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From the Caves and Jungles of the Hindostan
From the Caves and Jungles of the Hindostan
From the Caves and Jungles of the Hindostan
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From the Caves and Jungles of the Hindostan

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"From the Caves and Jungles of the Hindostan" is a literary work by the founder of the Theosophical Society Helena Blavatsky. She published it under the pen name Radda Bai in serial installments (letters) from 1879 to 1886 in Moscow in the periodicals Moskovskiya Vedomosti and Russkiy Vestnik.

Many incidents about Blavatsky´s second trip to India and Tibet were recorded in this book, where she describes in a literature style her travels with her Teacher, which she named Takhur Gulab-Singh. In spite of that the book was considered as novel, Blavatsky asserted that "the facts and persons that I cited are true. I simply collected to time interval in three-four months the events and cases occurring during several years just like the part of the phenomena that the Teacher has shown."
LanguageEnglish
PublisherE-BOOKARAMA
Release dateJun 19, 2024
ISBN9788834117910
From the Caves and Jungles of the Hindostan

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    From the Caves and Jungles of the Hindostan - Helena Blavatsky

    FROM THE CAVES AND JUNGLES OF THE HINDOSTAN

    Helena Blavatsky

    Translator's Preface

    You must remember, said Mme. Blavatsky, "that I never meant this for a scientific work. My letters to the Russian Messenger, under the general title: 'From the Caves and Jungles of Hindostan,' were written in leisure moments, more for amusement than with any serious design.

    Broadly speaking, the facts and incidents are true; but I have freely availed myself of an author's privilege to group, colour, and dramatize them, whenever this seemed necessary to the full artistic effect; though, as I say, much of the book is exactly true, l would rather claim kindly judgment for it, as a romance of travel, than incur the critical risks that haunt an avowedly serious work.

    To this caution of the author's, the translator must add another; these letters, as Mme Blavatsky says, were written in leisure moments, during 1879 and 1880, for the pages of the Russki Vyestnik, then edited by M. Katkoff. Mme. Blavatsky's manuscript was often incorrect; often obscure. The Russian compositors, though they did their best to render faithfully the Indian names and places, often produced, through their ignorance of Oriental tongues, forms which are strange, and sometimes unrecognizable. The proof-sheets were never corrected by the author, who was then in India; and, in consequence, it has been impossible to restore all the local and personal names to their proper form.

    A similar difficulty has arisen with reference to quotations and cited authorities, all of which have gone through a double process of refraction: first into Russian, then into English. The translator, also a Russian, and far from perfectly acquainted with English, cannot claim to possess the erudition necessary to verify and restore the many quotations to verbal accuracy; all that is hoped is that, by a careful rendering, the correct sense has been preserved.

    The translator begs the indulgence of English readers for all imperfections of style and language; in the words of the Sanskrit proverb: Who is to be blamed, if success be not reached after due effort?

    The translator's best thanks are due to Mr. John C. Staples, for valuable help in the early chapters.—London, July, 1892

    In Bombay

    Late in the evening of the sixteenth of February, 1879, after a rough voyage which lasted thirty-two days, joyful exclamations were heard everywhere on deck. Have you seen the lighthouse? There it is at last, the Bombay lighthouse.

    Cards, books, music, everything was forgotten. Everyone rushed on deck. The moon had not risen as yet, and, in spite of the starry tropical sky, it was quite dark. The stars were so bright that, at first, it seemed hardly possible to distinguish, far away amongst them, a small fiery point lit by earthly hands. The stars winked at us like so many huge eyes in the black sky, on one side of which shone the Southern Cross. At last we distinguished the lighthouse on the distant horizon. It was nothing but a tiny fiery point diving in the phosphorescent waves. The tired travellers greeted it warmly. The rejoicing was general.

