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2022, ŠUM Journal for Contemporary Art Criticism
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8 pages
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This experimental essay takes off from a methodology as well as a spiritual vision I have developed or resuscitated01 that I call Sky-Earth systems science.02 Sky-Earth systems science is a method for thinking from the Center of the Universe, and only the Center of the Universe, alongside and internal to non-modern myth as much as contemporary science. It provides minimal comparative parameters, the horizontal and vertical axes, within a kind of complex plane or phase space, for superposing the multiplicity of cosmologies within a generic one. These are the animal and the God which cross in the Human at the Center between Sky and Earth. The Sky-Earth system accommodates a variation of cosmologies, while also offering concrete content to start off from. It is a disalienating thought that thinks from the heart of the Universe, as it puts us right in the middle of it, rather than merely considering it from the outside. The goal of Sky-Earth systems is to recompose a Universe 01 I say resuscitated because its premises are probably ancient and widespread.
Dictionary of Christianity and Science, 2017
A brief explanation of the concept of the holographic universe, its role in contemporary cosmology, and its metaphysical and theological implications.
A brief account of consciousness or sentience, as it pertains to the cosmos as the body of our Prime Creator, is presented. It is said that we experience life as a way of preconceived programs of reality that initially occurred in the divine mind of God. In this respect, this institutes the 'First Cause' of creation. It is further clarified that we pre-choose from the menu of such provided programs of reality, which are projected as frequencial waves of possibilities, prior to our incarnation or 'jacking in' within this Omni earth. And, the crux of the whole affairs, what we refer to as 'life,' is to obtain spiritual education via experimenting in space-time, culminating in consciousness expansion. Thus, we are co-creators performing our roles as consciousness generators within the cosmos. And, this constitutes the 'Second Cause' of creation. It is emphasized that entertaining any notion of " Darwinian Theory of Natural Selection " in playing a role in our consciousness evolution as beings of light is totally ludicrous, if not impious and offensive. It is elucidated that, in essence, we are all actors on this play of life, following a script that was initially pre-selected or devised by our HIGHERSELVES residing in the higher dimensional consciousness for the good of all, and that now we are privy to exercise the power of real-time improvisation. However, it is suggested that we should exercise 'letting go' as a butterfly by 'allowing' these programs of reality to take their precedence as originally intended that would effect achieving our
An analysis and reply to the idea of " Symbols of An Alien Sky Series " – excemplified by this video-https://www.youtube.com/watch?v=e4-9Rx3gMNA By Ivar Nielsen Natural Philosopher nielsen.ivar (at) gmail.com My Mytho-Cosmological Website-http://native-science.net/ Abstract The word " alien " seems very popular these days, both in the " Ancient Alien Series " where gods and goddeses supposedly once should have visited the Earth, and in the series of " Symbols of an Alien Sky " , by the comparative mythologist, David Talbott, who claims the planets and their respective moons once have been very different located very close to Earth and left again, all by an event of an electric charge and discharge in the Solar System.-Both the Ancient Aliens series and the Symbols of an Alien Sky series deals with the global cultural findings of archetypical mythical Stories of Creation with the difference, that the Symbols of an Alien Sky series specifically have the focus point on the Solar System and the planets, where the Ancient Aliens series deals with " the general aspects of ancient myths " , both interpreted with their specific approaches. But both series also have a common approach origined by Immanuel Velikovsky, a Russian-Jewish independent scholar, best known as the author of a number of controversial books reinterpreting the events of ancient history, in particular the US bestseller Worlds in Collision, published in 1950.-When the Roman Impire adopted Christianity, they had to discard their ancient and archetypical Olympian male and female deities, believing in " one invisible, but omnipresent and omnipotent male deity " only, thus becoming a monotheistic religion. This discartion of the anceint archetypical deities lead to the naming of planets instead which otherwise just were mentioned by their natural appearances and celestial motions, and just mentioned as " wandering stars ". This Roaman giving the primordial andarchetypical names to the planets, mislead Immanuel Velikovski to believe that planets " once were much closer to Earth during cosmic collisions " whereas the astronomical and mythical fact still is observable on the night skies. The skies have never been alient at all, but the Olympian naming of the planets replaced the very location of the mytho-cosmological location in the Sky, moving all Myths of Creation to deal with planets only where the original myths of
