Greek Gods and Heroes: For Young Readers
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According to the myths, gods and goddesses of ancient Greece lived on Mount Olympus and ruled the world of mortals. Famous heroes shaped the course of history, beautiful women drew the gazes of gods and men alike, and the gods were both fickle in their favors and breathtakingly generous to those they smiled upon.
From Midas’s tragic gift to the exploits of Hercules and the curse of Pandora, Robert Graves brings the legends of ancient Greece to life in a way that’s sure to appeal to everyone; from children to adults, and from casual readers to serious scholars.
“Directly told, with no attempt to oversimplify them, a good deal of the symbolism and the association with the pattern of ancient Greece survives.” —Kirkus Reviews (starred review).
Robert Graves
Robert Graves (1895–1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and his critical study of myth and poetry in The White Goddess. His autobiography, Goodbye to All That, was originally published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan, and Suetonius, and compiled the first modern dictionary of Greek Mythology, The Greek Myths.
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Greek Gods and Heroes - Robert Graves
I
THE PALACE OF OLYMPUS
The twelve most important gods and goddesses of ancient Greece, called the Olympians, belonged to the same large, quarrelsome family. Though thinking little of the smaller, old-fashioned gods over whom they ruled, they thought even less of mortals. All the Olympians lived together in an enormous palace, set well above the usual level of clouds at the top of Mount Olympus, the highest mountain in Greece. Great walls, too steep for climbing, protected the Palace. The Olympians’ masons, gigantic one-eyed Cyclopes, had built them on much the same plan as royal palaces on earth.
At the southern end, just behind the Council Hall, and looking towards the famous Greek cities of Athens, Thebes, Sparta, Corinth, Argos, and Mycenae, were the private apartments of King Zeus, the Father-god, and Queen Hera, the Mother-goddess. The northern end of the Palace, looking across the valley of Tempe towards the wild hills of Macedonia, consisted of the kitchen, banqueting hall, armoury, workshops, and servants’ quarters. In between came a square court, open to the sky, with covered cloisters and private rooms on each side, belonging to the other five Olympian gods and the other five Olympian goddesses. Beyond the kitchen and servants’ quarters stood cottages for smaller gods, sheds for chariots, stables for horses, kennels for hounds, and a sort of zoo where the Olympians kept their sacred animals. These included a bear, a lion, a peacock, an eagle, tigers, stags, a cow, a crane, snakes, a wild boar, white bulls, a wild cat, mice, swans, herons, an owl, a tortoise, and a tank full of fish.
In the Council Hall the Olympians met at times to discuss mortal affairs—such as which army on earth should be allowed to win a war, and whether they ought to punish some king or queen who had been behaving proudly or disgustingly. But for the most part they were too busy with their own quarrels and lawsuits to take much notice of mortal affairs.
King Zeus had an enormous throne of polished black Egyptian marble, decorated in gold. Seven steps led up to it, each of them enamelled with one of the seven colours of the rainbow. A bright blue covering above showed that the whole sky belonged to Zeus alone; and on the right arm of his throne perched a ruby-eyed golden eagle clutching jagged strips of pure tin, which meant that Zeus could kill whatever enemies he pleased by throwing a thunderbolt of forked lightning at them. A purple ram’s fleece covered the cold seat. Zeus used it for magical rainmaking in times of drought. He was a strong, brave, stupid, noisy, violent, conceited god, and always on the watch lest his family should try to get rid of him; having once himself got rid of his wicked, idle, cannibalistic father Cronus, King of the Titans and Titanesses. The Olympians could not die, but Zeus, with the help of his two elder brothers, Hades and Poseidon, had banished Cronus to a distant island in the Atlantic—perhaps the Azores, perhaps Torrey Island, off the coast of Ireland. Zeus, Hades, and Poseidon then drew lots for the three parts of Cronus’s kingdom. Zeus won the sky; Poseidon, the sea; Hades, the Underworld; they shared the earth between them. One of Zeus’s emblems was the eagle, another was the woodpecker.