    What a glorious daybreak followed this dark night! The sea no longer tossed our ship. Under the skilled guidance of the pilot, who had just arrived, and whose bronze form was so sharply defined against the pale sky, our steamer, breathing heavily with its broken machinery, slipped over the quiet, transparent waters of the Indian Ocean straight to the harbour. We were only four miles from Bombay, and, to us, who had trembled with cold only a few weeks ago in the Bay of Biscay, which has been so glorified by many poets and so heartily cursed by all sailors, our surroundings simply seemed a magical dream.

    After the tropical nights of the Red Sea and the scorching hot days that had tortured us since Aden, we, people of the distant North, now experienced something strange and unwonted, as if the very fresh soft air had cast its spell over us. There was not a cloud in the sky, thickly strewn with dying stars. Even the moonlight, which till then had covered the sky with its silvery garb, was gradually vanishing; and the brighter grew the rosiness of dawn over the small island that lay before us in the East, the paler in the West grew the scattered rays of the moon that sprinkled with bright flakes of light the dark wake our ship left behind her, as if the glory of the West was bidding good-bye to us, while the light of the East welcomed the newcomers from far-off lands. Brighter and bluer grew the sky, swiftly absorbing the remaining pale stars one after the other, and we felt something touching in the sweet dignity with which the Queen of Night resigned her rights to the powerful usurper. At last, descending lower and lower, she disappeared completely.

    And suddenly, almost without interval between darkness and light, the red-hot globe, emerging on the opposite side from under the cape, leant his golden chin on the lower rocks of the island and seemed to stop for a while, as if examining us. Then, with one powerful effort, the torch of day rose high over the sea and gloriously proceeded on its path, including in one mighty fiery embrace the blue waters of the bay, the shore and the islands with their rocks and cocoanut forests. His golden rays fell upon a crowd of Parsees, his rightful worshippers, who stood on shore raising their arms towards the mighty Eye of Ormuzd. The sight was so impressive that everyone on deck became silent for a moment, even a red-nosed old sailor, who was busy quite close to us over the cable, stopped working, and, clearing his throat, nodded at the sun.

    Moving slowly and cautiously along the charming but treacherous bay, we had plenty of time to admire the picture around us. On the right was a group of islands with Gharipuri or Elephanta, with its ancient temple, at their head. Gharipuri translated means the town of caves according to the Orientalists, and the town of purification according to the native Sanskrit scholars. This temple, cut out by an unknown hand in the very heart of a rock resembling porphyry, is a true apple of discord amongst the archaeologists, of whom none can as yet fix, even approximately, its antiquity. Elephanta raises high its rocky brow, all overgrown with secular cactus, and right under it, at the foot of the rock, are hollowed out the chief temple and the two lateral ones. Like the serpent of our Russian fairy tales, it seems to be opening its fierce black mouth to swallow the daring mortal who comes to take possession of the secret mystery of Titan. Its two remaining teeth, dark with time, are formed by two huge pillars t the entrance, sustaining the palate of the monster.

    How many generations of Hindus, how many races, have knelt in the dust before the Trimurti, your threefold deity, O Elephanta? How many centuries were spent by weak man in digging out in your stone bosom this town of temples and carving your gigantic idols? Who can say? Many years have elapsed since I saw you last, ancient, mysterious temple, and still the same restless thoughts, the same recurrent questions vex me snow as they did then, and still remain unanswered. In a few days we shall see each other again. Once more I shall gaze upon your stern image, upon your three huge granite faces, and shall feel as hopeless as ever of piercing the mystery of your being. This secret fell into safe hands three centuries before ours. It is not in vain that the old Portuguese historian Don Diego de Cuta boasts that the big square stone fastened over the arch of the pagoda with a distinct inscription, having been torn out and sent as a present to the King Dom Juan III, disappeared mysteriously in the course of time… ., and adds, further, Close to this big pagoda there stood another, and farther on even a third one, the most wonderful of all in beauty, incredible size, and richness of material. All those pagodas and caves have been built by the Kings of Kanada, (?) the most important of whom was Bonazur, and these buildings of Satan our (Portuguese) soldiers attacked with such vehemence that in a few years one stone was not left upon another… . And, worst of all, they left no inscriptions that might have given a clue to so much. Thanks to the fanaticism of Portuguese soldiers, the chronology of the Indian cave temples must remain for ever an enigma to the archaeological world, beginning with the Brah-mans, who say Elephanta is 374,000 years old, and ending with Fergusson, who tries to prove that it was carved only in the twelfth century of our era. Whenever one turns one's eyes to history, there is nothing to be found but hypotheses and darkness. And yet Gharipuri is mentioned in the epic Mahabharata, which was written, according to Colebrooke and Wilson, a good while before the reign of Cyrus. In another ancient legend it is said that the temple of Trimurti was built on Elephanta by the sons of Pandu, who took part in the war between the dynasties of the Sun and the Moon, and, belonging to the latter, were expelled at the end of the war. The Rajputs, who are the descendants of the first, still sing of this victory; but even in their popular songs there is nothing positive. Centuries have passed and will pass, and the ancient secret will die in the rocky bosom of the cave still unrecorded.