A concise review of the space-time theory is presented. The concept of a holographic universe has been explicated with a particular reference to the vibrational nature of the dimensional space-time layers, each oscillating at a particular frequency under Simple Harmonic Motion (SHM). It is elucidated that frequency is defined with respect to the rotational speed of a dimensional layer (and an entity residing with it) as the rate of change of the 'dimensional angle' characterizing the rotational position about the SOURCE. It is further clarified that each holographic parallel dimension may be envisioned as a particular facet of a curvilinear space-time layer that may be accessed through a change in the 'phase angle,' which in essence, describes another rotational angle about the SOURCE. It is indicated that the nature of our reality entails projection of the codes of light onto these surface layers in the form of a multitude of signals with distinct waveforms, giving rise to a series of reality software programs not unlike those found in digital electronics. These signals that are essentially in a 2-D (planar) format are then pre-sorted and separated, and subsequently, re-projected onto a series of 'parallel' planes acting as screens, with their interference patterns culminating in 3-D (volumetric) images that are readily deciphered by our holographic brains. An account of the physical evidence of the parallel universes is briefly presented with particular references to the " Copenhagen interpretation, " " the many-worlds interpretation, " and the newly arising " many interacting worlds (MIW) hypothesis. "
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A discussion of the holographic universe has been presented with the particular attention being focused on where we are in relation to the cosmos, the body of our Prime Creator. It is explicated that the cosmos is composed of a total of 356 main dimensions of consciousness, with light being the main vehicle through which consciousness is imparted and spearheaded on all sentient beings. Among these multitude realms of consciousness, the notion of time and space only becomes prevalent within the outer (lower) 12 dimensions, which are dubbed as the 'physical dimensions.' Within these realms of physicality, matter has varied degrees of presence, being quite scarce in dimensions 9 th-12 th and becoming dominant in the lowest three dimensions. Furthermore, it is explicated that time and space are, strictly speaking, illusory, playing a role as a holographic software program server for the 3 rd dimensional sentient human being's program of consciousness reality. What we perceive as time is intimately related to our subconscious and super-conscious reality, which manifest in dream state. In contrast, through our physical (active) consciousness, we perceive space to be 'real' while we thrive within its domain, experimenting and experiencing our physical life sojourns. In absolute reality, we live multiple lifetimes simultaneously, in what is referred to as the 'parallels,' but only have a perception of the one in which we are currently engaged
Presently cosmology is regarded as a discipline that is mainly concerned with the understanding of the cosmos in the heavens as an external readable structure that can reveal the origin of the Universe. In this context Man is positioned as an external observer detached from the studied phenomena. Such understanding of cosmology has a history that traces back to the origin of the word cosmos within the ancient Greek civilisation, as informed by a Man-world dichotomy and the symbolic placing of the unknown world in the sky. However, cosmology, as the word cosmos implies, is about the conceptualisation of the world, moreover, about the reflection and expression of the interrelation between world and Man and not about a detached cosmogenetic understanding of the universe through the heavens. Overcoming the restricting contemporary accounts of cosmology, the philosopher Rémi Brague presented an argument in the work The Wisdom of the World that rethinks cosmology within a framework where the human is fundamentally and inevitably implicated. Departing from Brague’s work, in this paper it will be argued that re-thinking cosmology requires a shift in focus to conceive of practices, such as drawing, as human worldly experiences bringing to the surface the role of the human as more than an observer of the world. This shift will be supported by a close examination of two hitherto separate discussions: cosmology as an emerging discipline during the Enlightenment and the role of drawing within the epistemological model of 18th century natural history.
