Haunted by envisioned romance

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Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The Musical Quarterly. http://www.jstor.org This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions Indexto Volume85 Alteration in Handel: A FreshApproach,John Byrt American CompositionalTheory in the 1930s: Scale and Exoticism in "The Nature of Melody" by Henry Cowell, Nancy Yunhwa Rao Analysis and Criticism,Leon Botstein [editor] Ariadne'sClew: Politics, Allegory,and Opera in London (1734), Suzanne Aspden Artur Schnabel and the Ideologyof Interpretation, Leon Botstein [editor] Aspden, Suzanne, Ariadne'sClew: Politics, Allegory, and Opera in London (1734) Avant-Garde,Metapoliticsand, Siegfried Mattl, trans. Irene Zedlacher Black Music, Critical Bias, and the MusicologicalSkin Trade:Who HearsHere?,Guthrie P. Ramsey, Jr. Betz, Marianne,New Light on George Whitefield Chadwick: Recent Discoveryof Unknown Material Biography,Bungled,Robert Craft Bohlman, Philip V. and Brian Currid, SuturingHistory, Healing Europe:GermanNational Temporality in Wolokolamsk Highway Botstein, Leon [editor]Analysis and Criticism , Artur Schnabel and the Ideologyof Interpretation , In the Shadowsof September 11, 2001 , Pfitznerand Musical Politics Brody, Martin, "Hauntedby EnvisionedRomance": Harbison'sGatsby BungledBiography,Robert Craft Busch [Fritz],A FriendRemembered,Thomas Eisner , Introduction,Michael P. Steinberg Byrt, John, Alteration in Handel: A FreshApproach Cage [John],Cunningham,and Collaborators: The Odysseyof VariationsV, Leta Miller Cavell, Stanley, Impressionsof Revolution Chadwick [GeorgeWhitefield],New Light on: Recent Discoveryof Unknown Material,Marianne Betz Chopin [Frederic],[His] Sonata Op. 35, a Dilemma of the FirstMovement of: Repeat with Caution, Anatole Leiken Copland [Aaron],[His] Music of Wide Open Spaces: Surveyingthe PastoralTropein Hollywood, Neil Lerner , [His]Third Symphony (1946), The Reception Historyof: Critical Politics, Elizabeth B. Crist 194 595 225 735 587 735 184 1 641 391 681 225 587 405 63 413 391 458 456 194 545 264 641 568 477 232 773 This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions 774 TheMusicalQuarterly Cowell [Henry]Scale and Exoticism in "The Nature of Melody"by: American CompositionalTheory in the 1930s, Nancy Yunhwa Rao Craft, Robert, Bungled Biography Crist, ElizabethB., Critical Politics:The Reception Historyof Aaron Copland'sThird Symphony Critical Politics:The Reception Historyof Aaron Copland's Third Symphony,Elizabeth B. Crist Criticism,Analysis and, Leon Botstein [editor] Cunningham [Merce],Cage, and Collaborators: The Odysseyof VariationsV, Leta Miller Currid, Brian, and Philip V. Bohlman, SuturingHistory, Healing Europe:GermanNational Temporality in Wolokolamsk Highway Eisner, Thomas, FritzBusch:A FriendRemembered Fairclough, Pauline, MahlerReconstructed:Sollertinsky and the Soviet Symphony "FatherKnows Best":Paternityand Mise-en-scene in Pfitzner'sPalestrina,David J. Levin FritzBusch:A FriendRemembered,Thomas Eisner Gottlieb, Jane, On "The Trainingof Musicians"by Leon Botstein [editor] Handel [GeorgeFrideric],Alteration in: A Fresh Approach,John Byrt , The Politicizationof, and His Oratoriesin the WeimarRepublic, the Third Reich, and the EarlyYearsof the GDR, Pamela M. Potter Harbison [ohn], [His]Gatsby:"Hauntedby Envisioned Romance",Martin Brody "Hauntedby EnvisionedRomance":Harbison'sGatsby, Martin Brody Herrmann[Bernard],[His] Score for Vertigo,Ambivalence and Orderin: "The Moment That I Dreadedand Hoped For",Antony John Horton, Julian, Postmodernismand the Critique of MusicalAnalysis Imageof Giovanni Pierluigida Palestrinain Pfitzner'sPalestrina, The, Gottfried Scholz, trans.Irene Zedlacher Impressionsof Revolution, Stanley Cavell In the Shadowsof September 11, 2001, Leon Botstein [editor] Introduction,Michael P. Steinberg John, Antony, "The Moment That I Dreadedand Hoped For": Ambivalence and Orderin Herrmann'sScore for Vertigo Leiken, Anatole, Repeat with Caution: A Dilemma of the FirstMovement of Chopin'sSonata Op. 35 This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions 595 391 232 232 225 545 681 458 367 167 458 401 194 311 413 413 516 342 76 264 405 456 516 568 IndextoVolume 85 775 Lerner, Neil, Copland'sMusic of Wide Open Spaces: Surveyingthe PastoralTropein Hollywood Levin, David J., "FatherKnows Best":Paternityand Mise-en-scene in Pfitzner'sPalestrina London, Politics, Allegory,and