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Aelian's On the Nature of Animals
Aelian's On the Nature of Animals
Aelian's On the Nature of Animals
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Aelian's On the Nature of Animals

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Not much can be said with certainty about the life of Claudius Aelianus, known to us as Aelian. He was born sometime between A.D. 165 and 170 in the hill town of Praeneste, what is now Palestrina, about twenty-five miles from Rome, Italy. He grew up speaking that town’s version of Latin, a dialect that other speakers of the language seem to have found curious, butsomewhat unusually for his generation, though not for Romans of earlier timeshe preferred to communicate in Greek. Trained by a sophist named Pausanias of Caesarea, Aelian was known in his time for a work called Indictment of the Effeminate, an attack on the recently deceased emperor Marcus Aurelius Antoninus, who was nasty even by the standards of Imperial Rome. He was also fond of making almanac-like collections, only fragments of which survive, devoted to odd topics such as manifestations of the divine and the workings of the supernatural.

His De Natura Animalium (On the Nature of Animals) has a similar patchwork quality, but it was esteemed enough in his time to survive more or less whole, and it is about all that we know of Aelian’s work today. A mostly randomly ordered collection of stories that he found interesting enough to relate about animalswhether or not he believed themAelian’s book constitutes an early encyclopedia of animal behavior, affording unparalleled insight into what ancient Romans knew about and thought about animalsand, of particular interest to modern scholars, about animal minds.

If the science is sometimes sketchy, the facts often fanciful, and the history sometimes suspect, it is clear enough that Aelian had a fine time assembling the material, which can be said, in the most general terms, to support the notion of a kind of intelligence in nature and that extends human qualities, for good and bad, to animals. His stories, which extend across the known world of Aelian’s time, tend to be brief and to the point, and many return to a trenchant question: If animals can respect their elders and live honorably within their own tribes, why must humans be so appallingly awful?

Aelian is as brisk, as entertaining, and as scholarly a writer as Pliny, the much better known Roman natural historian. That he is not better known is simply an accident: he has not been widely translated into English, or indeed any European language. This selection from his work will introduce readers to a lively mind and a witty writer who has much to tell us.
LanguageEnglish
Release dateAug 31, 2012
ISBN9781595341112
Aelian's On the Nature of Animals
Author

Gregory McNamee

Gregory McNamee is the author or editor of more than forty books, among them Gila: The Life and Death of an American River, Updated and Expanded Edition (UNM Press). He lives in Tucson, Arizona.

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    Aelian's On the Nature of Animals - Gregory McNamee

    {INTRODUCTION}

    The octopus is greedy, sneaky, and voracious, and it will eat anything.

    The owl is a wily bird, as crafty as a sorceress. If you were to capture one, it would beguile and bewitch you so that you would keep it as a pet, even allow it to sit on your shoulders as if it were some sort of good-luck charm.

    If a horse should step on a wolf’s footprint, then it would go numb.

    When cranes squawk, rain is on the way.

    If you want to start an argument at a dinner party, you can immediately do so by dropping a stone that a dog has gnawed into the wine. This will whip your guests into a fury.

    We owe these observations on the ways of the animals of land, sea, and air to an encyclopedist, writer, collector, and moralist named Claudius Aelianus. Aelian, as we call him, was born sometime between 165 and 170 CE in the hill town of Praeneste, what is now Palestrina, about twenty-five miles from Rome. We do not know much about his early life, but we can imagine him to have been a bookish and curious boy, the kind who, like Heraclitus, might lie alongside a busy road to study the ways of industrious dung beetles and pester grown-ups to teach him how to read auguries from the flights of birds. He grew up speaking his town’s version of Latin, but, somewhat unusually for his generation, though not for Romans of earlier times, he preferred to communicate in Greek, the language in which he wrote his many books.

    Trained by a sophist named Pausanias of Caesarea, Aelian was known in his time for a work called Indictment of the Effeminate, an attack on the recently deceased emperor Marcus Aurelius Antoninus, who was nasty even by the standards of Imperial Rome. He was also fond of making almanac-like collections, only fragments of which survive, devoted to odd topics such as manifestations of the divine and the workings of the supernatural. His On the Nature of Animals, which has survived more or less whole, is just such a book, a mostly randomly ordered collection of stories that he found interesting enough to relate about animals, whether he believed them or not.

