State of the nation

‘Henry V can be seen as a ruthless pragmatist, but he is also an inspirational leader’

SHAKESPEARE’S Henry V is an extraordinary chameleon of a play: one that changes its colours according to the historical context. You only have to contrast Laurence Olivier’s 1944 film—dedicated ‘To The Commandos of England’—with Kenneth Branagh’s sombre 1989 version with its epically muddy battles. Therefore, it is unnerving to see the play now, revived at London’s Donmar Warehouse, when images of carnage dominate our television screens. Although Max Webster’s production has been criticised for its unfortunate timing, I would question its stern, unyielding attitude to Shakespeare’s hero.

I should say, has a strong stage presence and speaks the verse intelligently. However, the production clearly sees Henry as the embodiment of a questionable English nationalism. We get a retrospective glimpse of him as a roaring boy in the taverns of East-cheap. His claim to the French throne, enforced by a rampant clergy, is dubious. Even his wooing of the French princess, which normally brings a touch of lightness to the play, is presented as a heartless political manoeuvre.