The Wind in the Willows
4/5
()
About this ebook
As spring begins to bloom across the countryside, so too does Mole’s desire to leave his underground home and venture into the wilds above. His journey delivers him to the banks of a river—the first Mole has ever seen—and to the blue-and-white boat captained by Rat. Their camaraderie sparked, Mole and Rat continue into the Wild Wood, meeting up with the cantankerous Badger and the impulsive Toad. No stranger to calamity, Toad and his reckless habits—including a tendency toward spectacular car crashes—will get the four friends into heaps of trouble, but their steadfast loyalty to one another always sees them through.
The Wind in the Willows is a charming, unforgettable ode to friendship and one of the most cherished children’s stories of all time.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Kenneth Grahame
Kenneth Grahame was born in Edinburgh in 1859. He was educated at St Edward's School, Oxford, but family circumstances prevented him from entering Oxford University. He joined the Bank of England as a gentleman clerk in 1879, rising to become the Bank's Secretary in 1898. He wrote a series of short stories, married Elspeth Thomson in 1899 and their only child, Alistair, was born a year later. He left the Bank in 1908, the year that The Wind in the Willows was published. Though not an immediate success, by the time of Grahame's death in 1932 it was recognised as a children's classic.
Read more from Kenneth Grahame
The Wind in the Willows - Illustrated by Arthur Rackham Rating: 5 out of 5 stars5/5The Reluctant Dragon: Illustrated Rating: 4 out of 5 stars4/5The Wind in the Willows: Level 1 Rating: 0 out of 5 stars0 ratings
Related to The Wind in the Willows
Related ebooks
The Jungle Book Rating: 4 out of 5 stars4/5The Wind in the Willows Rating: 4 out of 5 stars4/5Treasure Island Rating: 4 out of 5 stars4/5The Secret Garden Rating: 4 out of 5 stars4/5Black Beauty Rating: 4 out of 5 stars4/5Jane Eyre Rating: 4 out of 5 stars4/5A Little Princess Rating: 4 out of 5 stars4/5The Phantom Tollbooth Rating: 5 out of 5 stars5/5A Christmas Carol Rating: 4 out of 5 stars4/5The Wizard of Oz Rating: 4 out of 5 stars4/5The Three Musketeers Rating: 4 out of 5 stars4/5The Call of the Wild Rating: 4 out of 5 stars4/5The Wonderful Wizard of Oz Rating: 4 out of 5 stars4/5Tuck Everlasting Rating: 4 out of 5 stars4/5Around the World in Eighty Days Rating: 4 out of 5 stars4/5A Wrinkle in Time Rating: 4 out of 5 stars4/5Winnie-the-Pooh - Unabridged Rating: 5 out of 5 stars5/5Around The World in 80 Days Rating: 4 out of 5 stars4/5Gulliver's Travels Rating: 4 out of 5 stars4/5The Velveteen Rabbit Rating: 4 out of 5 stars4/5The Hunchback of Notre-Dame Rating: 4 out of 5 stars4/5A Tale of Two Cities Rating: 4 out of 5 stars4/5Frankenstein; or, The Modern Prometheus Rating: 4 out of 5 stars4/5Anne of Green Gables Rating: 4 out of 5 stars4/5The Swiss Family Robinson Rating: 4 out of 5 stars4/5Journey to the Center of the Earth Rating: 4 out of 5 stars4/5The Gift of the Magi Rating: 5 out of 5 stars5/5The Legend of Sleepy Hollow Rating: 4 out of 5 stars4/5Twenty Thousand Leagues Under the Sea Rating: 4 out of 5 stars4/5
Children's Social Themes For You
