Go In Peace: The Art of Hearing Confessions
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Go In Peace - Martin L. Smith
© Julia Gatta and Martin L. Smith 2013
This edition published in 2013 by the Canterbury Press Norwich
Editorial office
3rd Floor, Invicta House,
108–114 Golden Lane,
London EC1Y 0TG
Canterbury Press is an imprint of Hymns Ancient & Modern Ltd
(a registered charity)
13A Hellesdon Park Road, Norwich, Norfolk, NR6 5DR, UK
Published in the United States in 2012 by Morehouse Publishing
www.canterburypress.co.uk
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher, Canterbury Press.
The Authors have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Authors of this Work
Unless otherwise noted, scripture quotations are from the New Revised Standard Version of the Bible, copyright 1989 by the Division of Christian Education of the National Council of the Churches of Christ in the USA.
Used by permission. All rights reserved.
British Library Cataloguing in Publication data
A catalogue record for this book is available from the British Library
978 1 84825 196 0
Printed and bound in Great Britain by
CPI Group (UK) Ltd, Croydon
We dedicate this book to two faithful priests
Martin to Robert K. Myers
Julia to William S. Stafford
with gratitude
CONTENTS
Foreword by Frank T. Griswold
PART ONE
CHAPTER ONE
Why Confession?
CHAPTER TWO
A Wise and Discerning Priest
CHAPTER THREE
Preparing for Confession and Celebrating the Rite
CHAPTER FOUR
Giving Counsel, Comfort, and Direction
PART TWO
A first confession by a middle-aged professional woman
A teenage girl on a youth retreat
A businessman in his forties who has made a lunchtime appointment to make his confession to a priest he does not know
A woman retreat leader and spiritual director
A gay man in his mid-thirties preparing for a commitment ceremony
A rector in his late thirties who comes regularly to his spiritual director for confession
A single woman in her fifties making her confession to her parish priest during Lent
A man in his early forties, the owner of a small local business, married with three young children
A mother in her late forties requesting a discussion with her parish priest before they begin the rite of reconciliation
A soldier who has recently left the army after three tours of active duty in Iraq and Afghanistan
A member of a young mother’s group in a suburban parish, brought up a Roman Catholic, whose only previous experience of confession was in her teens
A confession made in his hospital room by a truck driver who is about to undergo open heart surgery
FOREWORD
One of the unintended consequences of providing the Sunday liturgy in an easy-to-use leaflet or booklet form is that congregations become increasingly unfamiliar with the contents of the Book of Common Prayer. Taken as a whole, the prayer book is the ritual celebration of the seasons of our lives from birth to death in the light of the gospel and the daily, weekly, and annual cycles that shape and determine our existence.
For many Episcopalians, a seemingly innocent perusal of its pages has been a pathway to faith. Among the more surprising discoveries for some has been the form for the Reconciliation of a Penitent. From time to time someone has approached me and asked, What is this? I didn’t know that the Episcopal Church had confession.
This initial sense of surprise has sometimes been an enticement of the Spirit to explore further, and led those who raised the initial question to seek the healing grace of the sacramental rite for themselves.
The classical Anglican position regarding making one’s confession
in the presence of a priest is, All may, some should, none must.
For many, the forms of corporate confession of sin—such as the General Confession—that occur in the public rites of the church are sufficient. For others, and I include myself, it is all too easy, as Julia Gatta and Martin Smith observe, to murmur the familiar penitential phrases along with the rest of the congregation without any real sense of personal sinfulness or, for that matter, of God’s healing and reconciling mercy and forgiveness proffered through the words of the absolution.
For many who avail themselves of the rite of reconciliation, the discipline of self-examination under the guidance of the Holy Spirit in preparation for making their confession in the presence of a priest can be an exercise in self-knowledge. We find ourselves drawn beyond particular events and acts into an ever-deepening understanding of the motivations of which our sins are an outward expression. This becomes particularly true when making our confession becomes a regular part of our spiritual practice.
As one who has since my teenage years regularly availed himself of this sacramental rite, and as a priest and bishop been called to hear confessions
numerous times in the course of a wide-ranging pastoral ministry, I welcome this wise and careful exposition of the art of presiding at this sacramental encounter with God’s mercy and profligate compassion. Julia Gatta and Martin Smith are eminently qualified, both as experienced priests and penitents, to offer guidance to members of the clergy who may be unfamiliar with or unprepared to offer this ministry of healing and reconciliation. A point our authors make, and one that cannot be stressed enough, is that those who preside at this rite need also to present themselves as penitents and surrender to the same sacramental encounter that they, in the name of the Church, mediate to others.
Go in Peace, therefore, is not simply about imparting a pastoral competency, but an invitation to those who are ordained as ministers of word and sacrament to avail themselves of this sacramental encounter with the risen Christ for their own soul’s health. For it is in this way that those who act as confessors will bring to it their own experience of poverty before the Lord, and also have an intimate knowledge of how it feels
to be a penitent. The only sure way in which a confessor can appreciate the delicacy and sensitivity required on his or her part in receiving the confession of another is by having been there. Before I was ordained, there were times when I had to coach an inexperienced priest in the midst of making my confession. And there have also been times when, instead of experiencing God’s forgiveness, I have felt accused and judged by the aggressive line of query or comment on the part of a confessor unmindful of the vulnerability one feels as a penitent.
