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The Glass Palace
The Glass Palace
The Glass Palace
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The Glass Palace

Rating: 4 out of 5 stars

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The International Bestseller from the Man Booker Prize shortlisted author

'An absorbing story of a world in transition’ JM Coetzee

'A Doctor Zhivago for the Far East' The Independent

Rajkumar is only another boy, helping on a market stall in the dusty square outside the royal palace, when the British force the Burmese King, Queen and all the Court into exile. He is rescued by the far-seeing Chinese merchant, and with him builds up a logging business in upper Burma. But haunted by his vision of the Royal Family, he journeys to the obscure town in India where they have been exiled.

The story follows the fortunes – rubber estates in Malaya, businesses in Singapore, estates in Burma – which Rajkumar, with his Chinese, British and Burmese relations, friends and associates, builds up – from 1870 through the Second World War to the scattering of the extended family to New York and Thailand, London and Hong Kong in the post-war years.

LanguageEnglish
Release dateApr 28, 2016
ISBN9780007383283
Author

Amitav Ghosh

Amitav Ghosh was born in Calcutta in 1956. He studied at the Doon School; St. Stephens College; Delhi University; Oxford University; and the Faculty of Arts at the University of Alexandria. His first job was at the Indian Express newspaper in New Delhi. He earned his doctorate at Oxford before he wrote his first novel.In February 2004 Amitav Ghosh was appointed Visiting Professor in the Department of English at Harvard University. He is married with two children and lives in New York.

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Rating: 3.8660408409556313 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    Geschichte, indiens, Burmas, Makaysiens um den 2. Weltkrieg anhand dreier Familien. Wie sollen die Einheimischen zu der Aufforderung UKs stehen, sich an der Verteidigung gegen Hitler-Deutschland zu beteiligen - 3 Positionen. Spannend und ausgezeichnet.
  • Rating: 3 out of 5 stars
    3/5
    This is a fictionalized account of two families that begins with the imprisonment of Burma's last king (Thibaw) and ends around 2005 in almost present-day Myanmar, but is unusual in that it covers that period of Burmese history from the perspective of one of its neighbors--India. It begins with a young Indian boy who hears the roar of English cannon while working in a tea shop in Mandalay…and his subsequent marriage to a Burmese woman, intertwining the destinies of these two individuals and their descendants and friends.

    The Indian perspective is interesting and makes this book very unusual as it reveals the turmoil many Indian nationals experienced during the second World War as they found themselves caught in the middle. Do they maintain their loyalty to the British empire, to which they belonged (and its army in which many of them served), or should they join the Japanese (as Aung San Suu Kyi's father once did) hoping for their support in their bid for independence. (I have an Indian friend who grew up in Burma as a young boy who remembers being sent into exile with his family from Burma during one of the country's periods of anti-Indian political misbehavior…also recounted in this novel, which adds even more complexity to the question of Indian independence against the Burmese landscape.) As a frequent visitor to Myanmar, I can assure readers that there remains to this day an anti-Indian bias. Whether you choose to call the country Burma or Myanmar has strong political undertones for Burma consists of more peoples than the Burmese.

    I confess I don't like fiction as a genre but The Glass Palace did engage me for its coverage of these issues and this period in Southeast Asian history, based upon author Ghosh's research and his own family history. Had I known of any non-fiction works covering the same topic, I would undoubtedly have preferred them as I found the stories of the individuals only irritating 'clutter', but I'm sure many will find the fictionalized approach entertaining. I've just started reading Thant Myint U's Where China Meets India: Burma and the New Crossroads of Asia and hope to continue to learn.
  • Rating: 4 out of 5 stars
    4/5
    A multi-generational saga of an Indian-Burmese family over the course of a century. Starting with the British invasion in 1885, when the Burmese royal family was sent into exile, The Glass Palace follows Rajkumar, a poor Indian boy who finds himself in Burma during the invasion and later builds a life and wealth in Burma. After much searching, Rajkumar finds Dolly, an orphan girl who served the Burmese royal family in exile, and together they create a family which experiences turns of fortune during the span of the twentieth century. Their family sees the creation of great wealth during the First World War, the surprise and violent of the Japanese during the Second World War, and the struggles for independence in post-colonial Asia. A fascinating portrait of Asian history over the wide span of the 20th century.
  • Rating: 4 out of 5 stars
    4/5
    An epic family saga spanning Burma, Malaysia and India. The pace picks up in the last third of the book set during and post WW11 & this was the most enjoyable part of the book for me.
  • Rating: 4 out of 5 stars
    4/5
    Very well researched book....Loved the way it moves
  • Rating: 4 out of 5 stars
    4/5
    This family saga, mirror to the history of South and Siuth East Asia is very well written and researched. The author feels for his characters and for the events they are immersed in. The lack of understanding between the Burmese king and queen and tyhe British would be funny if not so poignant. The end of absolute monarchy in Burma is described in sympathetic but honest detail.
    A young Indian boy is witness to the departure of the royal entourage from Burma and is deeply smitten by a girl in the service of the queen. The history of that part of the world is described as a backdrop to the history of the rise and fall of the family created by the boy, Rajkumar. Colonialism and the end of it (in India at least, WWII, military dictatorships are described, but always as an integral part of the story.
    Sweeping in scope, perhaps not as immediate infeeling as Hungry Tide. The Glass Palace is another of the great books written by Amitav Ghosh. Highly recommended!
  • Rating: 5 out of 5 stars
    5/5
    As is the case with most of Amitav's books, they are well researched, detailed in capturing cultural nuances, sweeping in their story-telling craft. The trace from Burma to Madras to Ratnagiri and then back to Burma is educating and gripping. After reading I actually went to visit the derelict fort that King Thebaw built in Ratnagiri -- felt like living the pages of Amitav's tale.
  • Rating: 5 out of 5 stars
    5/5
    Wonderful, simply wonderful. Here I am, a white guy, sitting in America, and wondersing what it woud have been like to be part of "this".
  • Rating: 3 out of 5 stars
    3/5
    As a look into this region I found the book enlightening; but as a novel disjointed, dropping themes and characters, without much conviction. Ends with the current Burma leader who's reputation is on the downward slope.
  • Rating: 4 out of 5 stars
    4/5
    I do not normally go in for these mega novels, but the appeal here was too great....Burma, India, modern history, etc. Generally speaking, the characters were not very well developed and there was too much of a coincidental nature in the book, but it still held my interest. Much of the book I read while in Myanmar though I finished it in Cambodia.
  • Rating: 5 out of 5 stars
    5/5
    There is much love for Ghosh's The Glass Palace. This was the right balance of historical fiction, love story, and political commentary within a sweeping saga. Dolly is a woman who has been in the service of the Queen for as long as she can remember. Rajkumar is an orphan boy taken in by a teak logger and taught the trade. Glass Palace follows them through childhood, their storybook romance, growing families and the inevitable, old age. Intertwined are the stories of their children, their children's children, war, politics, fashion, feminism, and life. The way it was written the story could have been without end.
  • Rating: 4 out of 5 stars
    4/5
    My favourite genre is historical novels and this book fulfilled all my interests. It took me a while to get the numerous family characters sorted out, nut when I did, this book became a very enjoyable read. The saga of a family over three generations begins in Mandalay, Burma in 1885 ( when the royal is ousted) through their exile in India, where the main female Dolly is a kind of "lady in waiting" to the queen. Raj, an Indian/Pakistani migrant worker in Burma falls in love with Dolly when they were still children and when he has reached success in the teak timber trade, follows her to India 20 years later and persuades her to marry him. The story then continues with their successful life in Rangoon and also that of their friends who establish rubber plantations in Malaya, The lives of these families become intertwined through marriage. All goes well until the invasion of the Japanese in 1941 when their lives take a very different turn. This was a very enjoyable read, with really interesting characters, and a great story set against the background of the history of Burma, World War 2 and the partition of India.
  • Rating: 5 out of 5 stars
    5/5
    Great storytelling. Just a little bit of purple prose by the end.
  • Rating: 4 out of 5 stars
    4/5
    I dont think i really like this book but the fact that it makes me think and ponder over many issues made me glued to this book. There are a few parts that i did not understand like the issue about Uma's role in the India politics but i will google it anyway. The colonialism, the road to independence are heavy for me, but i want to read about it. This is the first book by Amitav that i read, i may want to read some more books by this author.
  • Rating: 4 out of 5 stars
    4/5
    Amitav Ghosh is a great story teller and a polished writer. In the Glass palace he has created a wonderful novel that tells of the lives, times and interrelationships of a group of people and their families over three generations. Starting in the 19th century and spanning the 20th in India, Burma and Malaya this is a tale that draws you in and makes itself hard to put down.
  • Rating: 5 out of 5 stars
    5/5
    This book is not unlike a painting, beautiful and a very good read for Malaysians.
  • Rating: 5 out of 5 stars
    5/5
    In 1885, Great Britain deposed the king of Burma and sent him into exile in India. During the subsequent looting of the palace a young homeless orphan named Rajkumar saw a breathtakingly beautiful young servant girl named Dolly. Unknown to Dolly, Raj vowed to become rich and then find her. Dolly went with the royal family into exile and Rajkumar kept the promise he made to himself.

