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    The Making Of A Novelist: An Experiment In Autobiography
    The Making Of A Novelist: An Experiment In Autobiography
    The Making Of A Novelist: An Experiment In Autobiography
    Ebook114 pages1 hour

    The Making Of A Novelist: An Experiment In Autobiography

    By David Christie Murray

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    About this ebook

    The Making Of A Novelist is an autobiography by David Christie Murray. Murray was an English journalist, who also wrote fiction. Excerpt: "I wrote three small-type columns—three columns of leaded minion—about that execution, describing everything I had seen with a studied minuteness. Dawson was nervous about the whole affair, and, whilst the copy was yet in the hands of the printer, asked two or three times what had been done with the theme. He was kept at bay by the subeditor, who scented a sensation, and was afraid that the editor-in-chief might cut the copy to pieces. Dawson was purposely kept waiting for proofs so long that at last he went home without seeing them; and he often spoke to me afterwards of the rage and anguish he felt when he opened the paper at his breakfast-table and found that great mass of space devoted to the report of an execution. He began, so he told me, by reading the last paragraph first; then he read the paragraph preceding it; and next, beginning resolutely at the beginning, found himself compelled to read the whole ghastly narrative clean through. The machine was at work all day to supply the local demand for this particular horror, and Mr. George Augustus Sala wrote specially to ask who was the author of the narrative. I began to think my fortune made."
    LanguageEnglish
    PublisherGood Press
    Release dateDec 13, 2019
    ISBN4064066193584
    The Making Of A Novelist: An Experiment In Autobiography

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      Book preview

      The Making Of A Novelist - David Christie Murray

      David Christie Murray

      The Making Of A Novelist

      An Experiment In Autobiography

      Published by Good Press, 2019

      [email protected]

      EAN 4064066193584

      Table of Contents

      PREFACE

      THE MAKING OF A NOVELIST

      I

      II

      III

      IV

      V

      VI

      VII

      VIII

      IX

      X

      XI

      XII

      PREFACE

      Table of Contents

      Every man who writes about himself is, on the face of the matter, obnoxious to the suspicion which haunts the daily pathway of the Bore. To talk of self and not be offensive demands an art which is not always given to man. And yet we are always longing to get near each other and to understand each other; and in default of a closer communion with our living fellows we take to our bosoms the shadows of fiction and the stage. If the real man could be presented to us by any writer of his own history we should all hail him with enthusiasm.

      Pepys, of course, came nearer than anybody else; but this is only because he wrote for his own reading and meant to keep himself a secret. Dickens exquisitely veils and unveils his own personality and career in Copperfield, and scores of smaller writers have done the same thing in fiction to our great pleasure. But to set down boldly, openly, and as a fact for general publication the things of one's own doing, saying, and thinking is an impertinence whose only justification can be found in the public approval. If Pepys had written his Diary for publication he would have been left to oblivion as a driveller. But we surprise the man's secret, we see what he never meant to show us, the peering jackdaw instinct is satisfied; and we feel, besides, a certain sense of humorous pity and affectionate disdain which the man himself, had we known him in life as we know him in his book, could never have excited. Rousseau, to me, is flatly intolerable, because he meant to tell the world what every man should have the decency to hide.

      The perfect autobiography is yet to seek, and will probably never be written. A partial solution of a difficulty is offered in this experimental booklet. It is offered without diffidence, because it is offered in perfect modesty. I have tried to show how one particular novelist was made; where he got some of his experiences, and in what varying fashions the World and Fate have tried to teach him his business. It has been my effort to do this in the least egotistical and the most straightforward fashion. The narrative is quite informal and wanders where it will; but in its serial publication it received marked favour from an indulgent public, and I like to give it an equal chance of permanence with the rest of my writings, which I trust will not convey the notion that I covet a too-exaggerated longevity. Should the public favour continue, the field of experience is wide; and I may repeat Dick Swiveller's saying to Mr. Quilp—'There is plenty more in the shop this comes from.'

