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    Gaudissart II
    Gaudissart II
    Gaudissart II
    Ebook37 pages25 minutes

    Gaudissart II

    By Honoré de Balzac

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    Gaudissart II
    Author

    Honoré de Balzac

    Honoré de Balzac (geb. 20. Mai 1799 in Tours; gest. 18. August 1850 in Paris) war ein französischer Schriftsteller. In den Literaturgeschichten wird er, obwohl er eigentlich zur Generation der Romantiker zählt, mit dem 17 Jahre älteren Stendhal und dem 22 Jahre jüngeren Flaubert als Dreigestirn der großen Realisten gesehen. Sein Hauptwerk ist der rund 88 Titel umfassende, aber unvollendete Romanzyklus La Comédie humaine (dt.: Die menschliche Komödie), dessen Romane und Erzählungen ein Gesamtbild der Gesellschaft im Frankreich seiner Zeit zu zeichnen versuchen.

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      Book preview

      Gaudissart II - Honoré de Balzac

      The Project Gutenberg EBook of Gaudissart II, by Honore de Balzac

      This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

      Title: Gaudissart II

      Author: Honore de Balzac

      Translator: Clara Bell and Others

      Release Date: September, 1998 [Etext #1475]

      Posting Date: February 25, 2010

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK GAUDISSART II ***

      Produced by John Bickers, and Dagny

      GAUDISSART II.

      By Honore De Balzac

      Translated by Clara Bell and Others

      DEDICATION

      To Madame la Princesse Cristina de Belgiojoso, nee Trivulzio.

      GAUDISSART II.

      To know how to sell, to be able to sell, and to sell. People generally do not suspect how much of the stateliness of Paris is due to these three aspects of the same problem. The brilliant display of shops as rich as the salons of the noblesse before 1789; the splendors of cafes which eclipse, and easily eclipse, the Versailles of our day; the shop-window illusions, new every morning, nightly destroyed; the grace and elegance of the young men that come in contact with fair customers; the piquant faces and costumes of young damsels, who cannot fail to attract the masculine customer; and (and this especially of late) the length, the vast spaces, the Babylonish luxury of galleries where shopkeepers acquire a monopoly of the trade in various articles by bringing them all together,—all this is as nothing. Everything, so far, has been done to appeal to a single sense, and that the most exacting and jaded human faculty, a faculty developed ever since the days of the Roman Empire, until, in our own times, thanks to the efforts of the most fastidious civilization the world has yet seen, its demands are grown limitless. That faculty resides in the eyes of Paris.

      Those eyes require illuminations costing a hundred thousand francs, and many-colored glass palaces a couple of miles long and sixty feet high; they must have a

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