    On the left side of the bay, exactly opposite Elephanta, and as if in contrast with all its antiquity and greatness, spreads the Malabar Hill, the residence of the modern Europeans and rich natives. Their brightly painted bungalows are bathed in the greenery of banyan, Indian fig, and various other trees, and the tall and straight trunks of cocoanut palms cover with the fringe of their leaves the whole ridge of the hilly headland. There, on the south-western end of the rock, you see the almost transparent, lace-like Government House surrounded on three sides by the ocean. This is the coolest and the most comfortable part of Bombay, fanned by three different sea breezes.

    The island of Bombay, designated by the natives Mambai, received its name from the goddess Mamba, in Mahrati Mahima, or Amba, Mama, and Amma, according to the dialect, a word meaning, literally, the Great Mother. Hardly one hundred years ago, on the site of the modern esplanade, there stood a temple consecrated to Mamba-Devi. With great difficulty and expense they carried it nearer to the shore, close to the fort, and erected it in front of Baleshwara the Lord of the Innocent—one of the names of the god Shiva. Bombay is part of a considerable group of islands, the most remarkable of which are Salsetta, joined to Bombay by a mole, Elephanta, so named by the Portuguese because of a huge rock cut in the shape of an elephant thirty-five feet long, and Trombay, whose lovely rock rises nine hundred feet above the surface of the sea. Bombay looks, on the maps, like an enormous crayfish, and is at the head of the rest of the islands. Spreading far out into the sea its two claws, Bombay island stands like a sleepless guardian watching over his younger brothers. Between it and the Continent there is a narrow arm of a river, which gets gradually broader and then again narrower, deeply indenting the sides of both shores, and so forming a haven that has no equal in the world. It was not without reason that the Portuguese, expelled in the course of time by the English, used to call it Buona Bahia.

    In a fit of tourist exaltation some travellers have compared it to the Bay of Naples; but, as a matter of fact, the one is as much like the other as a lazzaroni is like a Kuli. The whole resemblance between the former consists in the fact that there is water in both. In Bombay, as well as in its harbour, everything is original and does not in the least remind one of Southern Europe. Look at those coasting vessels and native boats; both are built in the likeness of the sea bird sat, a kind of kingfisher. When in motion these boats are the personi-fication of grace, with their long prows and rounded poops. They look as if they were gliding backwards, and one might mistake for wings the strangely shaped, long lateen sails, their narrow angles fastened upwards to a yard. Filling these two wings with the wind, and careening, so as almost to touch the surface of the water, these boats will fly along with astonishing swiftness. Unlike our European boats, they do not cut the waves, but glide over them like a sea-gull.

