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    Creating Character: Bringing Your Story to Life
    Creating Character: Bringing Your Story to Life
    Creating Character: Bringing Your Story to Life
    Ebook126 pages2 hours

    Creating Character: Bringing Your Story to Life

    By William Bernhardt

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    About this ebook

    All fiction is character-driven, according to William Bernhardt, despite what you might have heard elsewhere. If your characters don’t interest readers, even the most exciting plots will fail. “Action is character,” Aristotle wrote, but what does that mean, and how can you use that fundamental principle to create dynamic fiction that will captivate readers? This book explains the relationship between character and plot, and how the perfect melding of the two produces a mesmerizing story. Using examples spanning from The Odyssey to The Da Vinci Code, Bernhardt discusses the art of character creation in a direct and easily comprehended manner. The book also includes exercises designed to help writers apply these ideas to their own work.

    William Bernhardt is the author of more than thirty novels, including the blockbuster Ben Kincaid series of legal thrillers. Bernhardt is also one of the most sought-after writing instructors in the nation. His programs have educated many authors now published by major houses. He is the only person to have received the Southern Writers Gold Medal Award, the Royden B. Davis Distinguished Author Award (U Penn) and the H. Louise Cobb Distinguished Author Award (OSU), which is given "in recognition of an outstanding body of work that has profoundly influenced the way in which we understand ourselves and American society at large."

    The Red Sneaker Writing Center is dedicated to helping writers achieve their literary goals. What is a red sneaker writer? A committed writer seeking useful instruction and guidance rather than obfuscation and attitude. Red sneakers get the job done, and so do red sneaker writers, by paying close attention to their art and craft, committing to hard work, and never quitting. Are you a red sneaker writer? If so, this book is for you.

    LanguageEnglish
    PublisherBabylon Books
    Release dateAug 9, 2017
    ISBN9780997901085
    Author

    William Bernhardt

    William Bernhardt (b. 1960), a former attorney, is a bestselling thriller author. Born in Oklahoma, he began writing as a child, submitting a poem about the Oklahoma Land Run to Highlights—and receiving his first rejection letter—when he was eleven years old. Twenty years later, he had his first success, with the publication of Primary Justice (1991), the first novel in the long-running Ben Kincaid series. The success of Primary Justice marked Bernhardt as a promising young talent, and he followed the book with seventeen more mysteries starring the idealistic defense attorney, including Murder One (2001) and Hate Crime (2004). Bernhardt’s other novels include Double Jeopardy (1995) and The Midnight Before Christmas (1998), a holiday-themed thriller. In 1999, Bernhardt founded Bernhardt Books (formerly HAWK Publishing Group) as a way to help boost the careers of struggling young writers. In addition to writing and publishing, Bernhardt teaches writing workshops around the country. He currently lives with his family in Oklahoma. 

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      Book preview

      Creating Character - William Bernhardt

      Creating Character

      Bringing Your Story to Life

      Creating Character: Bringing Your Story to Life

      First Edition

      Copyright © 2013 William Bernhardt Writing Programs

      Published by Babylon Books

      ISBN: 978-0-9979010-8-5

      All rights reserved

      No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

      Creating Character

      Bringing Your Story to Life

      William Bernhardt

      The Red Sneaker Writer Series

      Other Books by William Bernhardt

      The Red Sneaker Writer Series

      Story Structure: The Key to Successful Fiction

      Creating Character: Bringing Your Story to Life

      Perfect Plotting: Charting the Hero’s Journey

      Dynamic Dialogue: Letting Your Story Speak

      Powerful Premise: Writing the Irresistible

      Sizzling Style: Every Word Matters

      Excellent Editing: The Writing Process

      The Ben Kincaid Series

      Primary Justice

      Blind Justice

      Deadly Justice

      Perfect Justice

      Cruel Justice

      Naked Justice

      Extreme Justice

      Dark Justice

      Silent Justice

      Murder One

      Criminal Intent

      Hate Crime

      Death Row

      Capitol Murder

      Capitol Threat

      Capitol Conspiracy

      Capitol Offense

      Capitol Betrayal

      Justice Returns

      Other Novels

      The Code of Buddyhood

      Dark Eye

      The Midnight Before Christmas

      Final Round

      Double Jeopardy

      Strip Search

      Nemesis: The Final Case of Eliot Ness

      The Game Master

      Challengers of the Abyss

      Poetry

      The White Bird

      The Ocean’s Edge

      For Young Readers

      Equal Justice: The Courage of Ada Lois Sipuel (biography)

      Princess Alice and the Dreadful Dragon (illustrated by Kerry McGhee)

      The Black Sentry

      Shine

      Edited by William Bernhardt

      Legal Briefs

      Natural Suspect

      Dedicated to all the Red Sneaker Writers:

      You can’t fail unless you quit.

      Action is character.