    So begins a historical fiction lasting through the generations and World War II. It’s wonderfully detailed about the history, politics and chaos in Burma, Siam and Malaysia, and of course, the impacts of British colonialism in these areas.

    As we approached WWII, I felt the novel was beginning to drag a bit – but then the war begins and Burmese soldiers who have finally been allowed to fight proudly for India in the British army, are now faced with the choice of continuing to fight for the oppressor Britain, or fight with the Japanese soldiers against Britain.

    It’s a highly nuanced historical novel with characters I felt sad to leave behind.
  • Rating: 5 out of 5 stars
    5/5
    Fascinating read set in a time and place that comes alive through the characters and scenes that are so vividly described. This historical saga stretches through 3 generations and crosses at least three countries that are undergoing major changes in politics and culture. Anyone enjoying historical fiction set in exotic places should appreciate the excellent writing of this author. I was never bored, but was so fascinated that I took time to look up many references to clothing, personalities, and food on the Internet.

    My only wish is that the book included a "cast of characters". Because it is long and I wasn't able to read continuously, I often found myself forgetting the relationship the major characters had to one another. (Several families become blended and it was difficult remembering who was aunt to whom, etc).

    This book certainly drives home the fact that families are families regardless of whether they live in Kansas or Burma.
  • Rating: 4 out of 5 stars
    4/5
    Doorway - setting
    I really enjoyed this book as it transported me to Burma in the 19th century right through to contemporary times. It also takes the reader to India and Malaysia over a number of years. I
  • Rating: 5 out of 5 stars
    5/5
    This book held special meaning to me as I have a burmese heritage and the time that this was set in was relevant to my family. It is a good book and you will learn a bit about burma and it's people and their history.

    Sometimes though I feel it is an extended history lesson, which isn't a criticism as such, but the style might not appeal to everyone.
  • Rating: 4 out of 5 stars
    4/5
    The Glass Palace will probably disqualify as fiction has it not for a majority of characters that bear no resemblance to reality besides King Thebaw, Queen Supayalat and their four daughters, who were actually forced to exile. The book, which assiduously parallels to the history of colonial India and British invasion of Burma, depicts the country in a century of traumatic sub continental history through the independence in 1947, the assassination of General Aunt San shortly before his assuming of office after election, and up to the presence. The indelible characters, most of whom entwined and descended down the same family line of Rajkumar, seemed to float between boundaries of both geography (Burma, India, Malaya) and class; and transcended across time and generations, powerfully illuminated the painful history of Burma.
    Amitav Ghosh conveys all the excruciating details of the characters in a an unusual air of equanimity, with a detachment, serenity and moral strength in the face of such overwhelming turmoil. At the same time, the complex and riveting book evokes the impact of the turmoil events that had thumped families and individuals. Set in Burma during the onset of British invasion in 1885, fortuity had brought 11-year-old Rajkumar to Mandalay. The sampan on which he worked as an errand boy had been in repair and forced him to seek employment in the city. Rajkumar, a brawny figure for a boy of his age and with a quick-witted mind, worked at a food stall in exchange for meals and a roof. He met Saya John and later under whose tutelage Rajkumar entered the timber business and made a considerable fortune. When the British soldiers forced the royal family out to exile, Rajkumar encountered Dolly, the youngest of Queen Supayalat's maids who took care of the Second Princess, and befriended her as the city's scum came surging berserk, looting in the Glass Palace.

    Dolly was one of the last remaining members of the original Mandalay contingent when the royal family exiled to Ratnagiri, India. For 20 years Dolly had lived in India as she progressed into adulthood, overseeing the daily chores and negotiating with local workers in the royal household. But Rajkumar could neither forget her nor remove any vestige of her - he set out on a quest for a girl whom he had met in the midst of havoc some 20 years ago, when she was only 7. What follows is a twist-and-turn chronicle, salt-and-peppered with historical background of the relevant countries, of Rajkumar's life and his family. Through Ghosh's writing Bruma's destitution, ignorance, famine and despair was relived.

    Reading "The Glass Palace" reminds me of "The Piano Tuner" by Daniel Mason, a book about an English piano tuner being summoned to repair a piano that belonged to a Surgeon-Major in the midst of Burmese jungle. Characters in "The Glass Palace" traveled the very same route to and from Burma as the piano tuner and described similar sceneries. The second half of Ghosh's book is replete with commentary-like prose on politics, history and warfare. An overlapping theme is the fact that the British had recruited Indian soldiers to conquer the Burmese. In a sense, the Indian soldiers, bearing no cause, were made to kill for the British Empire, fighting people (the Burmese) who really should be their friends. The Burmese vented out anger and resentment toward the Indians and, what was more, as subjects of the British Empire, the Indians were treated as enemy aliens by the Japanese. Amitav raises the ineluctable truth: that the Empire was no less guilty of racism, aggression and conquest than the Nazi's institutionalizing racism, violence and atrocities.
  • Rating: 4 out of 5 stars
    4/5
    The synopsis on the back of my edition of The Glass Palace says it is "set in Burma during the British invasion of 1885." In fact, this 470-page novel begins at that point and covers a sweep of around 120 years, right through the "present" day (the book was published in 2000). That narrative sweep is one of the book's thematic strengths but also it's major narrative flaw, in my view. The thematic strength arises from Ghosh's deft examination of the complicated relationship between Burma (now Myanmar), India and the British Empire which occupied and ruled both for so long. One of the most fascinating episodes revolves around the Japanese invasion of Burma in World War 2, and the complicated and varied reactions of the Indian soldiers serving in the British army (a generations-long tradition), just as agitation for independence from the Raj had been growing. And while much of the narrative drive of the plot is interesting enough, there are long stretches of the book where the characters seemed to me to be more in place to serve these thematic ends then to present the reader with engrossing personal tales. One of the problems for me was that, while one of the main characters begins life as a young ragamuffin, he soon uses his wiles and ambition to gain success. From then on, the book focuses on characters of relative privilege. Such stories have always held less fascination for me than tales told from closer to the bottom of the ladder looking up. I can't help but compare this book to Väinö Linna's brilliant Under the North Star trilogy, which shows us the struggles and triumphs of three generations of Finnish tenant farmers and which, to me, was so much more moving.

    Your mileage may well vary on this book, but for myself, I would have preferred the Ghosh focus in more closely on a specific time period and set of characters. I'm going to say, though, that overall I'm glad I read the book, and remember to point out that in most places the actual writing and descriptions are very, very strong.
  • Rating: 3 out of 5 stars
    3/5
    The premise and story are interesting but the overlong descriptions make the book hard to read. Ghosh has a vast amount of knowledge about the different Asian cultures and the lives they lead. Unfortunately his strength becomes his weakness as he extensively illustrates the settings to the point where it gets tiresome. While the story and characters are interesting, the book is hard to read.

    The characters feel real and there is a lot of depth in each. However we see very little of them as the focus appears to be directed at their surroundings rather than the individuals themselves.
  • Rating: 5 out of 5 stars
    5/5
    Covering the period of time between the mid-19th century to the present, set mostly in Burma, The Glass Palace is a story of two Indian/Burmese families over a period of generations during times of vast political and social changes in Burma. It is a fascinating account of the large Indian migration to Burma in the 19th and early 20th centuries, first to harvest teak, then to work the rubber plantations. The Indians imported into Burma--and “imported” is a euphemism for economic slavery--were mostly exploited by other Indians, who were able to become wealthy by contracting to supply labor for the teak and rubber plantations mostly (but not entirely) owned by foreigners, especially the English.

    Rajkumar Raha enters Burma in the late 19th century as an illiterate worker. He is present during the British invasion of Burma in 1885, when teh English deposed the Burmese royal family, ousting them from the Glass Palace, and forcing them into exile in India. Rajkumar sees and is immediately obsessed by Dolly, a young Burmese attendant of the Queen; many years later as a wealthy man, he pursues Dolly into India and persuades her to marry him and return to Burma.

    The story line follows Rajkumar and his family, along with those of his mentor Saya John and his family. Their fates follow that of Burma and India, as the rising movement for Indian independence, one of whose factions is led by Gandhi, affects the politics of Burma as well, with its large Indian laboring class.

    One of the best sections of the book covers the Japanese invasion of Burma in World War II. It is impossible not to compare it with J.G. Farrell’s The Singapore Grip, which covers the exact same event, since it led to the invasion and fall of Singapore. Farrell, an Irishman who had no love for the British colonial policies in any part of the Empire, and Ghosh, writing from the Indian point of view, tell almost exactly the same story, differing only in the details of separate events in Burma and Malaya. Of the two, Ghosh is the more forgiving of British military blunders and failures, simply because his point of view is that of the Indians caught up in the invasion; Farrell is far more scathing, given his British protagonists.

