Survival
Politics
Friendship
Identity
Adventure
Stormwalker
Fish Out of Water
Leviathan
Coming of Age
Chosen One
Opposites Attract
Wise Mentor
Race Against Time
Mysterious Stranger
Mole
Airships
Technology & Innovation
War
Family
War & Conflict
About this ebook
Scott Westerfeld
Scott Westerfeld is the author of the Leviathan series, the first book of which was the winner of the 2010 Locus Award for Best Young Adult Fiction. His other novels include the New York Times bestseller Afterworlds, the worldwide bestselling Uglies series, The Last Days, Peeps, So Yesterday, and the Midnighters trilogy. Visit him at ScottWesterfeld.com or follow him on Twitter at @ScottWesterfeld.
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Reviews for Leviathan
151 ratings143 reviews
- Rating: 4 out of 5 stars4/5
Apr 9, 2013
A gripping "alternate history" read, and an excellent choice for fans of Ken Oppel's Airborn series. - Rating: 3 out of 5 stars3/5
Apr 6, 2013
Westerfield has recast World War One as a conflict between two opposing cultures, one developing machines and the other mastering genetic engineering in this novel labeled "Young Adult". I'm sixty, and was entertained by his alternate history and suspenseful plotting. - Rating: 4 out of 5 stars4/5
Apr 6, 2013
I really enjoyed this. Westerfeld is quickly becoming one of my favorite authors. I still don't like his habit of ending the first book in a series as a cliffhanger, instead of wrapping it up as a standalone that also works as part of a series, but hey. It's apparently the new trend in YA and I alone am not going to be able to stop it.
I think it's a horrible trend, though, and I hate it.
Anyway, other than that minor detail, the book was great. It had enough closure that I didn't want to just throw the blasted thing against the wall in frustration and scream a lot (like some other cliffhanger-ending YA's I've read recently). It was also beautifully illustrated and had some incredible concepts and ideas -- I was really in awe of his imagination and how he was able to come up with such an amazing story out of such a teensy and seemingly insignificant historical fact. - Rating: 4 out of 5 stars4/5
Apr 5, 2013
Excellent alternate history story with careful narrator who voices characters well. Looked at gorgeous illustrations after which were missed with audio version. - Rating: 4 out of 5 stars4/5
Apr 5, 2013
more science fiction than fact but tying the action to the events of WWI make it more frighteningly real at times - lots of action for guys and military buffs; clever use of a female main character for the girls. - Rating: 4 out of 5 stars4/5
Apr 4, 2013
So it didn't get the full 5 stars because it reminded me of Oppel's Airborn series which I love. That said Westerfeld is a genius in creating new worlds and this is another fantastic one. More alternative history than fantasy al la Uglies but very well done and the illustrations work, usually they just annoy me. Maybe when the next in the series comes out I'll be amazed enough to go all the way to 5 - Rating: 3 out of 5 stars3/5
Apr 4, 2013
Enjoyed it, will happily read the next two. - Rating: 4 out of 5 stars4/5
Apr 4, 2013
(refers to audiobook)
From time to time I do enjoy a "young adult" listen (particularly the excellent City of Ember series, as well as His Dark Materials) but generally I don't expect too much in terms of story, setting, and character. Here is another fine exception to that expectation. "Leviathan" was amazingly brought to life here by Alan Cumming, as we follow the stories of Alek (a prince of the Austro-Hungarian Empire, on the run for his life) and Deryn (daughter to a ballooner, she enlists in the British Air Services as a boy in disguise) at the outbreak of The Great War as set in a wonderfully detailed and re-imagined alternate history, where "Clankers" (steam-powered mechs) power the German forces, and crossbred animals (tiger-wolf hybrids to pull carriages, amazing engineered jellyfish and whale airships) are the basis of the "Darwinist" forces of England.
All in all a thoroughly satisfying listen which I enjoyed immensely. - Rating: 5 out of 5 stars5/5
Apr 3, 2013
Wonderfully imaginative story of World War I in an alternative reality. - Rating: 5 out of 5 stars5/5
Apr 3, 2013
Steampunk, alternate history, whatever! This was very enjoyable! Set in an alternate universe where the Germans have mastered all sorts of machines, but Britain has gone a different way and mastered the art/science of biological engineering. This is listed as YA but is suitable for a younger audience as well. - Rating: 3 out of 5 stars3/5
Apr 3, 2013
I cracked the cover of LEVIATHAN with relish. And, speaking of covers, this one is just gorgeous - so are the endpapers, with a sepia-toned map of Europe crammed with steampunky designs. Normally I wouldn't comment on the way a book looks - I read most things on my Kindle, and I'm fine with that - but this one is a real feast for the eyes. It's richly illustrated, too, with drawings inserted into the text every few pages, so it's easy to picture the Clankers' war machines, the Darwinists' fabricated beasts, as well as individual characters.
I'm a big fan of Westerfield's UGLIES series, so I started LEVIATHAN with very high hopes. I found it much harder to immerse myself in LEVIATHAN than UGLIES. Maybe because UGLIES was simpler, so it was easy to get wrapped up in the story and watch the ideas unfold naturally. LEVIATHAN is pretty complicated. It's an alternate history of World War I, and World War I is not the easiest to understand. This book plunges us immediately into a tangled conflict, featuring alliances and backstabbing among Austria-Hungary, Serbia, Germany, Britain, France, Russia...and a handful of other countries, too.
