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A memory of Jerzy Toeplitz

2010, Journal of Film Preservation

Personal memoir

As published in the Journal of Film Preservation #83, November 2010 pp 74-75 A MEMORY OF JERZY TOEPLITZ Ray Edmondson I would like to add a footnote to Wolfgang Klaue’s excellent tribute to Jerzy Toeplitz in Journal #81. As Wolfgang noted, Jerzy Toeplitz came to Australia in 1972 after giving up the presidency of FIAF. Initially he spent a year as a visiting professor at La Trobe University in Melbourne, before being appointed foundation director of the Australian Film and Television School (later the Australian Film, Television and Radio School) in February 1973. I first met him during his tenure at LaTrobe. At the time, as a young film librarian at the National Library of Australia in Canberra I had been trying, unsuccessfully, to find ways and means of financing a study trip around the film archives of Europe and North America. Although the National Library was a FIAF member, it was a fairly inactive one. I had realised how embryonic the work was in Australia and I was facing a career choice. I knew that to continue in the field I would have to learn by visiting and observing established film archives in the northern hemisphere. I had been corresponding with the National Film Archive’s Ernest Lindgren, seeking his advice on how to construct such a trip, and which archives to visit. Realising who Jerzy Toeplitz was, I sought him out and introduced myself, and we discussed the work I was doing in Canberra. Soon after Toeplitz took up his new post in 1973, the Film and Television School announced a program of grants to support worthwhile projects related to the film industry. My study trip proposal had been rejected by others, but I felt I had nothing to lose by submitting it to the School. I was interviewed by Toeplitz and Stanley Hawes (head of the Commonwealth Film Unit, a maker of government documentaries). I was not only given the funding, but encouraged to lengthen the trip from 3 to 5 months and to spend long enough in each country to absorb something of its culture. In July 1973 I headed off on my first overseas trip, which started in London and ended in Toronto, and included a month in Berlin at the Staatliches Filmarchiv and the first FIAF Summer School. My obligation to Jerzy Toeplitz was to present a report on my trip. It turned out to be a long document which I lodged in late 1974. Meanwhile, Toeplitz made a point of visiting the National Library in February 1974, a month after I had got back from overseas, and meeting with the National Library Council to talk about its film archive – then known as the “historical film activities of the National Film Collection”. Following that visit, Toeplitz submitted his own comments to the Council. It was a prescient document of 3 foolscap pages which diplomatically, but firmly, pointed out where he felt the Library should be heading, including the need for much greater structural autonomy for the Film Collection. I was far too junior an officer to be present during Toeplitz’s meeting with the Library Council, or to see a copy of his comments and subsequent internal reactions to them – I discovered these only in later years. The Report of my Study Trip was prepared in ignorance of Toeplitz’s views, but mine turned out to be compatible with his. When I submitted my report simultaneously to the Film and Television School and the National Library, Toeplitz warmly complimented me on it. The National Library was less enthusiastic. There is a discernible sequence of events from 1974 to the advent and growth of today’s National Film and Sound Archive as a separate statutory institution. I have an abiding debt of gratitude to Jerzy Toeplitz. Without his timely presence and involvement my own career would certainly have taken a different course, and the history of film archiving in Australia may also have turned out quite differently.