Gazelle Academic
Film & Media Studies
New Titles - June 2014
Aalborg
University Press
Georg Olms
Verlag AG
ibidem-Verlag
Museum
Tusculanum Press
Nordic
Academic Press
Nova Science
Schiffer
Sussex
Academic Press
University of
Alberta Press
University of
Regina Press
Wilfrid Laurier
University Press
LISTED TITLES AVAILABLE TO ORDER FROM
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CONTENTS
AALBORG UNIVERSITY PRESS
1
GEORG OLMS VERLAG AG
2
IBIDEM-VERLAG
2
MUSEUM TUSCULANUM PRESS
4
NORDIC ACADEMIC PRESS
6
NOVA SCIENCE
6
SCHIFFER
9
SUSSEX ACADEMIC PRESS
10
UNIVERSITY OF ALBERTA PRESS
10
UNIVERSITY OF REGINA PRESS
11
WILFRID LAURIER UNIVERSITY PRESS
11
AALBORG UNIVERSITY PRESS
TERMINUS
The End in Literature, Media & Culture
Edited by Brian Russell Graham, Robert W Rix
In Roman religion, Terminus was an agrarian god who protected boundary markers. Stones
were often used to provide an effective means for marking these boundaries, although a stump
or a tree sometimes served to demarcate adjacent properties. The need to demarcate
boundaries and define ends continues to shape our way of thinking at the most fundamental
level.
The articles in this book investigate among other things developments in literature, film,
historiography and new digital entertainment to see how they reflect cultural anxieties about
'the end' and/or how they are determined by the need to mark boundaries. The contributions
in the present volume are organised so that they reflect thematic, national and chronological
perspectives. But they also show that it is possible to identify several threads of continuity in
the way that 'the end' has been conceptualised. A collection of essays on terminus is to make a
beginning. By examining ideas of culmination, conclusion, closure, finale and termination from
the perspective of a number of various genres, cultural formations and historical contexts, the
purpose is to discuss how endings are carriers of meaning in social and cultural contexts.
PB 9788771121193 £29.00 December 2013 Aalborg University Press 216 pages
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1
GEORG OLMS VERLAG AG
THE SOUNDTRACK OF CONFLICT
The Role of Music in Radio Broadcasting in Wartime & in Conflict Situations
M. J. Grant
Since the early twentieth century, radio has been one of the most important media both
generally and in the specific context of armed conflict. Relatively cheap and with the ability to
transmit over long ranges - and over international borders - radio has become central to the
wartime strategies of governments and guerrilla groups alike. The role of music on radio in
wartime and in conflict situations has, however, only rarely been the focus of scholarly
attention, despite the central role that music plays in this medium.
The essays in this volume offer case studies spanning over eighty years and five continents.
They explore the many important roles that music broadcast on radio can play in wartime and
in conflict situations - as a means of information (and misinformation), as a communication
medium by those separated by and yet connected through the fighting, and as an aid to
managing the complex emotions that are experienced. Moreover, the essays demonstrate that
music is not just a soundtrack to conflict, but can also influence the very course that a conflict
takes. In the range of examples discussed and the theoretical issues raised, the volume
presents a significant contribution to the musicological study of war and conflict.
PB 9783487150598 £36.99 November 2013 Georg Olms Verlag AG 254 pages
IBIDEM-VERLAG
Now Available in the UK
FILMING THE UNFILMABLE
Casper Wrede`s 'One Day in the Life of Ivan Denisovich'
Ben Hellman & Andrei Rogachevskii
Series edited by Andreas Umland
In this amply illustrated book, Hellman and Rogachevskii tell the fascinating story behind the
screen adaptation of one of the most impactful novels of all times. Despite its huge global
success, Aleksandr Solzhenitsyn refused all offers to have his One Day in the Life of Ivan
Denisovich turned into a movie for many years for artistic reasons. It took the full resolve and
commitment of the Finnish director Caspar Wrede to bring this challenging project to fruition,
eight years after the novel had been published.
This second, expanded edition of Filming the `Unfilmable` offers an all-encompassing account
of the movie`s production, reception and impact. Filled with little-known facts, it also gives
unique and valuable insights into Solzhenitsyn`s complex relationship with the art of
filmmaking.
Soviet and Post-Soviet Politics and Society 94
REVIEWS: "Hellman and Rogachevskii's book can be a valuable resource for scholars who
study either Wrede's films or Solzhenitsyn's literary text. It is a well-researched case study of a
film adaptation based on a controversial literary text."
