Mr. Punch at the Play Humours of Music and the Drama
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Mr. Punch at the Play Humours of Music and the Drama - John Alexander Hammerton
The Project Gutenberg EBook of Mr. Punch at the Play, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Mr. Punch at the Play
Humours of Music and the Drama
Author: Various
Editor: J. A. Hammerton
Illustrator: Charles Keene
and others
Release Date: June 27, 2011 [EBook #36529]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK MR. PUNCH AT THE PLAY ***
Produced by Neville Allen, Chris Curnow and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
TRANSCRIBER'S NOTE.
Some pages of this work have been moved from the original sequence to enable the contents to continue without interruption. The page numbering remains unaltered.
PUNCH LIBRARY OF HUMOUR
Edited by J. A. Hammerton
Designed to provide in a series of volumes, each complete in itself, the cream of our national humour, contributed by the masters of comic draughtsmanship and the leading wits of the age to Punch,
from its beginning in 1841 to the present day.
MR. PUNCH AT THE PLAY
Actor (on the stage). Me mind is made up!
Voice from the Gallery. What abeaout yer fice?
MR. PUNCH AT THE PLAY
HUMOURS OF MUSIC AND THE DRAMA
WITH 140 ILLUSTRATIONS
BY CHARLES KEENE, PHIL MAY,
GEORGE DU MAURIER, BERNARD PARTRIDGE,
L. RAVEN-HILL, E. T. REED,
F. H. TOWNSEND, C. E. BROCK,
A. S. BOYD, TOM BROWNE,
EVERARD HOPKINS AND OTHERS
PUBLISHED BY SPECIAL ARRANGEMENT WITH THE
PROPRIETORS OF PUNCH
THE EDUCATIONAL BOOK CO. LTD
.
THE PUNCH LIBRARY OF HUMOUR
Twenty-five volumes, crown 8vo. 192 pages fully illustrated
LIFE IN LONDON
COUNTRY LIFE
IN THE HIGHLANDS
SCOTTISH HUMOUR
IRISH HUMOUR
COCKNEY HUMOUR
IN SOCIETY
AFTER DINNER STORIES
IN BOHEMIA
AT THE PLAY
MR. PUNCH AT HOME
ON THE CONTINONG
RAILWAY BOOK
AT THE SEASIDE
MR. PUNCH AFLOAT
IN THE HUNTING FIELD
MR. PUNCH ON TOUR
WITH ROD AND GUN
MR. PUNCH AWHEEL
BOOK OF SPORTS
GOLF STORIES
IN WIG AND GOWN
ON THE WARPATH
BOOK OF LOVE
WITH THE CHILDREN
BEFORE THE CURTAIN
Most of the Punch artists of note have used their pencils on the theatre; with theatricals public and private none has done more than Du Maurier. All have made merry over the extravagances of melodrama and problem
plays; the vanity and the mistakes of actors, actresses and dramatists; and the blunderings of the average playgoer.
Mr. Punch genially satirises the aristocratic amateurs who, some few years ago, made frantic rushes into the profession, and for a while enjoyed more kudos as actors than they had obtained as titled members of the upper circle, and the exaggerated social status that for the time accrued to the professional actor as a consequence of this invasion.
The things he has written about the stage, quite apart from all reviewing of plays, would more than fill a book of itself; and he has slyly and laughingly satirised players, playwrights and public with an equal impartiality.
He has got a deal of fun out of the French dramas and the affected pleasure taken in them by audiences that did not understand the language. He has got even more fun out of the dramatists whose original plays
were largely translated from the French, and to whom Paris was, and to some extent is still, literally and figuratively a playground.
MR. PUNCH AT THE PLAY
SOMETHING FOR THE MONEY
(From the Playgoers' Conversation Book. Coming Edition.)
I have only paid three guineas and a half for this stall, but it is certainly stuffed with the very best hair.
The people in the ten-and-sixpenny gallery seem fairly pleased with their dado.
I did not know the call-boy was at Eton.
The expenses of this house must be enormous, if they always play Box and Cox with a rasher of real Canadian bacon.
How nice to know that the musicians, though out of sight under the stage, are in evening dress on velvet cushions!
Whoever is the author of this comedy, he has not written up with spirit to that delightful Louis the Fifteenth linen cupboard.
I cannot catch a word Macbeth
is saying, but I can see at a glance that his kilt would be extremely cheap at seventy pounds.
I am not surprised to hear that the Tartar's lips
for the cauldron