historical context for understanding the development of these forms. The section on grammar explains how the canonical parts of speech came to be identified, while the section on syntax covers the nuances of sentence patterns as well as both traditional sentence diagramming and transformational grammar. The usage section provides an unprecedented trove of empirical evidence in the form of Google Ngrams, diagrams that illustrate the changing prevalence of specific terms over decades and even centuries of English literature. Garner also treats punctuation and word formation, and concludes the book with an exhaustive glossary of grammatical terms and a bibliography of suggested further reading and references.
The Chicago Guide to Grammar, Usage, and Punctuation is a magisterial work, the culmination of Garner’s lifelong study of the English language. The result is a landmark resource that will offer clear guidelines to students, writers, and editors alike.
“[A manual] for those of us laboring to produce expository prose: nonfiction books, journalistic articles, memorandums, business letters. The conservatism of his advice pushes you to consider audience and occasion, so that you will understand when to follow convention and when you can safely break it.”—John E. McIntyre, Baltimore Sun
Bryan A. Garner
Bryan A. Garner, editor in chief of Black’s Law Dictionary, is the author of more than twenty books, including The Law of Judicial Precedent; Garner’s Modern English Usage; The Chicago Guide to Grammar, Usage, and Punctuation; Quack This Way: David Foster Wallace and Bryan A. Garner Talk Language and Writing; and The Rules of Golf in Plain English. Counting Black’s Law Dictionary and his other books, Garner is among the world’s most widely cited legal scholars and has been cited by every appellate court, state and federal, in the country. He writes a syndicated column for the American Bar Association, which reaches over one million lawyers per month. He cowrote two books with Justice Scalia: Making Your Case (2008) and Reading Law (2012).
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The Chicago Guide to Grammar, Usage, and Punctuation - Bryan A. Garner
Bryan A. Garner is president of LawProse Inc. and Distinguished Research Professor of Law at Southern Methodist University. He is the author of the grammar and usage chapter of The Chicago Manual of Style and editor in chief of Black’s Law Dictionary. His many books on language and law include Garner’s Modern English Usage and Legal Writing in Plain English, the latter from the University of Chicago Press.
The University of Chicago Press, Chicago 60637
The University of Chicago Press, Ltd., London
© 2016 by Bryan A. Garner
All rights reserved. Published 2016.
Printed in the United States of America
25 24 23 22 21 20 19 18 17 16 1 2 3 4 5
ISBN-13: 978-0-226-18885-0 (cloth)
ISBN-13: 978-0-226-19129-4 (e-book)
DOI: 10.7208/chicago/9780226191294.001.0001
Library of Congress Cataloging-in-Publication Data
Names: Garner, Bryan A., author.
Title: The Chicago guide to grammar, usage, and punctuation / Bryan A. Garner.
Other titles: Chicago guides to writing, editing, and publishing.
Description: Chicago : University of Chicago Press, 2016. | ©2016 | Series: Chicago guides to writing, editing, and publishing | Includes bibliographical references.
Identifiers: LCCN 2015047425 | ISBN 9780226188850 (cloth : alkaline paper) | ISBN 9780226191294 (e-book)
Subjects: LCSH: English language—Grammar—Handbooks, manuals, etc. | English language—Grammar—Study and teaching (Higher)
Classification: LCC PE1106 .G35 2016 | DDC 428.2—dc23 LC record available at http://lccn.loc.gov/2015047425
This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).
The Chicago Guide to Grammar, Usage, and Punctuation
Bryan A. Garner
The University of Chicago Press
CHICAGO AND LONDON
A Manual for Writers of Research Papers, Theses, and Dissertations
Kate L. Turabian
Student’s Guide to Writing College Papers
Kate L. Turabian
Writing for Social Scientists
Howard S. Becker
The Craft of Translation
John Biguenet and Rainer Schulte, editors
The Craft of Research
Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams
From Dissertation to Book
William Germano
Getting It Published
William Germano
From Notes to Narrative
Kristen Ghodsee
Writing Science in Plain English
Anne E. Greene
Storycraft
Jack Hart
How to Write a BA Thesis
Charles Lipson
Developmental Editing
Scott Norton
The Subversive Copy Editor
Carol Fisher Saller
Legal Writing in Plain English
Bryan A. Garner
To Karolyne
Other Books Written or Edited by Bryan A. Garner
Garner’s Modern English Usage (Oxford Univ. Press, 2016)
Grammar and Usage,
chap. 5 in The Chicago Manual of Style (Univ. of Chicago Press, 16th ed. 2010)
HBR Guide to Better Business Writing (Harvard Business Review Press, 2013)
Quack This Way: David Foster Wallace and Bryan A. Garner Talk Language and Writing (RosePen, 2013)
Black’s Law Dictionary (Thomson Reuters, 10th ed. 2014)
Garner’s Dictionary of Legal Usage (Oxford Univ. Press, 3rd ed. 2011)
Guidelines for Drafting and Editing Legislation (RosePen, 2016)
Reading Law: The Interpretation of Legal Texts, with Justice Antonin Scalia (Thomson/West, 2012)
Making Your Case: The Art of Persuading Judges, with Justice Antonin Scalia (Thomson/West, 2008)
The Winning Brief (Oxford Univ. Press, 3rd ed. 2014)
The Redbook: A Manual on Legal Style (West, 3rd ed. 2013)
Garner on Language and Writing, with preface by Justice Ruth Bader Ginsburg (ABA, 2009)
Legal Writing in Plain English (Univ. of Chicago Press, 2nd ed. 2013)
The Elements of Legal Style, with preface by Charles Alan Wright (Oxford Univ. Press, 2nd ed. 2002)
The Winning Oral Argument (West, 2009)
Ethical Communications for Lawyers (LawProse, 2009)
Securities Disclosure in Plain English (CCH, 1999)
The Rules of Golf in Plain English, with Jeffrey Kuhn (Univ. of Chicago Press, 4th ed. 2016)
A New Miscellany-at-Law, by Sir Robert Megarry (Hart, 2005)
Texas, Our Texas: Remembrances of the University (Eakin Press, 1984)
Basic Law Terms (West Group, 1999)
Criminal Law Terms (West Group, 2000)
Family Law Terms (West Group, 2001)
Business Law Terms (West Group, 1999)
Grammar is the cradle of all philosophy.
John of Salisbury (ca. 1120–80)*
English is not a subject. English is everything. For us who speak English, English is everything. English is what we say and what we think.
L.A. G. Strong, English for Pleasure (1941)*
Nobody who thinks or writes can be above grammar. It is like saying, I’m a creative genius, I’m above concepts
—which is the attitude of modern artists. If you are above
grammar, you are above
concepts; and if you are above
concepts, you are above
thought. The fact is that then you are not above, but far below, thought. Therefore, make a religion of grammar.
