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The Sparkling-Eyed Boy: A Memoir of Love, Grown Up
The Sparkling-Eyed Boy: A Memoir of Love, Grown Up
The Sparkling-Eyed Boy: A Memoir of Love, Grown Up
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The Sparkling-Eyed Boy: A Memoir of Love, Grown Up

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A creative memoir reflecting on a long-ago summer love and the choices we make—“built on dreams and memories of what never happened, but could have” (USA Today).
 
Exploring the fault lines of adult nostalgia and desire, this work of creative nonfiction—a Bakeless Prize winner—re-creates the achingly intense adolescent summer days that Amy Benson and the sparkling-eyed boy spent together on the shores of the remote St. Mary’s River of Michigan’s Upper Peninsula.
 
For her, summers meant returning from her home in Detroit to a three-month idyll on much-loved family land, owned for generations, and to a heady culture of local boys. For him, this land is the place he was born, where he’ll later find work, marry, and stay. In the span of a lifetime their encounters were relatively brief, but loaded with meaning. Here, her heart-stoppingly erotic—yet wholly imagined—scenes, her imaginings of different outcomes, and her searching riffs on love as possession, love as pain, read like a friend’s deepest secrets, shared.
 
“Full of color and light and life. This is truth of the most profound sort; truth revealed in the artful and lyrical sensibility of Benson’s words and memory . . . Benson shows us here what the memoir can and should do—destroy and resurrect itself over and over.” —Brad Land, author of Goat
 
“The great pleasure and triumph of this memoir is Amy Benson’s ability to make the familiar new again as she explores the country of first love. Over and over I found myself surprised by the unexpected twists and turns, peaks and abysses, of her journey. And also by her lovely, fiercely intelligent prose.” —Margot Livesey, author of The Flight of Gemma Hardy
 
“A remarkably candid disclosure of what it feels like to be young and in love for the first time. Winner of a prize for creative nonfiction from the Bread Loaf Writers’ Conference, this is a provocative, intense read.” —Booklist
LanguageEnglish
Release dateMay 12, 2004
ISBN9780547346465
The Sparkling-Eyed Boy: A Memoir of Love, Grown Up
Author

Amy Benson

Amy Benson is the winner of the 2003 Katharine Bakeless Nason Prize for creative nonfiction, selected by Ted Conover and awarded by Middlebury College and the Bread Loaf Writers' Conference.

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    The Sparkling-Eyed Boy - Amy Benson

    CITY

    Part I

    In Medias Res

    Up North

    They called us trolls because we lived for nine months of the year below (that is, south of) the bridge. The Mackinac Bridge connects the Upper Peninsula of Michigan with the Lower Peninsula. For the five miles of the bridge, all you see is water and sky, blurring out at the edges. People died erecting its towers and suspending its cables over water three hundred feet deep—they say the body of at least one man is trapped in a concrete tower. In high winds, tiny un-American cars like mine have been blown off the bridge, down to the storm-blackened Straits of Mackinac. I imagine the impact every time—flying free from the car, the beautiful water like an anvil driving the bones in my toes all the way up into my soft neck.

    Some people who live far from the Great Lakes don’t know that Michigan comes in two pieces disconnected by water. The Lower Peninsula looks like a mitten, a comfort to trolls far away from home, who can always, when asked by strangers where they’re from, raise their right hands—palm forward and lined like a road map, thumb out to the side—and point to their hometown. But the mitt of Michigan is not charming to the billy goats above the bridge. Yoopers, as they often call themselves (a phonetic version of UPers), are surrounded on every side by the largest quantity of fresh water on the globe; they’re flooded with evergreens and wild animals and independence. Even though they’re attached by land to Wisconsin, Michigan’s downstate capital, Lansing, rules them. Detroit, in turn, through its sheer size and auto industry clout, rules Lansing, and yoopers hate Detroit in every way. That’s where we’re from, 350 miles to the south.

    The yooper boys I knew told my sister and me they felt sorry for us, all the secret ways the city must be ruining us: to live where things are assembled, and the noise, the grease and sweat that must work its way into our skin. And the stench of the Three Sisters smokestacks, and the Rouge River, the Detroit River, none of which they’d seen—but they could imagine the scent of things burning that never should have been things in the first place. And the blacks. The blacks, with their hot crack pipes and babies and guns that were not at all like their own guns. To accept concrete and traffic and crime and the constant hazy glow that unravels the significance of stars; to live by deforming, more and more every day, what we had been given, down to the compacted dirt under our feet—how could we stand it?