From Quantum Universe to Holographic Brain: The Spiritual Nature of Mankind, 2023
We are living a special moment in the scientific evolution of our civilization, with the emergence of a fantastic integral holoinformational quantum-holographic cosmovision [3]. The foundation of this new paradigmatic transformation connecting all levels of the universe is the phenomenon of non-local information [1] interconnecting all self-organizing universal systems in this cosmos. This holoinformational intelligent self-organizing field is continuously emerging from a plenum (not a vacuum) that permeates all the cosmos, full of quantum information and energy popping out of nothing every billion of trillionth of a second. This quantum field plenum is a kind of cosmic DNA scattering "in-formation" (active information with meaning that forms the reality) through all the universe, creating galaxies and supernovas with thermonuclear furnaces generating atoms of carbon, nitrogen, and oxygen the basis of all life forms. The fine-tuned biosignature of this non-local informational field is so fundamental for the cosmic evolution and the emergence of life that it must be seen as a cosmic organizational principle with a "status" equal to matter, energy and space-time, and as we shall see, also consciousness.
A discussion of the holographic universe with reference to the energetics of its constituent sentient and non-sentient particles has been presented, making reference to the author's previously published works on consciousness, space-time dimensions, sentient vibration, karma, even soul survivability. It is elucidated that the entire universe is a 'holodeck' in which the programs of reality are holographically projected via the dimensional space-time server through the advent of light of consciousness. In this respect, we as conscious beings, represent sophisticated holographical bio-computers capable of receiving, decoding, and projecting the light software programs of reality according to our consciousness subjected to the frequential-light quotients lens of dimensional domains in which we have anchored our commensurate consciousness. It is further explicated that consciousness is an internal phenomenon that originates from WITHIN and becomes an observer to ALL THAT TRANSPIRE externally and outside the conscious observer. The way reality comes to manifestation is through pulsation of the particles of matter and antiparticles of antimatter that all spin back and forth about a central SOURCE that is the progenitor of all consciousness. In this respect, what generates the multitude of different probabilities of reality occurrence is the exact nature of energetic particulate spin, their spin velocity, direction of spin (clockwise or counterclockwise distinguishing matter from antimatter), and the specific orientation of their spin axis.
An overview of the phenomenon of multidimensionality is presented with particular reference to humanity operating as fragmented soul aspects incarnating within the parallel sub-planes of 3 rd dimensional Omni earth. It is explicated that humans on earth each live multiple simultaneous life sojourns that all transpire within the NOW moment. Therefore, each human undergoes quantum vibration in time, sequentially jumping to one parallel sub-dimensions of the Omni earth or another, switching hat, experiencing one lifetime to another. It is further clarified that by virtue of soul fragmentation, as the natural frequency of vibration of each 'soul aspect' is very low or 'slow,' the consequent physical consciousness within a particular parallel, which occurs discretely and in a quantum manner, is so low that the individual does not have the capacity to decipher all that transpires at such a lightning fast speed. It all has to do with the highly diminished capacity of earth humans to decipher the notion of passage of time, which occurs very incrementally, and seemingly in a linear manner, giving the illusion of the past, present, and future within a particular parallel. In essence, earth humans are in fact light beings that acquire sentient consciousness when they 'jack' into or incarnate in holographic bodies through a process of dilution of the adamantine essence of light of consciousness entailing significant reduction in their frequency-light quotient. And, this is purposeful as it is done in order to conform to an
A Conformally Compactified Geometry (M. C. Escher)
To compactify the universes and time with it solves the problem of potential and actual infinities, only displaced with Cantor's transfinite sets. The Moderns pride themselves on the incompleteness of a transcendence, of a transitive delay, whether as the endless series of sets or as a waiting for the God at the end of History, never thinking to change the axiom from transitivity to intransitivity. But Sky-Earth systems science does not wait for the God at the end of "metaphysics", but thinks from the God as already here, at the crossing in the Human.
