Article
Public Diplomacy in
Strengthening India–
Vietnam Relations
India Quarterly
1–15
© 2021 Indian Council
of World Affairs (ICWA)
Reprints and permissions:
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DOI: 10.1177/09749284211005012
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Le Thi Hang Nga and
Trieu Hong Quang
Abstract
It is noticeable that India–Vietnam relations have remained stable and had
signs of development despite the new challenges in the global and regional
environment due to COVID-19 pandemic. The authors of this article are of the
view that one of the factors that help maintain the stability and development of
bilateral relations in the current context is public diplomacy. Since the beginning
of the twenty-first century, India has invested a huge amount of resources in
public diplomacy to leverage India’s soft power. A dedicated public diplomacy
division within the Ministry of External Affairs was set up in May 2006, many
new schemes were designed to engage domestic and foreign public opinion
and a series of high-profile dialogues with foreign think tanks were organised.
By utilising both traditional and new approaches of public diplomacy, India is
actively seeking new audiences within and outside India. India’s foreign policymaking process has become more open and democratic with the contribution
of communities outside New Delhi political and diplomatic elite. New media has
also been utilised to reach its various target audiences. Vietnam considers public
diplomacy an important pillar of the comprehensive diplomacy of the country.
Public diplomacy helps Vietnam succeed in implementing comprehensive and
effective foreign policies. It contributes important part in building cooperative,
peaceful and friendly relations between Vietnam and international partners. The
importance that both India and Vietnam attach to public diplomacy has many
implications for strengthening Vietnam–India relations in the current context.
This article focuses on India and Vietnam public diplomacy as an instrument of
strengthening bilateral relations and thereby proposes suggestions for both sides
to enhance cooperation in the future.
Keywords
Public diplomacy, Vietnam, India, soft power, instrument
Corresponding author:
Le Thi Hang Nga.
E-mail:
[email protected]
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Introduction
Shortly after the Cold War, many scholars believed that public diplomacy had
become an important part of diplomacy in general, even may be considered a top
priority in the implementation of foreign policy of a country. This article examines
how public diplomacy is used as a means of strengthening India–Vietnam relations
through both primary and secondary sources, including Annual Reports of the
Ministry of External Affairs (MEA) of India, Ministry of Foreign Affairs of
Vietnam, Annual Reports of the Indian Council for Cultural Relations, websites of
Indian and Vietnamese Missions abroad, books, journal articles by scholars and
diplomats, policy makers in India and Vietnam, etc. This article begins with a
brief introduction about the concept of public diplomacy, following by an analysis
of India and Vietnam’s public diplomacy and how it is used as an instrument in
strengthening India–Vietnam relations. On that basis, this article provides several
suggestions to promote India–Vietnam relations in the future.
Concept of Public Diplomacy
In the mid-1960s, the term ‘public diplomacy’ was first used by a former US diplomat Edmund Gullion; it was considered as a propaganda means for distance
overseas governmental information activities. Gullion defined public diplomacy
as ‘dimensions of international relations beyond traditional diplomacy, the cultivation by governments of public opinion in other countries’ (Prabhu & Mohapatra,
2014). Some scholars pointed out public diplomacy related to public affairs,
which preferred to international relations and communications. There are a strong
connection between public relations and public diplomacy due to similar objectives and tools, when public diplomacy is ‘the way in which both government and
private individuals as well as groups influence directly or indirectly on those
public attitudes and opinions, which bear directly on another government’s foreign
policy decisions’ (Signitzer & Coombs, 1992, p. 138). Audiences play a major
factor in divergence between public diplomacy and media diplomacy when policy
makers use the media to address foreign publics and government officials
(Rawnsley, 1995). Moreover, public diplomacy can be influenced by three interrelated revolutions in mass communication, politics, and the international relations after the September 11, 2001 terrorist attacks in New York City and
Washington DC by Islamic fundamentalists.
Besides public affairs and communication, public diplomacy associates with
cultural diplomacy due to common concepts. It can be seen cultural diplomacy as
one of the five elements of public diplomacy after listening, advocacy, international
exchange and international broadcasting (Cull, 2008, pp. 32–34). Further, the US
Department of State also emphasises that cultural diplomacy is one of the main
pillars of public diplomacy because cultural activities best represent a nation’s
ideas of itself (Advisory Committee on Cultural Diplomacy, 2005, p. 4). Over the
past few decades, many nations have concentrated on public diplomacy as a part
of soft power towards the international environment. A surge of activities have
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been undertaken by a national government to inform and influence foreign public
opinion and attitudes in order to advance its foreign policy goals (Cowan & Cull,
2008; Cull, 2008; Nye, 2008). It can be seen that a country’s efforts enhance not
just a positive image and a reputation to an international audience, but also its
significant role in a global stage.
