How to Create the Perfect Riding Horse
By Perry Wood
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About this ebook
An honest and encouraging guide for everyone who wishes their horse could be the perfect riding horse
Essential tools and clear step-by-step photography for training the horse and rider help you create your perfect riding horse for any discipline or level of ability
Inspirational advice and ingenious tips take you through choosing the right horse, mastering the basics of groundwork, schooling and introducing jumping
Perry Wood's skill as a coach of both horses and people puts these effective methods within easy grasp of everyone, transforming any rider into a real trainer.
Perry Wood
Perry Wood has spent a considerable number of years developing his unique approach to training horses and riders, blending the best of many sources, both traditional and cutting-edge. His philosophy is one of empathy and understanding towards the horse, lightness and communication, self-awareness in body and mind, classical principles, real results – and Real Riding.
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How to Create the Perfect Riding Horse - Perry Wood
Contents
Introduction
Many years ago, I ran a riding vacation business in the South West of England, which meant we were constantly on the lookout for good horses to buy. Sellers and horse dealers would often ask the question ‘What are you looking for exactly?’ and we would jokingly reply ‘The perfect riding horse!’ I say ‘jokingly’, because we didn’t believe the perfect riding horse existed: but that was then. After many more years working with horses I have changed my mind and now believe it is possible to create the perfect riding horse: one that is perfect for your own wishes and requirements…
WHAT IS YOUR IDEA OF THE PERFECT RIDING HORSE?
Every horse is unique and so is every rider, which means that everyone’s idea of what makes the ‘perfect riding horse’ is likely to be different, too. For some, the perfect horse would be a slow, steady, solid type, whereas others may crave the excitement of a spirited, prancing hot-blood… the list is likely to be as varied as the people reading this book.
This book is about creating the perfect riding horse for YOU, and it will give you the tools, tips, techniques and suggestions you need to create your own perfect riding horse. By ‘perfect’ I don’t necessarily mean there is no room for improvement or no more challenges left to overcome: in fact, some people’s idea of the perfect riding horse might be one that is always challenging!
MY IDEA OF THE PERFECT RIDING HORSE
My idea of the perfect riding horse is a horse who enjoys being ridden as much as I enjoy riding him. I want the horse to want to work with me and accept my role as leader, which means achieving what I want without force, punishment or domination. I want the horse to be a good friend and partner, but I also want him to be a spirited, athletic, responsive and supple performer, to take things in his stride and enjoy the odd challenge himself… not much then! Provided you follow a simple, step-by-step, intelligent and objective approach, I believe it is possible to create a fantastic riding horse from most horses.
Much of the riding in this book is based on the principles of classical riding or classical dressage. Classical riding is the foundation for most forms of riding we see in the world
today and was developed for purely practical reasons. It is the distillation of 2,500 years of riding and is the systematic training of the horse to be light, responsive, courageous and athletic. The original classically trained horse would have been used in warfare or, as he still is today in Iberia, in the bullring. So the training had real purpose and application, and the bottom line was that your life might depend on how well you trained your horse!
I think you will see, as you work your way through this book, that the perfect riding horse is a genuine all-rounder whose ‘dressage’ training is not confined to the riding arena, but that his training opens up a whole world of possibilities, as he becomes more and more of a joy to ride and to be with.
Of course, to create the perfect riding horse you could say we have to be the perfect rider! That’s why I have included tips and ‘perfect rider’ boxes throughout the book; pointers that will help you to help your horse be the best he
can be – and you may be pleasantly surprised, because he will probably turn out better than you ever thought possible.
NOTE: Throughout this book I have used the terms ‘he’ or ‘his’ when referring to horses. This is as a matter of clarity and does not reflect any other agenda. The horses I am working with in the book are of both sexes.
NOTE II: I use the word ‘training’ in this book to describe the various ways we can work to improve the way the horse responds. You could equally use ‘educate’, but to me ‘training’ is the best choice of word because we are developing the horse’s physique as well as teaching him things.
I asked some of my students to describe the qualities they would like in their perfect riding horse. Here’s what they said:
• Lightness
• Spirited
• Great partner
• Forward-thinking
• Would go through fire for me
• Sensitive
• Manoeuvrable – dancing partner
• Responsive to my aids
• Sensible
• Listens and focuses on me
• Best friend
• Self-confident
• Trusting
• Curious
Choosing the Right Horse
It is possible to spend a lot of time and money in pursuit of the ‘perfect horse’, but it doesn’t always pay off – even the greatest looking, ‘well bred’ horses can fall short of the mark.
More important than the amount of money and time spent ‘up front’, is the amount of commitment and time invested afterwards. The way I see it, there are three key ingredients for the perfect riding horse: conformation, temperament and time. As long as a horse has a reasonable conformation and a nice temperament, I believe that with time and training it is possible to create a wonderful riding horse from almost any horse.