Cronus managed at last to escape from the island in a small boat and, changing his name to Saturn, settled quietly among the Italians, and behaved very well. In fact, until Zeus discovered his escape and banished him again, Saturn’s reign was known as the Golden Age. Mortals in Italy lived without work or trouble, eating only acorns, wild fruit, honey, and pig-nuts, and drinking only milk or water. They never fought wars, and spent their days dancing and singing.
Queen Hera had an ivory throne, with three crystal steps leading up to it. Golden cuckoos and willow leaves decorated the back, and a full moon hung above it. Hera sat on a white cowskin, which she sometimes used for rainmaking magic if Zeus could not be bothered to stop a drought. She disliked being Zeus’s wife, because he was frequently marrying mortal women and saying, with a sneer, that these marriages did not count—his brides would soon grow ugly and die; but she was his Queen, and perpetually young and beautiful.
When first asked to marry him, Hera had refused; and had gone on refusing every year for three hundred years. But one springtime Zeus disguised himself as a poor cuckoo caught in a thunderstorm, and tapped at her window. Hera, not seeing through his disguise, let the cuckoo in, stroked his wet feathers, and whispered: ‘Poor bird, I love you.’ At once, Zeus changed back again into his true shape, and said: ‘Now you must marry me!’ After this, however badly Zeus behaved, Hera felt obliged to set a good example to gods and goddesses and mortals, as the Mother of Heaven. Her emblem was the cow, the most motherly of animals; but, not wishing to be thought as plain-looking and placid as a cow, she also used the peacock and the lion.
These two thrones faced down the Council Hall towards the door leading into the open courtyard. Along the sides of the hall stood ten other thrones—for five goddesses on Hera’s side, for five gods on Zeus’s.
Poseidon, god of the seas and rivers, had the second-largest throne. It was of grey-green white-streaked marble, ornamented with coral, gold, and mother-of-pearl. The arms were carved in the shape of sea-beasts, and Poseidon sat on sealskin. For his help in banishing Cronus and the Titans, Zeus had married him to Amphitrite, the former Sea-goddess, and allowed him to take over all her titles. Though Poseidon hated to be less important than his younger brother, and always went about scowling, he feared Zeus’s thunderbolt. His only weapon was a trident, with which he could stir up the sea and so wreck ships; but Zeus never travelled by ship. When Poseidon felt even crosser than usual, he would drive away in his chariot to a palace under the waves, near the island of Euboea, and there let his rage cool. As his emblem Poseidon chose the horse, an animal which he pretended to have created. Large waves are still called ‘white horses’ because of this.
Opposite Poseidon sat his sister Demeter, goddess of all useful fruits, grasses, and grains. Her throne of bright green malachite was ornamented with ears of barley in gold, and little golden pigs for luck. Demeter seldom smiled, except when her daughter Persephone—unhappily married to the hateful Hades, God of the Dead—came to visit her once a year. Demeter had been rather wild as a girl, and nobody could remember the name of Persephone’s father: probably some country god married for a drunken joke at a harvest festival. Demeter’s emblem was the poppy, which grows red as blood among the barley.
Next to Poseidon sat Hephaestus, a son of Zeus and Hera. Being the god of goldsmiths, jewellers, blacksmiths, masons, and carpenters, he had built all these thrones himself, and made his own a masterpiece of every different metal and precious stone to be found. The seat could swivel about, the arms could move up and down, and the whole throne rolled along automatically wherever he wished, like the three-legged golden tables in his workshop. Hephaestus had hobbled ever since birth, when Zeus roared at Hera: ‘A brat as weak as this is unworthy of me!’—and threw him far out over the walls of Olympus. In his fall Hephaestus broke a leg so badly that he had to wear a golden leg-iron. He kept a country house on Lemnos, the island where he had struck earth; and his emblem was the quail, a bird that does a hobbling dance in springtime.
Opposite Hephaestus sat Athene, Goddess of Wisdom, who first taught him how to handle tools, and knew more than anyone else about pottery, weaving, and all useful arts. Her silver throne had golden basketwork at the back and sides, and a crown of violets, made from blue lapis lazuli, set above it. Its arms ended in grinning Gorgons’ heads. Athene, wise though she was, did not know the names of her parents. Poseidon claimed her as his daughter by a marriage with an African goddess called Libya. It is true that, as a child, she had been found wandering in