Thus, public diplomacy has seemed an ambiguous concept, which coincides
between public relations: communication and cultural diplomacy. But it has
primarily focused on the people from foreign countries with a view to secure the
foreign policy objectives of the state practicing public diplomacy.
India’s Public Diplomacy
Building on Cull (2008)’s concept of public diplomacy, in which activities can be
classified into five ‘elements’, that is, listening, advocacy, cultural diplomacy,
exchange diplomacy and international broadcasting, Laskar (2019) added one
more category, that is, domestic outreach, and interpreted the six categories of
public diplomacy (see Table 1). These six categories are not watertight compartments, and many of the public diplomacy activities can be placed in more than
one category. The classification is only for the convenience of analysis.
Indian Government’s emphasis on public diplomacy predates Prime Minister
Modi’s period. Since the beginning of the twenty-first century, India has invested
a huge amount of resources in public diplomacy to leverage India’s soft power.
India has used both traditional approaches and new approaches of public
diplomacy to secure this objective. Indian investment in public diplomacy is
Table 1. Classification of India’s Public Diplomacy Instruments.
Instrument
Typical Activities
Listening
Opinion surveys, interaction with audience after lectures/speeches by
Government officials in foreign countries, lectures/presentations by
foreign visitors/delegations
Press release by Indian missions abroad, speech by diplomats and
other government of India officials abroad, holding seminars in foreign
countries by or with support of department/agencies of government
of India
Sending of cultural troupes abroad, sending of works of art abroad,
holding of festivals of India in foreign countries, propagating India’s
language and cultural heritage (such as promotion of Sanskrit and
Hindi, promotion of Yoga, etc.) in foreign countries, propagating the
works and thoughts of eminent Indians (such as Mahatma Gandhi,
Gurudev R. Tagore and Swami Vivekananda) in foreign countries
(activities of Swami Vivekananda Cultural Centres)
Exchange of students, youth exchange, etc., with other countries
Advocacy
Cultural
Diplomacy
Exchange
Diplomacy
(Table 1 continued)
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(Table 1 continued)
Instrument
Typical Activities
International
Broadcasting
Although India does not have radio broadcasters like the BBC or Voice
of America, there are numerous public diplomacy activities done by
India that can be placed under this category, for example: materials
posted in the website,YouTube channel and social media pages of
the MEA and Indian missions. Also, sometimes films/documentaries
commissioned by the MEA are arranged to be telecasted by different
TV channels in foreign countries.
One peculiarity of India’s public diplomacy is that it places a great
emphasis on domestic outreach with a view to inform and convince
the domestic population about the foreign policy priorities of the
government. Towards this end, seminars, conferences and interaction
programs are held in various universities and think tanks across India
where officials from MEA explain to the audiences the foreign policy of
the government of India.
Domestic
Outreach
Source: Laskar (2019).
partly a response to concerns about the perceived growth of Chinese soft power
and partly a function of changed beliefs in the foreign policy-making elite about
the uses of new social media. There are three significant initiatives: a dedicated
public diplomacy division within the MEA in May 2006, a raft of new schemes
designed to engage domestic and foreign public opinion and a series of highprofile dialogues with foreign think tanks.
The emphasis on using India’s soft power resources accelerated after Narendra
Modi came to power in 2014 (Heng, 2016). Prime Minister Modi is known for his
‘passionate use of India’s soft power assets through both an effective media
management strategy and an intelligent use of social media’ (Laskar, 2019).
India’s new public diplomacy builds upon its traditional public diplomacy, but to
a certain extent, it also departs from India’s past practice in three key ways (Hall,
2012, pp. 1089–1110) (Laskar, 2019). First, India’s new public diplomacy is
actively seeking new audiences within India, in the West (Indian diaspora
communities abroad) and in the developing world. Second, Indian officials are
attempting to render India’s foreign policy-making process more open and
democratic by engaging in dialogue with communities outside the New Delhi
political and diplomatic elite. Third, the effort seeks to utilise new media rather
than traditional methods to reach its various target audiences.