The political alliances reflect a technological divide; in Darwinist Britain, technology is all about manipulating DNA to create custom-made hybrid species - even hybrid ecosystems - to further human advancement. Like the titular LEVIATHAN, a living airship built from a whale's DNA but incorporating message-delivering lizards, hydrogen-sniffing dogs, metal-eating bats, and a host of other creatures. The Clanker countries, like Austria-Hungary, have followed a more traditional path - their technology is mechanical, an industry of metal parts, gears and engines.
If that weren't enough, we follow the early stages of the war from two perspectives: a common British soldier and a dispossessed Austrian prince. There are probably two chapters about Alek, the Austrian prince who must run for his life after his parents are assassinated, for every one about Deryn, a girl disguised as a boy so that she can pursue her dream of joining the Royal Air Service. I don't mind the split perspective usually, but there was already so much to assimilate that constantly jumping between different locations, storylines, and sets of characters was a little exhausting.
In short, LEVIATHAN gets off to a slow start. I'd venture to say that most of this book is just exposition. Alek is adjusting to his new life as a wanted man, more important than he ever thought he'd be, and Deryn is learning the ropes as an airman. While they're getting the hang of things, the reader is learning the lay of the land. Alek and Deryn don't even meet until the book is 2/3 over, and by the end of the book they're only just starting to feel comfortable with one another. Their alliance is tentative, wary, in its early stages.
Having finished it, I'm invested in the story and the bizarre, steampunky world of the Darwinists and Clankers. I think this is the kind of book that demands a certain amount of faith from its readers, good for an author who's had a chance to establish himself and prove his mettle. If it weren't for UGLIES, I don't know if I'd follow along. But Westerfield has proven himself to be a supremely capable, brilliantly imaginative writer and I think that he's up to the challenge of a bigger, more ambitious project like LEVIATHAN. - Rating: 4 out of 5 stars4/5
Apr 1, 2013
Normally, I steer clear of audiobooks, considering them just a step above not reading at all. For the most part, I think of them as cheating; listening to a book just isn't the same as reading one. I put aside my admittedly unfair assumptions for the Leviathan audiobook when I heard that Alan Cumming narrated it. Alan Cumming is one of the most delightful actors in my opinion and I could just not resist. I listened to the book on my drive up to my alma mater for a friend's wedding.
First, I cannot stress enough the love I have for Alan Cumming. He is an entirely spectacular narrator, as I expected he would be. He does the voices (with accents!) for the characters. As in the second X-Men movie, he does a great German accent and he is, of course, British, so he can do that too. His female voices are a bit lacking, but there are only two in the whole book and one is pretending to be a boy. Besides, no one's perfect. And his attempts at sounding female are pretty hilarious. His pacing is great and he conveys emotions perfectly.
Now, for the story itself, I can say that I enjoyed Leviathan far more than I did the other Westerfeld books I have read (the Uglies trilogy). His language either annoyed me less in audiobook format or was kept under wraps by the historical setting. The book was incredibly fun. Westerfeld did really interesting things in his reimagining of the war, changing some background seriously, but still causing everything to happen much the way it did. The Darwinist versus Clanker version of World War I makes me laugh and is, in its framework, easy to believe. Those alliance make more sense than the real version. I also found the idea that Darwin's discoveries led to so much scientific development totally awesome.
I flipped through the book itself and am sad to have missed out on the neat artwork. Still worth it for Alan Cumming though. Check this book out! It's totally worth either a read or a listen. The sequel, Behemoth, just came out. - Rating: 5 out of 5 stars5/5
Apr 1, 2013
So far my small excursion into the steampunk genre through young adult books has been a rollicking romp, with the Larklight series and now this wonderful book. Although a bit of the major plot is predictable (and some of the reason for that is that it follows the course of the Great War in Europe), the author imagined thought-provoking details about the Darwinists creations and their effects on life and culture in England as well as the Clankers creations in middle Europe. Highly recommend. - Rating: 4 out of 5 stars4/5
Apr 1, 2013
This was, in the words of Deryn, Barking Brilliant!!!
I really did enjoy this. I found that the 2 stories meshed beautifully. I will admit that I like Deryn's story better tho... I am always a sucker for a girl dressed as a boy to do a derring do.
Steampunk, alternative history set during the beginnings of WWI. Clunkers are people who rely on machinery. Darwinists are people who rely on DNA built animals. The story is actually written about 15 yr olds, but is skews younger. I didn't mind. The tale itself was too fascinating.
Want to give it more stars, but waiting for the other parts of the trilogy. - Rating: 4 out of 5 stars4/5
Mar 31, 2013
Adventure, fantabulous worldbuilding, gorgeous illustrations, and a dash of the horrors of warfare - there was pretty much nothing I did not like about this book. It really succeeded where action and pacing were concerned. And it would make a great Miyazaki film.
