Kevin McCloud’s Principles of Home: Making a Place to Live
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About this ebook
A practical paperback edition of the landmark design manifesto from the UK’s favourite design guru.
In this inspirational yet also practical paperback Kevin explores all areas of domestic living, from materialism to sustainability, craftsmanship to comfort. Kevin’s beautifully written text brings insight and understanding to enjoying life in the 21st century, but crucially he offers detailed, helpful and incisive advice on design, construction and style.
Kevin addresses very real and solvable domestic issues: What is the perfect kitchen layout? How to create a feeling of space in traditionally sized rooms? How to create an extension that works? How best to choose colour for function? What to use for insulation? How to shop for second hand? And how best to manage home waste and recycling?
An inspiring but always usable book from the foremost voice in modern architectural design.
Rosalind Miles
Rosalind Miles, PhD, is a critically acclaimed English novelist, essayist, lecturer, and BBC broadcaster. Her novels—including Guenevere, Queen of the Summer Country and I, Elizabeth—have been international bestsellers. She lives in Hertfordshire, England.
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The Women's History of the Modern World: How Radicals, Rebels, and Everywomen Revolutionized the Last 200 Years Rating: 0 out of 5 stars0 ratingsKevin McCloud’s 43 Principles of Home: Enjoying Life in the 21st Century Rating: 4 out of 5 stars4/5
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Kevin McCloud’s Principles of Home - Rosalind Miles
PART
ONE
ENERGY
Chapter One
SETTING
FIRE TO
THINGS
There are those days when the sun just hammers down through a blue sky and you think to yourself what a fine day for a barbecue. At least you do if you’re an unreformed male who jumps at every opportunity to reach back into the cave and set fire to something.
B-B-Q-ing is a man thing: an atavistic chest-banging, wandering-around-the-woods-sniffing-each-other’s-bottoms thing that connects male human beings to their pasts and the pasts of all their friends and their friends’ bottoms. Barbecues have done more for the social integrity of our modern world than all the Round Tables and Working Men’s Clubs put together. Alcohol may play a part. But the tradition of overcooking food on an uncontrollable open fire is a venerable social glue.
(www.stovesonline.co.uk)
WOOD BURNERS
I like to think that fire has elevated me from the level of ‘beast’ to my special status as a human being. I have a good relationship with fire. At home I have three woodburners to heat my house, which consume timber that I grow on my farm. Three years ago I installed a 120-kilowatt Austrian woodchip burner to heat the whole farm, including outbuildings and offices. It runs on chipped waste timber from things like broken pallets and burns the stuff with the same gusto and noise as a Eurofighter Typhoon on afterburn. I’ve got my own miniature inferno to play with.
One of my woodburners is a Franklin, designed to sit in a large inglenook, and I’m fond of it. It has doors that can be left open to enjoy the flames or shut to keep a fire in overnight. Separate sliding plates govern how much air can be let in for combustion and how large the exhaust port is. Together with the doors, these plates minutely control what happens inside the stove and have been the stock-in-trade features of any and every cast-iron woodburner ever made. Except Benjamin Franklin, the 18th-century inventor, figured it out first. His lifetime’s letters are peppered with correspondence with gentlemen from all over the globe seeking to improve the efficiency of their homes’ heating: how they might stop their rooms from being choked with smoke when the wind changes direction; how they might get better value out of their fuel and live more comfortably and safely. And for Franklin, it seems that dealing with this steady barrage of requests was, if anything, a pleasure.
Franklin might be amused to see how his invention, a metal chamber in which wood could be burnt more efficiently and controllably, would come to be seen as the first internal combustion machine. Its descendants power our cars and planes. But I think he would equally be aghast at how we take fuel for granted now. In Franklin’s time you either had to chop down a tree (which would warm you once), stack the wood (warming you twice) and then bring it indoors to burn. Or you had to pay someone to do it for you, leaving a cold, empty feeling in the wallet. Either way you had direct contact with the fuel, its source and the human energy required to get it as far as the hearth. And not surprisingly you were interested in as many means of making that process more efficient, and in getting as much heat out of the fuel as possible. Nowadays fuel comes through rubber hoses from underground tanks or out of an electrical socket. Franklin would have loved the ease with which fuels can get to our homes. But he would have scratched his head at the fuel inefficiency of a 4-litre Porsche Cayenne. He might even have wondered why he’d bothered.
But there is still something to be said for the inefficiency and beauty of an open fire – which is why Benjamin designed my stove with big folding front doors that can be opened. If you enjoy looking at the flames of an open hearth licking up the chimney, then you should make a visit to a blacksmith’s forge. You’ll see and hear material combust as though in the Devil’s own crucible.
