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2004, South African Journal of Higher Education
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14 pages
1 file
Research conducted in the late seventies and early eighties argues that learners conceptualise information differently, if it is offered through various (multiple) instructional methods (modes). Thus the term multimodal education was created ± nowadays a familiar educational approach. With the appearance of the Internet, the potential for disillusionment with multimodal education has become a possibility. This article considers the different kinds of multimodal education, as illustrated through a case study of a course where the Internet was introduced as an additional mode. The article demonstrates that the so-called channel view of multimodal education (channeling information to students through a variety of unique modes) is encompassed by the broader and more appropriate communication-view. According to this view, modes communicate different messages about the world and learning. This means that modes can easily convey inconsistent messages to learners. An awareness of potential inconsistencies is crucial to ensuring that multimodal education leads to higher quality learning.
Information Technologies and Learning Tools, 2019
The paper presents a theoretical overview of the notion "multimodal literacy" in the context of the multiliteracies pedagogy focusing on the research relevant to developing notions of literacy for twenty-first century higher education standards. The relevance of the topic is explained by the fact that the modern world is becoming more and more pluralist and increasingly dependent on new technologies and different modes of communication, students require new transdisciplinary skills and methods of learning. The author examines the changing pattern of literacy as broad, multidimensional knowledge, skills and attitudes. Literacy is viewed as a personal sociocultural capacity the development of which provides every student with the rules how to solve problems, to relate to others and survive in diverse social settings, and creates numerous opportunities for enhancing critical thinking and reflection as well. The foundation for students' multimodal literacy in the digital learning environment of a higher education institution through theoretical and applied frameworks of visual, media, information and multicultural literacy is considered. The diverse affordance of digital tools and range of multimodal genres offer engaging new avenues for students' creative expression on the basis of developing multimodal literacy. It is emphasized that successful life in a world of multimodal information requires fluency in a broad range of literacies to consume and create texts in visual, audio, and written formats, to evaluate messages in a variety of mediums, and to gain sociocultural awareness and the ability to communicate and live in a global diverse society. Pedagogic techniques across disciplines (multimodal essay, digital mapping project) are highlighted in view of their effectiveness in developing multicultural literacy of undergraduate students. It is an empowering practice for modern educators to incorporate multimodal tasks into a diverse learning environment, which teaches critical thinking and multimodal skills, enhances audiovisual rhetoric, develops writing and oral communication skills, and aids in self-expression and self-reflection.
The “classroom” is no longer limited to boundaries of the brick and mortar rectangles filled with student seats in the rear and the instructor’s desk at the front. Technology has altered the not only the classroom layout, but the classroom environment both within the classroom as well as outside of the classroom proper (Karabulut,, 2012). Student interaction once limited to hours in the classroom teaching and office hours, has now expanded to all possible times depending on the availability of the participating parties through synchronous and asynchronous interaction. The single dimensional classroom of monologue teacher to student communication has been replaced with a multidimensional, multimedia, and multimodal environment where students are able to access the world’s references on their laptop computer, tablets, and even their smartphones real-time during the lecture or classroom activity. The world of online education not only changed the breadth and width of how classes can be taught in the non-traditional classroom environment, they also changed the expectations of what actually happens within the face to face classroom. Coined “multimodal” this classroom approach provides the student with an intricate interwoven pattern of sights, sounds, media, and timing to maximize the student’s learning experience (Newman, Couturier, & Seurey, 2004). The multimedia, multimodal online environment has cross pollinated over to the face to face classroom, making the historical lecture based classroom unacceptable to the tech savvy students who now take classes. Even the older nontraditional students are expecting less one way dialogue and more interaction not only between instructor and student but also between students inside and outside of the classroom. The majority of students are also very integrated into the social media aspect of the internet. Such platforms as Twitter© and Facebook© have become a part of the normal day to day experiences of all age groups. The integration of texting, the social media, and online interactions into all aspects of education has become not an option but more essentially a requirement.