Ayn Rand, The Art of Nonfiction (1969)*
I take the candid approach because it fits my teaching situation. My students understand very well what social status means, so I simply tell them, "If you speak this way, you go in the back door; if you speak this way, you go in the front door." I make it very clear that I neither built the house nor did I designate the doors. In this case, I am merely an agent showing off the real estate. I have the key to the front door, and once the student has the concept of usage levels I have given him the key. The back door is always ajar.
V. Louise Higgins, Approaching Usage in the Classroom
(1960)*
Contents
Introduction
1. The field of grammar
2. Who killed grammar?
3. Why study grammar?
4. Overview of the book
I. The Traditional Parts of Speech
5. How did we arrive at the canonical eight?
Nouns
Traditional Classifications
6. Nouns generally
7. Common nouns
8. Proper nouns
9. Count nouns
10. Collective nouns
11. Expressions of multitude
12. Expressions of partition
13. Mass nouns
Properties of Nouns
14. Generally
15. Case
16. Number
17. Gender
18. Person
Plurals
19. Generally
20. Adding -s
or -es
21. Plurals of proper nouns
22. Nouns ending in -f
or -fe
.
23. Nouns ending in -o
24. Nouns ending in -y
25. Nouns ending in -ics
26. Compound nouns
27. Irregular plurals
28. Borrowed plurals
29. Plural form with singular sense
30. Plural-form proper nouns
31. Tricky anomalies
Case
32. Function
33. Common case, nominative function
34. Common case, objective function
35. Genitive case
36. The of
-genitive
37. Genitives of titles and names
38. Joint and separate genitives
Agent and Recipient Nouns
39. Definitions; use
40. Appositives: definition and use
Conversions
41. Nouns as adjectives
42. Nouns as verbs
43. Adverbial functions
44. Other conversions
Pronouns
Definition and Uses
45. Pronoun
defined
46. Antecedents of pronouns
47. Clarity of antecedent
48. Pronouns without antecedents
49. Sentence meaning
Properties of Pronouns
50. Four properties
51. Number and antecedent
52. Exceptions regarding number of the antecedent
53. Pronoun with multiple antecedents
54. Some traditional singular pronouns
55. Gender
56. Case
57. Pronouns in apposition
58. Nominative case misused for objective
Classes of Pronouns
59. Seven classes
Personal Pronouns
60. Form
61. Identification
62. Changes in form
63. Agreement generally
64. Expressing gender
65. Determining gender
66. Special rules
67. Case after linking verb
68. Case after than
or as–as
69. Special uses
70. The singular they
Possessive Pronouns
71. Uses and forms
72. Possessive pronouns vs. contractions
Reflexive and Intensive Pronouns
73. Compound personal pronouns: -self
forms
74. Basic uses of reflexive and intensive pronouns
Demonstrative Pronouns
75. Definition
Reciprocal Pronouns
76. Generally
77. Simple and phrasal pronouns
Interrogative Pronouns
78. Definition
79. Referent of interrogative pronouns
Relative Pronouns
80. Definition
81. Gender, number, and case with relative pronouns
82. Positional nuances
83. Antecedent
84. Remote relative clauses
85. Omitted antecedent
86. Relative pronoun and the antecedent one
87. Function of relative pronoun in clause
88. Genitive forms
89. Whose
and of which
90. Compound relative pronouns
91. Who
vs. whom
Indefinite Pronouns
92. Generally
93. The indefinite pronoun one
Adjectives
Types of Adjectives
94. Definition
95. Qualitative adjectives
96. Quantitative adjectives
97. Demonstrative adjectives
98. Possessive adjectives
99. Interrogative adjectives
100. Distributive adjectives
101. Indefinite adjectives
102. Pronominal adjectives
103. Proper adjectives
104. Compound adjectives
105. Relative adjectives
Articles as Limiting Adjectives
106. Definition
107. Definite article
108. Definite articles and proper names
109. Indefinite article
110. Indefinite article in specific reference
111. Choosing a
or an
112. Articles with coordinate nouns
113. Effect on meaning
114. Omitted article and zero article
115. Article as pronoun substitute
Dates as Adjectives
116. Use and punctuation
Position of Adjectives
117. Basic rules
118. After possessives
119. Adjective modifying pronoun
120. Predicate adjective
121. Dangling participles
122. Distinguishing an adjective from an adverb or participle
Degrees of Adjectives
123. Generally
124. Comparative forms
125. Superlative forms
126. Forming comparatives and superlatives
127. Equal and unequal comparisons
128. Noncomparable adjectives
Special Types of Adjectives
129. Participial adjectives
130. Coordinate adjectives
131. Phrasal adjectives
132. Exceptions for hyphenating phrasal adjectives
Functional Variation
133. Adjectives as nouns
134. Adjectives as verbs
135. Other parts of speech functioning as adjectives
136. The weakening effect of injudicious adjectives
Verbs
Definitions
137. Verbs generally
138. Transitive and intransitive verbs
139. Ergative verbs
140. Dynamic and stative verbs
141. Regular and irregular verbs
142. Linking verbs
143. Phrasal verbs
144. Principal and auxiliary verbs
145. Verb phrases
146. Contractions
Infinitives
147. Definition
148. Split infinitive
149. Uses of infinitive
150. Dangling infinitive
Participles and Gerunds
151. Participles generally
152. Forming present participles
153. Forming past participles
154. Participial phrases
155. Gerunds
156. Gerund phrases
157. Distinguishing between participles and gerunds
158. Fused participles
159. Dangling participles
160. Dangling gerunds
Properties of Verbs
161. Five properties
VOICE
162. Active and passive voice
163. Progressive conjugation and voice
MOOD
164. Generally
165. Indicative mood
166. Imperative mood
167. Subjunctive mood
168. Subjunctive vs. indicative mood
169. Present subjunctive
170. Past subjunctive
171. Past-perfect subjunctive
TENSE
172. Generally
173. Present tense
174. Past indicative
175. Future tense
176. Present-perfect tense
177. Past-perfect tense
178. Future-perfect tense
179. Progressive tenses
180. Backshifting in reported speech
TENSES ILLUSTRATED
181. Conjugation of the regular verb to call
182. Conjugation of the irregular verb to hide
183. Conjugation of the verb to be
PERSON
184. Generally
NUMBER
185. Generally
186. Agreement in person and number
187. Disjunctive compound subjects
188. Conjunctive compound subjects
189. Some other nuances of number involving conjunctions
190. Peculiar nouns that are plural in form but singular in sense
191. Agreement of indefinite pronouns
192. Relative pronouns as subjects
193. There is
; Here is
194. False attraction to intervening matter
195. False attraction to predicate noun
196. Misleading connectives: as well as,
along with,
together with,
etc.
