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The Garden of Eden
The Garden of Eden
The Garden of Eden
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The Garden of Eden

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The last uncompleted novel of Ernest Hemingway, published posthumously in 1986, charts the life of a young American writer and his glamorous wife who fall for the same woman.

A sensational bestseller when it appeared in 1986, The Garden of Eden is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).
LanguageEnglish
PublisherScribner
Release dateJul 25, 2002
ISBN9780743237222
Author

Ernest Hemingway

Ernest Hemingway (1899-1961) was one of the most influential writers and larger-than-life characters of the first half of the 20th Century. A renowned outdoorsman, journalist and, for a time, European expatriate, Hemingway began life as a reporter and his just-the-facts style of writing for newspapers - unadorned and direct - became the signature style he employed in his stories and novels. Born and raised in Oak Park, Illinois, Hemingway was rejected by the Army for poor eyesight and soon happened upon a Red Cross notice enticing young men to become ambulance drivers in Europe and immediately signed up.Shipped to the Italian Front in June of 1918, Hemingway would be seriously injured by mortar fire and hospitalized in Milan, where he fell in love with a Red Cross nurse. He would later use his wartime experience as the basis for his book "A Farewell to Arms."Working as a reporter in Paris, Hemingway fell in with a group artists who had taken up residence in the city, including James Joyce, Ezra Pound, Pablo Picasso, Gertrude Stein and F. Scott Fitzgerald. Fitzgerald's publication of "The Great Gatsby" convinced Hemingway that he should move on from writing short stories and embark on a novel. His trip to Pamplona, Spain and subsequent fascination with bullfighting led to his creation of his first full book, "The Sun Also Rises." Hemingway is also known for his novels "To Have and Have Not," "For Whom the Bell Tolls" and "The Old Man and the Sea," as well as numerous short stories. In 1954, Hemingway was awarded the Nobel Prize in Literature. Hemingway's health and mental status began to rapidly deteriorate in the late 1950s and while he continued to write, his mental decline and physical challenges proved to be too much for him to bear. On July 2, 1961, Hemingway took up his favorite shotgun, put it to his head and ended his life.Ernest Hemingway was a dominant figure in American literature during his lifetime and his influence on the writers who followed him - both positive and negative - lasts to this day.

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  • Rating: 3 out of 5 stars
    3/5
    This is the first novel of Hemingway's that I have ever read. Previous to this I have only read a small sample of his short stories. That being said, my boyfriend has been recommending that I read this for years now, and I recently picked it up at my college's annual book sale for $1. Overall, I quite enjoyed the plot and the writing. There were times where it was slow going and a bit exasperating (meal times and David's writing come to mind) and it was difficult not to skim through at these bits. However, I would still recommend it to anyone who is wondering whether or not to read it. Hemingway creates a wonderful description of a honeymoon getaway that makes the reader want to run off to travel around Europe, skinny-dipping and taking beautiful lovers and letting your skin darken without worrying about skin cancer. The story still has it's pitfalls - some of the dialogue is a little plain and uninspired and Hemingway writes each of his characters as having very similar dialogues, especially the women. However, the plot treads on some interesting events and character relations. Overall, a good read, but probably not Hemingway's best. I do understand though, that the novel was unfinished and possibly edited poorly, with entire chapters cut. I plan on reading some of his other works to get the true "Hemingway experience" because I did like his short stories.
  • Rating: 5 out of 5 stars
    5/5
    Hemingway's creatures--his books and his characters--are so complete, whether you like them or not, that reading even this unfinished work is a bit like falling into another world, or even many worlds in the case of this Garden of Eden. And reading this work by Hemingway, in particular, is a bit like exploring his notebooks simply because there are aspects of so many of his different works, and the style here is both undeniably him...and wholly a bit foreign in some strange way. Perhaps that foreignness might have been edited out, had he lived to finish the work to his satisfaction, but as it stands, this book is something else entirely, and rather wonderful. It feels ahead of its time, and yet timeless; matter-of-fact, and yet decadent; lovely, and still undeniably crude.Simply, there's something about this work that I couldn't help but sink into, and I rather adored the thing--and yes, I call it a thing--in its entirety.
  • Rating: 4 out of 5 stars
    4/5
    Hemmingway's prose is like a caress, beautiful and sensual and perfect in itself even if it has no deeper meaning. This is a joy to read because the writing is that good, and because the story has a quite unhurried quality which pleased me. That said, has there ever been another human being as frightened about the threat of assault on his masculinity? I don't think so, In the end I could not fall in love with this because he punted on filling out the women characters and instead made them caricatures, existing only to illustrate what can happen when a weak man allows a brazen woman (who wants to be a man, natch) to feast on his man essence. She kills his manly manliness (he doesn't even want a threesome!) She destroys his work is a symbolic bonfire where she actually torches his junk! (The ability to create good work apparently rests somewhere in the groinal region.) Is it misogynistic? I swear this is so over the top I don't even know. He loathes women, but he loathes men too. Is it pathological? That it is. Anyway...had the women been more developed this would have been better but it is still pretty magnificent.
  • Rating: 5 out of 5 stars
    5/5
    This book has a special place in my heart--I picked it up when I was thirteen and it was my very first dirty book. I became obsessed with striped shirts. My opinion of it completely biased. Rereading it, I can see the flaws more clearly, but nostalgia wins for me every time.
  • Rating: 3 out of 5 stars
    3/5
    Hemingway exploring gender roles. Interesting, if unfocused, work. Unfinished at his death, Hemingway didn't have this one ready for publication and it shows.
  • Rating: 4 out of 5 stars
    4/5
    I have an unbearable loathing for Hemingway, probably because he's a blatant misogynist--I mean, just look at his female characters. My cat could write as well as Hemingway could. His stories are essentially the same--rich people drinking themselves into weird oblivions and having sex with one another. Garden of Eden is especially interesting because, surprise surprise, the male character is just as unlikeable as the female ones!