      Aristotle

      TABLE OF CONTENTS

      Introduction

      Chapter One: Character is Critical

      Chapter Two: Character as Metaphor

      Chapter Three: Character and Characterization

      Chapter Four: Character is Choice

      Chapter Five: Character and Contradiction

      Chapter Six: Considering the Protagonist

      Chapter Seven: Viewpoint

      Chapter Eight: Making Readers Care

      Chapter Nine: Character Arc

      Appendix A: Character Detail Sheet

      Appendix B: The Writer’s Calendar

      Appendix C: The Writer’s Contract

      Appendix D: The Writer’s Reading List

      INTRODUCTION

      Welcome to the world of the Red Sneaker Writers. If you’re familiar with this outfit or you’ve read other Red Sneaker publications or attended Red Sneaker events, you can skip to Chapter One. If you’re new, let me take a moment to explain.

      I’ve been writing a long time, and I’ve been speaking at writing workshops and conferences almost as long. Every time I take to the stage I see the same tableau staring back at me: long rows of talented people, most of whom have attended many conferences, frustrated by the fact that they can’t sell a book. And wondering why. Yes, the market is tough and agents are hard to find yadda yadda yadda whine whine whine excuse excuse excuse. But when aspiring writers do the work, put it out there, but still don’t publish…there’s usually a reason. Too often enormous potential is lost due to a lack of fundamental knowledge. Sometimes a little vigorous instruction is all that stands between an unpublished writer and a satisfying writing career.

      I always do my best to help at conferences, but the large auditorium/general information lecture is not terribly conducive to writing instruction. And sometimes what I’ve heard other instructors say was not particularly helpful. Too often people seemed more interested in obfuscating writing and appearing literary than in providing useful information. Sometimes I felt speakers were determined to make writing as mysterious and incomprehensible as possible, either because that made them sound more erudite or because they didn’t understand the subject themselves. How is that going to help anyone get published?

      After giving this problem some thought, I formulated the Red Sneaker Writing Center. Why Red Sneakers? Because I love my red sneakers. They’re practical, flexible, sturdy—and bursting with style and flair. In other words, exactly what I think writing instruction should be. Practical, flexible, useful, but still designed to unleash the creative spirit, to give the imagination a platform for creating wondrous work.

      I started reaching out to other Red Sneaker Writers with an annual conference. I invited the best teachers I knew, not only people who had published many books but people who knew how to share their knowledge. Then I launched my small group seminars—five intensive days of work with a handful of aspiring writers. This gave me the opportunity to read, edit, and work one-on-one with individuals so I could target their needs and make sure they got what would help them most. This approach worked extremely well and I’m proud to say a substantial list of writers have graduated from my seminars and published work with major publishers. But not everyone is able to fly to my seminars, and I couldn’t justify traveling all over the world to work with one or two writers. What to do?

      This book, and the other books in the Red Sneaker Writer series, are designed to address that problem. Short inexpensive books providing the help people need. Let me see if I can anticipate your questions:

      Why are they so short? I’ve tried to expunge the unnecessary. I’m paring it down to the essential information, practical and useful ideas that can improve your writing. Too many educational books are padded to fill word counts. That’s not the Red Sneaker way.

      Why so many different books instead of one big book? I encourage writers to write every day and maintain a schedule (see Appendix B). You can read these books without losing a lot of writing time. In fact, each can be read in a single afternoon. Take one day off from your writing schedule. Read and make notes in the margins. See if this doesn’t trigger ideas for your own work.

      I bet it will. And the next day, you can get back to your writing schedule.

      Why does each chapter end with exercises? Is this just padding?

      No. The exercises are a completely integrated and essential part of this book. Samuel Johnson was correct when he wrote: Scribendo disces scribere. Meaning: You learn to write by writing. I can gab on and on in my incredibly intelligent way, but it won’t be concretized in your brain until you put it into practice. So don’t get in such a hurry that you don’t get the full benefit out of this book. Take the time to complete the assignments, because it may improve your next writing effort.

      I also send out a free monthly newsletter filled with writing advice, market analysis, and other items of interest to Red Sneaker Writers. If you’d like to be added to the mailing list, you can sign up for it at my website: http://www.williambernhardt.com/red_sneaker_wc/. You may also be interested in my summer writing retreats.

      Okay, enough of this warm-up act. Read this book. Then write something wonderful.

      William Bernhardt

      CHAPTER 1: CHARACTER IS CRITICAL

      What is character but the illumination of incident, and what is incident but the illumination of character?

      Henry James

      Memorable characters are the most essential hallmark of enduring fiction. Not to say there aren’t other elements of import. Structure is important. Narrative movement is important. Most people prefer a story with a plot that engages their imagination. Many readers enjoy a book with a vivid setting, one that transports them to worlds they’ve never seen before. Every reader has experienced that glorious epiphany or vicarious thrill that comes from realizing the book in their hands illuminates one of life’s great mysteries. Who hasn’t laughed or cried over a book that provided a spectacular emotional experience, that made you feel better about humankind?

      But it all starts with character.

      If people aren’t interested in your main character, nothing else matters. You can put the protagonist through all kinds of emotional trials. We will not feel for him. You can run your character through breathtaking cliffhangers, amazing derring-do, and the narrowest of escapes. No one’s heart will beat any faster. You can address the great themes, but it will come off as a lecture. For a story to work, the reader must relate at some level with your primary character. Which does not mean the character must be perfect, admirable, or even terribly likeable (though that can help).

      Your character must be interesting. Your character must be memorable.

      Which is very easy to say and much

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