The Atlantic

The Documentary Highlighting the Real <em>Green Book</em>

A new Smithsonian Channel film positions the guidebook for black travelers as a necessary response to white-supremacist violence—and as a community-building tool.
Source: Lake County Historical Society

In 1936, a black postal worker named Victor Hugo Green published the first edition of The Negro Motorist Green Book. At the time, the segregation-era guide was meant to direct black New York City residents to businesses they could frequent without facing the overt discrimination and threats of violence they encountered even up north. Demand soon grew for a more geographically expansive document, and the following year Green compiled and distributed the first national issue. “FOR EXTRA SERVICE … MENTION ‘THE GREEN BOOK,’ ” the cover’s header read, a direct address to the community it served.

, as it is most often called, became an invaluable resource to black people living in, and traveling through, America. It cataloged black-owned businesses around the country, directing motorists to establishments that served a wide range; toward the end of its run, it even included international listings. And now, more than 50 years after the final, 1966–67 edition of was published, a new Smithsonian Channel documentary from the traces the guide’s history and its ongoing significance.

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic10 min readWorld
The Cost Of Lawlessness On The West Bank
It was a normal morning during the autumn olive harvest. On a hillside northeast of Ramallah, on November 8, a group of roughly 15 or 20 Palestinians from the village of Deir Jarir were picking dark olives, the most important agricultural product in
The Atlantic11 min read
How Liberal America Came to Its Senses
A decade ago, cultural norms in elite American institutions took a sharply illiberal turn. Professors would get disciplined, journalists fired, ordinary people harassed by social-media mobs, over some decontextualized phrase or weaponized misundersta
The Atlantic5 min read
Bob Dylan’s Carnival Act
Everything, as Charles Péguy said, begins in mysticism and ends in politics. Except if you’re Bob Dylan. If you’re Bob Dylan, you start political and go mystical. You start as an apprentice hobo scuffing out songs of change; you become, under protest

Related Books & Audiobooks