Soucouyant
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About this ebook
A “soucoyant” is an evil spirit in Caribbean lore, a reminder of past transgressions that refuse to diminish with age. In this beautifully told novel that crosses borders, cultures, and generations, a young man returns home to care for his aging mother, who suffers from dementia. In his efforts to help her and by turn make amends for their past estrangement from one another, he is compelled to re-imagine his mother’s stories for her before they slip completely into darkness. In delicate, heartbreaking tones, the names for everyday things fade while at the same time a beautiful, haunted life, stained by grief, is slowly revealed.
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David Chariandy
David Chariandy grew up in Toronto and lives and teaches in Vancouver. He is the author of the novels Soucouyant, which received nominations from eleven literary awards juries, and Brother, which won the Rogers Writers' Trust Fiction Prize, the Ethel Wilson Fiction Prize and the Toronto Book Award, was longlisted for the Scotiabank Giller Prize and the Aspen Words Literary Prize and nominated for the 2019 Dublin Literary Award.
Read more from David Chariandy
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Reviews for Soucouyant
37 ratings10 reviews
- Rating: 4 out of 5 stars4/5Very well done, the writing, the characters the evolving mystery of the plot leads the reader through the story.
- Rating: 4 out of 5 stars4/5This book is at times tragic, funny, touching, humane and downright weird. It details the effects of his mother's pre-senile dementia on the life of a young man in the Toronto suburb of Scarborough. It also touches on the nature of memory and racism against immigrants in Toronto in the 1960s. It is an unforgettable story.
- Rating: 4 out of 5 stars4/5This is a beautiful, lyrical story about forgetting in order to live, and about how you grow so no memory can hold you down. And about how awful it is that a society does that to its newest and most hopeul members - forces them to forget who they are as well as all the humiliations that forced them. But the forgetting comes from a powerful place of fierce wisdom and desire to survive that is andcient and scary and will do horible things. Do you run away from yourself because of others? Or because you, yourself, can't face that self? Does it make you bigger than anything and thinner than air, untouchable? Is it still a surrender to do anything but keep pain in memory and be present, corporeal, and sad? This is also a wonderful book about families, immigration and the Toronto suburbs of the late 20th century, and about how it feels when your mother loses her mind. It rings true.
- Rating: 4 out of 5 stars4/5A beautiful book about history, family, race, and loss. The language is poetic and the emotions nuanced and complex, as the unnamed narrator goes home to take care of his mentally ill mother and is forced to confront the weight of her history as a black woman in Canada. A mystery of a book, a story that unfolds slowly and powerfully.More people should know about this book and its talented young writer!
- Rating: 4 out of 5 stars4/5This is a short novel about a young man who returns home to Scarborough (Ontario) to care for his mother. His mother suffers from early-onset dementia. His father has died, and his older brother is nowhere to be found. Our young narrator talks about his mother with compassion and perception.As the book unfolds, we learn the mother's story. She grew up in Trinidad, near a U.S. army base. Her mother worked as a prostitute, and we see the effects this, along with racism and superstitution had on her. We come to see her dementia as, in part, necessary forgetting. There are things we have to leave behind if we are to make our lives work. And the cost of forgetting can be high -- in this case, on the mother's mental health.Beautiful writing, thought-provoking.
- Rating: 5 out of 5 stars5/5Brilliant writing. powerful and haunting. Once you read it you have to read it again.
- Rating: 4 out of 5 stars4/5For his first novel, David Chariandy handles a surprisingly complex story in an assured and compelling fashion. In the story of a young man returning to his home in Scarborough (Toronto) to care for his Trinidadian mother as she struggles with early onset dementia, Chariandy skilfully blends past and present, choreographs multiple plotlines and assembles a believable cast of vivid, diverse, intriguing and sympathetic characters.Chariandy intertwines the themes of remembering and forgetting in a way that is haunting and fascinating. The flashbacks to Trinidad prompt me to seek out more about this country. This book is an immensely satisfying read on many levels. I look forward to what David Chariandy will do next.
- Rating: 4 out of 5 stars4/5This is a thoughtfully written novel about the struggle between forgetting about trauma and moving on to a new life on one hand, and making the story of your trauma known, on the other. In Soucouyant, this theme is explored within the context of the immigrant, post-colonial experience.After several years away from home, the unnamed narrator returns to the house where he grew up in Scarborough, Ontario, to care for his mother who is suffering from early onset dementia. Through their fragments of memories, he tries to piece together her early life in the Trinidad. The writing is powerful, and full of symbolism, which makes it a rewarding read for the careful reader. There is a lot going on in this short novel.