197. Agreement in first and second person
Auxiliary Verbs
198. Generally
199. Modal auxiliaries
200. Can
and could
201. May
and might
202. Must
203. Ought
204. Shall
205. Should
206. Will
and would
207. Dare
and need
208. Do
209. Have
Adverbs
Definition and Formation
210. Generally
211. Sentence adverbs
212. Adverbial suffixes
213. Adverbs without suffixes
214. Distinguished from adjectives
Simple vs. Compound Adverbs
215. Standard and flat adverbs
216. Phrasal and compound adverbs
Types of Adverbs
217. Adverbs of manner
218. Adverbs of time
219. Adverbs of place
220. Adverbs of degree
221. Adverbs of reason
222. Adverbs of consequence
223. Adverbs of number
224. Interrogative adverbs
225. Exclamatory adverbs
226. Affirmative and negative adverbs
227. Relative adverbs
228. Conjunctive adverbs
Adverbial Degrees
229. Generally
230. Comparative forms
231. Superlative forms
232. Irregular adverbs
233. Noncomparable adverbs
Position of Adverbs
234. Placement as affecting meaning
235. Modifying words other than verbs
236. Modifying intransitive verbs
237. Adverbs and linking verbs
238. Adverb within verb phrase
239. Importance of placement
240. Adverbial objective
241. Adverbial clause
242. Only
Prepositions
Definition and Types
243. Generally
244. Simple, compound
245. Phrasal prepositions
246. Participial prepositions
Prepositional Phrases
247. Generally
248. Prepositional function
249. Placement
250. Refinements on placement
251. Preposition-stranding
252. Clashing prepositions
253. Elliptical phrases
254. Case of pronouns
Other Prepositional Issues
255. Functional variation
256. Use and misuse of like
Limiting Prepositional Phrases
257. Avoiding overuse
258. Cutting prepositional phrases
259. Cutting unnecessary prepositions
260. Replacing with adverbs
261. Replacing with genitives
262. Using active voice
Conjunctions
263. Definition and types
264. Types of conjunctions: simple and compound
265. Coordinating conjunctions
266. Correlative conjunctions
267. Copulative conjunctions
268. Adversative conjunctions
269. Disjunctive conjunctions
270. Final conjunctions
271. Subordinating conjunctions
272. Special uses of subordinating conjunctions
273. Adverbial conjunctions
274. Expletive conjunctions
275. Disguised conjunctions
276. With
used loosely as a conjunction
277. Beginning a sentence with a conjunction
278. Beginning a sentence with however
279. Conjunctions and the number of a verb
Interjections
280. Definition
281. Usage generally
282. Functional variation
283. Words that are exclusively interjections
284. Punctuating interjections
285. O
and oh
II. Syntax
Sentences, Clauses, and Their Patterns
286. Definition
287. Statements
288. Questions
289. Some exceptional types of questions.
290. Directives
291. Exceptional directives
292. Exclamations
The Four Traditional Types of Sentence Structures
293. Simple sentence
294. Compound sentence
295. Complex sentence
296. Compound-complex sentence
English Sentence Patterns
297. Importance of word order
298. The basic SVO pattern
299. All seven patterns
300. Variations on ordering the elements
301. Constituent elements
302. Identifying the subject
303. Identifying the predicate
304. Identifying the verb
305. Identifying the object
306. Identifying complements
307. Inner and outer complements
308. Identifying the adverbial element
Clauses
309. In general
310. Relative clauses
311. Appositive clauses
312. Conditional clauses
Ellipsis
313. Generally
314. Anaphoric and cataphoric ellipsis
315. Whiz-deletions
Negation
316. Negation generally
317. The word not
318. The word no
319. Using negating pronouns and adverbs
320. Using neither
and nor
321. Words that are negative in meaning and function
322. Affix negation
323. Negative interrogative and imperative statements
324. Double negatives
325. Other forms of negation
326. Any
and some
in negative statements
Expletives
327. Generally
328. Expletive it
329. Expletive "there"
Parallelism
330. Generally
331. Prepositions
332. Paired joining terms
333. Auxiliary verbs
334. Verbs and adverbs at the outset
335. Longer elements
Cleft Sentences
336. Definition
337. Types
338. Uses
Traditional Sentence Diagramming
339. History and description
340. Benefits of diagrams
341. Using diagrams
342. Criticisms
343. How diagrams work
344. Baseline
345. Subject
346. Predicate
347. Direct object
348. Objective complement
349. Indirect object
350. Subjective complement
351. One-word modifiers
352. Prepositional phrases
353. Adjective clauses
354. Adverbial clauses
355. Noun clauses
356. Infinitives
357. Participles
358. Gerunds
359. Appositives
360. Independent elements
361. Conjunctions
362. Diagramming compound sentences
363. Diagramming complex sentences
364. Diagramming compound-complex sentences
Transformational Grammar
Overview
365. Definition
366. Scope of section
367. Terminology of transformational grammar
368. Tools of transformational grammar
369. Universal symbols in rules
370. Tree diagrams
Base Rules in Transformational Grammar
371. Parts of speech
372. Sentence basics
Nouns and Noun Phrases
373. Functions of noun phrases
374. Simple noun phrases
Determiners
375. Types of determiners
376. Numeric and nonnumeric determiners
377. Multiple determiners
378. Determiners in noun phrases
379. Prearticles
380. Noun phrases with determiner and prearticle
Noun-Phrase Modifiers
381. Modifiers
382. Compound nouns
383. Combined rules
384. Number, person, and possession
Verb Phrases
385. Introduction
386. Functions of verb phrase
387. Principal verbs
388. Auxiliaries
389. Auxiliary verbs
390. Have
391. Multiple auxiliaries
392. Be
as a principal verb
Different Types of Principal Verbs
393. Generally
394. Middle verbs
395. Special subtypes
Adverbials
396. Adverbials with principal verbs
397. Simple adverbs
398. Functions of simple adverbs
399. Prepositional phrase as adverbial
400. Noun phrase as adverbial
401. Adverbials of place, time, and manner
402. Number and tense of verbs
Transformations
403. Deep and surface structure
404. Transformational rules
405. Surface transformation
406. Simple-question transformation
407. Imperative transformation
408. Active- to passive-voice transformation and back again
Spotting Ambiguities
409. Identification
410. Lexical ambiguity
411. Surface-structure ambiguity
412. Deep-structure ambiguity
413. Active- and passive-voice diagrams
III. Word Formation
414. Generally
415. Criteria for morphemes
416. Free and bound morphemes
417. Stems and affixes
418. Inflectional and derivational suffixes
419. Compounding
420. Conversion
421. Shortened forms
422. Elongations
423. Reduplicative forms
424. Loan translations
425. Acronyms and initialisms
426. Neologisms
IV. Word Usage
Introduction
427. Grammar vs. usage
428. Standard Written English
429. Dialect
430. Focus on tradition
Troublesome Words and Phrases
431. Good usage vs. common usage
432. Using big data to assess linguistic change
433. Preventive grammar
434. Glossary of troublesome expressions
Bias-Free Language
435. Maintaining credibility
436. Gender bias
437. Other biases
438. Invisible gender-neutrality
439. Techniques for achieving gender-neutrality
440. Necessary gender-specific language
441. Sex-specific labels as adjectives
442. Gender-neutral singular pronouns