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    Newlyweds Catherine and David are enjoying an extended honeymoon while he tries to write his next book. As Catherine putters around the coastal town she begins to change both her appearance and her attitude towards her husband. Then everything in their relationship changes when she makes friends with a woman named Marita. Such a strange book, published posthumously, and one that I never would have guessed was written by Hemingway. It contains his clean prose, but his characters are wildly different from anything else I’ve read of his. After A Farewell to Arms, For Whom the Bell Tolls and other big Hemingway novels I thought I know what to expect from his writing. If it’s fiction there is usually a badly drawn female willing to do whatever the hero wants. This book is the polar opposite of that assumption. It makes me wonder if he only wanted to publish the incredibly masculine novels he wrote during his lifetime. While Catherine and David are still attempting to find their footing as a couple, Marita’s presence throws them off kilter. They begin to reevaluate their roles in the relationship. Catherine carefully pushes and prods until David accepts Marita as a friend and then as a lover. The ménage à trois relationship sneaks slowly into their lives until it’s hard to remember what they were like as a twosome.After reading The Paris Wife last year it made me wonder how much of this book was inspired by bits and pieces of Hemingway’s own life. His first marriage ended when a close female friend (Pauline Pfeiffer) slowly worked her way into the lives of both Hemingway and his wife Hadley. There are even some parallels with destroyed manuscripts, though in the novel it’s a malicious act and in real life the manuscripts were stolen while in Hadley’s possession. BOTTOM LINE: A strange look inside one couple’s marriage. A crucial book to read if you think you really know Hemingway’s work, but not a must for those who just want a taste. I’d highly recommend his nonfiction book, A Moveable Feast, about his time in Paris to provide another aspect of his writing style.  
  • Rating: 4 out of 5 stars
    4/5
    An alternative romance novel, exploring the untraditional relationships formed between three people.
  • Rating: 5 out of 5 stars
    5/5
    This story is pretty modern for Hemingway. It deals with sexual exploration, madness, and even lesbianism. Yet, the old mastery of story-telling is still here. David Bourne is the typical scarred hero of all of Hemingway's novels, and his wife, Catherine, is equally scarred. Catherine is the character who makes this story really interesting despite being grossly unlikeable. It's a beautiful novel, and I couldn't help but make a connection with the characters. He really was a great story teller.
  • Rating: 4 out of 5 stars
    4/5
    Although Hemingway is tough to swallow in terms of his treatment of women (especially since this book seemed to have all the stereotypes/neurosis about women all wrapped into one), I keep coming back for his beautiful writing. I did appreciate the gender ambiguity and performance, particularly in the couple's sex play. Overall a sad book, but worth the quick read.
  • Rating: 1 out of 5 stars
    1/5
    Thank God it ended. Enjoying some sympathy for David and his stories, and tasting Hemingway's evocative intelligent sentence structure did not make up for the sense of having my time wasted by boring, self-indulgent tourists drinking absinthe in the sun and having tedious self-obsessed non-conversations about their dull, miserable selves. I hope Catherine came back, they all swam very far out to sea indeed and were all accidentally harpooned on the Old Man's spike.
  • Rating: 4 out of 5 stars
    4/5
    Tissue-thin depiction of Hemingway's first marriage and its dissolution. Even after all those years, the loss (in the novel, the destruction by fire) of his early writings at the hands of his wife are all but undendurable. The most intriguing part of the novel is the reconstruction of the "lost" manuscript: a coming-of-age hunting tale, where the husband/author tries to come to terms with his relationship with his father. Somewhat more candor than usual as regards sexual relations, although some of the sex games between husband and wife are still decidedly on the ambiguous side. Is the "envelope-bursting "merely an allusion to female superior? Or are we getting a bit further down the road?
  • Rating: 5 out of 5 stars
    5/5
    Hemingway always draws me in. This book made me cut my hair short and go a little crazy, a testimony to how much of a relationship Papa creates when writing his story. This book may be in my top five, possibly my favourite. Dark, enchanting, beautiful, pained and yet full of love- a picture that only Hemingway can create.
  • Rating: 4 out of 5 stars
    4/5
    The last posthumously published uncompleted novel of Hemingway. It is a story of a love triangle in 1920's southern France.
  • Rating: 3 out of 5 stars
    3/5
    Very strange Hemingway but very typical at the same time. Similar themes to the crazy all consuming love from "A Farewell to Arms" but plays on his ideas of androngony as he mascuates the women into male roles. He was always such a sexist, but I still love him.
  • Rating: 5 out of 5 stars
    5/5
    I wonder where the third installment would have led. This was the book that brought me back to Hemingway, after having been turned off by 'Farewell to Arms'