Indian Cultural Diplomacy
Cultural diplomacy is considered one of the major elements of India’s public
diplomacy. It is considered ‘a powerful tool for furthering (India’s) interests in
commercial, political and strategic fields’ (Laskar, 2019, p.252). In India, the
Indian Council for Cultural Relations (ICCR) is the leading institution for cultural
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diplomacy. The primary objective of the Council is to establish, revive and
strengthen cultural relations and mutual understanding between India and other
countries in order to promote awareness and appreciation of India’s soft power
and cultural diplomacy. The ICCR organised its foundation day for the first time
on the 69th year of its existence on 9 April 2019 at ICCR Headquarters. Its founder
President is Maulana Abul Kalam Azad. Its new website has been launched on 24
December 2019.
For promoting India’s culture abroad, the ICCR maintains 37 full-fledged
‘Cultural Centres’ (ICC, later renamed as Swami Vivekananda Cultural Centres)
in foreign countries, supporting the ICCs with local support on the ‘Public–Private
Partnership’ Model in Spain and South Korea, deploying teachers of Indian
culture on Yoga, Veda and Sanskrit to various ICCs and deploying India-based
teachers in the disciplines of Bharatanatyan, Kathak, Odissi, Kuchipudi, Hindi
language, etc. The ICCR undertakes activities, including Yoga promotion
(facilitating the celebration of International Day of Yoga in 172 countries in 2019),
Sanskrit and Hindi promotion (organising Hindi workshops, printing Hindi
magazines), holding of Indian cultural festival abroad, sending cultural delegations
abroad, establishing and maintaining ‘Indian Studies’ Chair in foreign universities,
art/cultural exhibitions abroad, sending of statues/busts of great personalities of
India, etc. In 2019–2020, commemorating the 150th birth anniversary of Mahatma
Gandhi in the international arena was a major focus of India’s MEA and ICCR. An
event was organised at the United Nations on 24 September 2019 to mark the
beginning of this series of events. An anthology on ‘What Gandhi means to Me’
with contributions from major personalities from across the world was published.
An ICCR’s program led to the installation of Mahatma Gandhi busts in 40
countries (Indian Ministry of External Affairs, Annual Report, 2019–2020). One
bust of Mahatma Gandhi has been installed at the Embassy of India in Hanoi in
2019. In all, ICCR’s cultural diplomatic activities span a wide range of areas
(Ministry of External Affairs of India, Annual Report, 2019–2020).
Vietnam’s Public Diplomacy
Vietnam has not yet had a strategy of public diplomacy, though manifestations of
elements of public diplomacy as propounded by Cull (2008) and Laskar (2019) in
implementing foreign policy have been there in Vietnam since its independence.
In Vietnam, public diplomacy can be seen as a part of the overall comprehensive
diplomacy of Vietnam. The initiative of using public diplomacy came from
President Ho Chi Minh in the early days of new Democratic Republic of Vietnam
in 1945. He wanted to gain a valuable support of the progressive people around
the world and international organisations for the Vietnamese revolution. Under
Ho Chi Minh’s idea, public diplomacy was the important factor of national diplomacy (Niên, 2008). Public diplomacy contributes important part in building cooperative, peaceful and friendly relations between Vietnam and international
partners. In the post-Cold war era, in the context of globalisation and international
integration, Vietnam has been determined to use ‘soft power’ as an effective
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means in the process of international integration. In this process, some key expressions of public diplomacy have been found, including organising cultural diplomacy activities, people-to-people interaction, utilising cultural tools and
disseminating information in foreign affairs. Although none of the government
document mentions the term ‘public diplomacy’, many scholars in Vietnam agree
that the essence of public diplomacy is cultural diplomacy. Toan (2008) explains
that cultural diplomacy is a form of diplomacy through cultural tools. While Huân
(2007, pp. 13–19) thinks that cultural diplomacy is a part of the foreign policy of
the Communist Party and Vietnam. According to Phương (2014), the basis of
Vietnam’s soft power should be seen as ‘cultural soft power’ (Phương, 2014).
In Phương’s definition, ‘cultural soft power’ is attraction, manipulation, ability
to influence and attractiveness of a country by a variety of things (cultural, spiritual, ideological values, cultural exchange, external channels, education, film,
media, etc.).