443. Problematic suffixes
444. Avoiding other biased language
445. Unnecessary focus on personal characteristics
446. Unnecessary emphasis on the trait, not the person
447. Inappropriate labels
Prepositional Idioms
448. Idiomatic uses
449. Shifts in idiom
450. Words and the prepositions construed with them
V. Punctuation
451. Introduction
The Comma
Using Commas
452. With a conjunction between independent clauses
453. After a transitional or introductory phrase
454. To set off a nonrestrictive phrase or clause
455. To separate items in a series
456. To separate parallel modifiers
457. To distinguish indirect from direct speech
458. To separate the parts of full dates and addresses
459. To separate long numbers into three-digit chunks
460. To set off a name, word, or phrase used as a vocative
461. Before a direct question inside another sentence
462. To set off etc.,
et al.,
and the like at the end of a series
463. After the salutation in an informal letter
Preventing Misused Commas
464. Not to separate a subject and its verb
465. Not to separate a verb and its object
466. Not to set off a quotation that blends into the sentence
467. Not to set off an adverb that needs emphasis
468. Not to separate compound predicates
469. Not to use alone to splice independent clauses
470. Not to use after a sentence-starting conjunction
471. Not to omit after an internal set-off word or phrase
472. Not to set off restrictive matter
473. Not around name suffixes such as Jr., III, Inc., and Ltd.
474. Not to separate modifiers that aren’t parallel
The Semicolon
Using Semicolons
475. To unite two short, closely connected sentences
476. To separate items in a complex series
477. In old style, to set off explanation or elaboration
Preventing Misused Semicolons
478. Not where a colon is needed, as after a formal salutation
479. Not where a comma suffices, as in a simple list
The Colon
Using Colons
480. To link matter and indicate explanation or elaboration
481. To introduce an enumerated or otherwise itemized list
482. To introduce a question
483. Use a colon to introduce a question
484. After the salutation in business correspondence
485. To separate hours from minutes and in some citations
486. Without capitalizing the following matter needlessly
Preventing Misused Colons
487. Not to introduce matter that blends into your sentence
Parentheses
Using Parentheses
488. To set off inserted matter that you want to minimize
489. To clarify appositives or attributions
490. To introduce shorthand or familiar names
491. Around numbers or letters when listing items in text
492. To denote subparts in a citation
493. Correctly in relation to terminal punctuation
494. To enclose a brief aside
Preventing Misused Parentheses
495. Not before an opening parenthesis
The Em-Dash (or Long Dash)
Using Em-Dashes
496. To set off matter inserted in midsentence
497. To set off but emphasize parenthetical matter
498. To tack on an important afterthought
499. To introduce a specification or list
500. To show hesitation, faltering, or interruption
Preventing Misused Em-Dashes
501. Not using more than two in a sentence
502. Not after a comma, colon, semicolon, or terminal period
The En-Dash (or Short Dash)
Using En-Dashes
503. In a range, to show tension, or to join equivalents
Preventing Misused En-Dashes
504. Not in place of a hyphen or em-dash
505. Not with the wording it replaces
The Hyphen
Using Hyphens
506. To join parts of a phrasal adjective
507. To mark other phrasal-adjective and suffix connections
508. In closely associated compounds according to usage
509. When writing out fractions and two-word numbers
510. To show hesitation, stammering, and the like
511. In proper names when appropriate
512. In some number groups or when spelling out a word
513. With l-
suffixes (e.g., -like
) on words ending in -ll
Preventing Misused Hyphens
514. Not after a prefix unless an exception applies
515. Not in place of an em-dash, even when doubled (--
)
516. Not with an -ly
adverb and a participial adjective
517. Not in a phrasal verb
The Apostrophe
Using Apostrophes
518. To indicate the possessive case
519. To mark a contraction or to signal dialectal speech
520. To form plurals of letters, digits, and some abbreviations
Preventing Misused Apostrophes
521. Not to form other plurals, especially of names
522. Not to omit obligatory apostrophes
Quotation Marks
Using Quotation Marks
523. To quote matter of 50 or fewer words
524. When using a term as a term or when defining a term
525. When you mean so-called
or but-not-really
526. For titles of short-form works, according to a style guide
527. To show internal quotation using single marks
528. To signal matter used idiomatically, not literally
529. Placed correctly in relation to other punctuation
Preventing Misused Quotation Marks
530. Not for a phrasal adjective
531. Not to emphasize a word or note its informality
The Question Mark
Using Question Marks
532. After a direct question
Preventing Misused Question Marks
533. Not after an indirect question
The Exclamation Mark
Using Exclamation Marks
534. After exclamatory matter, especially when quoting others
Preventing Misused Exclamation Marks
535. Not to express your own surprise or amazement
The Period
Using Periods
536. To end a typical sentence, not a question or exclamation
537. To indicate an abbreviated name or title
538. Placed properly with parentheses and brackets
539. To show a decimal place in a numeral
Preventing Misused Periods
540. Not with an abbreviation at sentence end
Brackets
Using Brackets
541. In a quotation, to enclose matter not in the original
542. In parenthetical matter, to enclose another parenthetical
543. To enclose the citation of a source, as in a footnote
Preventing Misused Brackets
544. Not in place of ellipsis dots when matter is deleted
The Slash (Virgule)
Using Slashes
545. To separate alternatives (but never and/or
)
546. To separate numerical parts in a fraction
547. Informally, to separate elements in a date
548. Informally, as a shorthand signal for per
549. To separate lines of poetry or of a song
Preventing Misused Slashes
550. Not when a hyphen or en-dash would suffice
Bullets
551. To mark listed items of a more or less equal ranking
Ellipsis Dots
Using Ellipsis Dots
552. To show that an unfinished sentence trails off
553. To signal rumination, musing, or hesitation
554. To signal an omission of matter within a quotation
555. With following period, to show omission at sentence end
556. With preceding period, to show omission after sentence
Preventing Misused Ellipsis Dots
557. Omitting space or allowing a line break between dots
558. Beginning a quotation with ellipsis dots
Select Glossary
Notes
Sources for Inset Quotations
Select Bibliography
Acknowledgments
Word Index
General Index
Pronunciation Guide
Introduction
1 The field of grammar.
In its usual sense, grammar is the set of rules governing how words are put together in sentences to communicate ideas—or the study of these rules. Native speakers of a language learn them unconsciously. The rules govern most constructions in any given language. The small minority of constructions that lie outside these rules fall mostly into the category of idiom and customary usage.