Invisible Things Rating: 5 out of 5 stars5/5Bridge to Terabithia Rating: 4 out of 5 stars4/5The One and Only Ivan Rating: 4 out of 5 stars4/5The Bad Seed Goes to the Library Rating: 5 out of 5 stars5/5Legendborn: TikTok made me buy it! Rating: 4 out of 5 stars4/5Winnie the Pooh: The Classic Edition Rating: 4 out of 5 stars4/5The Good Egg Presents: The Great Eggscape!: An Easter And Springtime Book For Kids Rating: 4 out of 5 stars4/5The First to Die at the End: TikTok made me buy it! The prequel to THEY BOTH DIE AT THE END Rating: 4 out of 5 stars4/5Keeper of the Lost Cities Rating: 5 out of 5 stars5/5The Graveyard Book Rating: 4 out of 5 stars4/5The Antichrist Rating: 5 out of 5 stars5/5Ruby’s Worry: A Big Bright Feelings Book Rating: 5 out of 5 stars5/5Bloodmarked: TikTok made me buy it! The powerful sequel to New York Times bestseller Legendborn Rating: 4 out of 5 stars4/5Spaceboy Rating: 3 out of 5 stars3/5Number the Stars: A Newbery Award Winner Rating: 5 out of 5 stars5/5The Boring Book Rating: 4 out of 5 stars4/5When Hitler Stole Pink Rabbit Rating: 4 out of 5 stars4/5Tiny T. Rex and the Impossible Hug Rating: 4 out of 5 stars4/5Everything Sad Is Untrue Rating: 4 out of 5 stars4/5Out of My Mind Rating: 4 out of 5 stars4/5Dork Diaries: Frenemies Forever Rating: 5 out of 5 stars5/5Pete the Kitty Goes to the Doctor Rating: 4 out of 5 stars4/5Refugee Boy Rating: 4 out of 5 stars4/5Dork Diaries 1: Tales from a Not-So-Fabulous Life Rating: 4 out of 5 stars4/5How to Change Everything: The Young Human's Guide to Protecting the Planet and Each Other Rating: 4 out of 5 stars4/5Rooftoppers: Winner of the Waterstones Children's Book Prize Rating: 4 out of 5 stars4/5
Reviews for The Wind in the Willows
160 ratings128 reviews
- Rating: 4 out of 5 stars4/5Not necessarily an avid children's book reader beyond my trusty Hardy Boys....but i recently saw a local community theater production of this, and in between the time i purchased the ticket and actually saw the play, this book showed up in a box of odds and ends someone gave me.....it seemed like fate was telling me to read it....So i did! And what a beautifully illustrated work this is. The fantastical world of these animals came to life for my stifled and stiff brain so much more so than had it not been just littered from end to end with gorgeous vivid drawings in both Black & White and Color
- Rating: 3 out of 5 stars3/5Surprisingly decent.
- Rating: 5 out of 5 stars5/5Priceless!
- Rating: 4 out of 5 stars4/5Wonderful children's classic.
- Rating: 4 out of 5 stars4/5It is great to read an old classic!
- Rating: 5 out of 5 stars5/5Ok, second attempt at a review after the damn interwebs ate my last one. Luckily I’m composing this one offline first.
To me Kenneth Grahame’s _The Wind in the Willows_ is a particularly fine novel. It’s a children’s story and normally that would get my back up. I’m generally not a big fan of children’s lit or YA, and to add to this I didn’t even read this book as a child and thus have the requisite rose-coloured glasses to lend credence to my love for the story. Somehow, however, this tale of the adventures of four animal friends in an idealized and idyllic Edwardian English countryside resonated deeply with me. I think part of this has to do with the deft hand Grahame shows in the creation of his characters: shy amiable Mole, courageous and resolute Ratty (that’s Water Rat by the bye), gruff but stalwart Badger and, last but certainly not least, frivolous and vain Toad, all partake of elements of archetype and yet are never fully defined by it, they manage to emerge as characters in their own right. The setting too seems to straddle the line between generic and specific. The animal friends are constantly travelling against a background whose very names are emblematic: the River, the Wildwood, the Town and yet when we come to their homes we could not wish to find more congenial or personal places of the heart.