    Aelian’s magnum opus constitutes an early encyclopedia of animal behavior. This edition consists of selections from the work, in my translations. If Aelian’s science is sometimes sketchy, the facts often fanciful, and the history sometimes suspect, it is clear enough that he had a grand time assembling the material, which can be said, in the most general terms, to support the notion of a kind of intelligence in nature and that extends human qualities, for good and bad, to animals. Modern scientists carefully avoid such anthropomorphizing, but the ancients did not. Aelian’s contemporaries enjoyed his stories, praising him for the clarity of his Greek, even though they also considered it a touch old-fashioned, as if he were writing in the English of Charles Dickens (or, for that matter, Charles Darwin) today. Those stories always had a point, and they would have resonated with his audiences, who were able to supply many stories of their own to reinforce his.

    Aelian, for instance, need only allude to the legendary harpist Arion, who once was waylaid by pirates and tossed overboard. As the story has it, a passing dolphin rescued him and took Arion to the southern Italian port of Taranto, where he met the arriving pirate ship. The authorities were not amused and hanged the pirates; the dolphin remains Taranto’s talisman today. In his History of Greek Literature (1957), Albin Lesky observes that the story of Arion fuses two great themes. The first is the one Aelian treats all along through the pages of On the Nature of Animals—namely, that the gods work their ways through animal actors as much as human ones. In this instance, the dolphin is sacred to Apollo, and because Arion is both pious and a good harpist, music-loving Apollo sees to it that Arion is protected. The second is a theme that Aelian would have known and relied on: namely, that Greeks and Romans were always telling stories about how helpful and friendly dolphins were with respect to humans. The story of Arion was an old one when it turned up in the pages of Herodotus, its first known recorder, older by centuries more when Aelian got to it. Still, it remained a good story that pointed to the mysterious ways of divine beings and animals alike, which is just why Aelian put it to use alongside many other good stories that he had heard and read.

    Aelian died sometime between 230 and 235 CE, but he was not forgotten; Christian writers in particular found that his stories of animals attested to the ways of a wise and forgiving deity. Here is Gerald of Wales, for instance, writing nearly a millennium after Aelian’s time in words that might well have come from Aelian himself: Indeed the soil of this land is so inimical to poison that, if gardens or any other places of other countries are sprinkled with it, it drives all poisonous reptiles far away. Along with other compendia of natural history, such as those of Pliny and the makers of the Egyptian Physiologus, Aelian’s example endures in the bestiaries that guided our understanding of animals until very modern times, before the rise of science. Just as the mapmaker for Mungo Park’s 1793 African expedition found himself relying very heavily on Herodotus in drafting what he hoped was a reliable chart of the continent, so readers learned from Aelian and his successors why it was wise not to step in a wolf’s footprint, fall asleep in the presence of hyenas, or be surprised if a dolphin were to fall in love with a person innocently lazing away on the shore.

    Aelian knew as much as any person of his time about animals. He knew what his contemporaries knew, and he knew what they would find exotic. On the Nature of Animals is thus both a wonderful window onto the beliefs of ordinary people and a testimonial to the transmission of knowledge in the ancient world. It is also a great entertainment to read, as Aelian ponders the ways of the animals and tries to work them out, sometimes successfully, by our lights, and sometimes not:

    Nature has given animals many different voices and languages with which to speak, just as it has done with humans. Scythians have one language, and Hindus another; Ethiopians speak one tongue, and Sacae another; the languages of Greece and Rome are not the same. And so it is with animals. Each one has a different way of speaking. One roars, another moos, another whinnies, another brays, another bleats; some get by with howling, and others barking, and others roaring. Screaming, whooping, whistling, hooting, twittering, singing—these are just some of the ways in which animals speak.

    The octopus is a lustful fish, and it couples until all its strength has vanished, leaving it drained and incapable of swimming or hunting. When this happens, little fish and crabs, particularly the kind called the hermit crab, come down and eat the octopus. They say that this is why octopuses live for only a year and no more. The female octopus is exhausted, too, by giving birth so often.

    I take the first quotation to represent a significant effort to understand the diversity of animals as well as their minds, our knowledge of which, all these centuries later, we have scarcely improved. And if the second offers a touch too much moralizing for modern sensibilities, it still makes for acceptable postulating. Unseemly attributions to prurience notwithstanding, it was the product of its time and place and of what Aelian was able to say with confidence about the private lives of creatures in their unseen abodes—creatures that, Aelian would suggest, could be just as strange as humans.