Public diplomacy can be seen as a practical and successful story of Vietnamese
diplomacy during the struggle for national independence against the French and
American colonialism over 30 years (1945–1975). President Ho Chi Minh, the
first person who set a milestone for Vietnam’s diplomacy in the modern time, had
applied successfully ‘diplomacy of the heart’ (heart-to-heart diplomacy), which
helped win the hearts of many people around the world (The Army Academy,
2020), thereby garnering precious support for the Vietnamese revolutionary cause.
Entering the twenty-first century, Vietnam has increasingly recognised the
important role of public diplomacy in foreign policy implementation, national
security, development and enhancement. Achievements of ‘Doi moi’ (Innovation,
since 1986) have helped upgrade Vietnam to the ranking of ‘middle power’ with
greater resources and capacities for a more effective deployment of public
diplomacy. At the 30th Diplomatic Conference (2018) in Hanoi, Nguyen Phu
Trong, the General Secretary of the Communist Party of Vietnam, emphasised
Vietnam’s achievements in cultural diplomacy activities, which help promote the
country’s international integration (The World & Vietnam Report, 2020a, 2020b).
Vietnamese Cultural Diplomacy
From Vietnam’s perception, public diplomacy is a method of national diplomacy
that represents mainly through cultural diplomacy. In Vietnam, public diplomacy
is sometimes used interchangeably with cultural diplomacy. Cultural diplomacy is
considered one of the three solid pillars of the comprehensive diplomacy of
Vietnam, besides political and economic diplomacy. The adoption of the Strategy
of Cultural Diplomacy through 2020 by the government of Vietnam shows that
the perception of high-level leaders of the country has changed. Cultural diplomacy
is given more importance and considered a proper approach among instruments of
public diplomacy in Vietnam due to its special values (history, tradition, humanistic
ideas, and the conceptual system towards human life and worldview). Although
there is no consensus on the definition of cultural diplomacy, Vietnamese
researchers and policy makers agree on its role in promoting the country’s
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relations with the outside world and elevating national interests. According to Vu
Khoan, Deputy Prime Minister of Vietnam (2002–2006), the depth of diplomacy
is the culture (The Voice of Vietnam, 2016). Being a small country located nearby
large and aggressive powers, Vietnam diplomacy since ancient times has played
an important role in turning danger into safety, weaknesses into strength and war
into peace. Vietnamese cultural diplomacy has a long history, starting from the
Dai Viet period in the form of paying tribute and selecting representatives to
maintain relationships with major neighbours.
Modern cultural diplomacy of Vietnam is a legacy of ancient culture, which
highlights the diplomatic idea of gaining ‘more friends and fewer enemies’. In
2009, Vietnam celebrated ‘The Year of Diplomacy’ that brought cultural diplomacy
into focus. The 11th Congress of the Communist Party of Vietnam emphasised the
crucial role of culture in foreign policy implementation with the motto of
‘independence, self-reliance, peace, cooperation and development, multilateral
and diversified relations, proactive and positive international integration, being a
friend and a reliable partner and responsible member of the international
community, for national interests and for a strong and prosperous socialist
Vietnam’ (Ministry of Foreign Affairs of Vietnam, 2011). It was after this congress
that Vietnam Prime Minister ratified ‘The Strategy of Cultural Diplomacy through
2020’. It is considered the guideline for activities of cultural diplomacy of
Vietnam, which consists of five categories: (1) establishment of relationship with
countries or regions; (2) strengthening and deepening understanding about partner
countries; (3) an enhanced image of the land and the people of Vietnam in the
international stage; (4) having as many heritages recognised by The United
Nations Educational, Scientific and Cultural Organization (UNESCO) as possible;
(5) enrichment of the national cultural identity by obtaining the quintessence of
mankind culture (Ministry of Foreign Affairs of Vietnam, 2011).
Public Diplomacy in Strengthening India–Vietnam
Relations
Both India and Vietnam have a long history of utilising public diplomacy and
other instruments of soft power to secure its foreign policy objectives. Both the
countries have made new developments in public diplomacy in the first decade of
the twenty-first century, as a part of the rising trend in public diplomacy efforts in
the old and new media throughout Asia. China established a new public diplomacy
division in the Information Department of the Ministry of Foreign Affairs and
opened its first Confucius Institutes abroad (2004). Then, other countries followed
in improving its image; Japan (2004), Malaysia (2006) and India (2006) established
public diplomacy divisions within their foreign ministries. These efforts are not
confined to the more developed Asian states but also in less developed Asian
states such as Myanmar.