- Rating: 3 out of 5 stars3/5There were some poignant moments in this novel about a woman's youngest son coming to terms with her dementia and his mother's past. An interesting meditation on memory.
- Rating: 4 out of 5 stars4/5Excellent novel so far. A good follow up to Just Kids because Chiandry's voice is as tender and careful as Smith's.
Book preview
Soucouyant - David Chariandy
One
SHE HAS BECOME an old woman. She looks out from the doorway of her own home but seems puzzled by the scene, the bruised evening sky and the crab scurry of leaves on the shoreline below. These are the bluffs at the lakeside edge of Scarborough. This is the season named fall.
‘You should step in,’ she says, reaching for the security chain but finding it already dangling freely. Her eyes only then darting up to meet mine.
I crouch to unlace my shoes, avoiding the stool that has always been untrustworthy. I hang my coat on the peg tucked invisibly beside the fuse-box. She notices these gestures and slows with thought while leading me through this shipwreck of a home. The same drafts and groaning floors, the same wildlife calendar with the moose of September 1987, now two years out of date. In the kitchen, she sets a kettle on the element and turns the stove dial while saying ‘on.’ Then checks again to make sure.
The gas has been disconnected. I see this immediately and know that we will wait in vain for the flame to catch or the kettle to scratch to a boil. She is silent now and her eyes are downcast and away from me. There’s a cavernous rhythm that seems to emanate from the floorboards and rafters, though this is only the lake having its say in the quiet of our brooding. This could continue for a long time. With the sun going its way and the shadows thickening around us. With this old woman, my mother, so entirely unwilling to admit that she has forgotten me. With both of us free from our past.
I do this.
I stand and unbuckle my belt. I unbutton and zip down and let my pants fall to my knees. Mother doesn’t laugh at me advancing with wobbly duck steps. She doesn’t panic when her hand is held and guided to the skin of a dark young man.
Here. Press your fingers against the walnut-shaped lump of bone at the side of my knee. Hold them there until my knee bends and some rogue tendon bunches against that lump and against your fingers before suddenly snapping over. With a click. My body’s trick.
Her smile.
‘He have strange bones,’ she says. ‘Quarrels deep in he flesh.’
‘Your son.…’
‘He grandmother too. You can’t do nothing for bones. They like history. But you can boil zaboca leaves to remedy body ache. And planten leaves to slow bleeding. And there used to be something called scientific plant which could protect you against curses and bad magic.…’
‘Your son. Your youngest son. Remember, Mother?’
‘Aloe on light burns. Everyone does remember that. But there was something else. Something wet and pithy they could give you when you burns was brutal. When you skin was gloving off.…’
I STAY WITH MOTHER, though I haven’t truly been invited to stay. On that first evening of my return, Mother walks suddenly out of the kitchen and up the stairs to her bedroom on the second floor. I hear the low grate of a deadbolt. Later, I make my way up to the other bedroom on the second floor. The bunk bed that I once shared with my brother is still made, though the sheets and pillows smell of dampness.
My bedroom window looks out over the weathered edge of the bluffs to a great lake touched by the dying light of the city. Below, some forty feet down, a few trees lean about on a shore of sand and waterlogged litter. Dancing leaves and the tumble of an empty potato chip bag. Despite the view and the fact that many consider the surrounding neighbourhood ‘a good part of Scarborough,’ our place is difficult to boast of. We are alone in a cul-de-sac once used as a dump for real-estate developers. The house is old and bracing now for the final assaults of erosion. Even in summer, all windows facing south are kept shut. Because of the railway track, scarcely ten feet away.
I’m jolted awake during the night. The house has taken on some brutal energy, and dust motes have turned the slanting moonlight from the window into solid beams. The noise peaks and only then is it clear to me that a freight train is passing. I wait for the caboose to pass and the lake sounds to pool back. I watch the wind blowing ghosts into the drapes. I dream, close to waking, of the sound of footsteps in the air above me.