International Association for Development of the Information Society, 2017
The aim of this paper is to report on teachers’ experiences of, and approaches to, multimodality in teaching and learning. A small-scale online survey with closed and semi-structured questions has been deployed to school and university teachers (n=68) for eliciting their experiences in multimodal teaching and learning. Thematic analysis has been adopted as the overarching methodology for reporting patterns in the data from the survey. The results from the analysis showed that experiences of multimodality are discerned as: (1) imparting information, (2) enacting collaborative learning and (3) preparing students for exploring concepts. The process of meaning making is exemplified through a developmental progression from more teacher-directed modes through oral, written and visual representations to more student-centered through gestural representations as means of connecting and combining different modes triggered via visual communication, collaboration and exploration.
2018
The study emerged from my interest in understanding the multimodal learning practices and multiliteracies of the current generation of students, especially with the increasingly new genres of texts finding their way into the education landscape. Designed as a pedagogical intervention, it sought to understand the different ways first year undergraduate students at the University of Mauritius experienced learning with and through varied forms of digital multimodal texts (DMTs) within the context of the module Mauritian History (HIST1002Y) included in their programme of studies. A phenomenographic approach was used to describe and interpret the qualitatively different ways participants experienced two learning situations (LS1 & LS2) involving the use and creation of DMTs. A purposeful sample of 19 participants was involved. Data was collected through semi-structured interviews, participants' written reflections, a focus group discussion and a consideration of the DMTs (a video assignment) they produced. The phenomenographic analysis produced two sets of categories of description, one for each learning situation, moving from least to more comprehensive ways of experiencing the phenomenon. As consumers of DMTs in LS1, participants expressed their experiences in five different ways. DMTs were seen as authentic sources of information; as a novelty to the learning approach; as an opportunity to break learning monotony; as emotionally engaging; and as effective and useful learning support. As for LS2 involving participants as authors or producers of their own DMT the findings revealed that such a task was conceived of in six different ways. Making a video was seen as an assessment to be completed for the purpose of grades; a new way of learning and assessment; a journey of ups and downs; an opportunity to widen one's horizons; an opportunity for personal growth and development; and a process of multimodal orchestration. The categories were further analysed to highlight their logical relationship based on dimensions of variation in the way DMTs were experienced. The overall findings indicate that the implementation of pedagogical practices supported by DMTs could revitalise the teaching and learning of History despite some noted challenges. This calls for a reconceptualisation of higher education pedagogies in alignment with our students' changing literacy practices so that from passive receivers of knowledge they become active knowledge producers.
The 4IR and teacher education in South Africa: contemporary discourses and empirical evidence, 2022
As the Fourth Industrial Revolution (4IR) implies the blurring of lines between digital and other spheres of life, education students should be adaptable and self-directed. This chapter explores how the needs of students within the context of the 4IR will depend on the different modalities of learning and being self-directed. Learning involves different modalities in terms of the individual, interaction, instruction and even at the level of institutions. Within the context of the 4IR, multimodality in more aspects of daily life will be ubiquitous. Consequently, the interplay of modalities within a multimodal learning context has implications for meaning-making and, by implication, learning in HE. Building on the scholarship of multimodal learning provides a framework for understanding how the fusion of modes function in education. In addition, the 4IR requires students to be adaptable and able to take charge of their own learning in order to become self-directed and lifelong learners within the dynamically changing HE environment. In this conceptual chapter, the theoretical principles of self-directed multimodal learning are interrogated in the context of the 4IR as have been identified in the scholarship in these fields. Practical steps are proposed for preparing students in teacher education for self-directed multimodal learning.
World Journal of Educational Research, 2019
In today’s increasingly fast-moving digital world, learners are immersed in multimodal online communication environments in their daily life, through Facebook, Twitter, Instagram, Snapchat and others. This requires educators to reflect the environment in which these learners live, and thus design instructional practices from a multimodal perspective. Multimodality offers new opportunities for digital learners to express themselves, analyze problems and make meaning in multimodal ways as they interpret knowledge differently according to their various educational needs (Kalantzis & Cope, 2015). In this paper we will discuss the significance of integrating multimodality in e-Learning contexts to make meaning and improve learning. The paper will also present a case study of an online course from the College of Education at the University of Illinois Urbana Champaign to show how multimodality works in practice to cater to learner differences by offering a range of activity options and mo...