Public diplomacy has been effective means of strengthening India–Vietnam
relations. India and Vietnam have used both traditional and new approaches of
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public diplomacy in furthering foreign policy goals. In case of India, the two
autonomous organisations—Indian Council of Cultural Relations (ICCR) and
Indian Council of World Affairs (ICWA)—both of which are more than half a
century old, are involved in public diplomacy activities. The ICCR (founded in
1950) works together with the MEA in the area of external cultural diplomacy,
including promotion of cultural exchange with other countries and people. The
ICWA (founded in 1943) is a think tank, whose tasks include the promotion of
India’s relations with other countries through study, research, discussion, publication and exchange of ideas and information with organisations outside India.
Since 2000, India has looked beyond these well-established traditional instruments of public diplomacy and employed a number of new initiatives. India has
made efforts to reach out to overseas Indians (including Indian diaspora in
Vietnam), attempted to build connections with foreign business interests, started
foreign aid and development program, used major events to showcase and ‘nationbrand’ India and used new social media to reach out to younger, tech-savvy audiences. These instruments differ from the traditional approach in their extensive
use of new media. In 2004, India established a separate Ministry of Overseas
Indian Affairs (MOIA, originally called the Ministry of Non-Resident Indian’s
Affairs). The MOIA directs a number of other key initiatives. It administers the
Overseas Citizenship of India scheme, launched in 2006, which in effect extends
to people of Indian origin abroad a permanent visa for entry into India. This
scheme has been highly successful in fulfilling its primary objective of reconnecting people of Indian origins to India. In 2008, the MOIA also set up a ‘Tracing
Your Roots’ service to aid those in the diaspora who may be interested in their
genealogies and in locating their relatives within India. The MOIA runs various
schemes for young diaspora Indians such as the ‘Know India Program’, which
offers a three-week orientation to people aged 18–26 and a scholarship program
for diaspora students to attend Indian universities. The MOIA also established
various overseas Indian centres in countries with significant migrant worker population (like UAE).
In Vietnam, there are several agencies/departments at the Ministry of Foreign
Affairs, Ministry of Information and Communication, Ministry of Culture, Sports
and Tourism, which take care of the work of public diplomacy activities. The
Vietnam Academy of Social Sciences (VASS) (founded in 1953) is the oldest and
largest government think tank in Vietnam involved in promotion of Vietnam’s
relations with other countries through research projects, joint conferences/seminars, publication, dialogue, exchange of ideas and information with international
organisations. The VASS has also signed a memorandum of understanding (MOU)
with the ICWA in 2016 during the Prime Minister Modi’s visit to Hanoi, and since
then, several VASS–ICWA dialogues have been organised. Within the VASS, the
Institute for Indian and Southwest Asian Studies (VIISAS) is instrumental in promoting international cooperation particularly related to India. The VIISAS since
its establishment in 2011 has contributed a great deal to the promotion of Vietnam–
India relations. It has been very dynamic in informing Vietnamese audiences
about India’s foreign policy, India’s new development, to promote the new image
of a strong and dynamic India, to counter against the old entrenched view about
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9
Indian society as divided by caste. The VIISAS has established an MOU with
various Indian research institutions in different cities of India, including Kolkata,
Madras (Chennai), Tirupati, New Delhi, and Shillong.
India and Vietnam have utilised all the six ‘elements’ in public diplomacy to
promote bilateral relations. Among those six ‘elements’, cultural diplomacy is the
most prominent aspect.
Indian Cultural Diplomacy Activities in Vietnam
The Swami Vivekananda Cultural Centre (SVCC) Hanoi was set up in Hanoi in
2016 and has conducted numerous Indian cultural diplomacy activities so far. The
SVCC Hanoi has brought Indian culture to a large number of Vietnamese people
through organising series of events such as opening of dance classes, music and
yoga classes and Sanskrit language classes for Vietnamese people; organising of
exhibitions, film screenings, lectures on Indian culture and eminent persons of
India; book discussion; etc. In addition, the SVCC works closely with the Institute
of Indian and Southwest Asian Studies, Hanoi Union for India–Vietnam Friendship
Organisation, Department of Indian Studies, Centre of Indian Studies in Hanoi to
organise Indian cultural events. In addition to events in big cities, the SVCC collaborates with institutions and universities in provinces to organise cultural events.