    The surroundings of the bay transported us to some fairy land of the Arabian Nights. The ridge of the Western Ghats, cut through here and there by some separate hills almost as high as themselves, stretched all along the Eastern shore. From the base to their fantastic, rocky tops, they are all overgrown with impenetrable forests and jungles inhabited by wild animals. Every rock has been enriched by the popular imagination with an independent legend. All over the slope of the mountain are scattered the pagodas, mosques, and temples of numberless sects. Here and there the hot rays of the sun strike upon an old fortress, once dreadful and inaccessible, now half ruined and covered with prickly cactus. At every step some memorial of sanctity. Here a deep vihara, a cave cell of a Buddhist bhikshu saint, there a rock protected by the symbol of Shiva, further on a Jaina temple, or a holy tank, all covered with sedge and filled with water, once blessed by a Brahman and able to purify every sin, all indispensable attribute of all pagodas. All the surroundings are covered with symbols of gods and goddesses. Each of the three hundred and thirty millions of deities of the Hindu Pantheon has its representative in something consecrated to it, a stone, a flower, a tree, or a bird. On the West side of the Malabar Hill peeps through the trees Valakeshvara, the temple of the Lord of Sand. A long stream of Hindus moves towards this celebrated temple; men and women, shining with rings on their fingers and toes, with bracelets from their wrists up to their elbows, clad in bright turbans and snow white muslins, with foreheads freshly painted with red, yellow, and white, holy sectarian signs.

    The legend says that Rama spent here a night on his way from Ayodhya (Oudh) to Lanka (Ceylon) to fetch his wife Sita who had been stolen by the wicked King Ravana. Rama's brother Lakshman, whose duty it was to send him daily a new lingam from Benares, was late in doing so one evening. Losing patience, Rama erected for himself a lingam of sand. When, at last, the symbol arrived from Benares, it was put in a temple, and the lingam erected by Rama was left on the shore. There it stayed during long centuries, but, at the arrival of the Portuguese, the Lord of Sand felt so disgusted with the feringhi (foreigners) that he jumped into the sea never to return. A little farther on there is a charming tank, called Vanattirtha, or the point of the arrow. Here Rama, the much worshipped hero of the Hindus, felt thirsty and, not finding any water, shot an arrow and immediately there was created a pond. Its crystal waters were surrounded by a high wall, steps were built leading down to it, and a circle of white marble dwellings was filled with dwija (twice born) Brahmans.

    India is the land of legends and of mysterious nooks and corners. There is not a ruin, not a monument, not a thicket, that has no story attached to it. Yet, however they may be entangled in the cobweb of popular imagination, which becomes thicker with every generation, it is difficult to point out a single one that is not founded on fact. With patience and, still more, with the help of the learned Brahmans you can always get at the truth, when once you have secured their trust and friendship.

    The same road leads to the temple of the Parsee fire-worshippers. At its altar burns an unquenchable fire, which daily consumes hundredweights of sandal wood and aromatic herbs. Lit three hundred years ago, the sacred fire has never been extinguished, notwithstanding many disorders, sectarian discords, and even wars. The Parsees are very proud of this temple of Zaratushta, as they call Zoroaster. Compared with it the Hindu pagodas look like brightly painted Easter eggs. Generally they are consecrated to Hanuman, the monkey-god and the faithful ally of Rama, or to the elephant headed Ganesha, the god of the occult wisdom, or to one of the Devis. You meet with these temples in every street. Before each there is a row of pipals (Ficus religiosa) centuries old, which no temple can dispense with, because these trees are the abode of the elementals and the sinful souls.

    All this is entangled, mixed, and scattered, appearing to one's eyes like a picture in a dream. Thirty centuries have left their traces here. The innate laziness and the strong conservative tendencies of the Hindus, even before the European invasion, preserved all kinds of monuments from the ruinous vengeance of the fanatics, whether those memorials were Buddhist, or belonged to some other unpopular sect. The Hindus are not naturally given to senseless vandalism, and a phrenologist would vainly look for a bump of destructiveness on their skulls. If you meet with antiquities that, having been spared by time, are, nowadays, either destroyed or disfigured, it is not they who are to blame, but either Mussulmans, or the Portuguese under the guidance of the Jesuits.

    At last we were anchored and, in a moment, were besieged, ourselves as well as our luggage, by numbers of naked skeleton-like Hindus, Parsees, Moguls, and various other tribes. All this crowd emerged, as if from the bottom of the sea, and began to shout, to chatter, and to yell, as only the tribes of Asia can. To get rid of this Babel confusion of tongues as soon as possible, we took refuge in the first bunder boat and made for the shore.

