The Meditation Process: Raja Yoga and Buddhist Shamatha
By Lyle Olson
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About this ebook
This is a study of concentration meditation practices for intermediate and beginning meditators. As soon as the eyes close, the meditator is faced with a flurry of thoughts and a multitude of obstacles. The beginning meditator will find many solutions to common problems with sitting posture, breathing, dealing with thoughts and relaxation.
For intermediate meditators, the meditation process removes colorations covering the mind; uncontrolled thoughts, unfinished business, concepts, and attachments. When the aim of meditation is transforming the mind, it becomes a more serious business requiring much skill and patience. The foundation for serious meditation is the ancient practice of concentration: cultivating one-pointed attention on a meditation object, the process common to Raja Yoga and Buddhist Shamatha. Based on 40 years of wide experience, study (280 citations), and gathering pointers from many adepts, this is practical study on handling distractions, nostril balance, understanding brain hemisphere functions, establishing one-pointed mind, turning mind inward, deep relaxation, non-attachment and lifestyle, using mantras, and awareness.
It's helpful to have a map describing the stages of meditation; to know where you are going, how you are getting there, and when you are going off course. This is an experiential book; a close look at what meditator actually does during sitting with minimal attention given to philosophy. It is not a religious or even a spiritual book, but provides concise, straightforward help on the how-to-do without burying the essential points in a muddle of words.
The 66 photos, taken over a 15–year period in India and Nepal where the contemplative lifestyle is visible, help to make it a personal reality for the reader.
The need for this book:
Many skills in the art and science of meditation need to be developed into a process of quieting and purifying the mind, but trial and error is too slow. It is usually a long process, measured in decades, which doesn't give the meditator time to waste. Whether the aim is transformation of mind, a search for truth, enlightenment, or because of its many other benefits, this book gives access to the best help I have found.
Interest in meditation is growing rapidly. In 2017, 14% of Americans said they have practiced meditation in the past year, up from 4% in 2012*. The nature of most current meditation tends to be 10–20 minutes of calming and centering attention, a helpful beginner's practice for getting a handle on daily mind. The beginner is usually given a simple set of instructions. But as soon as the eyes close, the meditator is faced with a flurry of thoughts and a multitude of obstacles, and the search for help begins. Pointers can be found here and there but most of the literature repeats the beginners instructions or is written by and for those who are quite advanced. In between the beginners and the adepts are the vast majority of intermediates who need thorough and practical advice.
Advanced practice begins when the student is ready. When Patanjali begins teaching the Yoga Sutra, he assumes the student comes prepared with one-pointed mind. "Now we shall begin" —Yoga Sutra 1:1. Likewise, in Buddhist practice, attaining the "calm abiding" of Shamatha is important, if not essential before Vipashyana, Insight, and the higher practices begin.
*National Health Interview survey, https://www.cdc.gov/nchs/nhis/index.htm
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Book preview
The Meditation Process - Lyle Olson
Copyright © 2019 by Lyle Olson
All photos are Copyright Registered
All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.
Cover photo: Shivling Mountain, south of Gangotri Glacier, Himalayas.
Back cover photo: Bhagirathi Parbat, north of Gangotri Glacier.
Website: TheMeditationProcess.com
Email: [email protected]
Published by: Larchfire LLC
Cataloging-in-Publication Data
Ordering information: BookShop
Print ISBN: 978-1-54396-733-3
eBook ISBN: 978-1-54396-734-0
Contents
Preface
1 Posture
Various Postures
Ergonomic Answers
2 The Breath
Chest Breathing
Sympathetic Nervous System & Parasympathetic Nervous System
Abdominal Breath
Diaphragmatic Breath
The Circular Breath
Length of Breath
The Pause
Hatha Yoga
Raja Yoga
3 Dharana
Defining Dharana
Vitarka and Vichara (Sanskrit), Vitakka and Vicara (Pali)
A Tethering
Practice
Counting and Other Breath Practices
From Sensory to Mental
Pratyahara of the Auditory Sense
Pratyahara of the Somatic Sense
Pratyahara of the Visual Sense
From External to Internal
Nasagre and Anapana Sati
Using the Somatic Sense
Restrain Thoughts About the Breathing Process
Restrain the Visual Sense
Restrain the Auditory Sense
One Practice, Briefly:
4 Working with Thoughts
1) Following the bird out the window.
2) A bird flies in. You observe it as it flies out.
3) Watch the thought without reaction.
4) Waiting for the next bird to fly in; waiting for thoughts.
5) You notice a bird and quickly return to the focus.