In October 2020, the SVCC collaborates with the VIISAS and Vinh University in
Nghệ An province to organise the Indian Cultural Days in Vietnam with activities
such as seminar on eminent persons of India and Vietnam, exhibition of photos of
Mahatma Gandhi, Rabindranath Tagore and Swami Vivekananda, film screening,
celebration of Diwali festival, etc. The SVCC also maintains relationship with the
people of Vietnam from different classes, including students, lecturers, academicians, policy makers and individuals working in the field of culture and foreign
affairs to disseminate India’s rich culture.
The promotion of Yoga in Vietnam can be highlighted as an instrument to further
India–Vietnam relations. In time of the COVID-19 pandemic, it is easier to grasp the
meaning of yoga and its eternal values. Prime Minister Modi sent out the message
‘Yoga for peace and harmony’ worldwide and to Vietnam. Yoga and COVID-19 has
brought India and Vietnam closer together. Today, more and more Vietnamese people
choose Yoga as a method of practicing physical and mental health, cultivating a
healthy lifestyle, changing their attitude to a more positive one. Every year, on June
21, the Yoga ‘spirit’ increases in Vietnam. Many Vietnamese said that, before coming
to yoga, they were hot-tempered, easily irritable and mentally insecure, but after
coming to yoga, they know how to balance their body and mind.
Mr. Đào Trung Nghĩa, who is a 30-year-old citizen of Hanoi and has been
practicing yoga for six years, shares that Yoga has completely changed his life:
‘Before, I used to be an effeminate person, impatient and follow irregular lifestyle.
But since practicing yoga daily, I have set myself a certain framework of life, my
mind become lighter, feels more peaceful and serene. The most special thing for
me is that, the more I practice yoga, the deeper I feel that hidden in my body are
mysteries that need to be discovered’ (Tuổi Trẻ, 17/6/2018).
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Ms. Nguyễn Thị Ngọc Nga, a 45-year-old citizen of Hanoi, said that the beauty
of yoga is its capacity to wake up all the senses, all the parts of the body, especially
those parts that people rarely notice, such as the heel or wrist (Tuổi Trẻ, 2018).
Ms. Mai, a mother of 10-year-old Tùng Lâm, said that: ‘In the class, my son
often lose concentration, practicing yoga helps Lâm to focus on daily activities as
well as to be more healthy’ (Tuổi Trẻ, 2018).
In short, Indian Yoga has become more and more popular in Vietnam and has
a positive impact on the life of the Vietnamese people. It shows the closeness in
the concept of life and culture of the Vietnamese and Indian people. Many
Vietnamese, young and old alike, are increasingly concerned with health and
choose Yoga to improve their health. Indian culture, through Yoga, has also spread
to every corner of Vietnamese life, has promoted the cohesion between Vietnam
and India and increased the sympathy and admiration of the Vietnamese people
towards the profound and abundance culture of India.
Vietnamese Cultural Diplomacy Activities in India
According to Phạm Sanh Châu (2008), former Director-General of the Department
of Cultural Diplomacy UNESCO, Ministry of Foreign Affairs and currently the
Ambassador of Vietnam to India, cultural diplomacy helps multiply a country’s
soft power. Since becoming the Vietnam Ambassador in India, Phạm Sanh Châu
has initiated various activities to enhance Vietnam’s image in India and promote
India–Vietnam bilateral relations. Recent cultural diplomacy activities in strengthening India–Vietnam relations done by the Vietnamese side include connectivity
promotion (starting direct flights between Vietnam and India in October 2019,
Vietnamese cuisine promotion (opening Vietnamese restaurant in India in May
2019, establishing Club of Cuisine Ambassadors in New Delhi), sending
Vietnamese art troupes to India, inviting Indian dance troupes to Vietnam, organising and taking part in numerous online seminars, establishing of Ho Chi Minh
statue in New Delhi, screening of Vietnamese films in India, establishment of the
Centre for Vietnamese Studies in New Delhi, setting up Vietnam–Ho Chi Minh
Book Corner in the Central Secretariat Library in New Delhi and publications of
joint book on India and Vietnam. For example, the bi-lingual book of a thousand
pages on ‘Ho Chi Minh with India’, published by the Centre for Indian Studies
Hanoi, Ho Chi Minh National Academy of Politics, is truly a valuable source of
information for both India and Vietnam on one of the leaders who laid the foundation of India–Vietnam relations.