It [the doctrine of usage] asserts that Good use is the general, present-day practice of the best writers.
One bone we could pick would be with that best.
How are they the best writers except by using the words in the best ways? We settle that they are the best writers because we find them using their words successfully. We do not settle that theirs is the right, the good usage
of the words because they use them so. Never was there a crazier case of putting the cart before the horse. It is as though we were to maintain that apples are healthy because wise people eat them, instead of recognizing that it is the other way about—that it is what the food will do for us which makes us eat it, not the fact that we eat it which makes it good food.
—I. A. Richards
The Philosophy of Rhetoric
There are many schools of grammatical thought—and differing vocabularies for describing grammar. Grammatical theories have been in upheaval in recent years. Seemingly the more we learn, the less we know. As the illustrious editor in chief of the Oxford English Dictionary wrote in 1991: An entirely adequate description of English grammar is still a distant target and at present seemingly an unreachable one, the complications being what they are.
¹ In fact, the more detailed the grammar (it can run to many large volumes), the less likely it is to be of any practical use to most writers and speakers.
Grammar should be an attempt to describe the English language as it is actually used—beginning with the facts and not with ingrained biases about what should and should not be considered grammatical. But that’s not the whole story. Describe English, yes—but whose English? The traditional view of English grammar is that it should record the linguistic habits of refined speakers and writers: the best English, or standard literary English shorn of dialect and idioms that typify the language of uneducated speakers. It is the type of English, in other words, that marks its user as an educated speaker or writer. It can be found in the pages of reputable newsmagazines and nonfiction books (and much fiction, too, but less reliably so because of the utility of dialectal usage in dialogue and experimental usage within narrative).
Not everyone aspires to the standard language—and as a result our culture becomes more varied and interesting. But anyone who does aspire to it will find that it can be cultivated, partly through wide reading of serious writing and partly through close study of its techniques. Although nobody speaks or writes standard literary English infallibly—just as nobody behaves or exercises judgment infallibly—good English exists as certainly as good behavior and good judgment do.
2 Who killed grammar?
During the 141 years from 1711 through 1851, grammars were among the most popular books published in English. There were hundreds of them. Seemingly every English-speaking household had, at a minimum, a Bible and a grammar. Lindley Murray, sometimes called the father of English grammar,
² sold some 15 million copies of his English Grammar and other literary books from 1795 to 1840.³ In 1851, Goold Brown’s humongous Grammar of English Grammars appeared, occupying 1,102 pages on the subject.
For the rest of the 19th century, the teaching of grammar was fairly stable. The top names in school grammars after 1850 were John Seely Hart,⁴ Allen Hayden Weld,⁵ Thomas N. Harvey,⁶ Simon Kerl,⁷ and William H. Maxwell.⁸ The dawn of the 20th century saw the rise of the first scholarly grammars and college grammars,
still along the line of traditional grammars but somewhat more elaborate and standardized. Among the leading texts through the mid-20th century were those by Henry Sweet,⁹ George Lyman Kittredge and Frank Edgar Farley,¹⁰ Otto Jespersen,¹¹ Janet Rankin Aiken,¹² and George O. Curme.¹³
A campaign against traditional grammar had started by the early 20th century. In 1910 a leading commentator wrote:
What was the meaning of the reaction against the study of formal Grammar of the Lindley Murray type? The main count against it was that it failed of practical results; failed as a communicable art of speaking and writing the English language with propriety,
—to quote the Murray definition. The endless formalities of rule and precept were found to be wasteful burdens of knowledge unrelated to practice.¹⁴
What was not then known was that nothing better would replace traditional grammar—at least nothing better that might still be comprehensible to the educated public in general, and nothing related to the teaching of composition.
By the early 20th century there was a drumbeat of dissatisfaction with the doctrine of grammatical correctness.
Things like the parts of speech and sentence diagramming were criticized—mostly among expert linguists, not practical teachers. New schools of thought arose, each with its own nomenclature and classification system.¹⁵ That trend has only continued in the years since.
Between charges that it was not being taught and should be taught and charges that it was being taught and should not be, grammar has had a very bad time of it for more than a quarter of a century.
—Bertrand Evans
Grammar and Writing
Some saw growing standardization as outright dogmatism, and in 1927 Charles Carpenter Fries, in his Teaching of the English Language, urged the overthrow of the traditional view
¹⁶ of correctness as determined by the rules of conventional school grammars. He wanted to jettison past methods: "For more than a century good English has been one of the major concerns of our educational system. . . . [Yet] we do not by any means agree as to what this good English is."¹⁷ Fries was an influential voice, and over time—with the backing of the National Council of Teachers of English—the grammatical putsch succeeded.
By the mid-20th century, the structural linguists—also known as generative grammarians—rose with a wholly new way of describing the English language: transformational grammar. Unlike traditional grammar, this new discipline was not a didactic system to help students use good grammar
—in fact, the linguists no longer believed in good grammar
or in using grammar as a vehicle for teaching English composition. They came to believe that if a native speaker utters a sentence, it is necessarily appropriate to the speaker’s dialect. They sought to record linguistic structures and describe syntax dispassionately and scientifically—usually with no preference for Standard Written English over regional and class dialects.
Transformational grammar was a descriptive method based on a theory first proposed by the linguist Noam Chomsky in 1957.¹⁸ Chomsky sought to describe how people produce and understand original sentences without formally learning rules for grammatical structures. According to his original theory, native speakers assimilate the natural rules of the language and internalize them. Transformational grammar attempts to describe those internal rules by first looking at a sentence’s structure and then deriving a formulalike rule or a tree diagram to show how a sentence or sentence part is formed. Sporadic, mostly unsuccessful attempts to teach grade-school children English using transformational grammar were made during the 1960s and early 1970s. Today it is taught mostly in colleges and graduate schools. Outside linguistics, transformational grammar is used mostly in computer-language-processing applications. It has an alien look and feel to traditionalists, but it can convey interesting insights into how the language works (see §§ 365–413).
In the late 20th century, it was common for the high-school and college courses that still taught grammar to treat it on dual tracks: traditional grammar plus transformational grammar.
Since then, no clear consensus has been reached, and the more advanced grammars have become so specialized and jargon-filled as to be incomprehensible to all but other specialists. In the mid-1980s, the literary critic Christopher Ricks observed that many modern grammarians express themselves in a manner as inviting as a tall wall bottled-spiked.