Westerfeld is a very good writer but his use of very short paragraphs bothered me near the beginning of the book. I stopped noticing after a while, though, so it might just be me. - Rating: 5 out of 5 stars5/5
Mar 31, 2013
This book came well recommended, and unlike some of the other "Steampunk" I've tried, this volume lived up to the recommendations. While shelved under "YA," and while they might miss the incipient romance at the heart of the story, Leviathan would be appropriate for middle-grade readers as well. At heart, this is a coming of age story. I do like a good coming of age story. - Rating: 4 out of 5 stars4/5
Mar 31, 2013
This is a great book for young teenagers. Taking two intriguing cultures, a fugitive, and a tomboy soldier with a very big secret and mashing them together brilliantly. Leviathan is interesting enough to keep the pages turning, but also thoughtful enough to pause and reflect on the story, the culture, and how Mr. Westerfeld has adapted the cultures, climate, science and politics of WWI in this Steampunk novel.
He also very annoyingly ends on a cliffhanger necessitating an emergency amazon binge buy...
The characters are loveable and fun and his play on language and slang creative and intriguing. Barking Spiders! I can't wait till the next book, Behemoth arrives... - Rating: 4 out of 5 stars4/5
Mar 31, 2013
This book was a lot of fun. A Steampunk alternate history of the opening of the Great War, focusing on an Austrian noble and an English mid-shipman, it was perfectly detailed and had just the right amount of action for me. Fast, without being all-actiony, and giving lots of details, but the fun kind that didn't bog down the story.
As I was carried along by the tale, I noticed some historical inaccuracies, but to be honest, I didn't mind (alternate history, after all), but when I noticed some scientific inaccuracies it bugged me a little bit (I can live with 1914 having knowledge and the ability to work with DNA, even though DNA wasn't discovered til the 50s, but I couldn't live with Darwin being the discoverer of DNA), but I let it go and just went along with the ride.
What I particularly appreciated, was that Westerfeld described/sorted out the truth/fiction of the historical accuracies (what he used that was real, what was incorrect), in his afterword at the end of the book, and for whatever reason, it placated me so that I can live with whatever he wants to throw out at the reader. I guess knowing the author is aware of what he's changing somehow make the changes OK.
I really look forward to the next in the series. - Rating: 3 out of 5 stars3/5
Mar 31, 2013
While I liked this book plenty, I guess the only thing that bugged me is that I didn't really CARE about the main characters. Everything else was pretty cool though.
I'll be reading the sequels whenever they come out, so there's that. If I could give half stars, this would be 3.5. - Rating: 4 out of 5 stars4/5
Mar 30, 2013
Woo steampunk! Leviathan is a much more traditional boy's adventure style story than I expected from Westerfeld, but of course it's well-done. The core idea - the Axis developed steampunk-style technology whereas the Allies perfected genetic engineering - is brilliant and colorful, and while I'm not sure it was possible for my eyes to roll harder when the girl-disguised-as-a-boy realized she was attracted to the male protagonist, I'll have to wait for the sequel to find out just how badly that trope will annoy me.
Great fun, if a little more perfectly a young adult novel than some of his other works. - Rating: 3 out of 5 stars3/5
Mar 30, 2013
Aleksander, son of Archduke Franz Ferdinand and his wife Sophie Chotek, is pulled from his bed in the middle of the night to practice night maneuvers with the walker. It's not long before he learns the truth from his teachers: his parents have been assassinated, and they need to get out of Austria quickly. Alek has very little time to learn how to pilot the giant machine in the dark. He also has to avoid detection, and when that fails, escape any and all attacks without getting himself or any of his men captured. He may be the rightful heir, but nobody can know--at least right now, on the brink of war--that he still survives.
Meanwhile, Deryn is desperate to pass the tests to become a midshipman in the Air Service. The only problem she might have is that they don't allow girls, so she enrolls in the testing as Dylan--and when a runaway hydrogen-breather takes her on an impromptu tour over London, she proves her mettle enough to be admitted. As long as her superiors don't find out she's a she.
Eventually these two meet up, both in rather dire straights. Deryn's British, Darwinist officers are all for keeping the strange Austrian Clanker under lock and key, but he may hold the keys to their salvation--just as they can help his escape. Deryn, Alek, and their respective crews have choices to make: do what's best for their countries in this new war, or what's best for their new, though unlikely, allies.
Westerfeld's latest series treds new ground for him, breaking into the Steampunk genre with this alternate history of the World War I. Unfortunately, Westerfeld is less confident here than in his other settings; the world setting fails to come alive the same way as his other books. Deryn and Alex and just about the only characters (there are others, but even the most major of these are background) and even their development is a little thin at times.