Slavic and East European Journal, 56.2 (Summer 2012)
PB 9783838200446 £29.90 February 2014 ibidem-Verlag 260 pages
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2
Now Available in the UK
POPULAR IS NOT ENOUGH: THE POLITICAL VOICE OF JOAN BAEZ
A Case Study In The Biographical Method
Markus Jäger
In his study, Markus Jäger explores the coalescence of Joan Baez's work as a singer and
songwriter with her endeavors as a political activist throughout the last fifty years. He
illustrates an American popular singer's significance as a political activist - for her audiences and
for her opponents as well as for those victims of politically organized violence who have
profited from her work. Mingling popular culture with political activism can turn into a helpful
means when it comes to a non-violent progress of society. Joan Baez's work offers an excellent
example for this hypothesis.
REVIEWS: "If we are to deepen our understanding of art and resistance, we need to address
hard questions about protest music and popular culture and the importance of community in
organizing against war." American Studies
PB 9783838201061 £29.90 April 2010 ibidem-Verlag 230 pages
Now Available in the UK
ROCKING ST. PETERSBURG
Transcultural Flows and Identity Politics in Post-Soviet Popular Music
David-Emil Wickström
In this remarkable book, David-Emil Wickström traces the transcultural flow of popular music
production emanating from St. Petersburg, a central hub of the Russian music scene. With a
specific focus on the post-Soviet emigrant community in Germany and their event
`Russendisko`, Wickström - himself a trumpet player in two local bands - explores St.
Petersburg`s vibrant music scene, which provides an electrifying platform for musical exchange.
The findings shed a new light on Soviet and post-Soviet popular music history and even Russia`s
relationship to Ukraine. Wickström demonstrates the filtering processes embedded in
transcultural flows and how music is attributed new meanings within new contexts. This
innovative book not only promotes a deeper understanding of the role of popular music in
society, it also enables a better comprehension of cultural processes in the second decade after
the fall of the Soviet Union.
Soviet and Post-Soviet Politics and Society 101
PB 9783838201009 £33.90 May 2014 ibidem-Verlag 374 pages
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3
MUSEUM TUSCULANUM PRESS
THE POWER OF SONG
Nonviolent National Culture in the Baltic Singing Revolution
Guntis Smidchens
The Power of Song shows how the people of Estonia, Latvia, and Lithuania confronted a military
superpower and achieved independence in the Baltic "Singing Revolution". When attacked by
Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent
political action.
As an inspiration to all nations, the nonviolent Baltic independence movement revolutionized
each country through singing and smiling. The "Singing Revolution" is indeed the essence of the
Baltic way, and began in 1987 as a public revolt against Soviet restrictions on free speech and
assembly. The revolutions and following elections in 1990 resulted in three separate
governments and a declaration of independence from the Soviet Union.
The Power of Song seeks to answer questions such as why the struggle for Baltic independence
came to be called the Singing Revolution? What did they sing? And what role did singing play in
the Estonian, Latvian, and Lithuanian campaigns of political mobilization and nonviolent action?
Furthermore, and uniquely for this publication, it explores, in great depth, the songs that gave
the revolution its name, translating and interpreting more than 110 choral, rock, and folk songs
in their poetic, cultural, and historical context.
AUTHOR INFORMATION: Guntis Smidchens is the Kazickas Family Endowed Professor in
Baltic Studies in the Scandinavian Studies Department at the University of Washington.
REVIEWS: “The Power of Song serves not only as the quintessential study of what constitutes
the heart of the remarkable and inspiring movements of the Baltic people, it will stand as a
distinct contribution to the study of civil resistance movements overall.”
Peter Ackerman, founding chair of the International Center on Nonviolent Conflict and coauthor of Strategic Nonviolent Conflict and A Force More Powerful
PB 9788763541480 £38.99 February 2014 Museum Tusculanum Press 456 pages
THOMAS VINTERBERG'S FESTEN (THE CELEBRATION)
Claire Thomson
Danish filmmaker Thomas Vinterberg's searing film Festen ("The Celebration") was the first film
from the Dogme 95 stable. Adhering to Dogme's cinematic purity-no artificial lighting, no
superficial action, no credit for the director, and only handheld cameras for equipment-Festen
was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering
worldwide attention.