Our tale (or perhaps I should say tales) begins as the shy Mole first pokes his nose out from his underground home to be presented with a newly discovered wider world he approaches with awe and wonder. I wouldn’t quite say that Mole is the main character of the stories that follow (though he is always a significant part of them), but I’ve always had a soft spot for him and enjoy seeing Grahame’s idealized English meadows, woods and countryside through his amiable eyes. Toad would probably be the more likely candidate, certainly for a good portion of the stories which concentrate on his adventures: a life-loving jester of a character with more money than brains always looking out for the next fad that is of course the fulfillment of his true heart’s desire…yet again. Indeed, keeping tabs on their friend and trying to hammer some good animal sense into his soft head is one of the major tasks the other characters must undertake in many of these tales. Grahame’s pacing is excellent, at times meandering with a leisurely pace from a boating foray on the River to spring-cleaning a much-loved home, and at others moving at breakneck speed to escape from prison or reclaim an ancestral home from dangerous enemies. Thus we follow our friends as they learn about their world and each other and I cannot say that there are many more enjoyable companions to be had for such a venture.
I’ve seen arguments online that these stories are somewhat parochial and insular: whenever the world outside of the hedgerows intrudes it is usually either a dangerous temptation or a destructive force. I can’t really argue with this, but does all literature need to celebrate the novel and the strange? Isn’t there a place for the well-loved hearth and a joyous homecoming? _The Wind in the Willows_ is nothing if not a celebration of the comfortable and the familiar, a paen for a world and a type of beauty fading away. There may be good reasons for why it had to die out, but I would argue that there is still value in remembering it. When I try to put my finger on what it is about this book that so captures my imagination and elevates it from being merely a tale about talking animals within the context of a long-dead worldview I think that Christopher Milne, son of the author of _Winnie the Pooh_, may have said it best when he talked of “those chapters that explore human emotions – the emotions of fear, nostalgia, awe, wanderlust.” It is these parts of the book that speak directly to my heart and examine the wider aspects of the human spirit. - Rating: 5 out of 5 stars5/5UPDATE: Finished this book- twas well worth re-reading. I loved this edition, the illustrations were especially beautiful!
I am reading this book once again. A different edition this time, this one illustrated by Inga Moore. The story, pictures and layout are relaxing and engaging, especially at this time in my life. Looking at meadows and streams and reading about carefree days is just what I need right now. - Rating: 4 out of 5 stars4/5There is a brilliant book here - absolutely whimsical childlike adventuring brilliance! Unfortunately a lot of rubbish got mixed up with it somehow. For a vastly improved reading experience read these chapters:
Chapter 1 - The River Bank
Chapter 2 - The Open Road
Chapter 3 - The Wild Wood
Chapter 4 - Mr. Badger
Chapter 5 - Dulce Domum
Chapter 9 - Wayfarers All
Chapter 7 - The Piper at the Gates of Dawn
This pretty much cuts out Toad, and ends on the highest of notes. I'm really pretty sore about reading all the crappy adventures of Toad, but I did love the rest. I had better come back in a year, follow my own advice and review again - Rating: 3 out of 5 stars3/5The Wind in the Willows is an odd book in that it is meant for children yet has chapter titles such as "Dulce Domum", "Like Summer Tempests Came His Tears", "The Return of Ulysses" and most famously "The Piper at the Gates of Dawn". Some of these chapters are stand alone with only a few threads of plot to interconnect them. In fact there is very little plot as the book is about friendship and maintaining the status quo. It's a very conservative book. I read it last forty years ago and can remember as a child being confused but somehow affected by The Piper at the Gates of Dawn chapter. Reading it as an adult, it is clearly the best part of the book. Still dislike Toad though.
- Rating: 5 out of 5 stars5/5This was perfect. I started stretching it out toward the end, only reading it in the evening when the mood was just right. I didn't want it to end. It was such a feel-good book. I totally loved the style of the writing. I think I'm going to take a look at a couple sequels that have been written but they weren't written by the same author so I'm not counting on anything.
- Rating: 3 out of 5 stars3/5As a child at had one chapter of this book that had great illustrations, I always liked the art more then the story of toad stealing a car. Probably because it lacked the context of the rest of the book. When I saw it for free on my kindle I decided to get it a read. A very enjoyable book even for an adult.