I've no doubts that this book will circulate, particularly among middle-school boys, but this Westerfeld fan was disappointed. It reads younger than his other books (maybe 5th-8th grade?), and the pictures throughout don't help. On the bright side, if I could get posters of the endpapers, I'd frame them and hang them everywhere. Too bad the interior illustration doesn't hold up to the promise made by the jacket art and endpapers. - Rating: 4 out of 5 stars4/5
Feb 14, 2013
Like other books by Westerfeld, the action keeps a good pace and he gives just enough technical details to keep it believable but not too much to bog down the story. The protagonist is a girl hiding as a boy in the steampunk British navy at the beginning of an alternative World War I. This series could serve as an introductory to steampunk for young readers. - Rating: 4 out of 5 stars4/5
Feb 9, 2013
Leviathan is a fast-paced, action-packed novel that had me on the edge of my seat! But it’s the fantastic worldbuilding that really makes this story shine. Imagine a steampunk, swashbuckling adventure with genetically engineered animals set during the First World War. I mean, how creative is that? I’m also a sucker for girls-disguised-as-boys books, and the heroine, Deryn, is a totally awesome ass-kicker. My one beef with this book is the ending. It’s not exactly a cliffhanger, but it will make you pull your hair out and shout, “That’s it?!” It practically ends in the middle of the story! Still, I thoroughly enjoyed Leviathan, and I’m eager to pick up the second book in the trilogy. - Rating: 3 out of 5 stars3/5
Dec 6, 2012
Barking spiders! I can see why this is a popular book with students - a lot of action, secrets the characters are terrified to reveal, and a lot of weird creatures and war machines. - Rating: 4 out of 5 stars4/5
Sep 29, 2012
The introduction to a crazy alternate history where the Brits are Darwinists, their technology reliant on artificially evolved beasties, and the Germans are Clankers, reliant on a more steampunk type of technology. I found this book a little slower going than later volumes since it had so much world to explain, but it is most definitely worth it to start this series! - Rating: 4 out of 5 stars4/5
Aug 28, 2012
The Archduke and his wife have just been murdered. Their son, Alek, a prince with title, but no power, a royal with no thrown to rule is on the run from a country that has betrayed him. Deryn, aka Dylan, a girl masquerading as a boy joins the ranks of solders sworn to protect the British empire from enemies, finds herself with no training, but a battle to fight nonetheless.The world is divided into Beasties and Clankers. It is a war of politics, of government secrets and conspiracies, of animals versus machines. Two unlikely friends, hesitant to trust the other with their secrets, but with the threat of war looming on the horizon, they will have no choice but to forge a tentative alliance. Steampunk can only be good if you can actually visualize the described foreign world, filled with inventions and creatures that are anything but familiar. Westerfeld has written a steampunk that is both accessible to those who are new to the genre and refreshing for seasoned readers alike. The drawings interspersed throughout the story are absolutely marvellous and they provide a visual commentary that helps those of us who struggle with the strange sights, sounds, and images. Highly recommended for anyone interested in trying out steampunk as well as those who have already fallen in love with the genre. - Rating: 3 out of 5 stars3/5
Aug 25, 2012
In this alternate history of WWI, the battle lines are drawn between the "Darwinists" - those who have modified animals to be more useful using and often combining animals with technology - and the "Clankers" who have created all of war weapons from metal, machinery, and gasoline. As the would-be prince of Austria is on the run from the people who had his parents killed, he must unite his Clanker background with the Darwinist team from London in order to survive. Aboard the Leviathan, the Darwinist flying machine, is Deryn - a young girl posing as a boy in order to fight and fly during this time of peril. The two form a bond despite their differences in upbringing and their country's views on mechanics. I had a difficult time getting into this story, though I usually like Westerfeld's writing style this was just a little too "out there" for me. The most interesting part was what I learned about WWI after reading tidbits in the book I wanted to find out if that really happened or if that person really existed. This would be a great way to jump away from history books and into a new genre, or away from sci-fi and into history for a student who is stuck. - Rating: 4 out of 5 stars4/5
Aug 5, 2012
A revised history of WWI where the allied powers are Darwinists and used modified beasts as war machines and the axis powers are Clankers, using machinery. Alex is the son of the assassinated Archduke and is on the run to save his life. Deryn is a girl posing as a boy to gain a place in the English military. Their paths cross in the mountains of Switzerland where they find themselves working together to survive a German attack and keep Alex's identity secret. The story stops a bit abruptly leading to the next installment of the adventure. - Rating: 3 out of 5 stars3/5
Aug 2, 2012
It's the beginning of the 20th century, and war is brewing in Europe. But this is not the Europe you remember from history class - on one side are the Darwinist (including Britain, France and Russia) where society includes a wild world of fabricated animals, including parachutes made out of jellyfish, talking lizards employed as messengers, and giant flying machines akin to whales. On the Clanker side (Germany, Austria-Hungary and the Ottoman Empire) steam-driven machines range from two-legged Stormwalkers and dirigibles far beyond the Hindenburg.Our story involves young prince Alek, the son of a Hapsburg prince and commoner mother, and Deryn, a Scottish girl, pretending to be a boy so she can join the British Air Force. Their stories begin separately, but eventually come together as Alek flees from the growing war and Deryn's ship sails right into it.I'm not generally a steampunk fan, but I enjoyed this. I wonder how well this would succeed with its intended audience though - I found it tough going and a bit confusing for the first few chapters while I tried to figure out the Clanker and Darwinist backgrounds. I also wondered whether readers who have little knowledge of World War I will be helped or hindered by the setting. On the one hand, they won't necessarily get all the references (though Westerfeld does a good job in the appendix of explaining which parts were real and which he created). But on the other hand, I kept getting distracted trying to remember all the alliances and history of that era (WWI got short shrift in my history classes, other than to set the stage for WWII). - Rating: 4 out of 5 stars4/5
Jul 12, 2012
Prince Aleksandar is on the run. His parents have been assassinated and that act is being used to start a war. Nobody wants a stray heir to the Austro-Hungarian throne running around loose so Alek, accompanied by a few trusty retainers, sets about making a run to Switzerland in their mechanical walker. Meanwhile, Deryn has disguised herself as a boy in order to qualify for the Air Service as all she wants to do in life is fly. When her test flight goes badly wrong she is rescued by the Leviathan, a living airship, and soon manages to pass the mid-shipmen's test to become a member of the crew. Sent on a special mission to Constantinople the Leviathan is attacked by Germans and is forced to crash land on a glacier in Switzerland right near where Alek and his cohorts are hiding. Dare Alek offer assistance to the stricken vessel and possibly have his identity and location revealed to his enemies and if he does help, how will the British react if they find out who he really is?This is a very good starter book in a YA Steampunk/Alternate History series. Excellent world-building provides a stage for all sorts of oddities to soon seem commonplace as the adventuring of the two young heroes commences. There are some very good illustrations along the way that really help to set the scene as well. There is also an afterword provided by the author which compares our real world to the alternate one featured in the book which I found to be a nice touch.