IN THE MORNING, I walk in on a young woman sitting with Mother at the kitchen table and reading a book. She has hair of wild bronze, frizzy mixed-girl hair barely kept in check by an elastic, and she is wearing the white two-pocketed shirt that Mother used to make me put on for special occasions. She has apparently set food in front of my mother, cornmeal porridge with sugar and vanilla essence beaten in. A pot of tea so strong that it seems to stain the cups and corrode the spoons. Seeing me, she stands abruptly, her hand darting involuntarily to a mark on her neck. For the shortest while, she reads my face and body before dropping her hand and sitting back down.
‘I’m her son,’ I say.
She picks up an eating spoon to offer some of the porridge to Mother, who purses her lips but otherwise doesn’t move her face. The book is now splayed cover up on the table. The Diatonic Mode in Modern Music, the title reads. The mark on her neck is red. A puzzle against the light brown of her skin, the sharpness of her collarbone. A birthmark most likely.
‘Are you a nurse?’ I ask. ‘I’m just visiting. I won’t get in your way.’
‘How considerate of you,’ she replies.
And then ignores me, though her eyes look like they’re thinking far beyond her continued attempts to feed Mother. I nod and leave quietly, spending most of the morning and afternoon in my room and staying clear.
In the evening, I’m alone in the sitting room when I hear from above the sounds of a faucet squeaking open and the deepening rush of water in the bathroom tub. I hear two voices and muffled splashes, then the young woman singing and Mother joining in without hesitation or flaw. I want to hear more of this singing and to know how Mother can manage to carry any song at all in her condition. I wait for the bath noises to stop and the drain to stop sucking, but I walk upstairs and into Mother’s room before it’s at all safe to do so. Mother is topless and facing me, and the young woman is standing behind her, giving her a massage. Mother’s eyes are closed and she is still humming, her voice grating as the young woman kneads into the flesh hidden from my sight. The glossy wrinkles on Mother’s upper shoulders and neck, the portents of her body’s true damage. There’s an oily thickness in the air and on my tongue, and the nakedness and intimacy humiliates me somehow. I turn to leave but not before the young woman catches my discomfort and smiles wickedly.
I hear it that night. Unmistakable this time, the young woman in the attic above. The creak of her movements.
THE NEXT MORNING, I enter the kitchen just as the young woman and Mother are sitting down to breakfast. Cornmeal porridge again and more of the vicious tea, but also a mango with a thin knife laid out beside it. The lake is unusually quiet and the sun has turned the kitchen walls lemon.
‘I’d like to help out with the groceries,’ I say. ‘I just need to know what to buy. I could cook too. I’m not such a bad cook.’
The young woman shrugs and picks up the mango and the knife, but this time Mother’s stare transforms into unmistakable nervousness. I do my best to smile reassuringly, but Mother looks away and then steals glances at me while adding spoon after heaping spoon of wet brown sugar to her tea. She has created a warm and overflowing cup of syrup before she finally manages to articulate her worry.
‘What are you doing here?’ she asks. The woman is looking up and waiting for an answer too, the knife motionless in her hand and the juices from the mango inching down her arm.
I don’t know how to answer this question. I don’t even know how Mother is reading me. As a stranger who suddenly roams her home, or as her younger son who has mysteriously returned after discovering, two years earlier, just how impossible it was to be around her. I don’t know if Mother has been hurt by my absence, or if she’s even noticed it. I don’t know what meaning there can be between us now.
‘You mean you don’t remember, Mother?’ I try.
This works perfectly. Mother steels her eyes and tightens her mouth. She finds her old pride.
‘Of course I remember,’ she says, bringing her cup to her lips.
LONG AGO, she began to forget. It started with ordinary things. Shopping lists and recipes, bus change and savings cards, pens for jotting down those household tasks that always manage to slip away. But then Mother began to forget in far more creative ways. She began to forget names and places, goals and meanings. She began to forget the laws of language and the routes to salvation and the proper things to do with one’s body. She began to excuse herself from the world we knew.
My brother and I were the first to notice. We were young children when it started and naturally alert for the smallest signs of adult weakness. When Mother wasn’t looking, we’d climb up to the cupboards and eat peanut butter and corn syrup, lime pickle and molasses. Also the most perverse delicacy we could then imagine, Crisco shortening, spooning up the white sludge with our fingers and leaving greasy prints on the cupboard doors and the walls and the doorknobs. Mother couldn’t understand why she never remembered to replenish her cooking goods. Why she never remembered to give the home a good all-round scrubbing. We were never caught.
