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    Origin and Early History of the Fashion Plate
    Origin and Early History of the Fashion Plate
    Origin and Early History of the Fashion Plate
    Ebook104 pages45 minutes

    Origin and Early History of the Fashion Plate

    By John L. Nevinson

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    Origin and Early History of the Fashion Plate

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      Book preview

      Origin and Early History of the Fashion Plate - John L. Nevinson

      The Project Gutenberg EBook of Origin and Early History of the Fashion

      Plate, by John L. Nevinson

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: Origin and Early History of the Fashion Plate

      Author: John L. Nevinson

      Release Date: November 29, 2010 [EBook #34472]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK ORIGIN, HISTORY OF FASHION PLATE ***

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      . Only the modern (1967) material has been corrected.

      United States National Museum Bulletin 250

      Contributions from

      The Museum of History and Technology

      Paper 60, pages 65-92

      ORIGIN AND EARLY HISTORY

      OF THE FASHION PLATE

      John L 

      Nevinson

      Smithsonian Press

      Washington, D.C.

      1967

      Figure 1.—Dress of Sigmund von Herberstein for the Polish Embassy in 1517. Over his doublet and breeches he wears a brocade gown lined with silk. From Gratae Posteritati, 1560. (Courtesy of British Museum, London.)

      John L. Nevinson

      Origin and Early History

      Of the Fashion Plate

      A fashion plate is a costume portrait indicating a suitable style of clothing that can be made or secured. Fashion illustration began in the late 15th and early 16th centuries with portrait pictures that made a person’s identity known not by his individual features but rather by his dress.
      This paper, based on a lecture given in the fall of 1963 at the Metropolitan Museum, New York, traces the history of the fashion plate from its origins to its full development in the 19th century. With the improvements in transportation and communication, increased attention came to be paid to foreign fashions, accessories, and even to hairstyles. As the reading public grew, so fashion consciousness increased, and magazines, wholly or partly devoted to fashions, flourished and were widely read in the middle social classes; this growth of fashion periodicals also is briefly described here.
      The Author: John L. Nevinson, retired, was formerly with The Victoria and Albert Museum, London. He now devotes himself to full-time research on costumes and their history.

      F ashion may be defined as a general style of dress appropriate for a particular person to wear at a certain time of day, on a special occasion, or for a specific purpose.

      A fashion plate is a costume portrait, that is to say, a portrait not of an individual but one which shows the sort of clothes that are being worn or that are likely to be worn. It is a generalized portrait, indicating the style of clothes that a tailor, dressmaker, or store can make or supply, or showing how different materials can be made up into clothes. A fashion plate is

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