Book preview
Leviathan - Scott Westerfeld
• ONE •
The Austrian horses glinted in the moonlight, their riders standing tall in the saddle, swords raised. Behind them two ranks of diesel-powered walking machines stood ready to fire, cannon aimed over the heads of the cavalry. A zeppelin scouted no-man’s-land at the center of the battlefield, its metal skin sparkling.
The French and British infantry crouched behind their fortifications—a letter opener, an ink jar, and a line of fountain pens—knowing they stood no chance against the might of the Austro-Hungarian Empire. But a row of Darwinist monsters loomed behind them, ready to devour any who dared retreat.
The attack had almost begun when Prince Aleksandar thought he heard someone outside his door. . . .
He took a guilty step toward his bed—then froze in place, listening hard. Trees stirred in a soft breeze outside, but otherwise the night was silent. Mother and Father were in Sarajevo, after all. The servants wouldn’t dare disturb his sleep.
Alek turned back to his desk and began to move the cavalry forward, grinning as the battle neared its climax. The Austrian walkers had completed their bombardment, and it was time for the tin horses to finish off the woefully outnumbered French. It had taken all night to set up the attack, using an imperial tactics manual borrowed from Father’s study.
It seemed only fair that Alek have some fun while his parents were off watching military maneuvers. He’d begged to be taken along, to see the mustered ranks of soldiers striding past in real life, to feel the rumble of massed fighting machines through the soles of his boots.
It was Mother, of course, who had forbidden it—his studies were more important than parades,
as she called them. She didn’t understand that military exercises had more to teach him than musty old tutors and their books. One day soon Alek might be piloting one of those machines.
War was coming, after all. Everyone said so.
The last tin cavalry unit had just crashed into the French lines when the soft sound came from the hallway again: jingling, like a ring of keys.
Alek turned, peering at the gap beneath his bed chamber’s double doors. Shadows shifted along the sliver of moonlight, and he heard the hiss of whispers.
Someone was right outside.
Silent in bare feet, he swiftly crossed the cold marble floor, sliding into bed just as the door creaked open. Alek narrowed his eyes to a slit, wondering which of the servants was checking on him.
Moonlight spilled into the room, making the tin soldiers on his desk glitter. Someone slipped inside, graceful and dead silent. The figure paused, staring at Alek for a moment, then crept toward his dresser. Alek heard the wooden rasp of a drawer sliding open.
His heart raced. None of the servants would dare steal from him!
But what if the intruder were something worse than a thief? His father’s warnings echoed in his ears. . . .
You have had enemies from the day you were born.
A bell cord hung next to his bed, but his parents’ rooms were empty. With Father and his bodyguard in Sarajevo, the closest sentries were quartered at the other end of the trophy hall, fifty meters away.
Alek slid one hand under his pillow, until his fingers touched the cold steel of his hunting knife. He lay there holding his breath, grasping the handle tightly, repeating to himself his father’s other watchword.
Surprise is more valuable than strength.
Another figure came through the door then, boots clomping, a piloting jacket’s metal clips jingling like keys on a ring. The figure tromped straight toward his bed.
Young master! Wake up!
Alek let go of the knife, expelling a sigh of relief. It was just old Otto Klopp, his master of mechaniks.
The first figure began rifling through the dresser, pulling at clothes.
The young prince has been awake all along,
Wildcount Volger’s low voice said. A bit of advice, Your Highness? When pretending to be asleep, it is advisable not to hold one’s breath.
Alek sat up and scowled. His fencing master had an annoying knack for seeing through deception.
What’s the meaning of this?
You’re to come with us, young master,
Otto mumbled, studying the marble floor. The archduke’s orders.
My father? He’s back already?
He left instructions,
Count Volger said with the same infuriating tone he used during fencing lessons. He tossed a pair of Alek’s trousers and a piloting jacket onto the bed.
Alek stared at them, half outraged and half confused.
Like young Mozart,
Otto said softly. In the archduke’s stories.
Alek frowned, remembering Father’s favorite tales about the great composer’s upbringing. Supposedly Mozart’s tutors would wake him in the middle of the night, when his mind was raw and defenseless, and thrust musical lessons upon him. It all sounded rather dis respectful to Alek.
He reached for the trousers. "You’re going to make me compose a fugue?"
An amusing thought,
Count Volger said. But please make haste.
We have a walker waiting behind the stables, young master.
Otto’s worried face made an attempt at a smile. You’re to take the helm.
A walker?
Alek’s eyes widened. Piloting was one part of his studies he’d gladly get out of bed for. He slipped quickly into the clothes.