¹⁹ About the same time, Robert W. Burchfield, then editor of the Oxford English Dictionary, said that this impenetrable grammatical gobbledygook had led to an unrelieved intellectual apartheid
that left most educated speakers of English disastrously uninformed and uninstructed.
²⁰
Small wonder that the subject is hardly studied today—given that many of these moderns call themselves grammaticographers who study grammaticology.²¹ And small wonder that the grammatical heyday of the 18th and 19th centuries remains a dim memory on the literary landscape—an implausible past in which grammars were exceeded in sales only by the Bible.
In 1952 a bewildered and frustrated Harry C. Warfel, professor of English at the University of Florida, wrote Who Killed Grammar?, in which he detailed the demise of the subject in American secondary schools and colleges—laying blame mostly at the feet of Fries.²² Together with other linguists, Fries had succeeded in divorcing grammatical learning from the pedagogy of English composition. The sad saga was updated and elaborated in an excellent 2003 book by David Mulroy: The War Against Grammar.²³
In any event, grammar was never killed—even if it was wounded. It is very much alive, as evidenced by the interest you’re showing at this very moment. Your own learning about grammar will help hasten its recovery.
3 Why study grammar?
Perhaps the most important reason for learning about grammar is that language is basic to almost everything we do—and the more nearly you can master it, the more effectively you’ll think, speak, and write. You’ll be more aware of ideas and how they’re expressed. You’ll make finer distinctions. A knowledge of grammar is fundamental to critical thinking.
We cannot know too much about the language we speak every day of our lives.
—Simeon Potter
Our Language
You’ll also find that a knowledge of grammar and usage opens up doors for you. Without it, your opportunities in life would be limited. That’s true in any culture and with every language—and it’s true of English-speaking countries. If you’re an ambitious speaker of English, you’ll want to learn Standard Written English. You’ll find a richer appreciation of English literature, and you’ll benefit in ways both tangible and intangible—ways that you can’t possibly appreciate until you’ve gained the knowledge.
An illustrative story: Many biographers of Abraham Lincoln have noted his early preoccupation with Samuel Kirkham’s English Grammar in Familiar Lectures (1820). When he first heard about the book, Lincoln walked six miles to get a copy.²⁴ He burned pine shavings in a blacksmith shop so that he could read it at night.²⁵ He committed whole sections of the book to memory, often wheedling friends into quizzing him.²⁶ He wanted to learn to speak well and write well. And so he did: he is widely considered the foremost orator and writer ever to have served as president of the United States.
The title page of the very copy of Kirkham’s English Grammar used by Abraham Lincoln. Mounted inside the front cover is a promissory note for $30 witnessed by Abraham Lincoln as agent.
Courtesy: Library of Congress
Another story—a little less sublime: A professor acquaintance of mine had a college student who was determined to teach Greek philosophy. But the student couldn’t pass his first semester of Greek. The professor told the student what his problem was: he didn’t know the first thing about English grammar. (Other profs had said he just lacked innate ability.) After taking a couple of courses in English grammar, which he found challenging, the student tried again and succeeded with distinction. In fact, he went on to study medieval Latin as well. That competence, combined with his mastery of Greek, was decisive in getting him a good college teaching post the same year he earned his Ph.D. Today his academic career is flourishing. Both he and his advisers declare that English grammar paved the way.
Your own path will be unlike those. It will assuredly be unique. But one thing is certain: in the long term, your acquiring Standard Written English will only help you reach your most ambitious goals. Wear it lightly. Be practical, not pedantic. Seek to be astute in the way you handle language. In addition to speaking well and writing well, learn to listen well. You’ll perceive more. And listen sympathetically.
4 Overview of the book.
As traditionally understood, grammar is both a science and an art. Often, it has focused—as part I of this book does—on parts of speech (or word classes). Each part of speech performs a particular function in a sentence or phrase. Traditional grammar has held that there are eight parts of speech: nouns, pronouns, adjectives, verbs, adverbs, prepositions, conjunctions, and interjections.²⁷ Some grammars have added a ninth: articles.²⁸ But as you’ll soon discover (see § 5), reckonings vary.
The first 285 sections of this book deal with the traditional eight; each part of speech is discussed in some detail. The purpose here is to sketch some of the main lines of English grammar using mostly traditional grammatical terms.
Part II deals with syntax: the rules governing the arrangement of words and phrases into sentences. Traditional grammarians classified sentences into four types according to their purposes (statements, questions, directives, and exclamations), as well as four structural types according to the structure of clauses (simple, compound, complex, and compound-complex). More modern grammarians have isolated seven fundamental patterns into which English sentences can be classified by word order. Part II explains these ideas along with the basics of sentence diagramming and the newer sentence trees
of transformational grammar.
In part III we take up the subject of word formation, also known as morphology: the study of how small word-units known as morphemes compose words.
The multifariously detailed questions of English usage occupy part IV. The customary forms and meanings of words and phrases are constantly and often imperceptibly shifting. Some speakers and writers push words in new directions, often unconsciously; others resist and reject these innovations, often (in the long run) to no avail. But undesirable linguistic changes needn’t—and shouldn’t—be immediately acquiesced in. The usage glossary here presented gives a snapshot of the language as it stands today: a compilation of editorial judgments that experienced copyeditors make routinely.
More than that, though, part IV contains an unprecedented degree of empirical evidence in the form of Google ngrams, which reflect big data as applied to Standard Written English. These ngrams show the relative frequency in print of two or more competing forms. So let’s say that someone is arguing that *between him and I should be accepted as standard—there are such people.²⁹ And let’s say that our disputatious friend cites outlier instances in literature of *between him and I (it should be between him and me, of course—each pronoun being the object of a preposition). An ngram will show relative frequencies in massive amounts of literature—more than 5.2 million books from 1500 on—to assess the truth or falsity, or maybe just the plausibility, of the contention. It’s also possible to calculate ratios of use through time. Here’s what we find:
1820 Ratio of Frequency in Printed Books: 93:1
2008 Ratio of Frequency in Printed Books: 53:1
Even a ratio of 3:1 would be enough to establish serious predominance—and perhaps enough to declare (depending on the usage involved) the less-frequent form nonstandard. But anything more than 20:1 is powerful, objective evidence that the traditionally stigmatized form is in no position to be declared Standard Written English. In fact, many of the instances of its appearance in the database are probably owing to discussions of its ungrammatical nature.
Or consider a related construction—one I heard a television broadcaster use just as this book was being readied for publication—*Him and I are good friends. Because both pronouns are subjects of the plural verb are, they should both be in the subjective case. A few language commentators will hear such instances and opine that this phrasing has become standard. They may go so far as to say that English is gradually losing its declension of pronouns altogether—a highly indefensible position. Let’s see what the ngram tells us about instances of He and I are (educated usage) and *Him and I are (uneducated usage)—from 1500 to the present day:
2008 Ratio of Frequency in Printed Books: 109:1
The frequency ratio of 109:1 in printed books just from the latest year we can now use, 2008, provides powerful evidence that Standard Written English is hardly on the brink of a shift toward acceptance of the nonstandard form.