    They said all of these things in ugly or touching or frightened or silent ways. And I for one believed in places that didn’t looked humbled by humans, where more things grew than were produced, where I could thrill myself for whole moments at a time that I was the last person on earth. I believed those boys were right and I was, by some misfortune, a troll.

    Most of us downstaters get as far north as Mackinac Island: we take a hydroplane ferry across the Straits of Mackinac, eat fudge, swoon around the Grand Hotel, pretending we have erased crass modernity but secretly complaining that the island doesn’t allow cars.

    Those who actually cross the bridge find that the U.P. is at least ten times as big as Rhode Island and has only one area code for its sparse population. The seven-month winters and towns of thirty or forty people drive off the weak and the ambitious. The U.P. might as well be Alaska—ours only because we’re greedy. And, as Alaska was for its gold, the U.P. was prospected for timber and shipping routes almost two centuries ago by the shy, the sturdy, the malignant, and the insane. But this is just the history of America, distilled.

    Some people press on past the bridge, though. A handful of downstaters, like my family, perch nervously in their subdivisions most of the year, waiting to snap alive in the U.P. for a few summer months. My suburban family heated our house with a wood stove, cut and split the wood, raised and canned the year’s vegetables, made our own clothes; in short, we did everything we could to live in a time when living required more effort. So when we packed the car up tight each June and drove north, it was understood we were going home. Of course, we noticed the satellite dishes, the Schlitz, the propped-up cars in the U.P.; and, frankly, we needed them in order to claim we liked the wilderness and its rough love better than the yoopers did. A favorite sentiment of my parents’ as we’d watch a pink sun drown itself in Lake Huron, our bathing suits still wet, sand in the seashell curves of our ears, quiet everywhere except for the rhythmic wash of the waves and our own breath, which were one: Remember this when we’re trapped in the middle of the crowded winter.

    Even though my sister and I wore hand-me-downs and homemade pants, we lived in Detroit and read National Geographic, we’d been to both coasts—we’d been to Europe, for god’s sake. We never spoke of these things with our locals, though. We knew that what could give us power in Detroit, like Europe or hair spray, was a liability in the U.P.

    We were summers, people who spend their summers in the same vacation spot every year. Summers are displaced peopie: we learn not to be at home at home. But my sister and I knew enough to need a home, and so we wanted their home. We wanted to be more local than our locals. And we thought we had a way in: we could trace our family to founders of the minuscule town. The boys could see our grandfather’s childhood home falling to bits at the base of the hill that sloped down to the bay. We were no mere tourists.

    Oh how my sister and I curled our lips against the tourists. They stayed in the handful of rental cabins just down the shore from us and pulled up with inboard boats behind too-shiny trucks. They came to fish and slap mosquitoes from their pale thighs. They stayed for a week or two, thought it was pretty, wrinkled their noses at the sulfury well water and said how the fishing wasn’t as good as last year. They used this place, but they didn’t need it, and it didn’t dictate to them what was both beautiful and true for the rest of their lives.

    All summer we swam with our locals, ate Zingers and sometimes venison steak with them, looked through their yearbooks with them, fell through the rotten boards of their tree houses with them, got summer jobs with them, drank in the woods with them, sometimes we kissed them, broke our hearts with them. And then, every September, we drove back south without them.

    Come the next June, we needed them to circle us, sniff our hair, knock us down, and accept us back with them, as one of their own.

    Let’s face it: my sister and I were fresh meat to the local boys. Their charms had become stale to the local girls by the time we’d discovered one another. They recited every story they knew by heart in accents that made us giggle—Oh yah? Tell me aboat it, eh? They smiled at the charming miniatures of themselves in our rapt eyes.

    When kids realize the end of their road is not the end of the world, they wonder if they could have fallen into a better place, a better spread of chromosomes. They are on the verge of a dissatisfied life, a grown-up life, the life of a summer.

    Sure, the boys thought they might eventually get laid, but what they really wanted, what we did give up easily, was the sense that they had fallen, by the love of no flimsy god, into the best place on earth. Their wondering was over and their dazzled lives could begin.

    He attached himself to me from the first; I don’t know why. He didn’t like makeup on girls and I wasn’t allowed to wear it. I didn’t know how to flirt. Maybe it was as simple as that. Whatever the reason, we stuck together, as friends, for years, while I abused his feelings, pining for another local who, in turn, abused my feelings. This is so typical. We were practicing for life: neglecting what you have and who you are for what you can’t have, who you won’t ever be.

    But we never scorned where we were; we knew what beauty stitched itself into the shifting moods of the water and the serious pine trees crowding right down to the water’s edge, daring us to walk among them. He loved with loyalty. He would never leave this place and be from somewhere else, struggling to breathe through vestigial gills. And, as I got ready to go to college, he knew before I did I could never stay.