Yes, your first night lesson!
Otto said, handing Alek his boots.
Alek pulled them on and stood, then fetched his favorite pilot’s gloves from the dresser, his footsteps echoing on the marble floor.
Quietly now.
Count Volger stood by the chamber doors. He cracked them and peered out into the hall.
We’re to sneak out, Your Highness!
Otto whispered. Good fun, this lesson! Just like young Mozart!
The three of them crept down the trophy hall, Master Klopp still clomping, Volger gliding along in silence. Paintings of Alek’s ancestors, the family who had ruled Austria for six hundred years, lined the hallway, their subjects staring down with unreadable expressions. The antlers of his father’s hunting trophies cast tangled shadows, like a moonlit forest. Every footstep was magnified by the stillness of the castle, and questions echoed in Alek’s mind.
Wasn’t it dangerous, piloting a walker at night? And why was his fencing master coming along? Count Volger preferred swords and horses over soulless mechaniks, and had little tolerance for commoners like old Otto. Master Klopp had been hired for his piloting skills, not his family name.
Volger . . . ,
Alek began.
"Quiet, boy!" the wildcount spat.
Anger flashed inside Alek, and a curse almost burst from his mouth, even if it ruined their stupid game of sneaking out.
It was always like this. To the servants he might be the young archduke,
but nobles like Volger never let Alek forget his position. Thanks to his mother’s common blood, he wasn’t fit to inherit royal lands and titles. His father might be heir to an empire of fifty million souls, but Alek was heir to nothing.
Volger himself was only a wildcount—no farmlands to his name, just a bit of forest—but even he could feel superior to the son of a lady-in-waiting.
Alek managed to stay quiet, though, letting his anger cool as they stole through the vast and darkened banquet kitchens. Years of insults had taught him how to bite his tongue, and disrespect was easier to swallow with the prospect of piloting ahead.
One day he would have his revenge. Father had promised. The marriage contract would be changed somehow, and Alek’s blood made royal.
Even if it meant defying the emperor himself.
• TWO •
By the time they reached the stables, Alek’s only concern was tripping in the darkness. The moon was less than half full, and the estate’s hunting forests stretched like a black sea across the valley. At this hour even the lights of Prague had died out to a mere inkling.
When Alek saw the walker, a soft cry escaped his lips.
It stood taller than the stable’s roof, its two metal feet sunk deep into the soil of the riding paddock. It looked like one of the Darwinist monsters skulking in the darkness.
This wasn’t some training machine—it was a real engine of war, a Cyklop Stormwalker. A cannon was mounted in its belly, and the stubby noses of two Spandau machine guns sprouted from its head, which was as big as a smokehouse.
STEALING AWAY.
Before tonight Alek had piloted only unarmed runabouts and four-legged training corvettes. Even with his sixteenth birthday almost here, Mother always insisted that he was too young for war machines.
"I’m supposed to pilot that? Alek heard his own voice break.
My old runabout wouldn’t come up to its knee!"
Otto Klopp’s gloved hand patted his shoulder heavily. Don’t worry, young Mozart. I’ll be at your side.
Count Volger called up to the machine, and its engines rumbled to life, the ground trembling under Alek’s feet. Moonlight shivered from the wet leaves in the camouflage nets draped over the Stormwalker, and the mutter of nervous horses came from the stable.
The belly hatch swung open and a chain ladder tumbled out, unrolling as it fell. Count Volger stilled it from swinging, then planted a boot on the lowermost metal rung to hold it steady.
Young master, if you please.
Alek stared up at the machine. He tried to imagine guiding this monster through the darkness, crushing trees, buildings, and anything else unlucky enough to be in his path.
Otto Klopp leaned closer. Your father the archduke has thrown us a challenge, me and you. He wants you ready to pilot any machine in the House Guard, even in the middle of the night.
Alek swallowed. Father always said that, with war on the horizon, everyone in the household had to be prepared. And it made sense to begin training while Mother was away. If Alek crashed the walker, the worst bruises might fade before the princess Sophie returned.
But Alek still hesitated. The belly hatch of the rumbling machine looked like the jaws of some giant predator bending down to take a bite.
Of course, we cannot force you, Your Serene Highness,
Count Volger said, amusement in his voice. We can always explain to your father that you were too scared.
"I’m not scared." Alek grabbed the ladder and hoisted himself up. The sawtooth rungs gripped his gloves as Alek climbed past the anti-boarding spikes arrayed along the walker’s belly. He crawled into the machine’s dark maw, the smell of kerosene and sweat filling his nose, the engines’ rhythm trembling in his bones.
Welcome aboard, Your Highness,
a voice said. Two men waited in the gunners’ cabin, steel helmets glittering. A Stormwalker carried a crew of five, Alek recalled. This wasn’t some little three-man runabout. He almost forgot to return their salutes.
Count Volger was close behind him on the ladder, so Alek kept climbing up into the command cabin. He took the pilot’s seat, strapping himself in as Klopp and Volger followed.
He placed his hands on the saunters, feeling the machine’s awesome power trembling in his fingers. Strange to think that these two small levers could control the walker’s huge metal legs.
Vision at full,
Klopp said, cranking the viewport open as wide as it would go. The cool night air spilled into the Stormwalker’s cabin, and moonlight fell across dozens of switches and levers.