Book preview

The Garden of Eden - Ernest Hemingway

1

They were living at le Grau du Roi then and the hotel was on a canal that ran from the walled city of Aigues Mortes straight down to the sea. They could see the towers of Aigues Mortes across the low plain of the Camargue and they rode there on their bicycles at some time of nearly every day along the white road that bordered the canal. In the evenings and the mornings when there was a rising tide sea bass would come into it and they would see the mullet jumping wildly to escape from the bass and watch the swelling bulge of the water as the bass attacked.

A jetty ran out into the blue and pleasant sea and they fished from the jetty and swam on the beach and each day helped the fishermen haul in the long net that brought the fish up onto the long sloping beach. They drank aperitifs in the cafe on the corner facing the sea and watched the sails of the mackerel fishing boats out in the Gulf of Lions. It was late in the spring and the mackerel were running and fishing people of the port were very busy. It was a cheerful and friendly town and the young couple liked the hotel, which had four rooms upstairs and a restaurant and two billiard tables downstairs facing the canal and the lighthouse. The room they lived in looked like the painting of Van Gogh’s room at Arles except there was a double bed and two big windows and you could look out across the water and the marsh and sea meadows to the white town and bright beach of Palavas.

They were always hungry but they ate very well. They were hungry for breakfast which they ate at the cafe, ordering brioche and café au lait and eggs, and the type of preserve that they chose and the manner in which the eggs were to be cooked was an excitement. They were always so hungry for breakfast that the girl often had a headache until the coffee came. But the coffee took the headache away. She took her coffee without sugar and the young man was learning to remember that.