The film is set at the sixtieth birthday party of Helge, the wealthy patriarch of a large Danish
family. The birthday festivities take a turn when Helge's son Christian raises a toast and
denounces Helge for having raped and abused him as a child, along with his twin sister, who
recently committed suicide. The film explores the escalating consequences of Christian's
announcement, from the stunned dinner party's collective denial, to violence, to an
unexpected catharsis.
AUTHOR INFORMATION: C. Claire Thomson's study examines the history and context of
the film, setting it within the Danish cultural and sociopolitical milieu. It examines the place of
the film as a work of national cinema and examines its pioneering role as an experiment in
digital cinema.
PB 9788763541138 £23.50 January 2014 Museum Tusculanum Press 232 pages
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4
VISIONS & REVISIONS
Performance, Memory, Trauma
Edited by Bryoni Tresize, Caroline Wake
In 1983 US president Ronald Reagan told the Israeli Prime Minister that he, as a photographer
during World War II, had documented the atrocities of the concentration camps on film. The
story was later exposed as a fraud as it was revealed that Reagan had resided in Hollywood
during the entire war. Does this mean that Reagan was simply an amoral liar or that he
established a connection to the Holocaust that can be said to have evolved from the
intersection between “real” and “reel”?
Visions and Revisions. Performance, Memory, Trauma brings the fields of performance studies
and trauma studies together in conversation in order to investigate how these two fields both
“envision” and “revision” one another in relation to crucial themes such as trauma, testimony,
witness, and spectatorship. According to Peggy Phelan, a leading performance studies scholar,
performance provides a unique model for witnessing events that are both unbearably real and
beyond reason’s ability to grasp – traumatic events like the Holocaust. While Reagan’s claim is
obviously both paradoxical and problematic, it opens up a space in which the potential insights
that performance studies and trauma studies might bring to one another become particularly
visible.
The first half of the anthology focuses on issues of spectatorship, specifically its ethics and the
possibility of witnessing. The second half widens the discussion to include memory more
broadly, shifting the emphasis from sight to site, and particularly to site-specific works and the
embodied encounters they model, enable and enact. The contributors here fill a critical gap,
raising questions about how popular and mediatized performances that memoralize trauma
might be viewed through performance theory. They also look at how performance studies
might shift its focus from the visual to the sensorial and material and in doing so, they offer a
fresh perspective on both performance and trauma studies.
Writing from different disciplinary vantages and drawing on multiple case studies from South
Africa, the former Soviet Union, Lebanon and Thailand, among others, the contributors
decolonize trauma studies and make us question, how and where our own eyes and bodies are
positioned as we revision the scenes before us.
Contributors: Laurie Beth Clark/Helena Grehan/Geraldine Harris/ Chris Hudson/Petra
Kuppers/Adrian Lahoud/Sam Spurr/Christine Stoddard/Bryoni Trezise/Maria Tumarkin/Caroline
Wake.
AUTHOR INFORMATION: Bryoni Trezise is a lecturer in theatre and performance studies
at the University of New South Wales, where Caroline Wake is a Post-doctoral Fellow in the
Centre for Modernism Studies in Australia.
PB 9788763540704 £39.99 December 2013 Museum Tusculanum Press 233 pages
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5
NORDIC ACADEMIC PRESS
RE-MAPPING LAGERLOF
Performance, Intermediality, and European Transmissions
Edited by Helena Forsås-Scott, Lisbeth Stenberg, Bjarne Thorup Thomsen
For the first time ever, cutting-edge research about the Swedish Nobel Laureate Selma Lagerlöf
and her work is made available to a world-wide audience in one comprehensive volume.
Written by an international group of scholars, Re-Mapping Lagerlöf highlights the
interdisciplinarity of current Lagerlöf research which frequently cuts across genres, media and
disciplines.
The structure of the book, with sections dedicated to performance, film and intermediality,
transnational narratives and European transmissions, is reinforced by the extensive
introductory portal. The authors explore themes such as Lagerlöf in and political contexts, her
involvement in the women’s movement, the construction of her celebrity persona, her role for
early Swedish film, the transnationality of her work and its impact in international contexts.
The volume includes a number of illustrations that are rarely reproduced, and the detailed
bibliographical section will contribute to making Re-Mapping Lagerlöf an indispensable
platform for Lagerlöf scholarship for years to come. It also offers a model for interdisciplinary
research in the arts and humanities.