Noting and Framing
Cognitive Loops
Disrupting Thoughts
6) Your attention is on the focus, and a bird flies by in the background
5 Nostril Balance
Ida and Pingala
Nostril Dominance
Swara Yoga
Right Nostril Dominant
Left Nostril Dominant
Brain Hemisphere Functions
Physical Methods
Breathing Practices
From Bhastrika to Prana Dharana
Prana Dharana
Subtleties of Doing Practices
Asanas
Sleep
Moderation
Nasal Wash
Nasal Mysteries
6 Development of Dharana
Attention and Awareness
Thinker and Thinking
Not Thinking
Versions of The Formula
But, a Word About Formulas
Routines
Don’t Push!
Effort
Expectations
Patience
Calmness
Refining the Meditation Object
Nasagre and/or Mantra
Gross and Subtle Conflict
Location of the Meditation Object
Location of the Subject
Developing Dharana/Access Concentration
Tending the Process
Introspection, Inspection
Sleeping and Sinking Mind vs. Time Disappearing
Difficulty
Concentration is Necessary
The Razor’s Edge
Nimitta and Tattwas
The Special Delight
Mantra
7 Dhyana & Jhana
Maturing of Concentration
The Shift to Access Concentration
The Shift to Dhyana, Jhana
Joy and Piti
Why Joy?
Stay, Stay
Conserve Energy
Bilateralization
Intermingling
Devitalization
Kevala Kumbhaka
Alternative Practices for Accessing Sushumna
Primary Skill
The Mystery of Meditation
The Meditation Object and Samadhi
Reflections on the Process
The Short or Direct Path
The Traditions
8 Samadhi
Samadhi With an Object
Samadhi Without an Object
9 Vairagya and Dispassion
Vairagya and Meditation
Misunderstanding Vairagya
Phenomenology and Psychology
Developing Vairagya
Philosophy and Belief
Avoiding Repression
Withdrawal
Simplicity
Nature
Self-Study
Vairagya in Action: Mauna
Remembering
Neutrality and Non-Ownership
Vairagya and Lifestyle
Lingam and Chatnag
10 Mantra
Receiving a Mantra
Mala Japa
Ajapa Japa
Purashcharana
11 Sitting Times
Schedules
Length of Time Sitting
Group Sittings
12 Relaxation
61 Points and Yoga Nidra
Shithali Karana
13 Awareness
Be Here Now
The Observer
Mindfulness
Mindfulness Meditation
The Witness
Preface
THIS IS A STUDY of the concentration meditation process for intermediate and beginning meditators. If you are interested in meditation, you want to know how to turn your attention inward and what happens when the mind becomes still. Meditation is our tool for liberation. It is a practical, scientific, and systematic technique for knowing yourself on all levels. The highest mystery is to discover the nature of our thinking, to cleanse the mind of coloration and uncover our true nature.
Meditation developed in the caves of the Himalayan Mountains, having a recorded history going back at least 5000 years. The Brihad Aranyaka Upanishad of the 14th century BCE lists sixty-nine generations of meditation teachers and students that had existed up to that point. Gautama Buddha taught around 500 BCE, and Patanjali later codified yoga practices. Since that time, millions of serious men and women, who refuse to be satisfied with dependence upon the words of others, have applied themselves to the art and science of meditation as it spread from the Himalayas throughout the world.¹
Most of the concentration meditation practices described here are drawn from the traditions of Raja Yoga and Shamatha in Buddhism. Their similarities allow the meditator to benefit from studying the practices of both traditions. There are primarily three approaches to meditation. Concentration is cultivating one-pointed attention on a meditation object. Open-awareness is opening the mind to the awareness of whatever is happening such as in shikantaza of Zen. Mindfulness and Vipassana are combinations of concentration and open awareness. No matter what approach to meditation is used, the requirements, obstacles and objectives are similar.
This is a how to do
book with an emphasis on being practical. Many skills in the art and science of meditation need to be developed into a process of quieting and purifying the mind. These practices are designed to help you sit in comfort, breathe smoothly, handle distractions, bring the mind to quietude, establish one-pointedness and meditate. This study of the process of meditation describes the transformation of mind that occurs due to the evolving relationship between the mind and the object of meditation.
If you have some sitting experience, you are familiar with the question What is going on with my meditation?
It is helpful to have a map to know where you’re going, what the obstacles are and when you are getting off track. I have gathered and used many pointers from Yoga and Buddhist teachers over the years, but you will want to verify which alternatives work for you. Attributions are included to help with your own research.
You may come to meditation by way of a tradition: Yoga, Buddhism, Christian, Hindu, Muslim/Sufi, Sikh, Taoism or Zen. The traditions all started with or have meditation at their beginnings.² You could go it alone in meditation, but the traditions have thousands of years of accumulated experience for us to use. Whether you are meditating for the transformation of mind, in a search for truth, with enlightenment in mind, or because of its many other benefits, you need all the help you can get. Still, you are basically on your own with this solitary work. There are no shortcuts and those who say meditation is easy are doing something else altogether.