Now fuel’s visible and symbolic roles in the hearth and incense burner have been replaced by more covert and mundane roles. And more diverse too. Whereas we once kept a couple of coal or wood fires going at home in the kitchen range and drawing-room fireplace, today we might have a condensing gas boiler for heat, cook on electricity from a nuclear or diesel or coal-fired power station and drive a car that runs on gasoline – or maybe bioethanol if we’re progressive and American. Generally, our fuel use is far more sophisticated and freely available. About the only thing we burn as primitively as we did then is tobacco. Oh, and charcoal in the barbecue. We use more fuels to live faster, more luxurious lives, but don’t know anything about those fuels or where they come from. Nor, it seems, do we care. And consequently we’re finding it rather hard to accept what all that burning might be doing to our atmosphere.
You might be forgiven for thinking that, in attempting to persuade you that burning things is not only good but also part of the earth’s natural systems, I’m encouraging us all to go out and burn more. I’m not. I’m just making the point that, despite our relationship to all kinds of fuel being an honourable one, we have forgotten what fuel is and where it comes from. Just as children nowadays think that fish are rectangular and orange and come in boxes, so adults believe that petrol is an alien, synthesized chemical that comes out of a hose from a tank in the ground to be briefly glimpsed and smelt on its way into the bowels of your 4×4. We don’t understand petrol; we don’t even see it being burnt. It’s a fossil fuel, but when we use those words what we really should be saying is that petrol comes from the trees and plants that rotted hundreds of millions of years ago to make our coal and gas and oil reserves. They are all the products of photosynthesis. Plant growth is what keeps us warm, fed, moving and clothed, and we shouldn’t forget it.
(Emma Kelly – www.iliketodrawthings.com)
CHARCOAL
Charcoal has a certain magic to it, an alchemical quality. Scientists call charcoal the solid carbon residue following pyrolysis (carbonization or destructive distillation) of carbonaceous raw materials. Which is accurate but incomprehensible. I call charcoal the miracle transformation from useless wood into an extraordinarily useful fuel.
The reason I say ‘useless fuel’ is that the majority of timbers, like petrol, go up in flames and that’s it. The bulk of the heat produced is carried by the convection currents that the heat produces. Whereas what we like is for heat to be radiated out in straight lines to warm us and our dogs and to heat our pans. So oak, for example, burns well but disintegrates the moment it’s combusted, leaving just a pile of white ash. Useless. Willow burns badly and spits to boot, although this does mean it might set fire to your house, resulting in a really good warming glow. Worse than useless. Ash is called the king of firewoods because having been burnt it doesn’t disintegrate, leaving instead a red-hot glowing ember that produces masses of radiant heat. That’s more like it.
Two clever things about charcoal:
1. It can be made from almost any wood, including oak, willow, hickory, nutshells and even fruit pips – or for that matter vegetable waste and paper mill residues.
2. The tars and resins present in the fuel have been burnt off, so what you get is 100 per cent ready-to-light carbon embers that radiate enormous amounts of energy.
Historically, charcoal has been very useful. It was burnt 6,000 years ago for smelting copper, and then iron after the invention of the blast furnace around AD 1400. The big domestic change happened in the 1920s, when Henry Ford invented the charcoal briquette, using scrap wood and sawdust as his ingredients. The Ford car (invented, incidentally, to burn bioethanol from maize, not petrol) was merely a sideline for Ford, something that would get people to drive out of town and experiment with his briquettes. Proof of this, should you want it, is that a good number of his car dealerships devoted half their sales floor space to charcoal equipment and cooking supplies. It demonstrates a rare example of synergy genius in manufacturing: creating a product (the car) and the reason to use that product (recreational outdoor cookery) by the same stroke.
It also explains the long-standing tradition of charcoal being sold on garage forecourts and why charcoal is made in giant industrial plants now. The traditional batch method involves loading a circular container (they use concrete kilns these days) with timber and then setting fire to it in a very controlled way, regulating the air that gets to it, for up to a week. The load then has to cool for up to two weeks. Hopeless if you’ve got to produce a million tonnes a year, which is why the Continuous Process was invented for the manufacture of Henry Ford’s briquettes. This starts with sizing, where timber is broken up into standard dimensions (a 3mm particle size is one standard) in a hammer mill and often mixed with sawdust or bark.
The wood is then dried to a consistent moisture content of about 25 per cent (roughly half its wet, freshly cut content) and then dropped into a multiple hearth retort, a giant furnace that resembles a steel silo divided internally into floors. Which is why I wanted to learn how to make charcoal properly.
PRINCIPLE
02
Sustainability is not a bolt-on, nor a government department, but a culture: a way of doing things.