This previously unavailable big-data tool allows us to gauge questions of English in a way never before possible, so that judgments about standard forms are based on something more than one person’s lifetime of reading and study, however reliable that may have been. Some 67 of these ngrams appear in part IV, where they are further explained. You may well find that they make part IV compulsively browsable.
Part V consists of a full restatement of the principles of English punctuation. Each principle is illustrated with verbatim examples drawn from writers of high repute. No writer, of course, is infallible in either usage or punctuation, but these sentences illustrate sound instances of punctuation. And the illustrations’ great variety contributes piquancy to what is often a dry topic.
The select glossary (see pp. 401–89) isn’t to be overlooked. Learners of any subject—your author included—benefit tremendously from treating it partly as an exercise in vocabulary-building. Learning the terminology of grammar represents a huge step toward mastering the subject as a whole. Hence I have gone into more detail in the glossary than many readers might have expected. Try browsing through it from time to time as you’re reading or consulting the book. You’ll find that the terminology is like good wine: once you get a taste for it, you’ll start picking up the nuances.
Throughout the text are inset quotations in shaded boxes. You’ve already encountered some. These quotations are intended to enrich the discussions with insights from writers and commentators of the past—most of them linguists and grammarians whose statements reinforce the basic message of the book: that linguistic study can be both practical and enjoyable. For the precise sources of these quotations, see pp. 491–95.
In most but not all ways, this book conforms to the recommendations found in The Chicago Manual of Style. I take a somewhat different stance, for example, on commas after years in month-day-year-style dates, recommending their omission when the date is used adjectivally (§ 458); on en-dashes, recommending them for expressing tension or pairing as well as for numerical ranges (§ 503); and on ellipsis dots, recommending a space before the first of four dots if the elision occurs in midsentence as opposed to after a sentence’s end (§ 555). Naturally, all the grammatical discussions and usage recommendations line up closely with chapter 5 of the Chicago Manual—given that I am the author of that chapter.
Beware the naysayers who tell you that learning Standard Written English will stifle your creativity or cause you to write correct
but bloodless prose. This common concern is a slight one at best. The truth is that without Standard Written English, it will be all but impossible to produce incredibly clear, beautiful, alive, urgent, crackling-with-voltage prose.
³⁰ That’s not a bad description of what you might ultimately aim for—though the first step is straightforward and simple clarity.
Pursue your interest in words and in writing well—together with their many settled conventions. You may find that you’ve changed the direction of your life. As one of my multilingual friends likes to say, fall in love with language, and it will love you back.
I. The Traditional Parts of Speech
5 How did we arrive at the canonical eight?
The traditional grammarian’s approach to parts of speech is often attributed to an ancient of some renown: Dionysios Thrax, who lived in the second century B.C.¹ In Téknē Grammatiké (or The Grammatical Art), he listed eight parts of speech: noun, verb, participle, article, pronoun, preposition, adverb, conjunction. These categories were long accepted by Greek, by Roman, and later by European grammarians—and there were scores of them (hence only some highlights here).
The Roman grammarian Aelius Donatus, who lived in the fourth century A.D., wrote Ars Grammatica—a book that gained great popularity into the Middle Ages. His eight parts of speech were slightly different from those of Dionysios:
Both classified nouns and adjectives together—Dionysios because the two have the same kinds of inflectional endings in Greek, Donatus presumably because he was influenced by predecessors such as Dionysios. But Donatus dropped articles (Latin has none) and separated interjections from adverbs.
A zoologist who divided animals into invertebrates, mammals, and beasts of burden would not get very far before running into trouble. Yet the traditional grammar is guilty of the same error when it defines three parts of speech on the basis of meaning (noun, verb, and interjection), four more on the basis of function (adjective, adverb, pronoun, conjunction), and one partly on function and partly on form (preposition). The result is that in such an expression as a dog’s life
there can be endless futile argument about whether dog’s
is a noun or an adjective.
—W. Nelson Francis
Revolution in Grammar
The Donatus model was followed by other early influential grammarians, such as Priscian, who lived in the fifth century A.D.³ So influential was Priscian that he gave us the phrase to break Priscian’s head, meaning to use bad grammar.
In Renaissance England, a schoolboy learning Latin might be scolded when he mistranslated a phrase from English into Latin, No, William, you’re breaking Priscian’s head!
So influential was Latin grammar in England that English grammars were sparse until the 18th century. But Shakespeare’s main rival, Ben Jonson (1572–1637), wrote a grammar that was published in 1640,⁴ three years after his death. Jonson counted in our English speech . . . the same parts with the Latins
⁵—that is, eight. His list was that of Donatus (though Jonson’s direct influence was Priscian). But then he added another: articles.⁶
When English grammars began to proliferate in the 18th and 19th centuries, there was great variability in grammarians’ counts of parts of speech. In 1711, James Greenwood repeated Donatus’s fourth-century roster.⁷ Others of the time replicated it.⁸ Still other grammarians, however, counted only four—among these being John Entick,⁹ Thomas Dyche,¹⁰ Anne Fisher,¹¹ and James Harris.¹² Some had the number swell to nine (by adding articles, as Ben Jonson had done in 1640)¹³ or ten (by adding adjectives).¹⁴ There was simply no consensus.
Not until 1761 did any grammarian settle on the eight that became the canonical parts of speech in English. He was the same man who discovered oxygen: Joseph Priestley (1733–1804). In his Rudiments of English Grammar, he listed these:
• noun
• adjective
• pronoun
• verb
• adverb
• preposition
• conjunction
• interjection¹⁵
Even so, it took another 80 years or so for those eight to be firmly accepted—perhaps because the categories fluidly relate to form and function. That is, some words are called nouns because they usually function that way, but of course they can often function as adjectives and verbs as well. And any part of speech can function as an interjection. So it’s not a perfect taxonomy.
The influential Robert Lowth counted nine in 1762 by adding articles;¹⁶ John Fell followed those nine in 1784;¹⁷ so did George Neville Ussher in 1785¹⁸ and the highly influential Lindley Murray in 1795.¹⁹ But more grammarians of that period counted ten by adding participles to the mix: Rowland Jones in 1771,²⁰ Ellin Devis in 1775,²¹ Ralph Harrison in 1777,²² Caleb Bingham in 1785,²³ E. Harrold in 1804,²⁴ Lady Eleanor Fenn in 1790,²⁵ John Hutchins in 1791,²⁶ Caleb Alexander in 1792,²⁷ Thomas Coar in 1796,²⁸ Duncan Mackintosh (with his two daughters) in 1797,²⁹ Daniel Staniford in 1797,³⁰ Jane Gardiner in 1799,³¹ David Gurney in 1801,³² Alexander Crombie in 1802,³³ and John Comly in 1803.³⁴ These grammarians were doubtless aware of one another’s work to one degree or another.