The beginning meditator is usually given a simple set of instructions. Then, when they run into the many obstacles and look for help, little more can be said while most of the literature is written by and for those who are quite advanced. In between the beginners and the adepts are the vast majority of intermediates who need thorough and practical advice in this challenging endeavor. After 40 years of studying many books and articles, spending much time in darshans, seminars, monasteries, retreats and years in ashrams, I found many wonderful pointers about practice. Unfortunately, they were scattered everywhere and often buried under an excess of words. Meditation is a long process measured in decades, which doesn’t give us much time for finding necessary help. The process needs to be shortened. As a student of meditation, my intention is to make the teachings more accessible.
Like many other meditators, my searching started with an attraction to philosophy and the writings from various traditions around the world. Whenever I found writings by those who appeared to be the wisest, there always seemed to be a form of meditation involved. It became clear to me that to be at all serious about my questions, I would need to meditate or I would always be left with hearsay and suppositions. Having grown up in a Christian tradition that did not embrace a meditation option, I took up TM in 1973 but mostly window-shopped
for the next 15 years. It was 1989 before I came to Raja Yoga to learn meditation with any seriousness. My journal entry at that time read The Plan: gather pointers on the process of meditation.
My teacher, a Master Yogi, suggested I take the best from all the traditions
which suited me well since my personal inclination has long been the study of various processes.
In order that the mind should see light instead of darkness, so the entire soul must be turned away from this changing world, until its eye can learn to contemplate reality and that supreme splendor which we have called the good. Hence there may well be an art whose aim would be to effect this very thing.
— Plato, The Republic, Book VII.
Acknowledgements:
Many thanks go to Gail Cleveland for her patient editing and to Roger Hill for his fine illustrations.
1 Posture
The correct sitting posture is that in which one can sit comfortably for a long time.
—Patanjali, Yoga Sutra 2:46
Concentration meditation usually requires longer sitting sessions than other types of meditation, increasing the importance of good posture. Muscles and joints that handled being under tension for 20 minutes may not be comfortable for an hour or two. The minimum requirement is to sit with head, neck, and trunk straight, comfortably and without pain, for at least an hour without moving. While the need for longer sittings increases the importance of posture, fortunately, it is also the easiest obstacle to overcome.
The first step in meditation is to eliminate gross sensation of the body by sitting absolutely still and in comfort. For an image of good posture, visualize a ballet dancer, or a yoga student standing in the Mountain pose (Tadasana): the head is held level and high.³ The ear is aligned directly above the point of the shoulder and the elbow, the three points making a straight line. If the ears or elbows are forward of the shoulders, they will eventually draw the shoulders and the upper torso forward resulting in a slump and eventual pain in the back. With an elongated and vertically stacked spine, upper body alignment can be maintained comfortably for hours without movement or discomfort.
The key to good upper body posture is in the neck and shoulders. A primary compromise of this vertical alignment is caused by letting the head hang out in front of the body, thirteen pounds of weight on top of the neck pulling the shoulders forward and the back into a curve. To counter this pernicious tendency, slide the head back horizontally as far as you can and hold it for a few seconds so that when released, your head sits high as if suspended by a cord. Rotate the shoulders up, back, down and relax. Let the hands rest in whatever manner is comfortable. If you have an asana (posture) routine, you might include the unsupported Cobra (Bhujangasana), Boat (Naukasana) and Spinal twist (Matsyendrasana) to aid in developing good upper body alignment.
After a few minutes of sitting, you may have the sense that your breath does not have a straight shot
up the spine. A minor but surprisingly effective correction is to let the chest rotate upward maybe a half-inch. Once good upper body alignment has been developed, strive to keep good posture throughout the day whether standing, sitting, or walking. The most important things in our practice are our physical posture and our way of breathing
—Suzuki Roshi.
For meditations measured in hours instead of minutes, the sitting postures we usually see are impractical for most bodies. Body type plays a big part in determining which sitting posture is optimal. Those who naturally have loose joints’ and pliable muscles can often assume a cross-legged position and need only to elevate the pelvis to aid in a natural curve of the spine. However, the
loose-jointed" are in a minority while most of us struggle to hold the typical posture through varying degrees of pain. The implications are dire. Those who find that the usual sitting positions create pain often decide that they aren’t suited for meditation, a great misfortune. When sitting, whatever happens below the waist is unimportant unless it causes discomfort, which it often does. If you have a sitting posture at this time that is comfortable for an hour or two, you can skip this next section.