    He married someone else three years after I left and didn’t return. I can only think he needed someone he’d still be touching when he was sixty, skin to skin in the middle of the night.

    How do we make meaning out of what does not abide?

    He lived, lives still, in a town of maybe forty people and a general store/restaurant/bar, post office, and Catholic church. I can’t remember everything about him as well as I’d like, and I have no way of knowing what I’ve forgotten. A few pictures I have of him, though, tell me much of what I need to know. They were taken during the town’s centennial celebration in 1979 and published in a little book commemorating the festivities and the family history of the area. He was only nine or so (though I was there, in a homemade pioneer dress, we wouldn’t meet for another three years), but he got his black-and-white photo in the booklet twice. In one, a fourth grade class photo, he’s grinning and he has his arm around the boy next to him, about to pinch his cheek with a quick, sharp hand. In the other, my favorite, he is in a rocking contest, propped up in a large rocker. Cushions protect his bony frame, his knees meet in the middle, and his feet fly out to either side, like the hooves of a new colt. But I’m most interested in his face: he’s pushing it toward the camera, a smile so tight across his freckled skin that his eyes are nearly pinched closed. This is a being capable of feeling joy through his whole body to the tips of his teeth. This boy is not mean, nor is he afraid. The centennial booklet belongs to my grandmother, and she keeps asking for it, but I make excuses, put her off. I can’t give up that image of life.

    I have another picture that might help to explain. It’s a picture of me taken by the sparkling-eyed boy with my parents’ camera. I’ve always liked the picture, probably because it’s anomalous: I’m fifteen or sixteen, wearing my sister’s clothes, and I look pretty and grown up, like a girl someone’s going to marry. I was neither of those things, though, and I hadn’t yet agreed to go out with him. I’m looking at him over my left shoulder, something unmistakable in my eyes—the knowledge of being loved. I wasn’t sure what made me lovable to him; I was just grateful that, no matter how I tested him, he stuck around, always willing to show me his heart. This was a boy I could count on.

    These stories are about permanence and temporality—two equally strong poles of human yearning. Death is tragic, we feel. The death of love, also tragic. Another birthday, a sinking helium balloon, the slow distortions of memory, tragedies all. Most of us need to think these things won’t happen to us, so we make choices that might root us to our selves: we get religion, or get married, buy a house, have a kid. But our acquisitions only tell us how mortal we are, glued to one spot, embodying one self until we die.

    But, on the other hand, if we have chosen nothing—rather, if we have chosen to hover always in a state of possibility, never committing to a place, a person, a job, an argument, an idea, how do we know who we are? What can we point to in order to account for ourselves? We will have left not even the slightest impression on the loose soil of the earth or the skins of the people on it. I will never experience what it’s like to decide early on to stay and eventually die in the same place I was born, the deep knowing that might have been mine.

    I admit I am terrified by sameness. The thought of not periodically changing my life is like an unpacked steamer trunk on my chest. But before the sparkling-eyed boy married, I had a wholly unfair expectation that he would be my permanence. That wherever I went, whatever choices I made or refused to make, he had chosen me permanently and kept some part of me safe and constant. I wanted to have every possible thing and to lose nothing in the process. Honestly, don’t we all?

    I miss him still. But he has become a soapstone in my pocket, shaped less like himself than the heart of my hand, wearing to the grip of my fingers, grooved with the lines of my palm.

    A Primer on Rootlessness

    When you leave the place you will only later call home, you become, rather suddenly, though you might not know it for quite some time,

    like a fish without scales, the naked diamonds of its puckered skin flashing their ascent from the bottom to the air-choked top,

    like a flock of birds with pebble-filled bones—though the stones themselves may be quite lovely, the birds will plummet toward the ground as if they had suddenly fallen in love with it. Once there, they will embrace it, wings wide and necks crooked in touchingly naive surprise,

    like an eye leaking water, its strangely beautiful circles of color buckling. One crack, two cracks, and it is a flap of spent cells, no longer an eye,

    like a moth flying more and more erratically, aiming for the obscene head of a flower and hitting the stem instead, an oval of its wing dust ground into the finger pad of a human,

    like two hands of fingers, nails extracted—they carry a sense of bereavement times ten and they cannot catch fine and shrinking things,

    like a tiny country that can find itself on no map or atlas. It wonders, was it a dream? Those years of living and naming and fighting and crying. And the tales we tell of our headdresses and the ways we sing ourselves to sleep.

    like a river damned, swelling like a goiter, watching its

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