Some Americans were mavericks. In 1782, Robert Ross wrote The American Grammar with the help of Aaron Burr (the president of Yale College and father to the future vice president and killer of Alexander Hamilton). They counted eight parts of speech in both English and Latin but then speculated: Since all Discourse must be about Things, their Properties, Actions, and Relations; were it not for long established Custom, we might divide Speech into four Parts, viz. Noun, Adnoun [i.e., adjective], Verb, and Participle.
³⁵ Two years later, Noah Webster, more famous as a lexicographer than as a grammarian, counted six parts of speech.³⁶ But he was long-lived, and in his final grammar nearly 50 years later, he counted seven—the conventional eight minus interjections.³⁷ The most extreme examples were James Brown, who in his 1820 American Grammar counted thirty-three,³⁸ and William S. Balch, who in 1838 counted only two (nouns and verbs).³⁹
This little survey only skims the surface. By 1801 there were 297 different listings of English parts of speech accounting for a total of 58 varieties.⁴⁰ By the 1840s, however, a consensus was gradually emerging for Priestley’s eight:
• noun
• pronoun
• adjective
• verb
• adverb
• preposition
• conjunction
• interjection⁴¹
The variants gradually became outliers among mainstay school grammars.
Even in recent years, though, the categories aren’t fully settled: modern grammarians have set the number at three,⁴² four,⁴³ six,⁴⁴ seven,⁴⁵ eight (the traditional number),⁴⁶ nine,⁴⁷ ten,⁴⁸ eleven,⁴⁹ twelve,⁵⁰ and nineteen.⁵¹ One says there is no definitive answer.
⁵² In this way, parts of speech are rather like the biologist’s species and genera: they are human constructs that aren’t immutable.
In the discussion that follows, we examine the canonical eight with full knowledge that the classifications aren’t airtight.
Nouns
Traditional Classifications
6 Nouns generally.
A noun is a word that names something, whether abstract (intangible) or concrete (tangible). It may be a common noun (the name of a generic class or type of person, place, thing, process, activity, or condition) or a proper noun (the name of a specific person, place, or thing—hence capitalized). A concrete noun may be a count noun (if what it names can be counted—as with horses or cars) or a mass noun (if what it names is uncountable or collective—as with information or salt). A noun-equivalent is a phrase or clause that serves the function of a noun in a sentence {to serve your country is honorable} {bring anyone you like}. Nouns and noun-equivalents are collectively called substantives or (especially throughout this book) noun elements.
7 Common nouns.
A common noun is the generic name of one item in a class or group {a chemical} {a river} {a pineapple}. It is not capitalized unless it begins a sentence or appears in a title. A common noun is usually used with a determiner—that is, an article or other word (e.g., some, few) that indicates the number and definiteness of the noun element {a loaf} {the day} {some person}. Common nouns are often analyzed into three subcategories: concrete nouns, abstract nouns, and collective nouns. A concrete noun is solid or real; it indicates something perceptible to the physical senses {a building} {the wind} {honey}. An abstract noun denotes something you cannot physically see, touch, taste, hear, or smell {joy} {expectation} {neurosis}. A collective noun—which can be viewed as a concrete noun but is often separately categorized—refers to a group or collection of people or things {a crowd of people} {a flock of birds} {a herd of rhinos}. See § 10.
8 Proper nouns.
A proper noun is the name of a specific person, place, or thing {John Doe} {Moscow} {the Hope Diamond}, or the title of a movie {Citizen Kane}, a play {Death of a Salesman}, a book {Oliver Twist}, a newspaper or magazine {The New Yorker}, a piece of music {U2’s All Because of You
}, a painting {Mona Lisa}, a sculpture {The Kiss}, or any other publication, performance, or work of art. Proper nouns may be singular {Mary} {London} or plural {the Great Lakes} {the Twin Cities}. A proper noun is always capitalized, regardless of how it is used—unless someone is purposely flouting the rules {k.d. lang}. A common noun may become a proper noun {Old Hickory} {the Big Easy}, and sometimes a proper noun may be used figuratively and informally, as if it were a common noun {like Moriarty, he is a Napoleon of crime}. Proper nouns may be compounded when used as a unit to name something {the Waldorf-Astoria Hotel} {Saturday Evening Post}. Over time, some proper nouns (called eponyms) have developed common-noun counterparts, such as sandwich (from the Earl of Sandwich) and china (the porcelain, from the nation China). Articles and other determiners are used with proper nouns only when the last part of the noun is a common noun or the determiner provides emphasis {the Savoy Hotel} {Sam? I knew a Sam Hill once}.
9 Count nouns.
A count noun has singular and plural forms and expresses discrete, enumerable things {dictionary–dictionaries} {hoof–hooves} {newspaper–newspapers}. As the subject of a sentence, a singular count noun takes a singular verb {the jar is full}; a plural count noun takes a plural verb {the jars are full}.
10 Collective nouns.
A collective noun denotes an aggregate of individuals or things but is itself grammatically singular in form {group} {team} {flock} {herd}. For purposes of verb and pronoun agreement, however, collective nouns may be treated as either singular or plural, depending on whether the emphasis is on the constituent members acting as a unified whole {the committee meets on Tuesday to announce its decision} or, less commonly in American English (AmE), individually {the committee are debating their decision}. The general preference in AmE is to treat collective nouns as singular; the opposite is true in British English (BrE). But when collective nouns appear in expressions of multitude (see below), they are generally treated as plural.
11 Expressions of multitude.
In constructions such as a bunch of amateurs, a collective noun expresses multitude, rather than signifying a unified group. Grammarians call collective nouns functioning this way quantifying collectives. (But some of the most common expressions of multitude use quantifying determiners in place of collectives: number, lot, couple, and few don’t function like collective nouns in other contexts.) Such constructions place the quantifying collective or determiner between an indefinite article (a or an) and a postmodifying of-phrase using a plural or mass noun {a host of problems} {a group of doctors} {a set of stemware} {a lot of questions}.
As with collective nouns generally, syntax with expressions of multitude is governed by meaning and not by strict grammar—a phenomenon known as synesis or notional concord. (See § 186.) So while lone collective nouns typically signify the group as a unit and hence are treated as singular, nouns of multitude are distributive: verbs and pronouns must agree in number with the noun following of, not the singular noun of multitude preceding it.
If the noun following of is plural (as