Geeta Currimjee by the Ganges River at Rishikesh
Various Postures
Sukhasana, the easy pose, is the simple cross-legged posture. If the knees are up in the air and not lying on the floor, it will usually take about 15 minutes before pain in the knee joint begins. The knee is a one-way joint, as in the finger, and is not built for twisting. Knees can be propped up which only adds complexity to a shaky and short-lived posture. It helps if the knee joints have some natural looseness and can lie on the floor, which requires more than the usual length of the adductor muscles on the inside of the thighs and also lengthening of the radii of muscles holding the ball of the femur in the pelvis. Pressure points will occur where one leg crosses the other and where the sides of the feet press against the floor. When it fits the body, the Burmese
style is a good variation of sukhasana: sit elevated on a zafu or blankets so that the knees are lower than the hips. The knees are bent in a cross-legged position while the lower legs lie parallel.
Sometimes an asana practice is pursued in an attempt to make the body fit the desired sitting posture; years are spent trying to reshape the body which may only delay the emergence of pain. If an asana program is attempted to stretch the muscles
to fit a sitting posture, be aware that muscles don’t stretch, they only contract. Muscles can elongate to their physical maximum, and then fibers start to break. It is possible to loosen the fascia that surrounds bundles of muscle fibers to some degree, allowing the muscles to move within. Any success in lengthening
muscles needs to be paired with a program to strengthen them. A young body has better prospects of adapting to a cross-legged posture, but if pain occurs near the beginning, the odds of sitting pain-free for an hour are not good. Listen to the body instead of the mind. Pain is a message of impending damage to a muscle or joint, and numbness indicates threat to a nerve. It is a mystery why pain and numbness are not seen as conflicting with the comfortable posture called for by Patanjali. In addition to being a warning sign of impending injury, pain is a major discouragement to meditation from the outset and a barrier to the longer sittings to come.
In a typical yoga setting, most meditators will be sitting on a prop such as a blanket or buckwheat hull pillow that is 2 – 3 inches high with the pelvis rotated forward to allow sitting on the sitz
bones. In a Buddhist setting, most will use a zafu type of cushion that is 6 – 8 inches high. The advantage of a higher prop is that the thighs are angled downward more, tipping the pelvis forward and helping to preserve a natural curvature of the spine. When the thighs are level or angled upward, the pelvis is pressured to tip up in front and thereby straighten the lower spine and eventually rounding the back. When more muscle tension is needed in the back to keep the spine in its natural S
curve, weakness sets in over time, the posture is compromised, and back pain begins.
Swastikasana in its full form consists of placing one foot against the opposite thigh with the big toe showing above the crease behind the knee. Pull the other big toe up into the opposite crease until it is showing. More twisting and compression of the knee is necessary than in the easy pose. With elevation of the seat, this posture or a variation of it is good when it fits the body.
Siddhasana is often considered the ideal yogic meditation posture but is rarely attained. There are variations in difficulty, but the full form roughly consists in placing one heel at the perineum (between the anus and urogenital triangle) and under the scrotum. The ball of the other ankle is placed directly on top of the first. Compression of the knee joint is great. An easier variation, though an uneven one, is to put one heel at the perineum and the other foot tucked between the opposite leg and thigh. The female variation is yoni siddhasana with the heel pressing between the labia.
Padmasana (lotus) is also seldom performed fully and consists of the soles of the feet being level and pointing straight up while resting on the opposite thigh. The knee is twisted severely, and natural lordosis (curvature of the lower spine) is compromised. Padmasana is often used when models are portraying meditation though not usually recommended for meditation in yoga, one reason being that the perineum is wide open, making mula-bandha difficult. The more common use of the lotus is while performing other asanas.
Maitryasana: a straight-backed chair is sometimes used but has many compromises: the back of the chair can’t be used because if the ribs are touching it, breathing creates a rocking motion. If the thighs are level, natural curvature of the spine is compromised resulting in an eventual slump. If padding is added to create a sloping seat, there’s a tendency to slide forward.
When meditators have only 15-minute sittings because pain sets in, keeping a regular meditation schedule becomes less likely. If a meditator complains about the pain, they may hear comments such as you’ll get used to it
or meditate on the pain.
But comfortable means without pain. For many people, trying to fit the legs into a pretzel
eliminates serious meditation.
Ergonomic Answers
There are answers: the ergonomic
chair and the seiza bench. There was a period in the 80s when ergonomic, body-friendly designs were created for many items we used. It was a time when office work meant many hours of tediously entering data. The ergonomic chair was designed to provide a fixed position for sitting a long time with alertness and without fatigue. It didn’t go over big in offices because people do not like to work while sitting still like a statue. We lean this way and that and move around in all sorts of ways. On the other hand, the ergonomic chair is designed for sitting still and erect for long periods which has been found ideal for meditation.