HB 9789187351211 £35.95 May 2014 Nordic Academic Press 351 pages
NOVA SCIENCE
ADVANCES IN COMMUNICATIONS & MEDIA RESEARCH
Volume 9
Edited by Anthony V. Stavros
The papers collected in this book constitute some of today's leading analyses of the
information industry. Together, these essays represent a needed foundation for understanding
the present state and future development of the mass media. Current trends in
communications as well as media impact on public opinion are studied and reported on. Topics
include successful migration of EPON to WDM EPON; Kony 2012 and the invisible children's
challenge of social media campaigning and digital activism; the process of liberalisation of the
telecommunications market in the Republic of Serbia; wavelength multiplexing for super
resolved imaging and spatial data compression; social media challenges for professional
writers; transmission behaviour in ad hoc networks; and WSM dispersion-managed soliton
transmission systems.
HB 9781628082371 £124.99 September 2013 Nova Science 217 pages
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6
CIGARETTES & SMOKELESS TOBACCO
Sales & Advertising Statistics & Trends
Edited by Ronald Markowitz, Jennifer Galucci
This book examines the latest reports in a series on cigarette and smokeless tobacco sales,
advertising, and promotion that the Federal Trade Commission (FTC) has prepared since 1967.
The statistical tables appended provide information on domestic sales and advertising and
promotional activity by the five largest U.S. cigarette and smokeless tobacco manufacturers.
PB 9781628084481 £43.50 September 2013 Nova Science 62 pages
SOCIAL NETWORKING
Recent Trends, Emerging Issues & Future Outlook
Edited by Xin Ming Tu, Ann Marie White, Naiji Lu
Social networking focuses on social relationships (eg: friendships) diagrammed as nodes
(points) and links (ties or edges between points). Social network analysis (SNA) examines
features of such relationships within a social networking system, including how such social
interactions change over time. SNA can measure and map "connectedness" or "flow" (eg:
information, resources, etc.) within and across individuals, groups, and organisations. SNA can
examine these ties in virtual- or geo-temporal spaces - yielding rich mixed methods possibilities
and wide application to a host of scientific phenomena. The advent of social media established
a cultural meme that carries social network concepts to broader public audiences, and that
reinforces SNA’s path to be a powerful interdisciplinary approach. Google Ngram viewer shows
the use of “social network analysis” in the corpus of books burgeoned in the late 1960s, and
has continued to grow exponentially since the 1990s. The conceptual and methodological reach
now extends both widely - across scientific disciplines - and deeply - as field advances arise with
the rapid pace of new inquiries.
Facing this tremendous promulgation and diversification of SNA, this book distills essential
frontiers across fields. Introducing emerging issues in the application of social network theory
and SNA, and how these can or will be addressed, each chapter illuminates new trends or
applications of a social network approach that can have wide potential impact in other
disciplines. Conceptual advances (eg: applying the concepts of social networks such as peer
influence on disease management and treatment adherence), as well as novel analytic
approaches for studying properties of social networks are highlighted.
HB 9781628085297 £124.99 September 2013 Nova Science 216 pages
ADVERTISING
Types of Methods, Perceptions & Impact on Consumer Behavior
Edited by Lucas Barreau
In this book, the authors present current research in the study of advertising methods and
perceptions and their impact on consumer behaviour. Topics discussed include the use of
tourism distribution channels for advertising a religious "imagined community" in Arcadia,
Greece; investing in culture and intercultural relations for advertising and sustainable
development of the contemporary European city with the framework of international city
branding; a social psychological perspective of marketing strategies appealing to the
consumers' uniqueness; social media advertising and its important role in representing and
influencing consumer choices; cultural characteristics and how they moderate consumer
response to positive and negative feeling advertisements; and consumers and brand loyalty.
HB 9781629486123 £79.50 March 2014 Nova Science 143 pages
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BRIDGING THE DIGITAL DIVIDE IN INDIAN COUNTRY
Federal Efforts
Edited by Reid Louton, Jude Sullivan
The lack of communications services in Indian Country - be it high speed internet or
“broadband”, traditional wireline phone service, mobile service, radio broadcast, or TV
broadcast service - is well known. As the Federal Communications Commission (FCC) has
observed previously, “by virtually any measure, communities on Tribal lands have historically
had less access to telecommunications services than any other segment of the population". The
lack of robust communications services presents serious impediments to Tribal Nations’ efforts
to preserve their cultures and build their internal structures for self-governance, economic
opportunity, health, education, public safety, and welfare. This book examines federal efforts
to bridge the digital divide in Indian country with a focus on the internet infrastructure in native
communities and equal access to e-commerce, jobs and the global marketplace.