(© Ben Law)
The living room in Ben’s house
BEN’S WAY
In my romantic, back-to-nature-bottom-sniffing way, I have always dreamed of a hard-core existence, where I would depend on nature for survival, make my bed under a bush, collect berries and dig for roots. I usually have this dream while lying in my bed under a silk and wool duvet on crisp linen sheets. In the middle of a chestnut forest somewhere in Sussex lives someone who has done a great deal more than just dream. In 2002 Ben Law built a house in the woods, a beautiful timber-clad, round-pole-framed, straw-bale-insulated, two-storey house, and I made an hour-long television programme about its design and construction.
If you’re reading this on the train on the way to work, or in the comfort of a centrally heated house, you may find the idea of living in the woods and depending on the environment around you for food, water, power, warmth and solace terrifying. You might wonder what you’d do without a freezer or an iPod or a hot bath. But Ben has all of these things. He runs a small fridge/freezer from power stored in a bank of old submarine batteries and generated by two small wind turbines and an array of second-hand photovoltaic cells that had previously graced the roof of the Big Brother house (first series). He can light and power the house (all on 12 volts) enough to provide all the music and entertainment he and his young family need. His wood-powered Rayburn stove heats the kitchen and the hot water (collected from the roof) to provide steaming hot baths. Oh – and the old bathwater is run off to water the vegetable garden while the wood for fuel is, of course, free.
Ben doesn’t have to get the train to work, either. He can walk out of his door and go and chop some wood, make some furniture to sell, weave a hurdle or two or make charcoal. He now runs a successful business selling the products made from his forest, all of which are renewable products, not just because they’re made from trees – which can be replanted – but because they’re made from coppiced trees.
Ben is an underwoodsman, an altogether shyer profession of tree-cutter who makes his living mainly from the ‘underwood’, not from the majestic canopy of the forest but from those smaller trees than can be cropped again and again. This is coppicing, a process not unlike pollarding, where a tree is cut back to its trunk.
Constable’s paintings are full of willows growing by the River Stour in Suffolk that have been pollarded repeatedly, giving them enormous sturdy trunks topped with a younger growth of more supple branches. Every few years, trees like this can be cut ruthlessly back to a stump 2 metres or so high, providing fuel, and long, bendy willow whips that can be formed into hurdles or basketry. The stump survives, grows more shoots and regrows quickly, thanks to the extensive root system that the tree has. It becomes an endless supply of material, the tree is prevented from ageing and the river is kept clear of unwanted overhanging foliage and boughs.
Coppicing is even more ruthless. Certain species owf tree, notably willow, hazel, hickory, ash and sweet chestnut, will tolerate being cut right down to the ground once the tree has lost its leaves and shut down for the winter. Next spring a new crop of fast-growing and straight poles will spring from the stump, which in five or ten or twenty years can once more be harvested. Again, because of the developed root system, growth can be prodigious.
Coppicing is a form of natural magic. It defies belief, given that when you chop down a fir tree or spruce that’s it: the tree doesn’t regrow and neither does anything else there for a while. But in a coppiced woodland, as the stump quickly regrows, so do vetches and violets in the newfound warmth and light of the clearing. As the poles grow into a bush, nightingales, turtle doves and dormice are attracted. Later, flycatchers will dart around the tall airy poles of a well-managed copse. Some species are even totally dependent on coppicing for their survival, like the pearl-bordered fritillary, a now-threatened species of butterfly.
From coppiced poles you can make an enormous variety of useful things, using all kinds of timbers. Hazel rods have historically been used for everything from dowsing sticks to thatching spars to the split rods that form the wattle in wattle and daub. An especially fast-growing form of willow, osier, or Salix viminalis, is still cropped for basket-weaving. Ben built his round-pole house from coppiced chestnut and very probably most of the timber he harvested has now regrown, locking more carbon into its structure. His is a carbon-invisible house. Apart from the elegant furniture and hurdles that he makes from the same chestnut, the brash (small branchlets and twigs) are sold to the Environment Agency for riverbank reinforcement.
And after the handles and poles and brash and pegs and spars and furniture and hurdles are produced the remaining bits and bobs are chopped and sized for, yes, charcoal making.
Ben won planning consent for his house in the middle of the woods precisely because he makes charcoal. Unlike conventional forestry, which you can do between the hours of nine and five, charcoal burning requires that you stay near the furnace to control it and prevent any wildfire, which could be catastrophic in a wood. Ben argued that although there was no planning precedent, he should be allowed to build effectively in open countryside, just as a farmer can if he can demonstrate the need for an agriculturally tied dwelling. After seven years, Ben won, the only catch being that if he ever sells the wood and retires, he has to demolish the house. Needless to say he is tirelessly fighting that condition.
(© Ben Law)
PRINCIPLE
03
A sustainable way of life means not a diminution of choices but a change of choices and an increase. It can be measured not in terms of standard of living but in quality of life.
PRINCIPLE
04
People do not enjoy constancy and relish the opportunity to react to changes in the environment, to breezes and changes in temperature. We are biologically programmed to enjoy this reaction and become bored if our home and working environments are kept static.