Generally speaking, the better his conformation and balance, the more potential a horse has, and the quicker and easier your progress should be. If he is physically well made for the job you want, he will find it easier to do what you ask of him, too.
Although conformation is important, temperament can be even more so. When a horse is willing to work with you and is open to learning and trying things, it becomes a lot easier to further his training and get the kind of results you want. Aside from which, it isn’t a lot of fun riding a horse who is unhappy in his work, however marvellous his conformation. For me, the joy comes from sharing the journey and experiences with an equine partner who enjoys the riding as much as I do. I want his full spirit to shine through and yet still have him following my directions.
Conformation and temperament are certainly key ingredients, but what makes the ultimate difference is what you actually do with the horse and how much time you put in. You could have the best made, kindest tempered horse in the world, but if you don’t train him or do very much with him, he still won’t become a great riding horse. You may not consider yourself to be a horse trainer, but in reality, every time you sit on a horse you are training it, either to go better or to go worse!
CONFORMATION AND MOVEMENT
Conformation is a very subjective thing; everyone has a different idea of what looks good to them. The most important thing is to have a horse who is built for the job and has the right type of movement for what you want him to do.
It is important to be able to see your horse moving at liberty in all three paces – walk, trot and canter – in order to have an idea about his natural movement and what he is capable of… or what he needs help with.
The key is to look at how your horse is made, as this will affect how he works and how you will need to work with him. Here are some pointers to help you:
• The neck The horse uses his neck as an important balancing tool, so a neck which is a nice length (not too short or too long) with good muscle development along the top is useful. A neck which is too short and/or too deep can make the horse less easy to guide, and possibly strong on the reins. An overly long, thin neck can make it hard to collect the horse or guide him. The angle the neck comes up out of the wither also influences the kind of ride you will get: a neck set on too low may make the horse feel low in front and put him on his forehand a lot. A neck set on too high can make it difficult for the horse to round through his back and collect. Horses with a very high neck are often quite tense and highly strung.
• The back A horse with a long back can be difficult to collect and more prone to having soreness in the back. Horses with a dipped back tend to have a weakness at the place where they need to bear the weight of the rider, making it harder to collect them or to have them going softly.
Fantastique has quite a long back, but she steps well underneath herself with her hind legs and carries her front end nicely. She has a naturally arched overall shape, and is free in both her shoulders and her forelegs.
You can see from this picture that even though Arnie has started to raise his neck, he is naturally built with more weight on his forehand than his hindquarters. This can make it difficult for him to really ‘open up’ in his movement and be light and forward-going. Despite this, he is a very powerful horse with a lot of potential.
• The hind legs In order to perform well in any sphere, even as a nice comfy trail-riding horse, he needs to have good flexibility in the joints of his hind legs. Hind legs that are stiff or do not bend well, particularly at the hocks, can make it difficult for the horse to perform well in any sphere. It is also important to make sure the horse’s hind legs move in a precisely even rhythm. If the rhythm between the two legs is even slightly broken, it implies a weakness in one of them. When you look really closely, many horses seem to be slightly uneven in the rhythm of their legs, but assuming it is not too marked, it is something we can work on as the horse becomes stronger and more supple.
• Forelegs and shoulders Some horses have plenty of movement in the hindquarters but the shoulders and forelegs don’t really swing, so the flow of energy coming up from the back of the horse gets somehow blocked at the front. The horse needs freedom in the shoulders to move well throughout his frame. As with the hind legs, it is important that the forelegs move in a precisely even rhythm.
• Overall carriage For the horse to be easy to ride and work with, it is beneficial for him to have good natural carriage, which means he has an overall look of going ‘uphill’ from the back to the front and has a rounded or arched shape throughout his whole frame (when he is looked at from the side).
• Overall balance Imagine a set of scales, with the wither as the centre, and look for balance between the forehand and hindquarters. If the scales are tipped to the front (horse has too much front) or to the back (horse has too much back end), it can make it difficult for the horse to find his natural balance. Add the weight of a rider to the equation and it is probably not going to be the easiest partnership.
NOTE: People sometimes look at a young horse who is croup high (back is higher than the front) and say it’s just the way he is growing and his front will catch up… but this is not always the case.
• Build ‘Horses for courses’ is a very well known phrase, and although it may seem obvious, it is so important to have a horse built for the job he is required to do. Lighter horses have the benefit of speed and quickness of turning, but heavier horses have the benefit of more power and sheer physical strength.
Arnie may not be perfectly physically balanced, but he has a good attitude.
TEMPERAMENT
As we have said, a good temperament can be more important than the physical build of the horse… if