Chamber Piece
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About this ebook
In this pitch-black comedy, fatal chemicals combine with ruthless ambition, biscuits, bureaucracy and moral ambiguity. Set in the near future, Britain has reinstated the death penalty. Relatives are weeping in the witness gallery, the journalist clicks her pen and the prison governor gives the thumbs up. Rapist murderer Richard Sanger is strapped to the gurney. Chamber Piece depicts a modern, British execution. How would it look? How would we feel? And what could possibly go wrong?
Caroline Bird
Caroline Bird's selected poems, Rookie (2022), and The Air Year (2020) are two of Carcanet's most popular books of the present decade. She won the Forward Prize for Best Collection in 2020, and has been shortlisted for a number of prizes including the T.S. Eliot Prize, the Costa Book Awards, the Ted Hughes Award, the Polari Prize and the Dylan Thomas Prize. A two-time winner of the Foyle Young Poets Award, her first collection Looking Through Letterboxes was published in 2002 when she was fifteen. She won a Cholmondeley Award in 2023.
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Book preview
Chamber Piece - Caroline Bird
CHAMBER PIECE
Caroline Bird
CHAMBER
PIECE
A pitch-black comedy
OBERON BOOKS
LONDON
WWW.OBERONBOOKS.COM
First published in 2013 by Oberon Books Ltd
521 Caledonian Road, London N7 9RH
Tel: +44 (0) 20 7607 3637 / Fax: +44 (0) 20 7607 3629
e-mail: [email protected]
www.oberonbooks.com
Copyright © Caroline Bird, 2013
Caroline Bird is hereby identified as author of this play in accordance with section 77 of the Copyright, Designs and Patents Act 1988. The author has asserted her moral rights.
All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before commencement of rehearsal to The Agency (London) Ltd, 24 Pottery Lane, Holland Park, London W11 4LZ ([email protected]). No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the play without the author’s prior written consent.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A catalogue record for this book is available from the British Library.
PB ISBN: 978-1-78319-070-6
EPUB ISBN: 978-1-78319-070-6
Cover design by Clement Graphics
Printed, bound and converted
by CPI Group (UK) Ltd, Croydon, CR0 4YY.
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Content
Characters
Chamber Piece
Dedication
Act One
Act Two
Scene One
Scene Two
CHARACTERS
GOVERNOR
Female. Early thirties.
PHYSICIAN
Male. Early thirties.
RICHARD SANGER
Condemned inmate. Late twenties.
JOHN SANGER
Inmate’s brother. Twenties.
AMY WATKINS
Identical twin sister of the murder victim, Tara
Watkins. Late teens.
WARDEN SUNSHINE
Female. New to the job.
WARDEN HEATHER
Female. Ex-prisoner.
WARDEN ALEX
Male. Ex-Community Support Officer.
JOURNALIST
Female.
SPIRITUAL ADVISOR
Male.
Chamber Piece by Caroline Bird was originally produced by the Lyric Hammersmith and first performed on 22 October 2013 as Show 3 of Secret Theatre.
The cast was as follows:
WARDEN SUNSHINE: Nadia Albina
WARDEN ALEX: Hammed Animashaun
RICHARD SANGER: Leo Bill
GOVERNOR: Cara Horgan
WARDEN HEATHER: Charlotte Josephine
JOURNALIST: Adelle Leonce
AMY WATKINS: Katherine Pearce
JOHN SANGER: Billy Seymour
SPIRITUAL ADVISOR: Sergo Vares
PHYSICIAN: Steven Webb
Director: Sean Holmes
Designer: Paul Wills
Lighting Designer: Lizzie Powell
Sound Designer: Nick Manning
Assistant Director: Ilinca Radulia
Secret Theatre Company: Nadia Albina, Hammed
Animashaun, Leo Bill, Caroline Bird, Sean Holmes, Cara
Horgan, Joel Horwood, Charlotte Josephine, Arinze
Kene, Adelle Leonce, Nick Manning, Ellen McDougall,
Katherine Pearce, Lizzie Powell, Billy Seymour, Hyemi
Shin, Hayley Squires, Simon Stephens, Sergo Vares and
Steven Webb.
SETTING FOR ACT ONE
The stage is divided into two rooms: the Execution Room (stage left) and the Witness Area (stage right). There is a small window on the adjoining wall – to allow the witnesses to watch the execution. On the far side of each room is a corridor area, so the characters can stand in the doorways, or huddle outside.
THE EXECUTION ROOM:
A white leather gurney with straps.
A heart monitor (screen facing away from the audience).
Two wheeled ‘stands’ clearly labelled ‘A’ and ‘B’ (each designed to hold eight syringes in separate slots). Stand A and B both contain 8 syringes clearly labelled from 1-8.
A drip chamber.
At the back is a door marked ‘Chemical Room.’
THE WITNESS AREA:
Two rows of red plastic chairs facing the window.
Boxes of tissues strategically placed.
Note:
The gurney in the execution room should be tilted upwards towards the audience – so the inmate is strapped into a crucifixion-type pose. Even when the execution chamber is blacked out, the gurney should still be lit by a dim spotlight.
This play is set in a version of modern Britain, sometime in the near future.
ACT ONE
WITNESS ROOM
JOURNALIST and GOVERNOR are in the middle of an informal interview. JOURNALIST has her notepad open on her lap. SPIRITUAL ADVISOR is observing quietly.
JOURNALIST: Are you pioneering a legal voyage towards a safer Britain?
GOVERNOR: That’s a question for the politicians – but last year was an experiment and now we’re a hop and a jump away from a permanent wing with a chapel and two lounge areas.
JOURNALIST: Once funding is finalised.
GOVERNOR: Which it will be.
JOURNALIST: Next stop, world domination?
GOVERNOR: (At speed.) Oh Grace, I can’t leap straight from Governing Governor of here to CEO of the National Offenders Management Service!
JOURNALIST: I was being flip…
GOVERNOR: (Interrupting.) Perhaps in a map-cap dream I could move into Area Management next year, become Director of Operation within two years, Deputy Director General in four, then land the top job – still pert – at the age of thirty-six. (Little laugh.) I don’t know, I haven’t thought about it much to be honest.
JOURNALIST: You sound like you’ve given it some thought.
Enter AMY.
GOVERNOR: (To JOURNALIST.) I’m so glad you’re here to witness our process. I say to my staff: ‘be prepared, calm and quick. In this work, efficiency is kindness.’
A dim light illuminates the gurney in the adjoining Execution Room. Audience suddenly realises where they are.
GOVERNOR waits for JOURNALIST to write in her