    The best way I can describe Ghosh’s writining is that is is “old fashioned,” far more formal than that of most contemporary Indian writers. This serves very, very well for the story up until the present day, including the military coup that took over Myanmar (Burma). Perhaps because Ghosh was not that invested in the modern story, the tale loses momentum and impact at the end. However, the contemporary section is not that long--it's almost an epilogue-- and should not deter anyone from reading what is a very fine historical novel. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    What a very rewarding book this proved to be! The Glass Palace falls into the family saga category (albeit characterized by rigorous historical research and analysis), and so there is love, death, enlightenment, disappointment, contentment, astonishment, sickness, fear, happiness, and tears – both by the characters and by me.

    In this book, Ghosh uses personal stories to shed light on the social, political, and historical changes in Burma, India, and Malaysia at the close of the British Empire. Further, he skillfully illustrates the fact that, as he suggests, the angle, or trajectory of a people’s entry into the future and the choices they have are inexorably set by their starting point. Thus the present condition of a people cannot always be easily overcome; one must know the past to understand the present. And like a photograph, one must know the negative to understand its reverse, and the shadows and omissions to understand what is right before your eyes.

    The story begins in Mandalay, Burma (present day Myanmar) in November of 1885, where Rajkumar, an Indian orphan, is a young boy of 11. The King and Queen of Burma then resided in Mandalay in “The Glass Palace,” named for the vast central hall that had crystal walls and mirrored ceilings. At the end of that month, the British, crossing over from India (most of which they controlled at that time) took control of Burma. King Thebaw and his entourage were exiled to Ratnagiri on the west coast of India.

    Rajkumar was taken under the wing of a businessman, Saya John, and taught to work in the teak industry: a fascinating enterprise that necessitated cooperation between man and elephant. The business was based in Burma. The characters lived in a settlement ringed by a towering wall of foliage:

    "Hidden behind this wall were vast flocks of parakeets and troops of monkeys and apes – white-faced langurs and copper-skinned rhesus. Even commonplace domestic sounds from the village – the scraping of a coconut-shell ladle on a metal pot, the squeaking wheel of a child’s toy – were enough to send gales of alarm sweeping through the dappled darkness: monkeys would flee in chattering retreat, and birds would rise from the treetops in an undulating mass, like a wind-blown sheet.”

    When Rajkumar became successful on his own, he traveled to Ratnigiri to find Dolly, another orphan who served as one of the queen’s attendants. He brought her back as his wife. The stories of Rajkumar, Dolly, Saya John, Uma (the wife of the Ratnigiri Imperial District Collector whom Dolly befriended), and their families intertwine over the years in the long strands of DNA that extend over three countries and generations and bind them all together.

    As the years pass, the families expand their teak empire to include rubber trees, and the children get caught up in the world wars. In World War II, Burma and Malaysia are particularly vulnerable, sitting between Japan and India. Indians had to answer questions raised by not only others but themselves: do we fight for the power that has enslaved us (India), or against it for our own freedom, but risk letting the Axis win the war? At one point, one of the adjutants asks:

    "What is the fear that keeps us hiding here, for instance? Is it a fear of the Japanese, or is it a fear of the British? Or is it a fear of ourselves because we do not know who to fear more?”

    One of the Indian soldiers wanted to support the Japanese precisely because they were worse than the British:

    "What are we? Dogs? Sheep? There are no good masters and bad masters… in a way the better the master, the worse the condition of the slave, because it makes him forget what he is...”

    By the end of the book, you will learn a great deal about the history of British relations with its Asian colonies and the nature of the racism that infected all the actors, but via a literary landscape rather than by reading the often cold and dispassionate facts of nonfiction. Scholarly texts militate against emotional reactions. Intimate family histories, on the other hand, encourage them. Which represents reality more faithfully? Or are they complementary?

    Evaluation: I loved this book. I really like authors such as Ghosh, Uris, and Wouk who do meticulous research and on whom I can depend to let fictional characters express the authentic concerns and emotions of an historical era. Ghosh’s characters aren't always fully sketched, especially the women, but it didn’t affect my enjoyment of the story. Give me the rudiments of life, love, and death, and I can fill in the blanks. I loved the descriptions of how the teak and rubber industries operated, and what life was like for members of different castes and classes in that part of the world. I loved getting enmeshed in the debates over colonialism. I learned a lot, and cried a lot. Who can ask for anything more?
  • Rating: 4 out of 5 stars
    4/5
    While I was fascinated by the Burmese (Myanmar) and Indian history, this sweeping epic covering over a hundred years (1885-1996) disappointed me in the second half. In the first half, the lives of Dolly and Rajkumar are given in detail for about 10-15 years (1885-1900 or so) and I became invested in them but then the story starts making great leaps in time, skipping ahead with just brief summaries of what was happening to the characters. I didn't get fully invested in the second generation and the third generation was an outline of a character, never fully fleshed out, while the 4th generation was invisible - discussed but never met. At the same time, the author tells us less and less about the original characters (Dolly, Rajkumar and Uma).

    I found some of the ideas espoused by Arjun and his comrades interesting but it felt like his character was invented in order for the author to say these things, unlike Uma. Her developing nationalism felt natural and real.
  • Rating: 3 out of 5 stars
    3/5
    This is one of those sweeping saga stories that has appealed to a number of readers here on LT. Sadly, while there were sections that I found made for excellent story telling, for the most part, I think it is a book filled with too much: Too much time span coverage (the story spans 100 years and three generations), too many topics (the story covers everything from cultural differences, colonialism, war, political ideology, lumber enterprises, photography), too many characters (the story jumps around between immediate family, friends, neighbours, in laws), too much attention to minute details (I don't really need to know the make and model of every single vehicle and camera used in the story).

    Maybe I am going through a bit of historical fiction burn out, but I found this story jumped around too much, tried to be too grand and over the top and as such, became a chore to read, even as I enjoyed the wonderful descriptive details of Burma and India.
  • Rating: 4 out of 5 stars
    4/5
    The Glass Palace follows one family through most of the Twentieth Century in Burma, India, and Myanmar. It explores the family's relationship to British Imperialism and the personal and political struggles of India's fight for independence. It's an ambitious book: it covers a lot of territory, history, and themes. Ghosh is good at depicting people and events vividly; in some ways, this is actually a weakness of the book. He is very good at bringing characters to life quickly, but the book's scale is so large that he can't focus on many of these characters for long. I would have preferred a story that only covered 10 years, instead of nearly 100. Any book that spans such a long time period must skip over some events, and the pacing felt uneven to me.

    I have studied a lot of postcolonial theory. This book raises many of the major postcolonial issues: is violence or non-violence a better approach to throwing off an imperialist power? Are the benefits of colonialism (education, roads, etc.) worth the costs (subjugation, loss of culture)? To whom should a soldier in an imperial army be loyal? Ghosh treats these topics very sensitively, showing just how impossible it is to come up with a good answer to any of the questions raised by a postcolonial situation. This would be a wonderful introduction to postcolonialism; however, I've read enough postcolonial literature and theory that the book felt a bit like a postcolonial primer to me.

    All in all, a very enjoyable book that raised some interesting issues, but perhaps had too much of an agenda to really be an enjoyable story.

    I listened to the audiobook, and as always, Simon Vance's narration was wonderful
  • Rating: 4 out of 5 stars
    4/5
    Moving between Burma, India, and Malaya from 1985 (Third Anglo-Burmese war) to the 1990s, this book follows the fortunes of a few interconnected families that today would be called 'Third Culture'. It investigates personal identity and shifting loyalties in a setting where there is no solid ground of belonging.

    Although it starts and ends in Burma, most of the main characters are not Burmese, and many have mixed national and/or racial backgrounds. I have tagged this India, and it is certainly as much about Indian identity and history as Burmese.

Book preview

The Glass Palace - Amitav Ghosh

PART ONE

Mandalay

One

There was only one person in the food-stall who knew exactly what that sound was that was rolling in across the plain, along the silver curve of the Irrawaddy, to the western wall of Mandalay’s fort. His name was Rajkumar and he was an Indian, a boy of eleven – not an authority to be relied upon.

The noise was unfamiliar and unsettling, a distant booming followed by low, stuttering growls. At times it was like the snapping of dry twigs, sudden and unexpected. And then, abruptly, it would change to a deep rumble, shaking the food-stall and rattling its steaming pot of soup. The stall had only two benches, and they were both packed with people, sitting pressed up against each other. It was cold, the start of central Burma’s brief but chilly winter, and the sun had not risen high enough yet to burn off the damp mist that had drifted in at dawn from the river. When the first booms reached the stall there was a silence, followed by a flurry of questions and whispered answers. People looked around in bewilderment: What is it? Ba le? What can it be? And then Rajkumar’s sharp, excited voice cut through the buzz of speculation. ‘English cannon,’ he said in his fluent but heavily accented Burmese. ‘They’re shooting somewhere up the river. Heading in this direction.’

Frowns appeared on some customers’ faces as they noted that it was the serving-boy who had spoken and that he was a kalaa from across the sea – an Indian, with teeth as white as his eyes and skin the colour of polished hardwood. He was standing in the centre of the stall, holding a pile of chipped ceramic bowls. He was grinning a little sheepishly, as though embarrassed to parade his precocious knowingness.