The four-legged corvette he’d piloted the month before had needed only control saunters, a fuel gauge, and a compass. But now uncountable needles were arrayed before him, shivering like nervous whiskers.
What were they all for?
He pulled his eyes from the controls and stared through the viewport. The distance to the ground gave him a queasy feeling, like peering down from a hayloft with thoughts of jumping.
The edge of the forest loomed only twenty meters away. Did they really expect him to pilot this machine through those dense trees and tangled roots . . . at night?
At your pleasure, young master,
Count Volger said, sounding bored already.
Alek set his jaw, resolving not to provide the man with any more amusement. He eased the saunters forward, and the huge Daimler engines changed pitch as steel gears bit, grinding into motion.
The Stormwalker rose from its crouch slowly, the ground slipping still farther away. Alek could see across the treetops now, all the way to shimmering Prague.
He pulled the left saunter back and pushed the right forward. The machine lumbered into motion with an inhumanly large step, pressing him back into the pilot’s seat.
The right pedal rose a little as the walker’s foot hit soft ground, nudging Alek’s boot. He twisted at the saunters, transferring weight from one foot to the other. The cabin swayed like a tree house in a high wind, lurching back and forth with each giant step. A chorus of hissing came from the engines below, gauges dancing as the Stormwalker’s pneumatic joints strained against the machine’s weight.
Good . . . excellent,
Otto muttered from the commander’s seat. Watch your knee pressure, though.
Alek dared a glance down at the controls, but had no idea what Master Klopp was talking about. Knee pressure? How could anyone keep track of all those needles without driving the whole contraption into a tree?
Better,
the man said a few steps later. Alek nodded dumbly, overjoyed that he hadn’t tipped them over yet.
Already the forest was looming up, filling the wide-open viewport with a dark tangle of shapes. The first glistening branches swept past, thwacking at the viewport, spattering Alek with cold showers of dew.
Shouldn’t we spark up the running lights?
he asked.
Klopp shook his head. Remember, young master? We’re pretending we don’t want to be spotted.
Revolting way to travel,
Volger muttered, and Alek wondered again why the man was here. Was there to be a fencing lesson after this? What sort of warrior-Mozart was his father trying to make him into?
The shriek of grinding gears filled the cabin. The left pedal snapped up against Alek’s foot, and the whole machine tipped ominously forward.
You’re caught, young master!
Otto said, hands ready to snatch the saunters away.
"I know!" Alek cried, twisting at the controls. He slammed the machine’s right foot down midstride, its knee joint spitting air like a train whistle. The Stormwalker wavered drunkenly for a moment, threatening to fall. But long seconds later Alek felt the machine’s weight settle into the moss and dirt. It was balanced with one foot stretching back, like a fencer posing after a lunge.
He pushed on both saunters, the left leg pulling at whatever had entangled it, the right straining forward. The Daimler engines groaned, and metal joints hissed. Finally a shudder passed through the cabin, along with the satisfying sound of roots tearing from the ground—the Stormwalker rising up. It stood high for a moment, like a chicken on one leg, then stepped forward again.
Alek’s shaking hands guided the walker through its next few strides.
Well done, young master!
Otto cried. He clapped his hands once.
Thank you, Klopp,
Alek said in a dry voice, feeling sweat trickle down his face. His hands clenched the saunters tight, but the machine was walking smoothly again.
Gradually he forgot that he was at the controls, feeling the steps as if they were his own. The sway of the cabin settled into his body, the rhythms of gears and pneumatics not so different from his runabout’s, only louder. Alek had even begun to see patterns in the flickering needles of the control panel—a few leapt into the red with every footfall, easing back as the walker straightened. Knee pressure, indeed.
But the sheer power of the machine kept him anxious. Heat from the engines built in the cabin, the night air blowing in like cold fingers. Alek tried to imagine what piloting would be like in battle, with the viewport half shut against flying bullets and shrapnel.
Finally the pine branches cleared before them, and Klopp said, Turn here and we’ll have better footing, young master.
Isn’t this one of Mother’s riding paths?
Alek said. She’ll have my hide if we track it up!
Whenever one of Princess Sophie’s horses stumbled on a walker footprint, Master Klopp, Alek, and even Father felt her wrath for days.
But he eased back on the throttle, grateful for a moment of rest, bringing the Stormwalker to a halt on the trail. Inside his piloting jacket Alek was soaked with sweat.
Disagreeable in every way, Your Highness,
Volger said. But necessary if we’re to make good time tonight.
Alek turned to Otto Klopp and frowned. "Make good time? But this is just practice. We’re not going anywhere, are we?"
Klopp didn’t answer, his eyes glancing up at the count. Alek pulled his hands from the saunters and swiveled the pilot’s chair around.
Volger, what’s going on?
The wildcount stared down at him in silence, and Alek felt suddenly very alone out here in the darkness.
His mind began to replay his father’s warnings: How some nobles believed that Alek’s muddled lineage threatened the empire. That one day the insults might turn into something worse. . . .
But these men couldn’t be traitors. Volger had held a sword to his throat a thousand times in fencing practice, and his master of mechaniks? Unthinkable.
"Where are we going, Otto? Explain this at once."
You’re to come with us, Your Highness,
Otto Klopp said softly.