    Often we find these entries amusing, and rightly so. Often we find them outlandish, foolish, primitive. Yet I suspect that not so long from now—if there is a not so long from now for us busily habitat-devouring humans—scientists will wonder at our own naïveté and arrogance, at the thought that language, emotion, and even reason are the gifts of humans alone. A mere look out the door should disabuse us of such notions, and the more we learn about the mental worlds of the animals with whom we share the world, the more we realize, or at least should realize, that we are kin of different tribes and stand to learn much from our distant cousins. As Aelian remarks succinctly, It breaks my heart that dogs are more loyal and kinder than men.

    His historical and literary significance notwithstanding, Aelian—the Herodotus of the animals, who took such joy in writing and storytelling—has long brought pleasure to readers interested in good storytelling, as well as to lovers of animals and of the natural world. With these selections from his work, as various and as beautiful as wildflowers in an Italian field, I hope to bring that pleasure to readers in our own time, eighteen-odd centuries after Aelian’s own.

    {PROLOGUE}

    That humans are wise and just, and take care of their children, and honor their parents appropriately, and feed themselves, and protect themselves from others’ schemes, and possess other gifts of nature should not strike anyone as unusual. Humans have the gift of speech, the greatest gift of all, as well as of reason, which is always of use. Humans also know how to revere and worship the gods. It is, however, remarkable when animals, which have none of these gifts or knowledge, should nevertheless exhibit some of the best qualities of humans. It requires a sharp mind and a great deal of learning to discern the characteristics of animals, and many scholars have turned to these questions over the years. For my part, I have gathered everything I could learn on the subject here, and put it all into ordinary speech. It seems to me that the result is noteworthy. If you think so, then I hope these words will be useful to you. If not, give them to your father to keep and study. Not everything pleases everyone, and not everyone wants to study everything. Plenty of other writers have come before me, but that should not disqualify me from praise, if it really is true that this learned book is far ranging and well written enough to deserve attention.

    {BOOK I}

    An island in the Adriatic Sea, called Diomedea, is home to great numbers of SHEARWATERS, which, it is said, neither harm the barbarians who live there nor come close to them. If, however, a Greek comes ashore, the shearwaters approach and stretch out their wings as if they were hands, welcoming the stranger. They will let a Greek touch them, and they will even fly up and sit on a Greek’s lap, as if they had been invited to supper. The shearwaters, the story goes, were once the companions of Diomedes in the war against Troy, and even though they were transformed somehow from humans into birds, they nonetheless retain their Greek nature and love of their compatriots.

    The MULLET lives in pools and controls its appetites, so that it leads a very moderate life. It never attacks a living creature, but instead is inclined to be peaceable with all other fish. If it comes across a dead fish, the mullet will eat it, but only after giving it a swat with its tail. If the fish does not move, then the mullet considers it fair game, but if it moves, then the mullet backs away.

    A DOG, it is said, fell in love with Glauce the harpist. Some who tell the story say that it was not a dog but a ram, while still others say that it was a goose. At Soli in Cilicia, a dog fell in love with a boy named Xenophon. And at Sparta, a jackdaw fell in love with a beautiful young man.

    It is easy to tell how old a BEE is. Those born in the past year gleam and are the color of fresh olive oil, while the older ones look wrinkled. The older ones, of course, are more skilled in the making of honey, and they also have powers of divination, so that they know when rain and cold will arrive. When they sense that rain or cold are indeed on the way, they fly close to their hives and do not venture far abroad. An observant farmer can thus tell when a storm is on the way simply by observing the behavior of the bees, which have less fear of frost than they do of heavy rain or snow. In times of heavy wind, the bees will sometimes pick up a pebble with their legs and use it as ballast, and in this way they are not blown off course.

    Some FISH are models of good behavior. There is one that swims in the vicinity of Mount Etna that mates for life and does not approach any other fish of the opposite sex. It needs no laws, no customs, no dowry; it just does this naturally. This is a noble law of nature, worthy of honor. But humans, inclined to do what they want to, are not at all ashamed to disobey it.

    The HORNED RAY is born in mud. It is very small at birth, but it grows to a huge size. Its belly is white; its back, head, and sides are inky black. Its mouth, though, is small, and you cannot see its teeth. It is very long and flat. It eats great quantities of fish, but its favorite food is human flesh. It has little strength, but its size gives it courage. When it sees a man swimming or diving, it rises to the surface, arches its back, and slams down on him with all its might, extending its length over the unfortunate man like a roof and keeping him from rising

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