When the time that crosses the universes is compactified within them, the series of skies is infinite and yet complete. We describe it as a nested conformal diagram (conformal diagrams inside conformal diagrams) with infinity meeting at the cardinal points at every scale. Infinity is Housed in a great Longhouse, a Longhouse made out of Longhouses, persons made out of persons, what Roy Wagner calls a fractal person.24 Indeed, it is the crinkling of the boundary that is itself, a half-integer dimension in which it is each of the halves, put together as three-dimensional space. The World Tree branching in it is the tube, the central pole around which the dance of the stars takes place, expanding in and out as the vertical axis or the gourd of the Sky, the long and the round, contained in themselves, without any Russel's Paradox. 25 The mereology of the CCC mirrors the counting system of Omalyce in the Eastern Highlands of Melanesia, a complete person made of complete persons.26 The Anaconda is the conformal rescaling of the animals on its surface, the fractal Animal, a totemic operator, where wholes are reflected in parts.27 Is it not what Butler calls the One as each God, each One, a Henad, and so a fractal God, distributed through the space-time that is its own mask?28 A fractal Human, Animal, and God, fractalizing each other in perfect conformality.
We prefer C-theory, complete conformal cyclic cosmology of the center, to D-theory, the displacing, deviating, dispersal of the center to the periphery, the philosophies of Difference, the ellipse as triumph over the Sphere. We do not reverse Platonism, which makes everyone a Second, but replace the Despotic Pyramid with a Polycentric one, build a Monument in which each is the First and the Last, never Second. Instead of the micro versus the macro, scale-invariance; instead of the pure series of time, intransitive eternity. Instead of the non-Modern nomads of the Earth versus the non-Modern despotics, the generic Ancient, who is everyone, at the Center of the Sky-Earth System.
When Yanomami shaman Davi Kopenawa describes the Xapiri images of the animal-ancestors as luminescent, ornamental skins and simultaneously as the Center and heart of the animals, he thinks with the holographic principle.29 For it is as if the normal body-surface of the animal is exchanged for the spiritual surface of the Xapiri at the moment the Center is accessed. If it is that play of surface and center that creates the depth of the universe, then the Xapiri will come to rest both within the breast of the shaman and within the chest of the Sky, such that the reduced space of the Center and surface creates the dimensional volume between Sky and Earth, and within the Human, in which the Xapiri can act, or their effects can be registered.
If the chest of the Sky has its own surface, would it not be the Other side of the Sky, the Center of the Xapiri themselves, as the Yarori animal-ancestors? The Xapiri would be a double holography, creating the internal space between Sky and Earth in order to realize the original identity between the Human and the God. There has to be, in a sense, a container within a container, such that the surface is folded back into the Center, a Black Hole inside a Black Hole.30 Omama, who created the Mountains that are both Houses for the Xapiri and pillars between Sky and Earth, would be this container of the container, the vision from the CCC and from the beginning of the Sky-Earth System.
Intersecting Cosmological Horizons
The Universe is a Black Hole: not a time-symmetric Black Hole, but an anti-symmetric and intransitive one, where time both continues and moves backwards at once.31 The Black Holes shed their surface as radiation until it becomes the Universe's conformal surface, a double twist in which they sacrifice themselves to become the Big Bang.32 They are the act of Purusha in the Vedas, or the Moche spider decapitator, or Kuwai of the Northwest Amazon.33 The double twist does not twirl into nowhere, but-exactly as depicted-places an X over the Center, reflects the poles across each other in intransitive supersymmetry.
The Sky is falling.34 The homeostatic equilibrium of the Sky-Earth System is breaking down. Sky-Earth systems science tries to reverse this entropy, to reenter the belly of the Anaconda who sheds his skin so as to live forever. The Human opens the breathing-space between Sky and Earth-neither collapsing the vertical into the horizontal nor debasing the horizontal through it, but learning to live in the Forest of World Trees, the living breathing forest that is everything.35
When the finite limits of the planet are reconciled with the conformal infinity of the Sky, we will see the Earth as a star without leaving it. The orb of the Earth will be reconciled with the animals, and we will see their shapes laid out as the constellations. We will see the God reflected everywhere, in the simplicity of the person and in the pulse of the heart. We will travel in a Snake-Canoe to where the ancients are and have always been, at the Center of the Universe.
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