On this morning there was brioche and red raspberry preserve and the eggs were boiled and there was a pat of butter that melted as they stirred them and salted them lightly and ground pepper over them in the cups. They were big eggs and fresh and the girl’s were not cooked quite as long as the young man’s. He remembered that easily and he was happy with his which he diced up with the spoon and ate with only the flow of the butter to moisten them and the fresh early morning texture and the bite of the coarsely ground pepper grains and the hot coffee and the chickory-fragrant bowl of café au lait.

The fishing boats were well out. They had gone out in the dark with the first rising of the breeze and the young man and the girl had wakened and heard them and then curled together under the sheet of the bed and slept again. They had made love when they were half awake with the light bright outside but the room still shadowed and then had lain together and been happy and tired and then made love again. Then they were so hungry that they did not think they would live until breakfast and now they were in the cafe eating and watching the sea and the sails and it was a new day again.

What are you thinking? the girl asked.

Nothing.

You have to think something.

I was just feeling.

How?

Happy.

But I get so hungry, she said. Is it normal do you think? Do you always get so hungry when you make love?

When you love somebody.

Oh, you know too much about it, she said.

No.

I don’t care. I love it and we don’t have to worry about anything do we?

Nothing.

What do you think we should do?

I don’t know, he said. What do you?

I don’t care at all. If you’d like to fish I should write a letter or maybe two and then we could swim before lunch.

To be hungry?

Don’t say it. I’m getting hungry already and we haven’t finished breakfast.

We can think about lunch.

And then after lunch?

We’ll take a nap like good children.

That’s an absolutely new idea, she said. Why have we never thought of that?

I have these flashes of intuition, he said. I’m the inventive type.

I’m the destructive type, she said. And I’m going to destroy you. They’ll put a plaque up on the wall of the building outside the room. I’m going to wake up in the night and do something to you that you’ve never even heard of or imagined. I was going to last night but I was too sleepy.

You’re too sleepy to be dangerous.

Don’t lull yourself into any false security. Oh darling let’s have it hurry up and be lunch time.

They sat there in their striped fishermen’s shirts and the shorts they had bought in the store that sold marine supplies, and they were very tan and their hair was streaked and faded by the sun and the sea. Most people thought they were brother and sister until they said they were married. Some did not believe that they were married and that pleased the girl very much.

In those years only a very few people had ever come to the Mediterranean in the summer time and no one came to le Grau du Roi except a few people from Nîmes. There was no casino and no entertainment and except in the hottest months when people came to swim there was no one at the hotel. People did not wear fishermen’s shirts then and this girl that he was married to was the first girl he had ever seen wearing one. She had bought the shirts for them and then had washed them in the basin in their room at the hotel to take the stiffness out of them. They were stiff and built for hard wear but the washings softened them and now they were worn and softened enough so that when he looked at the girl now her breasts showed beautifully against the worn cloth.

No one wore shorts either around the village and the girl could not wear them when they rode their bicycles. But in the village it did not matter because the people were very friendly and only the local priest disapproved. But the girl went to mass on Sunday wearing a skirt and a long-sleeved cashmere sweater with her hair covered with a scarf and the young man stood in the back of the church with the men. They gave twenty francs which was more than a dollar then and since the priest took up the collection himself their attitude toward the church was known and the wearing of shorts in the village was regarded as an eccentricity by foreigners rather than an attempt against the morality of the ports of the Camargue. The priest did not speak to them when they wore shorts but he did not denounce them and when they wore trousers in the evening the three of them bowed to each other.

I’ll go up and write the letters, the girl said and she got up and smiled at the waiter and went out of the cafe.

Monsieur is going to fish? the waiter asked when the young man, whose name was David Bourne, called him over and paid him.

I think so. How is the tide?

This tide is very good, the waiter said. I have some bait if you want it.

I can get some along the road.

No. Use this. They’re sandworms and there are plenty.

Can you come out?

I’m on duty now. But maybe I can come out and see how you do. You have your gear?

It’s at the hotel.

Stop by for the worms.