The Centre for Vietnamese Studies in New Delhi was officially established in
March 2018 during the visit to India by the late President Trần Đại Quang. Since
its inception, it has conducted various activities to promote understanding about
Vietnam in India to inform the Indian government and public about Vietnam’s
policy as well as its land and the people. Under the aegis of the Centre for Vietnam
Studies, various international conferences were held, including the conferences
on ‘India–Vietnam Relations in the changing geo-politics of the Indo–Pacific’
(January 2018); ‘India–Vietnam: Strengthening Economic Ties’ (July 2018).
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After the outbreak of the COVID-19 pandemic, the Centre for Indian Studies
continues to hold video conferences such as ‘Public Diplomacy and India–
Vietnam Engagements’ (June 2020), ‘Indian Cultural Imprints in Korea and
Vietnam’ (June, 2020), etc. In addition, the Centre for Vietnam Studies also organised Vietnamese classes for Indian students and keep close contact with Vietnamese
students in India, Vietnamese diplomatic mission in Delhi as well as various
research institutions and universities in Vietnam.
Thus, India and Vietnam have done much in promoting public diplomacy
activities. The Embassy of India in Hanoi and the Embassy of Vietnam in New
Delhi have also been very active and supportive. Diplomats such as Ambassadors
Praney Verma and Phạm Sanh Châu have been very active in using public
diplomacy as instrument in strengthening India–Vietnam relations. The release of
the Indian Embassy Newsletter every month to inform the Vietnamese audience
about the latest development in India and Vietnam–India relations is highly
appreciated. This broadcasting was lacking in earlier period. Vietnam Embassy in
Delhi should also issue this kind of Newsletter.
Implications for India and Vietnam
It can be seen that India and Vietnam use various instruments of public diplomacy
to influence the people of foreign countries with a view to secure the foreign
policy objectives of the state. Among the six mentioned instruments, cultural
diplomacy gets most attention and resources of India and Vietnam’s public
diplomacy. When resources are being limited, this implies that other instruments
face shortage of resources. This also implies that both India and Vietnam do not
yet have an overarching strategy of public diplomacy, which lays down the general
direction as well as optimal mix of these six instruments work in tandem towards
a common goal. Without such an overarching strategy, there is a danger that
different instruments work with different objectives and sometimes at crosspurpose, thus cancelling each other’s achievements. Limited resources have
prevented the two sides in implementing desired public diplomacy activities.
The COVID-19 pandemic has forced countries, including India and Vietnam,
to find new directions in utilising instruments of public diplomacy for policy
purposes. In time of crisis of the COVID-19 pandemic, public diplomacy has
become all the more important than other forms of diplomacy. Many Asian
countries developed new public diplomacy in response to the pandemic. In
particular, the use of ‘mask diplomacy’ by Japan and China to clear up deep
disagreements is considered a bright spot in the countries’ public diplomacy (Báo
Quốc tế, 2020). Thus, in time of the COVID-19 pandemic, India and Vietnam
should also think of new ways of implementation of public diplomacy so that it
can play greater role in connecting community and strengthening bilateral
relations.
Following are several suggestions for both sides to promote India–Vietnam
relations by using public diplomacy instruments: First, India and Vietnam should
design official overarching strategies, whereby the optimum mix of instruments
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of public diplomacy can be prescribed and ensured that instruments of public
diplomacy do not work at cross purpose. Public diplomacy should be institutionalised by giving it a place in the official documents of the two governments. Many
countries in Asia have put public diplomacy into their foreign policy documents
[Japan’s Diplomatic Bluebook (2004); the Diplomatic White Paper (2007) and the
Public Diplomacy Act (2016) from South Korea and the National Strategy of
China (2012)]. This should be taken into account by foreign policy makers of
India and Vietnam. Second, both sides should increase the sharing of experience
in public diplomacy activities, especially among the individuals directly involved
in doing these activities. Third, both sides should design annual action plan in collaborating and coordinating in holding public diplomacy activities. Finally, both
sides should make joint efforts in improving state media presence in each other’s
country. It is encouraging that the Voice of Vietnam has opened its Representative
Bureau in New Delhi during the Vietnamese Vice President Đặng Thị Ngọc
Thịnh’s official visit to India in February 2020. Channels of Indian state media
should also be set up in Vietnam. More state-funded international news channels
should be created in major cities of both countries. More cultural centres should
be established while at the same time strengthen the functioning of existing cultural centres. In addition, research on public diplomacy should also be done in a
systematic way. The implementation of public diplomatic activities should not be
limited within a group of government officers but should be in coordination with
various non-state actors so that it can have spill-over effects on many more people
from different sections of the society. For an effective implementation of public
diplomacy activities, proper investment in terms of finance and human resources
is also important to meet the new demand of the modern age.