- Rating: 5 out of 5 stars5/5As the introduction (written back in the 80s by Grahame biographer Peter Green) rightly identifies, although Mr. Toad made The Wind in the Willows famous, his action packed adventures are the least evocative and I’d go further to say he’s the least interesting of the characters. The best chapter, Dulce Domum, in which Mole desperately seeks to return to his own home despite its humbleness is an intoxicatingly emotional description of the inescapable connection most of us have to our own familiar four walls however else we might imagine they seem to others (and nearly had me in tears by the time the carol singers arrived). The loyalty between Ratty and Mole is also especially touching, not unlike that between Sherlock and Watson, the former often riding roughshod of the latter’s feelings until he realises he’s gone too far, guilt sets in and he shambles about making amends.
- Rating: 2 out of 5 stars2/5Dreadfully tedious and boring. I have difficulty believing that children these days would enjoy either the language or story (or lack thereof). The only interesting part of the entire book was the reclaiming of Toad's estate and that ended in half a second.
- Rating: 3 out of 5 stars3/5Very glad to finally take the time to read this timeless children's classic! The adventures were just what I would expect from a young child's imagination. The language, however, was a bit dry and stiff and I felt the writing style kept me from engaging fully in the clever, fun little characters. Glad to have read, but a bit disappointed in the entertainment value.
- Rating: 5 out of 5 stars5/5This is one of the most lovely, funny, and beautiful books that I have ever read. I've been reading and re-reading it since I was quite young, and it always leaves me wanting more. Mole, Rat, Badger, and especially the ingenious and inimitable Mr. Toad are a perfect fusion of temperaments, quirks, strengths, and weaknesses. An odd shifting of tone from one chapter to the next nonetheless works perfectly, a rare alchemy that would have (and often has) turned leaden in the hands of a lesser author.
But I won't be reviewing the book in great detail here. Instead, here's how Sebastian, my seven-year-old son, reacted to the story.
I have to admit that I was worried that the book might be too advanced for him. And at first, my fears seemed prophetic: the story didn't seem to interest him very much, and he often asked to read something else (or read one of his own books to me). I had carefully picked an unabridged edition (TWitW is often abridged, with "The Piper At The Gates Of Dawn" chapter being the most frequent casualty), but I found myself abridging the book on the fly. The language is truly lovely, but at Sebastian's age some of the longer descriptive passages just don't work.
After struggling to read it to him for several weeks ("Dad, let's read something else tonight!") I picked up the book with the private resolution that if Sebastian didn't get more interested in it that night, I'd return it to the library and wait a year before trying again.
And then Mole decided to make a private trek into the Wild Wood to meet Badger.
I'd forgotten how frightening that section was! It's like a ghost story. Sebastian was riveted. From that point on, he was captivated; he even had me bring it in the car, so I could read it to him on the way to the train station (my wife was driving, of course).
It took me a little while to work out the voices. Mole's is nasal and high, a bit like Terry Jones' when he's playing a silly part in Monty Python (ironically, Jones played Toad in a movie adaptation of the book, I believe). Rat is more mellifluous and a bit, well, educated; I keep thinking of "the playing fields of Eaton" when I'm reading him (not the actual fields, mind you; I've never seen them. I'm thinking of the phrase.)
Badger is more gruff, deep, and direct (I think of Ed Asner's Lou Grant, but as a Brit). For Otter, I think of a British athlete, a "jock" type; cheerful, casual, and strong; a bit like Hugh Laurie, for some reason (obviously not when he's playing House).
I should note that I'm NOT particularly trying to do British accents; I'm just letting the voices in my head shade the voices as I read them. So a tinge of accent creeps in, so to speak.
Toad is the one character who gave me trouble. Eventually I decided that since Toad gets the best lines, and has the most emotional moments, I might as well use something close to my own voice - but pitched just a little higher, and with just a touch of melodrama. Toad is quite a ham, after all.
For a seven-year-old, Toad is clearly the favorite of the book. That "his" chapters alternate with other ones was sometimes a small problem - but even so, during (for example) the Toad-free "Dulce Domum" chapter in which Mole's nose and heart are temporarily recaptured by the smells of his old home (a truly heartrending scene) Sebastian's interest remained strong enough to carry him through to the next chapter.
Without question, the high point comes in Chapter X, "The Further Adventures of Toad". Toad's incredibly funny song, his escapes and adventures, his highs and lows are all perfect grist for the child reader/listener (and for the parent who loves reading dramatically to their child, for that matter).