    Once settled in the bungalow awaiting us, the first thing we were struck with in Bombay was the millions of crows and vultures. The first are, so to speak, the County Council of the town, whose duty it is to clean the streets, and to kill one of them is not only forbidden by the police, but would be very dangerous. By killing one you would rouse the vengeance of every Hindu, who is always ready to offer his own life in exchange for a crow's. The souls of the sinful forefathers transmigrate into crows and to kill one is to interfere with the law of Karma and to expose the poor ancestor to something still worse. Such is the firm belief, not only of Hindus, but of Parsees, even the most enlightened amongst them. The strange behaviour of the Indian crows explains, to a certain extent, this superstition. The vultures are, in a way, the grave-diggers of the Parsees and are under the personal protection of the Farvardania, the angel of death, who soars over the Tower of Silence, watching the occupations of the feathered workmen.

    The deafening caw of the crows strikes every new comer as uncanny, but, after a while, is explained very simply. Every tree of the numerous cocoa-nut forests round Bombay is provided with a hollow pumpkin. The sap of the tree drops into it and, after fermenting, becomes a most intoxicating beverage, known in Bombay under the name of toddy. The naked toddy wallahs, generally half-caste Portuguese, modestly adorned with a single coral necklace, fetch this beverage twice a day, climbing the hundred and fifty feet high trunks like squirrels. The crows mostly build their nests on the tops of the cocoa-nut palms and drink incessantly out of the open pumpkins. The result of this is the chronic intoxication of the birds. As soon as we went out in the garden of our new habitation, flocks of crows came down heavily from every tree. The noise they make whilst jumping about everywhere is indescribable. There seemed to be something positively human in the positions of the slyly bent heads of the drunken birds, and a fiendish light shone in their eyes while they were examining us from foot to head.

    We occupied three small bungalows, lost, like nests, in the garden, their roofs literally smothered in roses blossoming on bushes twenty feet high, and their windows covered only with muslin, instead of the usual panes of glass. The bungalows were situated in the native part of the town, so that we were transported, all at once, into the real India. We were living in India, unlike English people, who are only surrounded by India at a certain distance. We were enabled to study her character and customs, her religion, superstitions and rites, to learn her legends, in fact, to live among Hindus.

    Everything in India, this land of the elephant and the poisonous cobra, of the tiger and the unsuccessful English missionary, is original and strange. Everything seems unusual, unexpected, and striking, even to one who has travelled in Turkey, Egypt, Damascus, and Palestine. In these tropical regions the conditions of nature are so various that all the forms of the animal and vegetable kingdoms must radically differ from what we are used to in Europe. Look, for instance, at those women on their way to a well through a garden, which is private and at the same time open to anyone, because somebody's cows are grazing in it. To whom does it not happen to meet with women, to see cows, and admire a garden? Doubtless these are among the commonest of all things. But a single attentive glance will suffice to show you the difference that exists between the same objects in Europe and in India. Nowhere more than in India does a human being feel his weakness and insignificance. The majesty of the tropical growth is such that our highest trees would look dwarfed compared with banyans and especially with palms. A European cow, mistaking, at first sight, her Indian sister for a calf, would deny the existence of any kinship between them, as neither the mouse-coloured wool, nor the straight goat-like horns, nor the humped back of the latter would permit her to make such an error. As to the women, each of them would make any artist feel enthusiastic about the gracefulness of her movements and drapery, but still, no pink and white, stout Anna Ivanovna would condescend to greet her. Such a shame, God forgive me, the woman is entirely naked!