His name meant prince, but he was anything but princely in appearance, with his oil-splashed vest, his untidily knotted longyi and his bare feet with their thick slippers of callused skin. When people asked how old he was he said fifteen, or sometimes eighteen or nineteen, for it gave him a sense of strength and power to be able to exaggerate so wildly, to pass himself off as grown and strong, in body and judgement, when he was, in fact, not much more than a child. But he could have said he was twenty and people would still have believed him, for he was a big, burly boy, taller and broader in the shoulder than many men. And because he was very dark it was hard to tell that his chin was as smooth as the palms of his hands, innocent of all but the faintest trace of fuzz.

It was chance alone that was responsible for Rajkumar’s presence in Mandalay that November morning. His boat – the sampan on which he worked as a helper and errand-boy – had been found to need repairs after sailing up the Irrawaddy from the Bay of Bengal. The boatowner had taken fright on being told that the work might take as long as a month, possibly even longer. He couldn’t afford to feed his crew that long, he’d decided: some of them would have to find other jobs. Rajkumar was told to walk to the city, a couple of miles inland. At a bazaar, opposite the west wall of the fort, he was to ask for a woman called Ma Cho. She was half-Indian and she ran a small food-stall; she might have some work for him.

And so it happened that at the age of eleven, walking into the city of Mandalay, Rajkumar saw, for the first time, a straight road. By the sides of the road there were bamboo-walled shacks and palm-thatched shanties, pats of dung and piles of refuse. But the straight course of the road’s journey was unsmudged by the clutter that flanked it: it was like a causeway, cutting across a choppy sea. Its lines led the eye right through the city, past the bright red walls of the fort to the distant pagodas of Mandalay hill, shining like a string of white bells upon the slope.

For his age, Rajkumar was well-travelled. The boat he worked on was a coastal craft that generally kept to open waters, plying the long length of shore that joined Burma to Bengal. Rajkumar had been to Chittagong and Bassein and any number of towns and villages in between. But in all his travels he had never come across thoroughfares like those in Mandalay. He was accustomed to lanes and alleys that curled endlessly around themselves so that you could never see beyond the next curve. Here was something new: a road that followed a straight, unvarying course, bringing the horizon right into the middle of habitation.

When the fort’s full immensity revealed itself, Rajkumar came to a halt in the middle of the road. The citadel was a miracle to behold, with its mile-long walls and its immense moat. The crenellated ramparts were almost three storeys high, but of a soaring lightness, red in colour, and topped by ornamented gateways with seven-tiered roofs. Long straight roads radiated outwards from the walls, forming a neat geometrical grid. So intriguing was the ordered pattern of these streets that Rajkumar wandered far afield, exploring. It was almost dark by the time he remembered why he’d been sent to the city. He made his way back to the the fort’s western wall and asked for Ma Cho.

‘Ma Cho?’

‘She has a stall where she sells food – baya-gyaw and other things. She’s half-Indian.’

‘Ah, Ma Cho.’ It made sense that this ragged-looking Indian boy was looking for Ma Cho: she often had Indian strays working at her stall. ‘There she is, the thin one.’

Ma Cho was small and harried-looking, with spirals of wiry hair hanging over her forehead, like a fringed awning. She was in her mid-thirties, more Burmese than Indian in appearance. She was busy frying vegetables, squinting at the smoking oil from the shelter of an upthrust arm. She glared at Rajkumar suspiciously: ‘What do you want?’

He had just begun to explain about the boat and the repairs and wanting a job for a few weeks, when she interrupted him. She began to shout at the top of her voice, with her eyes closed: ‘What do you think – I have jobs under my armpits, to pluck out and hand to you? Last week a boy ran away with two of my pots. Who’s to tell me you won’t do the same?’ And so on.

Rajkumar understood that this outburst was not aimed directly at him: that it had more to do with the dust, the splattering oil and the price of vegetables than with his own presence or with anything he had said. He lowered his eyes and stood there stoically, kicking the dust until she was done.

She paused, panting, and looked him over. ‘Who are your parents?’ she said at last, wiping her streaming forehead on the sleeve of her sweat-stained aingyi.

‘I don’t have any. They died.’

She thought this over, biting her lip. ‘All right. Get to work, but remember you’re not going to get much more than three meals and a place to sleep.’

He grinned. ‘That’s all I need.’

Ma Cho’s stall consisted of a couple of benches, sheltered beneath the stilts of a bamboo-walled hut. She did her cooking sitting by an open fire, perched on a small stool. Apart from fried baya-gyaw, she also served noodles and soup. It was Rajkumar’s job to carry bowls of soup and noodles to the customers. In his spare moments he cleared away the utensils, tended the fire and shredded vegetables for the soup pot. Ma Cho didn’t trust him with fish or meat and chopped them herself with a grinning short-handled da. In the evenings he did the washing-up, carrying bucketfuls of utensils over to the fort’s moat.

Between Ma Cho’s stall and the moat there lay a wide, dusty roadway that ran all the way around the fort, forming an immense square. Rajkumar had only to cross this apron of open space to get to the moat. Directly across from Ma Cho’s stall lay a bridge that led to one of the fort’s smaller entrances, the funeral gate. He had cleared a pool under the bridge by pushing away the lotus pads that covered the surface of the water. This had become his spot: it was there that he usually did his washing and bathing – under the bridge, with the wooden planks above serving as his ceiling and shelter.

On the far side of the bridge lay the walls of the fort. All that could be seen of its interior was a nine-roofed spire that ended in a glittering gilded umbrella – this was the great golden hti of Burma’s kings. Under the spire lay the throne room of the palace, where Thebaw, King of Burma, held court with his chief consort, Queen Supayalat.

Rajkumar was curious about the fort but he knew that for those such as himself its precincts were forbidden ground. ‘Have you ever been inside?’ he asked Ma Cho one day. ‘The fort, I mean?’

‘Oh yes.’ Ma Cho nodded importantly. ‘Three times, at the very least.’

‘What is it like in there?’

‘It’s very large, much larger than it looks. It’s a city in itself, with long roads and canals and gardens. First you come to the houses of officials and noblemen. And then you find yourself in front of a stockade, made of huge teakwood posts. Beyond lie the apartments of the Royal Family and their servants – hundreds and hundreds of rooms, with gilded pillars and polished floors. And right at the centre there is a vast hall that is like a great shaft of light, with shining crystal walls and mirrored ceilings. People call it the Glass Palace.’

‘Does the King ever leave the fort?’

‘Not in the last seven years. But the Queen and her maids sometimes walk along the walls. People who’ve seen them say that her maids are the most beautiful women in the land.’

‘Who are they, these maids?’

‘Young girls, orphans, many of them just children. They say that the girls are brought to the palace from the far mountains. The Queen adopts them and brings them up and they serve as her handmaids. They say that she will not trust anyone but them to wait on her and her children.’

‘When do these girls visit the gateposts?’ said Rajkumar. ‘How can one catch sight of them?’

His eyes were shining, his face full of eagerness. Ma Cho laughed at him. ‘Why, are you thinking of trying to get in there, you fool of an Indian, you coal-black kalaa? They’ll know you from a mile off and cut off your head.’

That night, lying flat on his mat, Rajkumar looked through the gap between his feet and caught sight of the gilded hti that marked the palace: it glowed like a beacon in the moonlight. No matter what Ma Cho said, he decided, he would cross the moat – before he left Mandalay, he would find a way in.

Ma Cho lived above the stall in a bamboo-walled room that was held up by stilts. A flimsy splinter-studded ladder connected the room to the stall below. Rajkumar’s nights were spent under Ma Cho’s dwelling, between the stilts, in the space that served to seat customers during the day. Ma Cho’s floor was roughly put together, from planks of wood that didn’t quite fit. When Ma Cho lit her lamp to change her clothes, Rajkumar could see her clearly through the cracks in the floor. Lying on his back, with his fingers knotted behind his head, he would look up unblinking, as she untied the aingyi that was knotted loosely round her breasts.

During the day Ma Cho was a harried and frantic termagant, racing from one job to another, shouting shrilly at everyone who came her way. But at night, with the day’s work done, a certain languor entered her movements. She would cup her breasts and air them, fanning herself with her hands; she would run her fingers slowly through the cleft of her chest, past the pout of her belly, down to her legs and thighs. Watching her from below, Rajkumar’s hand would snake slowly past the knot of his longyi, down to his groin.

One night Rajkumar woke suddenly to the sound of a rhythmic creaking in the planks above, along with moans and gasps and urgent drawings of breath. But who could be up there with her? He had seen no one going in.

The next morning, Rajkumar saw a small, bespectacled, owl-like man climbing down the ladder that led to Ma Cho’s room. The stranger was dressed in European clothes: a shirt, trousers, and a pith hat. Subjecting Rajkumar to a grave and prolonged regard, the stranger ceremoniously raised his hat. ‘How are you?’ he said. ‘Kaisa hai? Sub kuchh theek-thaak?