      THE MAKING OF A NOVELIST

      Table of Contents

      I

      Table of Contents

      Only a day or two ago I found myself arrested on my eastward way along the Strand by the hand of a friend upon my shoulder. We chatted for a minute or two, and I found that I was in front of Lipscombe's window. A ball of cork, which has had a restless time of it for many years, was dodging up and down the limits of a glass shade, tossed by a jet of water. The sight of it carried me back twenty years in a flash. 'In the year 1872 I came to London, as many young men had done before me, without funds, without friends, and without employment, trusting, with the happy-go-lucky disposition of youth, to the chapter of accidents. For some time the accidents were all unfavourable, and there came a morning when I owned nothing in the world but the clothes I stood in. I found myself that morning very tired, very hungry, very down in the mouth, staring at the cork ball on the jet of water under the glass shade, and drearily likening it to my own mental condition, flung hither and thither, drenched, rolled over, lifted and dropped by a caprice beyond the power of resistance. It was at this mournful moment that I found my first friend in London. The story of that event shall be told hereafter. What I want to say now is that the sight of that permanent show in Lipscombe's window made me younger for a minute by a score of years, and opened my mind to such a rush of recollections that I determined then and there to put my memories on paper.

      I am not such an egotist as to suppose my experiences to be altogether unique; but I know them to be curious and in places surprising. Adventures, as Mr. Disraeli said a good many years ago, are to the adventurous, and in a smallish kind of way I have sought and found enough to stock the lives of a thousand stay-at-homes. At the first blush it would not appear to the outside observer that the literary life is likely to be fruitful in adventure; but in the circle of my own acquaintance there are a good many men who have found it so.

      In the city of Prague the most astonishing encounters pass for every-day incidents. In these days of universal enlightenment nobody needs to be told that Prague is the capital of Bohemia. There is a note that rings false in the very name of that happy country now. Its traditions have been vulgarised by people who have never passed its borders. All sorts of charlatans have soiled its history with ignoble use, and the very centre and citadel of its capital has an air of being built of gingerbread. In point of fact, though its inhabitants are sparser than they once were, and its occasional guests of distinction fewer, the place itself is as real as ever it was. I have lived in it for a quarter of a century, and, without vanity, may claim to know it as well as any man alive.

      Eight or ten years ago I was sitting in the Savage Club in the company of four distinguished men of letters. One was the editor of a London daily, and he was talking rather too humbly, as I thought, about his own career.

      'I do not suppose,' he said, 'that any man in my present position has experienced in London the privations I knew when I first came here. I went hungry for three days, twenty years back, and for three nights I slept in the Park.'

      One of the party turned to me. 'You cap that, Christie?'

      I answered, 'Four nights on the Embankment. Four days hungry.'

      My left-hand neighbour was a poet, and he chimed in laconically, 'Five.'

      In effect, it proved that there was not one of us who had not slept in that Hotel of the Beautiful Star which is always open to everybody. We had all been frequent guests there, and now we were all prosperous, and had found other and more comfortable lodgings. There is a gentler brotherhood to be found among men who have put up in that great caravanserai than can be looked for elsewhere. He jests at scars that never felt a wound, and a fellow-feeling makes us wondrous kind.

      There are many people still alive who remember the name of George Dawson. There used to be thousands who recognized it with veneration and affection. He was my first chief, editor of the Birmingham Morning News, and had been my idol for years. My red-letter nights were when he came over to my native town of West Bromwich to lecture for the Young Men's Christian Association there on Tennyson, 'Vanity Fair,' Oliver Goldsmith, and kindred themes.

      Every Sunday night it was my habit to tramp with a friend of mine, dead long ago, into Birmingham to hear Dawson preach in the Church of the Saviour. The trains ran awkwardly for us, and many scores of times poor Ned and myself walked the five miles out and five miles home in rain and snow and summer weather to listen to the helpful and inspiriting words of the strongest and most helpful man I have ever known.

      I am not sure at this time of day what I should think of George Dawson if he still survived; but nothing can now diminish the affection and reverence with which I bless his memory. I had been writing prose and verse for the local journals for a year or two. I was proud and pleased beyond expression to be allowed to write the political leaders for the Wednesday Advertiser. I got no pay, and I dare say the editor was as pleased to find an enthusiast who did his work for nothing as I was to be allowed to do it. In practical journalism I had had no experience whatever; but when Dawson was announced as the editor of the forthcoming Birmingham Morning News I wrote to him, asking to be allowed to join the staff. I

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