The House of Violence
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This poetic narrative was conceived in an unbearably hot apartment where I lived on noodles bought with my saved-up wad. I'd escape in daytime to the hospital canteen, from which I could write & gaze over the university, surrounding cottonwoods & roofs, & the low hills beyond the river. Six years later, when I finished, I thought I might die, as I had finished what I was on earth to do.
Finley MacDonald
Finley J. MacDonald, in this all-to-human manifestation of his oversoul, was born in the northern reaches of Turtle Island, and among its spirits cried for visions and succour. At a tender age, he was accepted as apprentice by the Butcher Poets , to whom he owes a great debt, deaf as they remain to his appeals. He believes design follows intent. He is antiwar, contemptuous of the Cruise Missile Left, and in his cups, demands that everyone read Open Veins of Latin America.
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The House of Violence - Finley MacDonald
THE HOUSE OF VIOLENCE
Poetry by
Finley J. MacDonald
Angels, Delirium, Liberty
Published by Finley J. MacDonald at Smashwords
Copyright 2011 Finley J. MacDonald
This ebook was licensed for you personal enjoyment only. This ebook may not be resold or given away to other people. If you wish to share this book with another person, please purchase an additional copy for each recipient. If you are reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of the author.
*****
The House of Violence was conceived in an unbearably hot apartment where I lived largely on tuna and noodles bought with my saved-up wad of cash. I'd escape during the day to the hospital canteen, from which I could gaze over the university, the surrounding crescent of cottonwoods and roofs, and the low hills beyond the river. I took walks across town and looked at garbage and patterns of currents. As all writers do, I adopted a collection of superstitions. Beware the superfluous definite article. Write outdoors at every opportunity. Two or three poems from among a number that were too sanctimonious survived the summer. The conception was burgeoning and transforming itself; it followed me from job to unemployment to job. I spent a summer writing in coffee places and living in a tent among the sagebrush behind my mother's travel trailer. One dreadful winter, I stayed with my sister and her two kids in an utterly decrepit trailer with gaping holes in the floor and smashed windows that we patched with plastic. When the book was finished, I thought for a while that I might die because I had said what I had come to say.
*****
I: THE HOUSE OF ANCESTORS
*****
Madonna with Leaves
Glacial Mona Lisa of Planets—
Demure, daft,
Self-inseminating Desert Heart—
Cupped, quivering on the grate,
One more broach blooms
In the current of a song of loss,
In frail violet of knowledge and relief.
A coin rings.
A night watchman jingles coins to his trousers.
Begging hands mount lakes of nailed zinc and steel.
An anemone swells, aspiring to be sea.
Repent.
Rewind sorry hours.
Reproduce
Portentious fronds:
Creaking,
Unknotting,
Cracking captives from sealed caskets.
*****
Diminuet
Celine,
In the humid
Sanctuary
Of gray linen—
Under the spell
Of a dimmed lamp
Fanning rare breath
To occult moths
And fat, lustrous
Mulatto hills—
Still your trembling.
The voice—
That pulls you deep
Into lush woods,
Where swollen nodes,
Shamelessly bare,
Host shadelapping,
Sandpapered tongues
That never beg
For salvation—
Is the Keeper
Of Urchins’ voice
Calling,
Shy patron saint
Of prostitutes—
Rise and disrobe!
Drape in dull gowns
And garter belts
And light less cruel
The slaughterhouse,
Where wanton cats
Scuffle and sob
In