The final two chapters cap the book off perfectly. Any properly bloodthirsty child will revel in the passages in which piles of pistols, swords, and cudgels are amassed for each animal to use in the battle to come. Tiptoeing along the secret passage, the battle itself...this is the sort of thing children love, when it's well-told. And it is perfectly written here.
I will confess that the reform of Toad is not quite believable (Sebastian confidently told me that Toad would not stay reformed). And the ending comes just a little too quickly. I have always wished as soon as I finished the book that there was more - and so did Sebastian. I know that sequels have been written by some modern-day author; I tried to read one of them, but at the time it didn't quite work for me. Some day, perhaps, I'll try it again...but maybe not. It would be more rewarding to simply re-read The Wind in the Willows once again. - Rating: 4 out of 5 stars4/5A great children's story. I recommend this for family-reading.
- Rating: 5 out of 5 stars5/5Charming. I can't believe I didn't read this as a kid, but I'm kind of glad I didn't...not often you come across a book that you "wish you could read again for the first time," and it IS the first time you've read it! Mr. Badger is my new hero.
- Rating: 5 out of 5 stars5/5This was required reading in my house. Not a day went by when someone didn't refer to dear Ratty, or Toad Hall. I had 3 copies by the time I was ten.
- Rating: 5 out of 5 stars5/5A great series of stories that I loved as a kid and liked even more as an adult. A couple are slightly long for storytelling but many would be great for slightly older children.
- Rating: 2 out of 5 stars2/5Perhaps if I'd had pleasant memories of this book as a child I may have a different view of it while reading it as an adult. It's beloved by so many that I wish I'd been introduced to it, unfortunately I was never able to find the charm in it or maintain any lasting interest.
- Rating: 3 out of 5 stars3/5A cute story revolving around four animals and their trials and tribulations. There's nothing particularly substantial in it, although it should contain enough moral hints and cues for children to take note. Mr. Toad carried the story, partly because his behavior was so outrageous and that he apparently learned nothing from it, but the others, such as Mole and Rat, were real in their own way.
- Rating: 2 out of 5 stars2/5One of those 'books I feel I ought to have read by now'. And as a classic, I was expecting it to be better than it was. I enjoyed the descriptions of the scenery and the transitions of the year in the English countryside, but found the plot lacking and the portrayal of the characters strange and generally unconvincing. As was Toad's change of heart at the end. Rather an odd little book, really. I suspect it's something I would have enjoyed more if I'd first read it as a child.
- Rating: 5 out of 5 stars5/5I can't believe I hadn't read this book before now! Instant new favorite, reminiscent of all my favorite classic children's fantasies (obviously because it was written before all of them). That's said, it's not exactly a children's novel or an adult novel - it's a Book For People Like Me (particularly during chilly Januaries).
- Rating: 5 out of 5 stars5/5Classic novel for the older elementary age students, who enjoy stories where animals come to life and take on human characteristics. A good book to teach adverbs and how to use your imagination to write a story.
- Rating: 3 out of 5 stars3/5My copy is actually a hardback with beautiful illustrations. I always found this fun, though I preferred the early chapters to the end.
- Rating: 5 out of 5 stars5/5When I was in the 3rd grade I chose this book for the diorama assignment.
- Rating: 5 out of 5 stars5/5One of those few delightful books that always takes me to a place where life was full of astonishing mysteries and harmless ventures
- Rating: 4 out of 5 stars4/5Grandly humurous and entertaining adventures that have as much for adults as they do for children. Beautifull written with rich desciptions and characteriszations.
- Rating: 4 out of 5 stars4/5Such a delightful tale. I really enjoyed the adventure as such and Grahame has some really nice things to say about life and friendsdhip. I look forward to reading more books by him.
- Rating: 3 out of 5 stars3/5I had mixed feelings. Sometimes I enjoyed it. Sometimes I wondered why I was reading it. The book was a bunch of short stories, some related to others, a few stand alone. The adventure/thriller ones were more enjoyable to me than the fantasy type stories. It may be due to the book being written in the early 1900's, but I didn't understand some of the actions of one of the characters. It probably was more due to the character being a Toad.