Conclusion
Both India and Vietnam have made significant efforts to utilise public diplomacy
instruments in recent two decades of the twenty-first century. India has reformed
its public diplomacy, re-invested in traditional modes of building soft power, such
as the cultural exchanges organised by ICCR and utilised new methods, including
the use of new social media. Vietnam has also reformed its public diplomacy
based on the ‘Cultural Diplomacy Strategy through 2020’. The dividends of
public diplomacy activities are difficult to measure in quantitative terms, but it
will bring about long-term qualitative results. Both the countries have been able
to improve its image in world stage as well as in each other country. To a certain
extent, both the countries have shifted international public opinion of the countries’
foreign policy. However, both India and Vietnam have to do much more to
enhance positive public opinion about its policies, thereby best serving its national
interests. Well-crafted public diplomacy may prove a good investment in bringing
about political and economic ends.
By utilising various public diplomacy instruments, India and Vietnam have
been able to constantly strengthen bilateral relations. Mutual understanding has
been improved considerably in recent years. The lack of authentic information
Nga and Quang
13
about the two sides has gradually been mitigated. Views of India’s ‘national brand’
in Vietnam have improved considerably, particularly since the two countries
signed the Comprehensive Strategic Partnership. A positive trend has been created
and we hope for future transformation of India–Vietnam relations. The recent
‘Joint Vision for Peace, Prosperity and People’ issued by Prime Ministers Narendra
Modi and Nguyen Xuan Phuc after the virtual summit on 21 December 2020, in
which ‘People’ has become an important pillar once again to testify the importance
of utilising public diplomacy in strengthening bilateral relations.
Le Thi Hang Nga is currently Deputy Editor-in-chief of the Journal of Indian and
Asian Studies, Head of the Department of Historical and Cultural Studies, VIISAS,
Vietnam Academy of Social Sciences (VASS). She completed her MA in modern
Indian history from Delhi University and successfully defended her PhD theses at
the Graduate Academy of Social Sciences, Vietnam Academy of Social Sciences.
She is interested in studying about Indian foreign policy, Indian international
relations, Indian thought and philosophy, Gandhian philosophy and political
activities. She has participated and presented at many international conferences
abroad (Thailand in 2007 and 2017, Australia in 2012, India in the years 2012,
2013, 2016, 2017, 2018, 2019; Philippines in 2013, Germany in 2015, Japan in
2016, Hong Kong in 2017), Australia (2019). She is the author of the book titled
“Indo-US Relations (1947–1991)” (2018), editor of the book “India’s relations
with its neighboring countries in the new context and implications for Vietnam”
(2020).
Trieu Hong Quang is a researcher at the Institute for Indian and Southwest Asia
Studies (VIISAS), Vietnam Academy of Social Sciences (VASS) where he starts
studying the modern history of India. His research and writing are mainly
concentrated on contemporary issues in India regarding its international
relations, foreign policy and politics. Recently, his work is tightening IndiaVietnam educational and cultural cooperation during the joint book ‘India–
Vietnam Enhancing Partnership’ (2020, Manohar Publishing House). In terms of
an educational background, he received the B.A degree in Oriental Studies (2013)
as well as the M.A degree in Asian Studies (2018), in Vietnam. Since 2019, Quang
has held a scholarship from the Hungarian government to study Ph.D. in History
at Eötvös Loránd University (ELTE), Budapest with the ongoing dissertation
topic about ‘Soft power in India’s foreign policy towards Southeast Asia from
1990 to 2010’.
Declaration of Conflicting Interests
The authors declared no potential conflicts of interest with respect to the research,
authorship and/or publication of this article.
Funding
The authors received no financial support for the research, authorship and/or publication
of this article.
14
India Quarterly
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