Rajkumar understood the words perfectly well – they were what he might have expected an Indian to say – but his mouth still dropped open in surprise. Since coming to Mandalay he had encountered many different kinds of people, but this stranger belonged with none of them. His clothes were those of a European and he seemed to know Hindustani – and yet the cast of his face was neither that of a white man nor an Indian. He looked, in fact, to be Chinese.

Smiling at Rajkumar’s astonishment, the man doffed his hat again, before disappearing into the bazaar.

‘Who was that?’ Rajkumar said to Ma Cho when she came down the ladder.

The question evidently annoyed her and she glared at him to make it clear that she would prefer not to answer. But Rajkumar’s curiosity was aroused now, and he persisted. ‘Who was that, Ma Cho? Tell me.’

‘That is …’ Ma Cho began to speak in small, explosive bursts, as though her words were being produced by upheavals in her belly. ‘That is … my teacher … my Sayagyi.’

‘Your teacher?’

‘Yes … He teaches me … He knows about many things …’

‘What things?’

‘Never mind.’

‘Where did he learn to speak Hindustani?’

‘Abroad, but not in India … he’s from somewhere in Malaya. Malacca I think. You should ask him.’

‘What’s his name?’

‘It doesn’t matter. You will call him Saya, just as I do.’

‘Just Saya?’

‘Saya John.’ She turned on him in exasperation. ‘That’s what we all call him. If you want to know any more, ask him yourself.’

Reaching into her cold cooking fire, she drew out a handful of ash and threw it at Rajkumar. ‘Who said you could sit here talking all morning, you half-wit kalaa? Now you get busy with your work.’

There was no sign of Saya John that night or the next.

‘Ma Cho,’ said Rajkumar, ‘what’s happened to your teacher? Why hasn’t he come again?’

Ma Cho was sitting at her fire, frying baya-gyaw. Peering into the hot oil, she said shortly, ‘He’s away.’

‘Where?’

‘In the jungle …’

‘The jungle? Why?’

‘He’s a contractor. He delivers supplies to teak camps. He’s away most of the time.’ Suddenly the ladle dropped from her grasp and she buried her face in her hands.

Hesitantly Rajkumar went to her side. ‘Why are you crying, Ma Cho?’ He ran a hand over her head in an awkward gesture of sympathy. ‘Do you want to marry him?’

She reached for the folds of his frayed longyi and dabbed at her tears with the bunched cloth. ‘His wife died a year or two ago. She was Chinese, from Singapore. He has a son, a little boy. He says he’ll never marry again.’

‘Maybe he’ll change his mind.’

She pushed him away with one of her sudden gestures of exasperation. ‘You don’t understand, you thick-headed kalaa. He’s a Christian. Every time he comes to visit me, he has to go to his church next morning to pray and ask forgiveness. Do you think I would want to marry a man like that?’ She snatched her ladle off the ground and shook it at him. ‘Now you get back to work or I’ll fry your black face in hot oil …’

A few days later Saya John was back. Once again he greeted Rajkumar in his broken Hindustani: ‘Kaisa hai? Sub kuchh theek-thaak?

Rajkumar fetched him a bowl of noodles and stood watching as he ate. ‘Saya,’ he asked at last, in Burmese, ‘how did you learn to speak an Indian language?’

Saya John looked up at him and smiled. ‘I learnt as a child,’ he said, ‘for I am, like you, an orphan, a foundling. I was brought up by Catholic priests, in a town called Malacca. These men were from everywhere – Portugal, Macao, Goa. They gave me my name – John Martins, which was not what it has become. They used to call me João, but I changed this later to John. They spoke many many languages, those priests, and from the Goans I learnt a few Indian words. When I was old enough to work I went to Singapore, where I was for a while an orderly in a military hospital. The soldiers there were mainly Indians and they asked me this very question: how is it that you, who look Chinese and carry a Christian name, can speak our language? When I told them how this had come about, they would laugh and say, you are a dhobi ka kutta – a washerman’s dog – na ghar ka na ghat ka – you don’t belong anywhere, either by the water or on land, and I’d say, yes, that is exactly what I am.’ He laughed, with an infectious hilarity, and Rajkumar joined in.

One day Saya John brought his son to the stall. The boy’s name was Matthew and he was seven, a handsome, bright-eyed child, with an air of precocious self-possession. He had just arrived from Singapore, where he lived with his mother’s family and studied at a well-known missionary school. A couple of times each year, Saya John arranged for him to come over to Burma for a holiday.

It was early evening, usually a busy time at the stall, but in honour of her visitors, Ma Cho decided to close down for the day. Drawing Rajkumar aside, she told him to take Matthew for a walk, just for an hour or so. There was a pwe on at the other end of the fort; the boy would enjoy the fairground bustle.

‘And remember –’ here her gesticulations became fiercely incoherent – ‘not a word about …’

‘Don’t worry,’ Rajkumar gave her an innocent smile. ‘I won’t say anything about your lessons.’

‘Idiot kalaa.’ Bunching her fists, she rained blows upon his back. ‘Get out – out of here.’

Rajkumar changed into his one good longyi and put on a frayed pinni vest that Ma Cho had given him. Saya John pressed a few coins into his palm. ‘Buy something – for the both of you, treat yourselves.’

On the way to the pwe, they were distracted by a peanut-seller. Matthew was hungry and he insisted that Rajkumar buy them both armloads of peanuts. They went to sit by the moat, with their feet dangling in the water, spreading the nuts around them, in their wrappers of dried leaf.

Matthew pulled a piece of paper out of his pocket. There was a picture on it – of a cart with three wire-spoked wheels, two large ones at the back and a single small one in front. Rajkumar stared at it, frowning: it appeared to be a light carriage, but there were no shafts for a horse or an ox.

‘What is it?’

‘A motorwagon.’ Matthew pointed out the details – the small internal-combustion engine, the vertical crankshaft, the horizontal flywheel. He explained that the machine could generate almost as much power as a horse, running at speeds of up to eight miles an hour. It had been unveiled that very year, 1885, in Germany, by Karl Benz.

‘One day,’ Matthew said quietly, ‘I am going to own one of these.’ His tone was not boastful and Rajkumar did not doubt him for a minute. He was hugely impressed that a child of that age could know his mind so well on such a strange subject.

Then Matthew said: ‘How did you come to be here, in Mandalay?’

‘I was working on a boat, a sampan, like those you see on the river.’

‘And where are your parents? Your family?’

‘I don’t have any.’ Rajkumar paused. ‘I lost them.’

Matthew cracked a nut between his teeth. ‘How?’

‘There was a fever, a sickness. In our town, Akyab, many people died.’

‘But you lived?’

‘Yes. I was sick, but I lived. In my family I was the only one. I had a father, a sister, brothers …’

‘And a mother?’

‘And a mother.’

Rajkumar’s mother had died on a sampan that was tethered in a mangrove-lined estuary. He remembered the tunnel-like shape of the boat’s galley and its roof of hooped cane and thatch; there was an oil lamp beside his mother’s head, on one of the crosswise planks of the hull. Its flickering yellow flame was dulled by a halo of night-time insects. The night was still and airless, with the mangroves and their dripping roots standing thick against the breeze, cradling the boat between deep banks of mud. Yet there was a kind of restlessness in the moist darkness around the boat. Every now and again, he’d hear the splash of seed pods arrowing into the water, and the slippery sound of fish, stirring in the mud. It was hot in the sampan’s burrow-like galley, but his mother was shivering. Rajkumar had scoured the boat, covering her with every piece of cloth that he could find.

Rajkumar knew the fever well by that time. It had come to their house through his father, who worked every day at a warehouse, near the port. He was a quiet man, who made his living as a dubash and a munshi – a translator and clerk – working for a succession of merchants along the eastern shore of the Bay of Bengal. Their family home was in the port of Chittagong, but his father had quarrelled with their relatives and moved the family away, drifting slowly down the coast, peddling his knowledge of figures and languages, settling eventually in Akyab, the principal port of the Arakan – that tidewater stretch of coast where Burma and Bengal collide in a whirlpool of unease. There he’d remained for some dozen years, fathering three children – of these the oldest was Rajkumar. Their home was on an inlet that smelt of drying fish. Their family name was Raha, and when their neighbours asked who they were and where they came from they would say they were Hindus from Chittagong. That was all Rajkumar knew about his family’s past.

Rajkumar was the next to fall sick, after his father. He had returned to consciousness to find himself recovering at sea, with his mother. They were on their way back to their native Chittagong, she told him, and there were just the two of them now – the others were gone.

The sailing had been slow because the currents were against them. The square-sailed sampan and her crew of khalasis had fought their way up the coast, hugging the shore. Rajkumar had recovered quickly, but then it was his mother’s turn to sicken. With Chittagong just a couple of days away she had begun to shiver. The shore was thick with mangrove forests; one evening, the boatowner had pulled the sampan into a creek and settled down to wait.