Book preview
The Wind in the Willows - Kenneth Grahame
The Wind in the Willows
Kenneth Grahame
Contents
I. THE RIVER BANK
II. THE OPEN ROAD
III. THE WILD WOOD
IV. MR. BADGER
V. DULCE DOMUM
VI. MR. TOAD
VII. THE PIPER AT THE GATES OF DAWN
VIII. TOAD’S ADVENTURES
IX. WAYFARERS ALL
X. THE FURTHER ADVENTURES OF TOAD
XI. ‘LIKE SUMMER TEMPESTS CAME HIS TEARS’
XII. THE RETURN OF ULYSSES
I. THE RIVER BANK
The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said ‘Bother!’ and ‘O blow!’ and also ‘Hang spring-cleaning!’ and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel that answered in his case to the gavelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, ‘Up we go! Up we go!’ till at last, pop! His snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.
‘This is fine!’ he said to himself. ‘This is better than whitewashing!’ The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.
‘Hold up!’ said an elderly rabbit at the gap. ‘Sixpence for the privilege of passing by the private road!’ He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. ‘Onion-sauce! Onion-sauce!’ he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. ‘How stupid you are! Why didn’t you tell him—’ ‘Well, why didn’t you say—’ ‘You might have reminded him—’ and so on, in the usual way; but, of course, it was then much too late, as is always the case.
It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting—everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering ‘whitewash!’ he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.
He thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before—this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again. All was a-shake and a-shiver—glints and gleams and sparkles, rustle and swirl, chatter and bubble. The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spell-bound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.
As he sat on the grass and looked across the river, a dark hole in the bank opposite, just above the water’s edge, caught his eye, and dreamily he fell to considering what a nice snug dwelling-place it would make for an animal with few wants and fond of a bijou riverside residence, above flood level and remote from noise and dust. As he gazed, something bright and small seemed to twinkle down in the heart of it, vanished, then twinkled once more like a tiny star. But it could hardly be a star in such an unlikely situation; and it was too glittering and small for a glow-worm. Then, as he looked, it winked at him, and so declared itself to be an eye; and a small face began gradually to grow up round it, like a frame round a picture.
A brown little face, with whiskers.
A grave round face, with the same twinkle in its eye that had first attracted his notice.
Small neat ears and thick silky hair.
It was the Water Rat!
Then the two animals stood and regarded each other cautiously.
‘Hullo, Mole!’ said the Water Rat.
‘Hullo, Rat!’ said the Mole.
‘Would you like to come over?’ enquired the Rat presently.
‘Oh, its all very well to talk,’ said the Mole, rather pettishly, he being new to a river and riverside life and its ways.
The Rat said nothing, but stooped and unfastened a rope and hauled on it; then lightly stepped into a little boat which the Mole had not observed. It was painted blue outside and white within, and was just the size for two animals; and the Mole’s whole heart went out to it at once, even though he did not yet fully understand its uses.
The Rat sculled smartly across and made fast. Then he held up his forepaw as the Mole stepped gingerly down. ‘Lean on that!’ he said. ‘Now then, step lively!’ and the Mole to his surprise and rapture found himself actually seated in the stern of a real boat.
‘This has been a wonderful day!’ said he, as the Rat shoved off and took to the sculls again. ‘Do you know, I’ve never been in a boat before in all my life.’
‘What?’ cried the Rat, open-mouthed: ‘Never been in a—you never—well I—what have you been doing, then?’
‘Is it so nice as all that?’ asked the Mole shyly, though he was quite prepared to believe it as he leant back in his seat and surveyed the cushions, the oars, the rowlocks, and all the fascinating fittings, and felt the boat sway lightly under him.
‘Nice? It’s the only thing,’ said the Water Rat solemnly, as he leant forward for his stroke. ‘Believe me, my young friend, there is nothing—absolute nothing—half so much worth doing as simply messing about in boats. Simply messing,’ he went on dreamily: ‘messing—about—in—boats; messing—’
‘Look ahead, Rat!’ cried the Mole suddenly.
It was too late. The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air.