At the hotel the young man wanted to go up to the room and see the girl but instead he found the long, jointed bamboo pole and the basket with his fishing gear behind the desk where the room keys hung and went back out into the brightness of the road and on down to the cafe and out onto the glare of the jetty. The sun was hot but there was a fresh breeze and the tide was just starting to ebb. He wished that he had brought a casting rod and spoons so that he might cast out across the flow of the water from the canal over the rocks on the far side but instead he rigged his long pole with its cork and quill float and let a sandworm float gently along at a depth where he thought fish might be feeding.

He fished for some time with no luck and watched the mackerel boats tacking back and forth out on the blue sea and the shadows the high clouds made on the water. Then his float went under in a sharp descent with the line angling stiffly and he brought the pole up against the pull of a fish that was strong and driving wildly and making the line hiss through the water. He tried to hold it as lightly as he could and the long pole was bent to the breaking point of the line and trace by the fish which kept trying to go toward the open sea. The young man walked with him on the jetty to ease the strain but the fish kept pulling so that as he drove a quarter of the rod was forced under water.

The waiter had come from the cafe and was very excited. He was talking by the young man’s side saying, Hold him. Hold him. Hold him as softly as you can. He’ll have to tire. Don’t let him break. Soft with him. Softly. Softly.

There was no way the young man could be softer with him except to get into the water with the fish and that did not make sense as the canal was deep. If I could only walk along the bank with him, he thought. But they had come to the very end of the jetty. More than half the pole was under water now.

Just hold him softly, the waiter pleaded. It’s a strong trace.

The fish bored deep, ran, zig-zagged and the long bamboo pole bent with his weight and his rapid, driving strength. Then he came up thrashing at the surface and then was down again and the young man found that although the fish felt as strong as ever the tragic violence was lessened and now he could be led around the end of the jetty and up the canal.

Softly does it, the waiter said. Oh softly now. Softly for us all.

Twice more the fish forced his way out to the open sea and twice the young man led him back and now he was leading him gently along the jetty toward the cafe.

How is he? asked the waiter.

He’s fine but we’ve beaten him.

Don’t say it, the waiter said. Don’t say it. We must tire him. Tire him. Tire him.

He’s got my arm tired, the young man said.

Do you want me to take him? the waiter asked hopefully.

My God no.

Just easy, easy, easy. Softly, softly, softly, the waiter said.

The young man worked the fish past the terrace of the cafe and into the canal. He was swimming just under the surface but was still strong and the young man wondered if they would take him all the way up the canal through the length of the town. There were many other people now and as they went by the hotel the girl saw them out of the window and shouted, Oh what a wonderful fish! Wait for me! Wait for me!

She had seen the fish clearly from above and his length and the shine of him in the water and her husband with the bamboo pole bent almost double and the procession of people following. When she got down to the canal bank and, running, caught up with the people, the procession had stopped. The waiter was in the water at the edge of the canal and her husband was guiding the fish slowly against the bank where there was a clump of weeds growing. The fish was on the surface now and the waiter bent down and brought his hands together from either side and then lifted the fish with his thumbs in both his gills and moved up the bank of the canal with him. He was a heavy fish and the waiter held him high against his chest with the head under his chin and the tail flopping against his thighs.

Several men were pounding the young man on the back and putting their arms around him and a woman from the fish market kissed him. Then the girl had her arms around him and kissed him and he said, Did you see him?

Then they all went over to see him laid out on the side of the road silver as a salmon and dark gunmetal shining on his back. He was a handsome beautifully built fish with great live eyes and he breathed slowly and brokenly.

What is he?

"A loup, he said. That’s a sea bass. They call them bar too. They’re a wonderful fish. This is the biggest one I’ve ever seen."

The waiter, whose name was André, came over and put his arms around David and kissed him and then he kissed the girl.

Madame, it is necessary, he said. It is truly necessary. No one ever caught such a fish on such tackle.

We better have him weighed, David said.

They were at the cafe now. The young man had put the tackle away, after the weighing, and washed up and the fish was on a block of ice that had come in the camion from Nîmes to ice the mackerel catch. The fish had weighed a little over fifteen pounds. On the ice he was still silver and beautiful but the color on his back had changed to gray. Only his eyes still looked alive. The mackerel fishing boats were coming in now and the women were unloading the shining blue and green and silver mackerel from the boats into baskets and carrying the heavy baskets on their heads to the fish house. It was a very good catch and the town was busy and happy.