Opera in (1734): Ariadne'sClew, Suzanne Aspden Mahler [Gustav],Reconstructed:Sollertinskyand the Soviet Symphony,Pauline Fairclough Mattl, Siegfried, Metapoliticsand the Avant-Garde, trans.Irene Zedlacher Metapoliticsand the Avant-Garde,Siegfried Mattl, trans. Irene Zedlacher Miller, Leta, Cage, Cunningham, and Collaborators: The Odysseyof VariationsV "MomentThat I Dreadedand Hoped For,The": Ambivalence and Orderin Herrmann'sScore for Vertigo,Antony John Monophonic Motets: Sampling and Graftingin the Middle Ages, Judith A. Peraino Morris, Christopher, "Sympathywith Death":Narcissism and Nostalgia in the Post-WagnerianOrchestra Motets, Monophonic: Samplingand Graftingin the Middle Ages, Judith A. Peraino MusicalAnalysis, Postmodernismand the Critiqueof, Julian Horton Music Composition, as a Profession,Servility,Opportunity, and Freedomin the Choice of, Frederic M. Scherer New Light on George Whitefield Chadwick:Recent Discoveryof Unknown Material,Marianne Betz On "The Trainingof Musicians"by Leon Botstein [editor], Jane Gottlieb Opera and CulturalAnalysis:The Case of Hans Pfitzner's Palestrina,Michael P. Steinberg Painter, Karen, Symphonic Ambitions, OperaticRedemption: MathisderMalerand Palestrinain the Third Reich Peraino, Judith A., Monophonic Motets: Sampling and Graftingin the Middle Ages Politicizationof Handel and His Oratoriesin the WeimarRepublic, the Third Reich, and the EarlyYearsof the GDR, The, Pamela M. Potter Postmodernismand the Critiqueof MusicalAnalysis, Julian Horton Potter, Pamela M., The Politicizationof Handel and His Oratoriesin the WeimarRepublic, the Third Reich, and the EarlyYearsof the GDR This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions 477 167 735 367 184 184 545 516 644 85 644 342 718 641 401 53 117 644 311 342 311 776 TheMusicalQuarterly Pfitzner[Hans],and Musical Politics, Leon Botstein [editor] , [His]Palestrina,The Imageof Giovanni Pierluigi da Palestrinain, Gottfried Scholz, trans.Irene Zedlacher , [His]Palestrina:Opera and CulturalAnalysis, Michael P. Steinberg , [His] Palestrina,Paternityand Mise-en-scene in: "FatherKnows Best",David J. Levin , Symphonic Ambitions, OperaticRedemption: MathisderMalerand Palestrinain the Third Reich, Karen Painter Ramsey, Guthrie P., Jr., Who HearsHere?:Black Music, Critical Bias, and the MusicologicalSkin Trade Rao, Nancy Yunhwa, American CompositionalTheory in the 1930s:Scale and Exoticism in "The Nature of Melody"by Henry Cowell Repeat with Caution: A Dilemma of the FirstMovement of Chopin'sSonata Op. 35, Anatole Leiken Revolution, Impressionsof, Stanley Cavell Scherer, Frederic M., Servility,Opportunity,and Freedom in the Choice of Music Composition as a Profession Schnabel [Artur],and the Ideologyof Interpretation, Leon Botstein [editor] Scholz, Gottfried, The Imageof Giovanni Pierluigida Palestrinain Pfitzner'sPalestrina,trans.Irene Zedlacher Senici, Emanuele, Verdi'sFalstaffat Italy'sFin de Siecle September 11, 2001, In the Shadowsof, Leon Botstein [editor] Servility,Opportunity,and Freedomin the Choice of Music Composition as a Profession,Frederic M. Scherer Sollertinsky[Ivan],Mahler [Gustav],Reconstructed:[He] and the Soviet Symphony,Pauline Fairclough Steinberg, Michael P., Introduction, , Opera and CulturalAnalysis:The Case of Hans Pfitzner'sPalestrina SuturingHistory,Healing Europe:GermanNational Highway, Temporalityin Wolokolamsk Philip V. Bohlman and Brian Currid "Sympathywith Death":Narcissismand Nostalgia in the Post-WagnerianOrchestra,Christopher Morris Symphonic Ambitions, OperaticRedemption: MathisderMalerand Palestrinain the Third Reich, Karen Painter Verdi [Giuseppe],[His]Falstaffat Italy'sFin de Siecle, Emanuele Senici Wagner[Richard],"Sympathywith Death":Narcissism and Nostalgia in the Post-WagnerianOrchestra, Christopher Morris This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions 63 76 53 167 117 1 595 568 264 718 587 76 274 405 718 367 456 53 681 85 117 274 85 IndextoVolume 85 777 Who HearsHere?:Black Music, Critical Bias, and the MusicologicalSkin Trade,Guthrie P. Ramsey, Jr. Wolokolamsk Highway,SuturingHistory,Healing Europe:GermanNational Temporalityin, Philip V. Bohlman and Brian Currid Zedlacher,Irene, trans.Metapoliticsand the Avant-Garde,Siegfried Mattl , The Imageof Giovanni Pierluigida Palestrina in Pfitzner'sPalestrina,Gottfried Scholz This content downloaded from 149.130.90.2 on Sun, 14 Dec 2014 11:58:34 AM All use subject to JSTOR Terms and Conditions 1 681 184 76