Rajkumar had covered his mother with all the saris in her cloth bundle, with longyis borrowed from the boatmen, even a folded sail. But he’d no sooner finished than her teeth began to chatter again, softly, like dice. She called him to her side, beckoning with a forefinger. When he lowered his ear to her lips, he could feel her body glowing like hot charcoal against his cheek.

She showed him a knot on the tail end of her sari. There was a gold bangle wrapped in it. She pulled it out and gave it to him to hide in the waist knot of his sarong. The nakhoda, the boat’s owner, was a trustworthy old man, she told him; Rajkumar was to give him the bangle when they reached Chittagong – only then, not before.

She folded his fingers around the bangle: warmed by the fiery heat of her body, the metal seemed to singe its shape into his palm. ‘Stay alive,’ she whispered. ‘Beche thako, Rajkumar. Live, my Prince; hold on to your life.’

When her voice faded away Rajkumar became suddenly aware of the faint flip-flop sound of catfish burrowing in the mud. He looked up to see the boatowner, the nakhoda, squatting in the prow of the sampan, puffing on his coconut-shell hookah, fingering his thin, white beard. His crewmen were sitting clustered round him, watching Rajkumar. They were hugging their sarong-draped knees. The boy could not tell whether it was pity or impatience that lay behind the blankness in their eyes.

He had only the bangle now: his mother had wanted him to use it to pay for his passage back to Chittagong. But his mother was dead and what purpose would it serve to go back to a place that his father had abandoned? No, better instead to strike a bargain with the nakhoda. Rajkumar took the old man aside and asked to join the crew, offering the bangle as a gift of apprenticeship.

The old man looked him over. The boy was strong and willing, and, what was more, he had survived the killer fever that had emptied so many of the towns and villages of the coast. That alone spoke of certain useful qualities of body and spirit. He gave the boy a nod and took the bangle – yes, stay.

At daybreak the sampan stopped at a sand bar and the crew helped Rajkumar build a pyre for his mother’s cremation. Rajkumar’s hands began to shake when he put the fire in her mouth. He, who had been so rich in family, was alone now, with a khalasi’s apprenticeship for his inheritance. But he was not afraid, not for a moment. His was the sadness of regret – that they had left him so soon, so early, without tasting the wealth or the rewards that he knew, with utter certainty, would one day be his.

It was a long time since Rajkumar had spoken about his family. Among his shipmates this was a subject that was rarely discussed. There were many among them who were from families that had fallen victim to the catastrophes that were so often visited upon that stretch of coast. They preferred not to speak of these things.

It was odd that this child, Matthew, with his educated speech and formal manners, should have drawn him out. Rajkumar could not help being touched. On the way back to Ma Cho’s, he put an arm round the boy’s shoulders. ‘So how long are you going to be here?’

‘I’m leaving tomorrow.’

‘Tomorrow? But you’ve just arrived.’

‘I know. I was meant to stay for two weeks, but Father thinks there’s going to be trouble.’

‘Trouble!’ Rajkumar turned to stare at him. ‘What trouble?’

‘The English are preparing to send a fleet up the Irrawaddy. There’s going to be a war. Father says they want all the teak in Burma. The King won’t let them have it so they’re going to do away with him.’

Rajkumar gave a shout of laughter. ‘A war over wood? Who’s ever heard of such a thing?’ He gave Matthew’s head a disbelieving pat: the boy was a child, after all, despite his grown-up ways and his knowledge of unlikely things; he’d probably had a bad dream the night before.

But this proved to be the first of many occasions when Matthew showed himself to be wiser and more prescient than Rajkumar. Two days later the whole city was gripped by rumours of war. A large detachment of troops came marching out of the fort and went off downriver, towards the encampment of Myingan. There was an uproar in the bazaar; fishwives emptied their wares into the refuse heap and went hurrying home. A dishevelled Saya John came running to Ma Cho’s stall. He had a sheet of paper in his hands. ‘A Royal Proclamation,’ he announced, ‘issued under the King’s signature.’

Everybody in the stall fell silent as he began to read:

To all Royal subjects and inhabitants of the Royal Empire: those heretics, the barbarian English kalaas having most harshly made demands calculated to bring about the impairment and destruction of our religion, the violation of our national traditions and customs, and the degradation of our race, are making a show and preparation as if about to wage war with our state. They have been replied to in conformity with the usages of great nations and in words which are just and regular. If, notwithstanding, these heretic foreigners should come, and in any way attempt to molest or disturb the state, His Majesty, who is watchful that the interest of our religion and our state shall not suffer, will himself march forth with his generals, captains and lieutenants with large forces of infantry, artillery, elephanterie and cavalry, by land and by water, and with the might of his army will efface these heretics and conquer and annex their country. To uphold the religion, to uphold the national honour, to uphold the country’s interests will bring about threefold good – good of our religion, good of our master and good of ourselves and will gain for us the important result of placing us on the path to the celestial regions and to Nirvana.

Saya John pulled a face. ‘Brave words,’ he said. ‘Let’s see what happens next.’

After the initial panic, the streets quickly quietened. The bazaar reopened and the fishwives came back to rummage through the refuse heap, looking for their lost goods. Over the next few days people went about their business just as they had before. The one most noticeable change was that foreign faces were no longer to be seen on the streets. The number of foreigners living in Mandalay was not insubstantial – there were envoys and missionaries from Europe; traders and merchants of Greek, Armenian, Chinese and Indian origin; labourers and boatmen from Bengal, Malaya and the Coromandel coast; white-clothed astrologers from Manipur; businessmen from Gujarat – an assortment of people such as Rajkumar had never seen before he came here. But now suddenly the foreigners disappeared. It was rumoured that the Europeans had left and gone downriver while the others had barricaded themselves into their houses.

A few days later the palace issued another proclamation, a joyful one, this time: it was announced that the royal troops had dealt the invaders a signal defeat, near the fortress of Minhla. The English troops had been repulsed and sent fleeing across the border. The royal barge was to be dispatched downriver, bearing decorations for the troops and their officers. There was to be a ceremony of thanksgiving at the palace.

There were shouts of joy on the streets, and the fog of anxiety that had hung over the city for the last few days dissipated quickly. To everyone’s relief things went quickly back to normal: shoppers and shopkeepers came crowding back and Ma Cho’s stall was busier than ever before.

Then, one evening, racing into the bazaar to replenish Ma Cho’s stock of fish, Rajkumar came across the familiar, white-bearded face of his boatowner, the nakhoda.

‘Is our boat going to leave soon now?’ Rajkumar asked. ‘Now that the war is over?’

The old man gave him a secret, tight-lipped smile. ‘The war isn’t over. Not yet.’

‘But we heard …’

‘What we hear on the waterfront is quite different from what’s said in the city.’

‘What have you heard?’ said Rajkumar.

Although they were using their own dialect the nakhoda lowered his voice. ‘The English are going to be here in a day or two,’ he answered. ‘They’ve been seen by boatmen. They are bringing the biggest fleet that’s ever sailed on a river. They have cannon that can blow away the stone walls of a fort; they have boats so fast that they can outrun a tidal bore; their guns can shoot quicker than you can talk. They are coming like the tide: nothing can stand in their way. Today we heard that their ships are taking up positions around Myingan. You’ll probably hear the fireworks tomorrow …’

Sure enough, the next morning, a distant booming sound came rolling across the plain, all the way to Ma Cho’s food-stall, near the western wall of the fort. When the opening salvoes sounded, the market was thronged with people. Farm wives from the outskirts of the city had come in early and set their mats out in rows, arranging their vegetables in neat little bunches. Fishermen had stopped by too, with their night-time catches fresh from the river. In an hour or two the vegetables would wilt and the fish eyes would begin to cloud over. But for the moment everything was crisp and fresh.

The first booms of the guns caused nothing more than a brief interruption in the morning’s shopping. People looked up at the clear blue sky in puzzlement and shopkeepers leant sidewise over their wares to ask each other questions. Ma Cho and Rajkumar had been hard at work since dawn. As always on chilly mornings, many people had stopped off for a little something to eat before making their way home. Now the hungry, mealtime hush was interrupted by a sudden buzz. People looked at each other nervously: what was that noise?

This was when Rajkumar broke in. ‘English cannon,’ he said. ‘They’re heading in this direction.’

Ma Cho gave a yelp of annoyance. ‘How do you know what they are, you fool of a boy?’

‘Boatmen have seen them,’ Rajkumar answered. ‘A whole English fleet is coming this way.’

Ma Cho had a roomful of people to feed and she was in no mood to allow her only helper to be distracted by a distant noise.

‘Enough of that now,’ she said. ‘Get back to work.’

In the distance the firing intensified, rattling the bowls on the benches. The customers began to stir in alarm. In the adjoining marketplace a coolie had dropped a sack of rice and the spilt grain was spreading like a white stain across the dusty path as people pushed past each other to get away. Shopkeepers were clearing their counters, stuffing their goods into bags; farm wives were tipping their baskets into refuse heaps.

Suddenly Ma Cho’s customers started to their feet, knocking over their bowls and pushing the benches apart. In dismay, Ma Cho turned on Rajkumar. ‘Didn’t I tell you to keep quiet, you idiot of a kalaa? Look, you’ve scared my customers away.’