‘—about in boats—or with boats,’ the Rat went on composedly, picking himself up with a pleasant laugh. ‘In or out of ’em, it doesn’t matter. Nothing seems really to matter, that’s the charm of it. Whether you get away, or whether you don’t; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you’re always busy, and you never do anything in particular; and when you’ve done it there’s always something else to do, and you can do it if you like, but you’d much better not. Look here! If you’ve really nothing else on hand this morning, supposing we drop down the river together, and have a long day of it?’
The Mole waggled his toes from sheer happiness, spread his chest with a sigh of full contentment, and leaned back blissfully into the soft cushions. ‘What a day I’m having!’ he said. ‘Let us start at once!’
‘Hold hard a minute, then!’ said the Rat. He looped the painter through a ring in his landing-stage, climbed up into his hole above, and after a short interval reappeared staggering under a fat, wicker luncheon-basket.
‘Shove that under your feet,’ he observed to the Mole, as he passed it down into the boat. Then he untied the painter and took the sculls again.
‘What’s inside it?’ asked the Mole, wriggling with curiosity.
‘There’s cold chicken inside it,’ replied the Rat briefly; ‘coldtonguecoldhamcoldbeefpickledgherkinssaladfrenchrollscresssandwichespottedmeatgingerbe erlemonadesodawater—’
‘O stop, stop,’ cried the Mole in ecstacies: ‘This is too much!’
‘Do you really think so?’ enquired the Rat seriously. ‘It’s only what I always take on these little excursions; and the other animals are always telling me that I’m a mean beast and cut itvery fine!’
The Mole never heard a word he was saying. Absorbed in the new life he was entering upon, intoxicated with the sparkle, the ripple, the scents and the sounds and the sunlight, he trailed a paw in the water and dreamed long waking dreams. The Water Rat, like the good little fellow he was, sculled steadily on and forebore to disturb him.
‘I like your clothes awfully, old chap,’ he remarked after some half an hour or so had passed. ‘I’m going to get a black velvet smoking-suit myself some day, as soon as I can afford it.’
‘I beg your pardon,’ said the Mole, pulling himself together with an effort. ‘You must think me very rude; but all this is so new to me. So—this—is—a—River!’
‘The River,’ corrected the Rat.
‘And you really live by the river? What a jolly life!’
‘By it and with it and on it and in it,’ said the Rat. ‘It’s brother and sister to me, and aunts, and company, and food and drink, and (naturally) washing. It’s my world, and I don’t want any other. What it hasn’t got is not worth having, and what it doesn’t know is not worth knowing. Lord! the times we’ve had together! Whether in winter or summer, spring or autumn, it’s always got its fun and its excitements. When the floods are on in February, and my cellars and basement are brimming with drink that’s no good to me, and the brown water runs by my best bedroom window; or again when it all drops away and, shows patches of mud that smells like plum-cake, and the rushes and weed clog the channels, and I can potter about dry shod over most of the bed of it and find fresh food to eat, and things careless people have dropped out of boats!’
‘But isn’t it a bit dull at times?’ the Mole ventured to ask. ‘Just you and the river, and no one else to pass a word with?’
‘No one else to—well, I mustn’t be hard on you,’ said the Rat with forbearance. ‘You’re new to it, and of course you don’t know. The bank is so crowded nowadays that many people are moving away altogether: O no, it isn’t what it used to be, at all. Otters, kingfishers, dabchicks, moorhens, all of them about all day long and always wanting you to do something—as if a fellow had no business of his own to attend to!’
‘What lies over there’ asked the Mole, waving a paw towards a background of woodland that darkly framed the water-meadows on one side of the river.
‘That? O, that’s just the Wild Wood,’ said the Rat shortly. ‘We don’t go there very much, we river-bankers.’
‘Aren’t they—aren’t they very nice people in there?’ said the Mole, a trifle nervously.
‘W-e-ll,’ replied the Rat, ‘let me see. The squirrels are all right. And the rabbits—some of ’em, but rabbits are a mixed lot. And then there’s Badger, of course. He lives right in the heart of it; wouldn’t live anywhere else, either, if you paid him to do it. Dear old Badger! Nobody interferes with him. They’d better not,’ he added significantly.
‘Why, who should interfere with him?’ asked the Mole.
