Chord Creative
By Rick Payne
3.5/5
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About this ebook
In this course I want to share some of the many ways you can get creative with chords and hopefully inspire you to experiment with them in your own learning and styles of playing; write songs, or simply sit there and chill out! The chords can be strummed or picked, and I'll give you some of my interpretations on the way. I don't want to get too technical or bogged down with 'chord chemistry' as they say, think of them as ideas to play around with - just a few of the many possibilities. If you're new to playing most shapes can be both a way to inspire and also to exercise those fingers! Topics include Messing With The Basics, Busting The Barres, Trying The Triads, Cool Chords, Slashing The Chords, Power Chord Creative, Diminished Dimensons, Essential Jazz and Tweaking The Tuning!! Over 100 video demos with on screen chord diagrams to help you on your way.
Sit back and get creative with chords!
Rick Payne
Rick Payne is an established acoustic blues guitarist with many national and international tours to his credit. He has become especially well known for his authentic acoustic blues finger picking, in the many traditional styles of the blues including delta blues, piedmont, ragtime and slide and has recorded several albums of this kind.Often compared with Ry Cooder, slide guitar maestro Rick Payne’s performances have taken him to prime time TV, to festivals and theatres throughout the UK and on tour to Europe, USA, Scandinavia and Greek Islands. He has provided music to a number of major TV productions, for programmes on Radio 4 and the BBC World Service. He has also featured on The Paul Jones and Mike Harding's show on BBC Radio 2.Rick has recorded a number of CDs, including the noted ‘Blue River Blues’ for Bennett House Records California.New CD - Radio City Blues now available CD or downloadReviewers have described his sound as: heart wrenching and passionate, delicate and scorching, seriously brilliant, totally absorbing and spellbindingly evocative with raw and fiery vocals to match.As a teacher he has written and facilitated many courses and guitar workshop style sessions, teaching the art of Big Bill Broonzy, Robert Johnson, Blind Blake, Rev Garry Davis, Django, Ry Cooder and many more.
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Chord Creative - Rick Payne
Table of Contents
Table of Contents
COPYRIGHT
INTRODUCTION
TECHNICAL STUFF
MESSING WITH THE BASICS
The D Chord
The A Chord
The C Chord
The G Chord
BUSTING THE BARRES
TRYING THE TRIADS
COOL CHORDS
SLASH CHORDS
POWERCHORD CREATIVE
DIMINISHED DIMENSIONS
ESSENTIAL JAZZ
TWEAK THE TUNING
RICK PAYNE
MORE FROM RICK PAYNE
COPYRIGHT
Published by Rick Payne at Smashwords
2016
Smashwords Edition, License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com or your favorite retailer and purchase your own copy. Thank you for respecting the hard work of this author.
INTRODUCTION
I've been playing and teaching guitar for many years, and I'm still amazed by the inspiration you can get just by placing your fingers on the fretboard in sometimes random ways. You can pick or strum a chord, change your fingers around, take one off, or put one down, and hey presto!
some wonderful sound leaps out of your box with strings. I'm not saying playing some chords are always easy, and it can sometimes feel like an assault course for the fingers, but stick with it and reap the rewards.
When I'm teaching I'll often introduce a novice player to an easy to play chord with an exotic sound,and find they're quickly hooked and inspired to learn more. In this course I want to share some of the many ways you can get creative with chords and hopefully inspire you to experiment with them in your own learning and styles of playing; write songs, or simply sit there and chill out!
The chords can be strummed or picked, and I'll give you some of my interpretations on the way. I don't want to