Another important point Gatta and Smith make is that the rite of reconciliation, rather than being penitential in tone, is an occasion of joyful release and return to the One whose forgiveness is without bounds: As far as the east is from the west, so far has he removed our sins from us
(Psalm 103:12). While restitution or amends may be in order, a penance
is better though of as an act of thanksgiving for the fact that the Lord has put away all your sins.
The second half of Go in Peace contains a series of sample confessions involving men and women in different states and places in their lives. Here the authors’ suggestions for advice and counsel that follow each confession are filled with wisdom. They display a sensitivity to the dynamics of receiving and responding to the insights and gifts each penitent may bring that can greatly benefit both new and experienced confessors.
Julia Gatta and Martin Smith have provided us with an invaluable resource, as well as the challenge to make this gift of grace more available as a normative ministry of the church. It is a gift that those who receive the confessions of others are invited to avail themselves of as well.
Frank T. Griswold
XXV Presiding Bishop
31 July 2012 (Ignatius of Loyola)
PART ONE
Repent, and believe in the good news
(Mark 1:15)
CHAPTER ONE
Why Confession?
It is strange that sacramental confession to a priest is considered, even by clergy, to be something of a specialized or marginal ministry. The opening message of the gospels, announced by John the Baptist, reiterated by Jesus, and finally proclaimed by the apostles, is Repent, and believe in the good news
(Mark 1:15). The grace to change one’s mind and heart and then accept God’s forgiveness lies at the very core of salvation. It represents the renewal of creation that is inaugurated by the resurrection of Jesus. Thus for those who have been baptized and who sin, as all adult Christians do, the practice of confession and absolution can be a significant sacramental encounter with the Christ who pardons, heals, and embraces us in love. It can signal a dramatic turning point or serve as one of many small conversions along the Christian journey.
Curiously, those outside the church or who work alongside it sometimes appreciate the role of confession more than those within it. So, for example, participants in Twelve Step programs know how crucial steps four through ten are to recovery: making a searching and fearless moral inventory,
confessing one’s wrongs to God and another person, and seeking restitution and forgiveness whenever possible. Similarly, therapists know that a breakthrough to healing will only take place once sufficient trust has been established for clients to face the painful facts of the past, often hidden for years even from themselves, and finally disclose them.
Literature abounds with examples of confession. Consider Arthur Dimmesdale, perhaps the most self-tortured pastor in fiction. When Hawthorne’s The Scarlet Letter begins, his adultery with Hester Prynne has already been committed, but Dimmesdale’s anguish steadily grows with the silence of his unconfessed sin. Only at the very end, on the scaffold, does he make a clean breast of it and is set free. Even the children in C. S. Lewis’ Narnia books have confidential interviews with Aslan after they have gone astray. At Peter’s very first meeting with Aslan in The Lion, the Witch and the Wardrobe, when Mr. Beaver has revealed Edmond’s betrayal to the great lion, something prompts Peter to confess:
That was partly my fault, Aslan. I was angry with him and I think that helped him to go wrong.
And Aslan said nothing either to excuse Peter or to blame him but merely stood looking at him with his great unchanging eyes.
Later, when Edmond comes to his senses, he does not simply slip back into the fellowship he had broken, no questions asked. First there must be a crucial meeting with Aslan, but not even the reader is privy to that confession: There is no need to tell you (and no one ever heard) what Aslan was saying, but it was a conversation that Edmond never forgot.
¹
Similarly, a recently composed play entitled Mercy Me dramatizes in its surprise ending how the exercise of confession engenders spiritual and psychic recovery. Here playwright David Roby portrays a rural North Carolina family riddled with illness and dark secrets. They live on the edge of what was once the ancestral tobacco plantation, in a renovated distillery where the filth and squalor of their living quarters is more than matched by the bleakness of each inhabitant’s life. Towards the end of the play, a self-styled death coach,
using the techniques of a personal trainer, shows up to lead the family in a ritualized communal confession. Very slowly, each character addresses God or the others present. Around they go, round robin, each reluctantly giving voice to some deep sorrow or longing. A communal mantra takes shape as they drone out their confessions and prayers. The tempo quickens as they repeat the exercise, eventually reaching a feverish pitch, and then slows as the characters befriend their painful disclosures, listen to each other, and silently release one another. At last, a quiet peace settles on this volatile family group.
Recognizing Sin
The pious fellowship permits no one to be a sinner,
observes Dietrich Bonhoeffer with stinging sarcasm in Life Together. In his powerful chapter on confession, this theologian strips away the façade, cultivated in some congregations, of being somehow above sin. Denial of sin, however, is not unique to the church. Mercy Me portrays a household, not unlike the human family itself, that has strong taboos in place to keep up the appearance of blamelessness. The deceptions of pride can be entrenched even when every other prop of social standing has collapsed. Only when pressed to an arduous exercise in truth-telling—one that needed to be doggedly repeated—could members of this family begin to find their true selves, and then let themselves be changed. Reconciliation is both sheer gift and personally costly. Yet finally it is the only way out.
In Life Together Bonhoeffer charged that too many churches had become enclaves of respectability, a situation that has not improved and may have possibly worsened since he first wrote about the need to recover the practice of personal confession in the church. Life Together was itself the fruit of