What are we going to do with the big fish? the girl asked.

They’re going to take him in and sell him, the young man said. He’s too big to cook here and they say it would be wicked to cut him up. Maybe he’ll go right up to Paris. He’ll end in some big restaurant. Or somebody very rich will buy him.

He was so beautiful in the water, she said. And when André held him up. I couldn’t believe him when I saw him out of the window and you with your mob following you.

We’ll get a small one for us to eat. They’re really wonderful. A small one ought to be grilled with butter and with herbs. They’re like striped bass at home.

I’m excited about the fish, she said. Don’t we have wonderful simple fun?

They were hungry for lunch and the bottle of white wine was cold and they drank it as they ate the celery rémoulade and the small radishes and the home pickled mushrooms from the big glass jar. The bass was grilled and the grill marks showed on the silver skin and the butter melted on the hot plate. There was sliced lemon to press on the bass and fresh bread from the bakery and the wine cooled their tongues of the heat of the fried potatoes. It was good light, dry, cheerful unknown white wine and the restaurant was proud of it.

We’re not great conversationalists at meals, the girl said. Do I bore you, darling?

The young man laughed.

Don’t laugh at me, David.

I wasn’t. No. You don’t bore me. I’d be happy looking at you if you never said a word.

He poured her another small glass of the wine and filled his own.

I have a big surprise. I didn’t tell you, did I? the girl said.

What sort of surprise?

Oh it’s very simple but it’s very complicated.

Tell me.

No. You might like it and maybe you couldn’t stand it.

It sounds too dangerous.

It’s dangerous, she said. But don’t ask me. I’m going up to the room if I may.

The young man paid for the lunch and drank the wine that was left in the bottle. Then he went upstairs. The girl’s clothes were folded on one of the Van Gogh chairs and she was waiting for him in the bed with the sheet over her. Her hair was spread out over the pillow and her eyes were laughing and he lifted the sheet and she said, Hello, darling. Did you have a nice lunch?

Afterwards they lay together with his arm under her head and were happy and lazy and he felt her turn her head from side to side and stroke it against his cheek. It felt silky and barely roughened from the sun and the sea. Then with her hair all forward over her face so it touched him as her head moved she started to play with him lightly and exploringly and then with delight and she said, You do love me, don’t you?

He nodded and kissed the top of her head and then turned her head and held it and kissed her lips.

Oh, she said. Oh.

A long time later they were lying each holding the other close and she said, And you love me just the way I am? You’re sure.

Yes, he said. So much yes.

Because I’m going to be changed.

No, he said. No. Not changed.

I’m going to, she said. It’s for you. It’s for me too. I won’t pretend it’s not. But it will do something to you. I’m sure but I shouldn’t say it.

I like surprises but I like everything the way it is just now at this minute.

Then maybe I shouldn’t do it, she said. Oh I’m sad. It was such a wonderful dangerous surprise. I thought about it for days and I didn’t decide until this morning.

If it’s something you really want.

It is, she said. And I’m going to do it. You’ve liked everything we’ve done so far haven’t you?

Yes.

All right.

She slipped out of bed and stood straight with her long brown legs and her beautiful body tanned evenly from the far beach where they swam without suits. She held her shoulders back and her chin up and she shook her head so her heavy tawny hair slapped around her cheeks and then bowed forward so it all fell forward and covered her face. She pulled the striped shirt over her head and then shook her hair back and then sat in the chair in front of the mirror on the dresser and brushed it back looking at it critically. It fell to the top of her shoulders. She shook her head at the mirror. Then she pulled on her slacks and belted them and put on her faded blue rope-soled shoes.

I have to ride up to Aigues Mortes, she said.

Good, he said. I’ll come too.

No. I have to go alone. It’s about the surprise.

She kissed him goodbye and went down and he watched her mount her bicycle and go up the road riding smoothly and easily, her hair blowing in the wind.

The afternoon sun was in the window now and the room was too warm. The young man washed and put on his clothes and

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