‘Well, of course—there—are others,’ explained the Rat in a hesitating sort of way.
‘Weasels—and stoats—and foxes—and so on. They’re all right in a way—I’m very good friends with them—pass the time of day when we meet, and all that—but they break out sometimes, there’s no denying it, and then—well, you can’t really trust them, and that’s the fact.’
The Mole knew well that it is quite against animal-etiquette to dwell on possible trouble ahead, or even to allude to it; so he dropped the subject.
‘And beyond the Wild Wood again?’ he asked: ‘Where it’s all blue and dim, and one sees what may be hills or perhaps they mayn’t, and something like the smoke of towns, or is it only cloud-drift?’
‘Beyond the Wild Wood comes the Wide World,’ said the Rat. ‘And that’s something that doesn’t matter, either to you or me. I’ve never been there, and I’m never going, nor you either, if you’ve got any sense at all. Don’t ever refer to it again, please. Now then! Here’s our backwater at last, where we’re going to lunch.’
Leaving the main stream, they now passed into what seemed at first sight like a little land-locked lake. Green turf sloped down to either edge, brown snaky tree-roots gleamed below the surface of the quiet water, while ahead of them the silvery shoulder and foamy tumble of a weir, arm-in-arm with a restless dripping mill-wheel, that held up in its turn a grey-gabled mill-house, filled the air with a soothing murmur of sound, dull and smothery, yet with little clear voices speaking up cheerfully out of it at intervals. It was so very beautiful that the Mole could only hold up both forepaws and gasp, ‘O my! O my! O my!’
The Rat brought the boat alongside the bank, made her fast, helped the still awkward Mole safely ashore, and swung out the luncheon-basket. The Mole begged as a favour to be allowed to unpack it all by himself; and the Rat was very pleased to indulge him, and to sprawl at full length on the grass and rest, while his excited friend shook out the table-cloth and spread it, took out all the mysterious packets one by one and arranged their contents in due order, still gasping, ‘O my! O my!’ at each fresh revelation. When all was ready, the Rat said, ‘Now, pitch in, old fellow!’ and the Mole was indeed very glad to obey, for he had started his spring-cleaning at a very early hour that morning, as people will do, and had not paused for bite or sup; and he had been through a very great deal since that distant time which now seemed so many days ago.
‘What are you looking at?’ said the Rat presently, when the edge of their hunger was somewhat dulled, and the Mole’s eyes were able to wander off the table-cloth a little.
‘I am looking,’ said the Mole, ‘at a streak of bubbles that I see travelling along the surface of the water. That is a thing that strikes me as funny.’
‘Bubbles? Oho!’ said the Rat, and chirruped cheerily in an inviting sort of way.
A broad glistening muzzle showed itself above the edge of the bank, and the Otter hauled himself out and shook the water from his coat.
‘Greedy beggars!’ he observed, making for the provender. ‘Why didn’t you invite me, Ratty?’
‘This was an impromptu affair,’ explained the Rat. ‘By the way—my friend Mr. Mole.’
‘Proud, I’m sure,’ said the Otter, and the two animals were friends forthwith.
‘Such a rumpus everywhere!’ continued the Otter. ‘All the world seems out on the river to-day. I came up this backwater to try and get a moment’s peace, and then stumble upon you fellows!—At least—I beg pardon—I don’t exactly mean that, you know.’
There was a rustle behind them, proceeding from a hedge wherein last year’s leaves still clung thick, and a stripy head, with high shoulders behind it, peered forth on them.
‘Come on, old Badger!’ shouted the Rat.
The Badger trotted forward a pace or two; then grunted, ‘H’m! Company,’ and turned his back and disappeared from view.
‘That’s just the sort of fellow he is!’ observed the disappointed Rat. ‘Simply hates Society! Now we shan’t see any more of him to-day. Well, tell us, who’s out on the river?’
‘Toad’s out, for one,’ replied the Otter. ‘In his brand-new wager-boat; new togs, new everything!’
The two animals looked at each other and laughed.
‘Once, it was nothing but sailing,’ said the Rat, ‘Then he tired of that and took to punting. Nothing would please him but to punt all day and every day, and a nice mess he made of