2007
qualitative responses were collected from the participants using open-ended questions via a survey questionnaire. Of the quantitative results, all three cohorts rated a moderately strong preference for visual communication over text (verbal or written communication). The results are consistent with other research findings , and they suggest that, at times, words do fail. These results support a case for multimodality in elearning environments. This goes beyond situating vast chunks of text in e-learning environments and towards the inclusion of various forms of visual communication in elearning designs. Further, it is argued, that at a time when various forms of historically textreliant communications media are shifting towards visually inclusive constructs, that this adoption within academia is also socio-historically appropriate. Julie Willems is an educator, and a doctoral candidate at Monash University, Australia. Her research interests include e-learning; mobile learning; open and distance learning; equity issues in education; learning styles; communications media; multiliteracy; and multimodality. Please cite as: Willems, J. (2007). When words fail: A case for multimodality in e-learning. In ICT: Providing choices for learners and learning. Proceedings ascilite Singapore 2007.
Language Value, Volume 10, 2018
Multimodality in Higher Education,by Archerand Breuer(2016) deals with multimodal writing practices and pedagogies in tertiary education.With the boost of new technologies in the field of education, studies on modes of communication (e.g. writing) have focused on their evolution throughout the years, particularly in the learning process
Proceedings ASCILITE 2010: 27th Annual Conference of the Australasian Society for Computers in Learning in Tertiary Education: Curriculum, Technology and Transformation for an Unknown Future, 2010
The innovative use of educational technologies provides higher education institutions valuable opportunities for their staff to design media enhanced, interactive, more inclusive and engaging learning environments. The key motivation for incorporating educational technologies into the curricula is unquestionably the desire to improve the engagement and learning of students. To assist with this the increasing use of multimedia in teaching has provided many opportunities to present multiple representations of content (text, video, audio, images, interactive elements) to cater more effectively to the different learning styles of an increasingly diverse student body. This paper presents the findings of an experiment to measure the impact of multiple representations of content on learning outcomes, including learning performance and engagement. While, in this study, multiple representations of content did not lead to discernable improvements in learning performance, students reported very favourably on multimodal learning elements and perceived that they had assisted their comprehension and retention of the learning material. The implication of this study for educators is to consider carefully the incorporation of selected multiple representations of key concepts, particularly those that use a combination of audio and visual content. The limitations of the experimental methodology and directions for future research are also presented for consideration.
NWU Self-Directed Learning Series, 2021
Peer review declaration The publisher (AOSIS) endorses the South African 'National Scholarly Book Publishers Forum Best Practice for Peer Review of Scholarly Books'. The manuscript was subjected to a rigorous twostep peer review process prior to publication, with the identities of the reviewers not revealed to the author(s). The reviewers were independent of the publisher and/or authors in question. The reviewers commented positively on the scholarly merits of the manuscript and recommended that the manuscript should be published. Where the reviewers recommended revision and/or improvements to the manuscript, the authors responded adequately to such recommendations. Research Justification This book aims to provide an overview of theoretical and practical considerations in terms of self-directed multimodal learning within the university context. Multimodal learning is approached in terms of the levels of multimodality and specifically blended learning, also the mixing of modes of delivery (contact and distance education). As such, this book will provide a unique snapshot of multimodal practices within higher education through a self-directed learning epistemological lens. The book covers issues such as what self-directed multimodal learning entails, mapping of specific publications regarding blended learning, blended learning in mathematics, geography, natural science and computer literacy, comparative experiences in distance education, as well as situated and culturally appropriate learning in multimodal contexts. Various research methodologies were employed in this book. This covers critical literature studies, systematic literature reviews, design-based research, qualitative research conducted auto-ethnographically and by means of interviews and questionnaires, as well as mixedmethod studies where data from quantitative instruments were combined with qualitative data. This book provides a unique focus on multimodality in terms of learning and delivery within the context of self-directed learning. Therefore, this book would not only advance the scholarship of blended and open distance learning in South Africa, but also contribute to enrich the discourse regarding self-direction. It will help readers to have an idea of the latest trends in the literature regarding multimodal self-directed learning in South Africa, as well as unique empirical work being conducted in this regard. The target audience of this book comprises researchers and academics working in the field of multimodal learning, and more specifically blended learning, as well as open and distance learning. This book will provide not only a theoretical framework for those who aim to work within the combined context of multimodality and self-directed learning; the empirically research practices shared in the book could also inform future research.
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