We have to get as far away from Prague as possible,
Volger said. Your father’s orders.
But my father isn’t even . . .
Alek gritted his teeth and swore. What a fool he’d been, tempted into the forest with tales of midnight piloting, like luring a child with candy. The whole household was asleep, his parents away in Sarajevo.
Alek’s arms were still tired from fighting to keep the Stormwalker upright, and strapped into the pilot’s chair he could hardly draw his knife. He closed his eyes—he’d left the weapon back in his room, under the pillow.
The archduke left instructions,
Count Volger said.
"You’re lying!" Alek shouted.
I wish we were, young master.
Volger reached into his riding jacket.
A surge of panic swept into Alek, cutting through his despair. His hands shot to the unfamiliar controls, searching for the distress whistle’s cord. They couldn’t be far from home yet. Surely someone would hear the Stormwalker’s shriek.
Otto jumped into motion, grabbing Alek’s arms. Volger swept a flask from his jacket and forced its open mouth to Alek’s face. A sweet smell filled the cabin, sending his mind spinning. He tried not to breathe, struggling against the larger men.
Then his fingers found the distress cord and pulled—
But Master Klopp’s hands were already at the controls, spilling the Stormwalker’s pneumatic pressure. The whistle let out only a miserable descending wail, like a teakettle pulled from the fire.
Alek still struggled, holding his breath for what felt like minutes, but finally his lungs rebelled. He scooped in a ragged breath, the sharp scent of chemicals filling his head . . .
A cascade of bright spots fell across the instruments, and a weight seemed to lift from Alek’s shoulders. He felt as though he were floating free of the men’s grasp, free of the seat straps—free of gravity, even.
My father will have your heads,
he managed to croak.
Alas not, Your Highness,
Count Volger said. Your parents are both dead, murdered this night in Sarajevo.
Alek tried to laugh at this absurd statement, but the world twisted sideways under him, darkness and silence crashing down.
• THREE •
Wake up, you ninny!
Deryn Sharp opened one eye . . . and found herself staring at etched lines streaming past an airbeast’s body, like a river’s course around an island—an airflow diagram. Lifting her head from the aeronautics manual, she discovered that the open page was stuck to her face.
You stayed up all night!
The voice of her brother, Jaspert, battered her ears again. I told you to get some sleep!
Deryn gently peeled the page from her cheek and frowned—a smudge of drool had disfigured the diagram. She wondered if sleeping with her head in the manual had stuffed still more aeronautics into her brain.
"Obviously I did get some sleep, Jaspert, seeing as you found me snoring."
Aye, but not properly in bed.
He was moving around the small rented room in the darkness, piecing together a clean airman’s uniform. One more hour of studying, you said, and you’ve burnt our last candle down to a squick!
Deryn rubbed at her eyes, looking around the small, depressing room. It was always damp and smelled of horse clart from the stables below. Hopefully last night would be the last time she slept here, in bed or not. Doesn’t matter. The Service has its own candles.
Aye, if you pass the test.
Deryn snorted. She’d studied only because she hadn’t been able to sleep, half excited about finally taking the airman middy’s test, half terrified that someone would see through her disguise. No need to worry about that, Jaspert. I’ll pass.
Her brother nodded slowly, a mischievous expression crossing his face. Aye, maybe you’re a crack hand with sextants and aerology. And maybe you can draw any airbeast in the fleet. But there’s one test I haven’t mentioned. It’s not about book learning—more what they call ‘air sense.’
Air sense?
Deryn said. Are you winding me up?
It’s a dark secret of the Service.
Jaspert leaned forward, his voice dropping to a whisper. I’ve risked expulsion for daring to mention it to a civilian.
"You are full of clart, Jaspert Sharp!"
I can say no more.
He pulled his still-buttoned shirt over his head, and when his face emerged, it had broken into a smile.
Deryn scowled, still not sure if he was kidding. As if she weren’t nervous enough.
Jaspert tied his airman’s neckerchief. Get your slops on and we’ll see what you look like. All that studying’s going to waste if your tailoring don’t persuade them.
Deryn stared sullenly down at the pile of borrowed clothes. After all her studying and everything she’d learned when her father was alive, the middy’s test would be easy. But what was in her head wouldn’t matter unless she could fool the Air Service boffins into believing her name was Dylan, not Deryn.
She’d resewn Jaspert’s old clothes to alter their shape, and she was plenty tall—taller than most boys of midshipman’s age. But height and shape weren’t everything. A month of practicing on the streets of London and in front of the mirror had convinced her of that.
Boys had something else . . . a sort of swagger about them.
When she was dressed, Deryn gazed at her reflection in a darkened window. Her usual self stared back: female and fifteen. The careful tailoring only made her look queerly skinny, not so much a boy as some tattie bogle set out in old clothes to scare the crows.
Well?
she said finally. Do I pass as a Dylan?
Jaspert’s eyes drifted up and down, but he said nothing.
I’m plenty tall for sixteen, right?
she pleaded.
Finally he nodded. Aye, I suppose you’ll pass. It’s just lucky you’ve no diddies to speak of.
Deryn’s jaw dropped open, her arms crossing over her chest. And you’re a bum-rag covered in clart!
Jaspert laughed, slapping her hard on the back. That’s the spirit. I’ll have you swearing like a navy lad yet.
The London omnibuses were much fancier than those back in