Of course Mother was minding five or six other children in those early days. Her wits were already strained to the limit. Friday evenings, the children’s parents would come and apologize for the days when they were forced to work overtime at their offices without proper warning. They would smile apologetically when handing Mother envelopes. But what messages were these people passing her, really? What kind of people envelop their words? This was still the earliest stage of Mother’s condition and she had already learned to conceal her confusion from others and trust that in time things would become clear. She would wave the children’s parents goodbye and open the envelopes carefully with a knife, sorting through the small number of fives and tens. Dirty numbers. Meaning new safety boots for her husband and belts for her boys and, of course, more endlessly dwindling cooking goods. Money was still too precious a meaning to forget.
But soon there came the times when Mother hurriedly dressed one boy in his snowmobile suit and ushered him to his parents waiting outside. Only then to remember (too late) that these parents had a girl. That girl with the haunting glass-marble eyes and the brilliant golden hair. Or brown. She would have had brown hair, Mother reminded herself. Mother would laughingly explain to the parents just how difficult it was to tell the difference between boys and girls these days. Just look at the rock stars, she would say. Nanny standup. But her jokes fell flat and Mother steadily lost her jobs. She was supposed to be minding children, after all. She was living on the edge of the bluffs, near an active railway.
Metal monsters in the night. Dirty numbers and greasy doorknobs. This was our belonging. Memory was a carpet stain that nobody would confess to. History was a television set left on all night. The car chases and gun fights sponsored by oil companies. The anthems at the end of broadcast days.
THEN A CRISIS in something called ‘the economy.’ Father was laid off at the factory but later rehired as a temp after two agonizing weeks. The work was erratic. The factory wouldn’t need him for weeks on end, but then, faced with a last minute order to fill, it would suddenly call upon him round the clock. Father became a maniac on those days, a blur of energy bursting through the front door to bolt cold dal and rice from tupperware in the fridge. Frantic nap. Bathroom. Frantic nap. Chugging lukewarm cups of instant coffee, then back out to catch another shift, a toppled milk carton in his wake, pattering white upon the floor.
Mother’s jokes continued to fall flat. One afternoon, Father took his first long chug from his coffee mug before running to the kitchen sink to retch endlessly. Waving away our concern as another belt of sickness took him. Mother had accidentally filled the sugar bowl with salt, and Father had unknowingly made himself a briny pickle of a coffee. All four of us were in the kitchen that day, three sitting quietly until Father’s spasms at the sink had passed. Such an awesome sight, his big shoulders heaving up. It was my brother who finally broke the silence.
‘It’s April Fool’s Day. Right, Mother?’
‘What you say, child?’
‘You know. April Fool’s Day. When people do jokes and nobody suspects because nobody remembers what day it is anyway?’
‘Yes …’ said Mother, ‘you’s right, child. It certainly is that day. Merry April Fool Day, Roger.’
‘You know, girl,’ said Father, finding his breath, ‘thirty years, and I still don’t know how to celebrate in this country.’
MY BROTHER ALWAYS knew the right thing to say. He was older than me but also surer in his talk and more sensitive to manners and gestures and tones of voice. He figured out a while ago that Mother’s condition offered him a special freedom, and so instead of going to school he spent most weekdays alone in his bedroom.
‘Child,’ Mother might ask, ‘why you ain’t at school?’
‘It’s a PD day, Mother.’
‘PD day?’
‘A professional development day. When the teachers get a day off and spend their time smoking and thinking up trick questions. Don’t you remember, Mother?’
‘Of course I remember, child. You think you the only intelligent person in this house?’
Meanwhile, my brother screened all of the letters that appeared in our mailbox. He could tell a report card envelope merely by its density and weight. He used a flashlight or a bright bulb to spot official school seals through unopened letters, and so he intercepted and destroyed messages from guidance counsellors who were expressing their concern that my brother was skipping even the most practical courses in shop and automobile repair. Some of the letters explained in simple and patient terms that schools were now learning to respond to hands-on students ‘just like yours.’ One of them came with a glossy pamphlet describing a new program where students would get to work in ‘relevant’ settings for half of the school year. Behind the cash register in fast food restaurants, for instance. ‘Real-life business skills.… Common-sense education.…’ The pamphlet showed a rainbow of coloured faces.
But my brother wasn’t interested in school. He was going to be a poet.
I didn’t know this at first because we rarely spoke. Like our father, he seemed inaccessible and slow to meet your eyes. He was big too, and with a bruised edge to himself that you weren’t ever in a hurry