    This opinion of the modern Russian woman is nothing but the echo of what was said in 1470 by a distinguished Russian traveler, the sinful slave of God, Athanasius son of Nikita from Tver, as he styles himself. He describes India as follows: This is the land of India. Its people are naked, never cover their heads, and wear their hair braided. Women have babies every year. Men and women are black. Their prince wears a veil round his head and wraps another veil round his legs. The noblemen wear a veil on one shoulder, and the noblewomen on the shoulders and round the loins, but everyone is barefooted. The women walk about with their hair spread and their breasts naked. The children, boys and girls, never cover their shame until they are seven years old… . This description is quite correct, but Athanasius Nikita's son is right only concerning the lowest and poorest classes. These really do walk about covered only with a veil, which often is so poor that, in fact, it is nothing but a rag. But still, even the poorest woman is clad in a piece of muslin at least ten yards long. One end serves as a sort of short petticoat, and the other covers the head and shoulders when out in the street, though the faces are always uncovered. The hair is erected into a kind of Greek chignon. The legs up to the knees, the arms, and the waist are never covered. There is not a single respectable woman who would consent to put on a pair of shoes. Shoes are the attribute and the prerogative of disreputable women. When, some time ago, the wife of the Madras governor thought of passing a law that should induce native women to cover their breasts, the place was actually threatened with a revolution. A kind of jacket is worn only by dancing girls. The Government recognized that it would be unreasonable to irritate women, who, very often, are more dangerous than their husbands and brothers, and the custom, based on the law of Manu, and sanctified by three thousand years' observance, remained unchanged.

    For more than two years before we left America we were in constant correspondence with a certain learned Brahman, whose glory is great at present (1879) all over India. We came to India to study, under his guidance, the ancient country of Aryas, the Vedas, and their difficult language. His name is Dayanand Saraswati Swami. Swami is the name of the learned anchorites who are initiated into many mysteries unattainable by common mortals. They are monks who never marry, but are quite different from other mendicant brotherhoods, the so-called Sannyasi and Hossein. This Pandit is considered the greatest Sanskritist of modern India and is an absolute enigma to everyone. It is only five years since he appeared on the arena of great reforms, but till then, he lived, entirely secluded, in a jungle, like the ancient gymnosophists mentioned by the Greek and Latin authors. At this time he was studying the chief philosophical systems of the Aryavartta and the occult meaning of the Vedas with the help of mystics and anchorites. All Hindus believe that on the Bhadrinath Mountains (22,000 feet above the level of the sea) there exist spacious caves, inhabited, now for many thousand years, by these anchorites. Bhadrinath is situated in the north of Hindustan on the river Bishegunj, and is celebrated for its temple of Vishnu right in the heart of the town. Inside the temple there are hot mineral springs, visited yearly by about fifty thousand pilgrims, who come to be purified by them.

    From the first day of his appearance Dayanand Saraswati produced an immense impression and got the surname of the Luther of India. Wandering from one town to another, today in the South, tomorrow in the North, and transporting himself from one end of the country to another with incredible quickness, he has visited every part of India, from Cape Comorin to the Himalayas, and from Calcutta to Bombay. He preaches the One Deity and, Vedas in hand, proves that in the ancient writings there was not a word that could justify polytheism. Thundering against idol worship, the great orator fights with all his might against caste, infant marriages, and superstitions. Chastising all the evils grafted on India by centuries of casuistry and false interpretation of the Vedas, he blames for them the Brahmans, who, as he openly says before masses of people, are alone guilty of the humiliation of their country, once great and independent, now fallen and enslaved. And yet Great Britain has in him not an enemy, but rather an ally. He says openly—If you expel the English, then, no later than tomorrow, you and I and everyone who rises against idol worship will have our throats cut like mere sheep. The Mussulmans are stronger than the idol worshippers; but these last are stronger than we. The Pandit held many a warm dispute with the Brah-mans, those treacherous enemies of the people, and has almost always been victorious. In Benares secret assassins were hired to slay him, but the attempt did not succeed. In a small town of Bengal, where he treated fetishism with more than his usual severity, some fanatic threw on his naked feet a huge cobra. There are two snakes deified by the Brahman mythology: the one which surrounds the neck of Shiva on his idols is called Vasuki; the other, Ananta, forms the couch

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