‘It’s not my fault …’

‘Then whose? What am I going to do with all this food? What’s going to become of that fish I bought yesterday?’ Ma Cho collapsed on her stool.

Behind them, in the now-deserted marketplace, dogs were fighting over scraps of discarded meat, circling in packs around the refuse heaps.

Two

At the palace, a little less than a mile from Ma Cho’s stall, the King’s chief consort, Queen Supayalat, was seen mounting a steep flight of stairs to listen more closely to the guns.

The palace lay at the exact centre of Mandalay, deep within the walled city, a sprawling complex of pavilions, gardens and corridors, all grouped around the nine-roofed hti of Burma’s kings. The complex was walled off from the surrounding streets by a stockade of tall, teak posts. At each of the four corners of the stockade was a guard-post, manned by sentries from the King’s personal bodyguard. It was to one of these that Queen Supayalat had decided to climb.

The Queen was a small, fine-boned woman with porcelain skin and tiny hands and feet. Her face was small and angular, the regularity of its features being marred only by a slight blemish in the alignment of the right eye. The Queen’s waist, famously of a wisp-like slimness, was swollen by her third pregnancy, now in its eighth month.

The Queen was not alone: some half-dozen maidservants followed close behind, carrying her two young daughters, the First and Second Princesses, Ashin Hteik Su Myat Phaya Gyi and Ashin Hteik Su Myat Phaya Lat. The advanced condition of her pregnancy had made the Queen anxious about her children’s whereabouts. For the last several days she had been unwilling to allow her two daughters even momentarily out of her sight.

The First Princess was three and bore a striking resemblance to her father, Thebaw, King of Burma. She was a good-natured, obedient girl, with a round face and ready smile. The Second Princess was two years younger, not quite one yet, and she was an altogether different kind of child, very much her mother’s daughter. She’d been born with the colic and would cry for hours at a stretch. Several times a day she would fly into paroxysms of rage. Her body would go rigid and she would clench her little fists; her chest would start pumping, with her mouth wide open but not a sound issuing from her throat. Even experienced nurses quailed when the little Princess was seized by one of her fits.

To deal with the baby, the Queen insisted on having several of her most trusted attendants at hand at all times – Evelyn, Hemau, Augusta, Nan Pau. These girls were very young, mostly in their early teens, and they were almost all orphans. They’d been purchased by the Queen’s agents in small Kachin, Wa and Shan villages along the kingdom’s northern frontiers. Some of them were from Christian families, some from Buddhist – once they came to Mandalay it didn’t matter. They were reared under the tutelage of palace retainers, under the Queen’s personal supervision.

It was the youngest of these maids who had had the most success in dealing with the Second Princess. She was a slender ten-year-old called Dolly, a timid, undemonstrative child, with enormous eyes and a dancer’s pliable body and supple limbs. Dolly had been brought to Mandalay at a very early age from the frontier town of Lashio: she had no memory of her parents or family. She was thought to be of Shan extraction, but this was a matter of conjecture, based on her slender fine-boned appearance and her smooth, silken complexion.

On this particular morning Dolly had had very little success with the Second Princess. The guns had jolted the little girl out of her sleep and she had been crying ever since. Dolly, who was easily startled, had been badly scared herself. When the guns had started up she’d covered her ears and gone into a corner, gritting her teeth and shaking her head. But then the Queen had sent for her and after that Dolly had been so busy trying to distract the little Princess that she’d had no time to be frightened.

Dolly wasn’t strong enough yet to take the Princess up the steep stairs that led to the top of the stockade: Evelyn, who was sixteen and strong for her age, was given the job of carrying her. Dolly followed after the others and she was the last to step into the guard-post – a wooden platform, fenced in with heavy, timber rails.

Four uniformed soldiers were standing grouped in a corner. The Queen was firing questions at them, but none of them would answer nor even meet her eyes. They hung their heads, fingering the long barrels of their flintlocks.

‘How far away is the fighting?’ the Queen asked. ‘And what sort of cannon are they using?’

The soldiers shook their heads; the truth was that they knew no more than she did. When the noise started they’d speculated excitedly about its cause. At first they’d refused to believe that the roar could be of human making. Guns of such power had never before been heard in this part of Burma, nor was it easy to conceive of an order of fire so rapid as to produce an indistinguishable merging of sound.

The Queen saw that there was nothing to be learnt from these hapless men. She turned to rest her weight against the wooden rails of the guard-post. If only her body were less heavy, if only she were not so tired and slow.

The strange thing was that these last ten days, ever since the English crossed the border, she’d heard nothing but good news. A week ago a garrison commander had sent a telegram to say that the foreigners had been stopped at Minhla, two hundred miles downriver. The palace had celebrated the victory, and the King had even sent the general a decoration. How was it possible that the invaders were now close enough to make their guns heard in the capital?

Things had happened so quickly: a few months ago there’d been a dispute with a British timber company – a technical matter concerning some logs of teak. It was clear that the company was in the wrong; they were side-stepping the kingdom’s customs regulations, cutting up logs to avoid paying duties. The royal customs officers had slapped a fine on the company, demanding arrears of payment for some fifty thousand logs. The Englishmen had protested and refused to pay; they’d carried their complaints to the British Governor in Rangoon. Humiliating ultimatums had followed. One of the King’s senior ministers, the Kinwun Mingyi, had suggested discreetly that it might be best to accept the terms; that the British might allow the Royal Family to remain in the palace in Mandalay, on terms similar to those of the Indian princes – like farmyard pigs in other words, to be fed and fattened by their masters; swine, housed in sties that had been tricked out with a few little bits of finery.

The Kings of Burma were not princes, the Queen had told the Kinwun Mingyi; they were kings, sovereigns, they’d defeated the Emperor of China, conquered Thailand, Assam, Manipur. And she herself, Supayalat, she had risked everything to secure the throne for Thebaw, her husband and step-brother. Was it even imaginable that she would consent to give it all away now? And what if the child in her belly were a boy (and this time she was sure it was): how would she explain to him that she had surrendered his patrimony because of a quarrel over some logs of wood? The Queen had prevailed and the Burmese court had refused to yield to the British ultimatum.

Now, gripping the guard-post rail the Queen listened carefully to the distant gunfire. She’d hoped at first that the barrage was an exercise of some kind. The most reliable general in the army, the Hlethin Atwinwun, was stationed at the fort of Myingan, thirty miles away, with a force of eight thousand soldiers.

Just yesterday the King had asked, in passing, how things were going on the war front. She could tell that he thought of the war as a faraway matter, a distant campaign, like the expeditions that had been sent into the Shan highlands in years past, to deal with bandits and dacoits.

Everything was going as it should, she’d told him; there was nothing to worry about. And so far as she knew, this was no less than the truth. She’d met with the seniormost officials every day, the Kinwun Mingyi, the Taingda Mingyi, even the wungyis and wundauks and myowuns. None of them had so much as hinted that anything was amiss. But there was no mistaking the sound of those guns. What was she going to tell the King now?

The courtyard beneath the stockade filled suddenly with voices.

Dolly stole a glance down the staircase. There were soldiers milling around below, dozens of them, wearing the colours of the palace guard. One of them spotted her and began to shout – the Queen? Is the Queen up there?

Dolly stepped quickly back, out of his line of sight. Who were these soldiers? What did they want? She could hear their feet on the stairs now. Somewhere close by, the Princess began to cry, in short, breathless gasps. Augusta thrust the baby into her arms – here, Dolly, here, take her, she won’t stop. The baby was screaming, flailing her fists. Dolly had to turn her face away to keep from being struck.

An officer had stepped into the guard-post; he was holding his sheathed sword in front of him, in both hands, like a sceptre. He was saying something to the Queen, motioning to her to leave the cabin, to go down the stairs into the palace.

‘Are we prisoners then?’ The Queen’s face was twisted with fury. ‘Who has sent you here?’

‘Our orders came from the Taingda Mingyi,’ the officer said. ‘For your safety Mebya.’

‘Our safety?’

The guard-post was full of soldiers and they were herding the girls towards the steps. Dolly glanced down: the flight of stairs was very steep. Her head began to spin.

‘I can’t,’ she cried. ‘I can’t.’ She would fall, she knew it. The Princess was too heavy for her; the stairs were too high; she would need a free hand to hold on, to keep her balance.

‘Move.’

‘I can’t.’ She could hardly hear herself over the child’s cries. She stood still, refusing to budge.

‘Quickly, quickly.’ There was a soldier behind her; he was prodding her with the cold hilt of his sword. She felt her eyes brimming over, tears flooding down her face. Couldn’t they see she would fall, that the Princess would tumble out of her grip? Why would no one help?

‘Quick.’

She turned to look into the soldier’s unsmiling face. ‘I can’t. I have the Princess in my arms and she’s too heavy for me. Can’t you see?’ No one seemed to be able to hear her above the Princess’s wails.

‘What’s the matter with you, girl? Why’re you standing there? Move.’

