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Mikhail Vrubel: 170 Colour Plates
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Mikhail Aleksandrovich Vrubel (1856 – 1910) is usually regarded amongst the Russian painters of the Symbolist movement and of Art Nouveau. In reality, he deliberately stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine and Early Renaissance painting. Even in his earliest works, he exhibited great talent for drawing and an idiosyncratic style. He would later develop a penchant for fragmentary composition and an "unfinished touch".
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Book preview
Mikhail Vrubel - Maria Peitcheva
Mikhail Vrubel
170 Colour Plates
By Maria Peitcheva
First Edition
*****
Mikhail Vrubel: 170 Colour Plates
*****
Copyright © 2016 Maria Peitcheva
Foreword
Mikhail Aleksandrovich Vrubel (1856 – 1910) is usually regarded amongst the Russian painters of the Symbolist movement and of Art Nouveau. In reality, he deliberately stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine and Early Renaissance painting.
Vrubel was born in Omsk, Russia, into a military lawyer's family. His father was of Polish ancestry, while his mother who was Danish died when he was three years old. And though he graduated from the Faculty of Law at St Petersburg University in 1880, his father had recognized his talent for art and had made sure to provide, through numerous tutors, what proved to be a sporadic education in the subject. The next year he entered the Imperial Academy of Arts, where he studied by direction of Pavel Chistyakov. Even in his earliest works, he exhibited great talent for drawing and an idiosyncratic style. He would
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