She shut her eyes and took a step. And then, just as her legs were starting to give way she heard the Queen’s voice. ‘Dolly! Stop!’

‘It’s not my fault.’ She began to sob, her eyes pressed tightly shut. Someone snatched the Princess from her arms. ‘It’s not my fault. I tried to tell them; they wouldn’t listen.’

‘It’s all right.’ The Queen’s voice was sharp but not unkind. ‘Come on down now. Be careful.’

Weeping in relief, Dolly stumbled down the steps and across the courtyard. She felt the other girls’ hands on her back, leading her down a corridor.

Most of the buildings in the palace complex were low, wooden structures, linked by long corridors. The palace was of relatively recent construction, just thirty years old. It was closely modelled on the royal residences of earlier Burmese capitals, at Ava and Amarapura. Parts of the royal apartments had been transported whole after the founding of Mandalay, but many of the smaller outlying buildings were unfinished and still unknown, even to the palace’s inhabitants. Dolly had never before been in the room she was led to now. It was dark, with damp, plastered walls and heavy doors.

‘Bring the Taingda Mingyi to me,’ the Queen was screaming at the guards. ‘I will not be kept prisoner. Bring him to me. Right now.’

An hour or two went slowly by; the girls could tell from the direction of the shadows under the door that morning had changed into afternoon. The little Princess cried herself out and fell asleep across Dolly’s crossed legs.

The doors were thrown open and the Taingda Mingyi came puffing in.

‘Where is the King?’

‘He is safe, Mebya.’

He was a stout man with oily skin. In the past, he’d always been ready with advice but now the Queen could not get a single clear answer out of him.

‘The King is safe. You should not worry.’ The long, drooping hairs that sprouted from his moles shook gently as he smiled and showed his teeth.

He produced a telegram. ‘The Hlethin Atwinwun has won a famous victory at Myingan.’

‘But those were not our guns I heard this morning.’

‘The foreigners have been halted. The King has dispatched a medal, and decorations for the men.’ He handed her a sheet of paper.

She didn’t bother to look at it. She had seen many telegrams over the last ten days, all filled with news of famous victories. But the guns she’d heard that morning were not Burmese, of this she had no doubt. ‘Those were English guns,’ she said. ‘I know they were. Don’t lie to me. How close are they? When do you think they will reach Mandalay?’

He wouldn’t look at her. ‘Mebya’s condition is delicate. She should rest now. I will return later.’

‘Rest?’ The Queen pointed to her maids, sitting on the floor. ‘The girls are exhausted. Look.’ She pointed to Dolly’s red eyes and tear-streaked face. ‘Where are my other servants? Send them to me. I need them.’

The Taingda Mingyi hesitated, and then bowed. ‘Mebya. They will be here.’

The other maids arrived an hour later. Their faces were sombre. The Queen said nothing until the guards had shut the doors. Then everyone clustered tightly around the new arrivals. Dolly had to crane her head to catch what they were saying.

This was what they said: the British had destroyed the fort at Myingan with immaculate precision, using their cannon, without losing a single soldier of their own. The Hlethin Atwinwun had surrendered. The army had disintegrated; the soldiers had fled into the mountains with their guns. The Kinwun Mingyi and the Taingda Mingyi had dispatched emissaries to the British. The two ministers were now competing with one another to keep the Royal Family under guard. They knew the British would be grateful to whoever handed over the royal couple; there would be rich rewards. The foreigners were expected to come to Mandalay very soon to take the King and Queen into captivity.

The invasion proceeded so smoothly as to surprise even its planners. The imperial fleet crossed the border on 14 November, 1885.

Two days later, after a few hours of shelling, British soldiers took possession of the Burmese outposts of Nyaungbinmaw and Singbaungwe. The next day, at Minhla, the fleet came under heavy fire. The Burmese garrison at Minhla was a small one, but it resisted with unexpected tenacity.

The British forces were armed with the latest breech-loading rifles. Their artillery support consisted of twenty-seven rapid-firing machine guns, more than had ever before been assembled on the continent of Asia. The Burmese could not match this firepower. After an exchange of fire that lasted several hours, the British infantry was sent ashore.

There were some ten thousand soldiers in the British invasion force and of these the great majority – about two-thirds – were Indian sepoys. Among the units deployed at Minhla there were three battalions of sepoys. They were from the Hazara Regiment and the 1st Madras Pioneers. The Indians were seasoned, battle-hardened troops. The Hazaras, recruited from the Afghan border, had proved their worth to the British over decades of warfare, in India and abroad. The 1st Madras Pioneers were among the most loyal of Britain’s foot soldiers. They had stood steadfastly by their masters even through the uprising of 1857, when most of northern India had risen against the British. The Burmese defenders of Minhla stood little chance against these sepoys, with their newly manufactured British equipment and their vastly superior numbers. The dogged little defence force dissolved when the redoubt was charged.

The aftershock of the collapse at Minhla was felt a long way upriver. At Pakokku the garrison melted away; at Nyaungu, near the great, pagoda-covered plain of Pagan, Burmese gunners spiked their own cannon after firing a few shots. At Mygingan, which was under the command of the Hlethin Atwinwun, the defenders were forced to abandon their positions after a bombardment that lasted several hours. A few days later, without informing King Thebaw, the Burmese army surrendered.

The war lasted just fourteen days.

Three

For two days after the bombardment of Myingan, Mandalay was strangely, almost eerily quiet. Then the rumours started. One morning a man went running through the marketplace, past Ma Cho’s stall. He was shouting at the top of his voice: foreign ships had anchored off the shore; English soldiers were marching towards the city.

Panic struck the market. People began to run and jostle. Rajkumar managed to push his way through the crowd to the adjoining road. He could not see far: a cloud of dust hung over the road, drummed up by hundreds of racing feet. People were running in every direction, slamming against each other and pushing blindly at anything that came their way. Rajkumar was swept along in the direction of the river. As he ran, he became aware of a ripple in the ground beneath him, a kind of drumbeat in the earth, a rhythmic tremor that travelled up his spine through the soles of his feet.

The people in front of him scattered and parted, pushing up against the sides of the road. Suddenly he was in the front rank of the crowd, looking directly at two English soldiers mounted on brown horses. The cavalrymen were waving people away with drawn swords, clearing the road. The dust had made patterns on their polished boots. Looming behind them was a solid mass of uniforms, advancing like a tidal wave.

Rajkumar darted to the side of the road and pressed himself against a wall. The crowd’s initial nervousness melted as the first squad of soldiers marched past with their shouldered rifles. There was no rancour on the soldiers’ faces, no emotion at all. None of them so much as glanced at the crowd.

‘The English!’ someone said, and the words went quickly from mouth to mouth, growing louder and louder until they became a kind of murmured cheer. But as the vanguard passed and the next squad came into view, an amazed silence descended on the spectators: these soldiers were not English – they were Indians. The people around Rajkumar stirred, as though moved to curiosity by the sight of an Indian in their midst.

‘Who are these soldiers?’ someone said.

‘I don’t know.’

It struck Rajkumar suddenly that he hadn’t seen any of the usual Indian faces in the bazaar all day: none of the coolies and cobblers and shopkeepers who always came there every day. For a moment this seemed odd, but then he forgot about it and was once again absorbed in the spectacle of the marching sepoys.

People began to ask Rajkumar questions. ‘What are these soldiers doing here?’

Rajkumar shrugged. How was he to know? He had no more connection with the soldiers than did they. A group of men gathered around him, crowding in, so that he had to take a few backward steps. ‘Where do the soldiers come from? Why are they here?’

‘I don’t know where they come from. I don’t know who they are.’

Glancing over his shoulder, Rajkumar saw that he had backed himself into a blind alley. There were some seven or eight men around him. They had pulled up their longyis, tucking them purposefully up at the waist. The sepoys were just a short distance away, hundreds, perhaps thousands of them. But he was alone in the alley – the only Indian – out of earshot, surrounded by these men who were clearly intent on making him answer for the soldiers’ presence.

A hand flashed out of the shadows. Taking a grip on his hair, a man pulled him off the ground. Rajkumar swung up a leg and dug it back, aiming his heel at his assailant’s groin. The man saw the kick coming and blocked it with one hand. Twisting Rajkumar’s head around, he struck him across the face with the back of his fist. A spurt of blood shot out of Rajkumar’s nose. The shock of the blow slowed the moment to a standstill. The arc of blood seemed to stop in its trajectory, hanging suspended in the air, brilliantly translucent, like a string of garnets. Then the crook of an elbow took Rajkumar in the stomach, pumping the breath out of him and throwing him against a wall. He slid down, clutching his stomach, as though he were trying to push his insides back in.

Then, suddenly, help arrived. A voice rang through the lane. ‘Stop.’ The men turned round, startled.

‘Let him be.’

It was Saya John, advancing towards them with one arm in the air, looking oddly authoritative in a hat and coat. Tucked snugly into the palm of his upraised hand was a small, blunt-nosed pistol. The men backed away slowly and once they’d gone, Saya John slipped the pistol into his coat pocket. ‘You’re lucky I saw you,’ he said to

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