HB 9781629481708 £91.99 December 2013 Nova Science 160 pages
COPYRIGHT & CREATIVITY IN THE DIGITAL ECONOMY
Balancing Policy, Protection & Innovation
Edited by Matthew Newman, Noel Oliver
Copyright law’s history is one of continuous evolution in the face of technological change. But
arguably no prior technological change has impacted copyright with a magnitude comparable
to the development of the Internet. Never before has there been such widespread and
immediate access to such a broad array of creative works; never before have content creators –
ranging from individuals to large corporations - been able to reach a global audience so
effortlessly and inexpensively; and never before has it been possible for members of the public
to create, transform or distribute multiple perfect copies of works seamlessly, without regard
to national borders. How to retain a meaningful copyright system that continues to drive the
production of creative works while at the same time preserving the innovative power of the
Internet and the free flow of information are questions at the forefront of today’s policy
debate. As a broadening array of creators continue to express themselves and share their
valuable works with the world, and as the Internet continues to grow in economic, social and
cultural relevance, the importance of these questions will only be heightened. The industries
that rely on copyright are today an integral part of the U.S. economy, accounting for millions of
jobs and contributing billions of dollars to the GDP Moreover, the creative content they
produce contributes to the development of the broader Internet economy, spurring the
creation and adoption of innovative distribution technologies. Not only do these industries
make important economic contributions, they are at the core of our cultural expression and
heritage. It is no exaggeration to say that U.S. music, movies, television shows, computer
software, games, writings and works of art have changed the world. This book provides a lens
through which to assess current policy related to copyright and the Internet, identifying
important issues that are being addressed by the courts and those that are ripe for further
discussion and development of solutions.
HB 9781629481890 £91.99 December 2013 Nova Science 143 pages
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8
VIDEO PROGRAMMING & THE DISTRIBUTION MARKETPLACE
Competition, Developments & Analyses
Edited by Jennifer Mack, Carl T. Swanson
Video provided through subscription video services, such as cable and satellite television, is a
central source of news and entertainment for the majority of U.S. households. Technological
advances have ushered in a wave of new products and services, bringing online distribution of
video to consumers. Federal laws and regulations have sought to foster competition in the
video programming and distribution marketplace, but many such laws were adopted prior to
the emergence of these advances. This book examines (1) how competition has changed since
2005; (2) the increased choices that consumers have in acquiring video programming and
content; and (3) stakeholders’ views on how the government’s regulations, reports, and other
activities have kept pace with changes in the industry.
HB 9781629481630 £162.50 December 2013 Nova Science 246 pages
SCHIFFER
ALTERNATIVE MOVIE POSTERS
Film Art from the Underground
Matthew Chojnacki
Over the years the motion picture industry has (sadly) gravitated to generating poorly cropped
and heavily airbrushed posters that rely far too often on celebrity head shots. Thankfully, an
underground network of graphic designers and artists has reinvigorated the art of the movie
poster, crafting stunning pieces for classic and cult films. Here is the first comprehensive look at
the movement, presenting this eclectic and dynamic medium through more than 200 eyepopping posters from over 100 cutting-edge artists, coupled with fascinating commentary and
behind-the-scenes information. These new, underground posters have quickly become the
most coveted by ardent moviegoers; they are typically produced in very limited runs, sell out
within minutes, and command upwards of several hundred dollars each. With a smart, fresh
visual perspective, alternative movie posters celebrate classics like Star Wars, A Clockwork
Orange, and The Shining as well as cult favorites: The Big Lebowski, Blade Runner, and Pink
Flamingos.
HB 9780764345661 £28.99 October 2013 Schiffer 207 pages
WORLD GONE WILD
A Survivor's Guide to Post-Apocalyptic Movies
David J. Moore
A loving ode to a universal genre of film. An entire subculture of end-of-the-world themes was
spawned from films like The Road Warrior, Escape From New York, and The Terminator. While
those films are still being emulated today, film makers all around the world continue to
produce radically unique films with startling perspectives of humanity facing the end of all
things. This book offers pointers and a frame of reference on how the characters behaved
when their worlds were on the brink of desolation. It covers the genre's biggest blockbusters
like The Hunger Games, I Am Legend, Oblivion, and World War Z, while devoting equal time and
attention to smaller, more obscure films that really deserve to be discovered. Containing over
800 movie reviews, 60 exclusive interviews with filmmakers and actors who've made films in
the genre, and a vast subgenre index, World Gone Wild is a chronicle of humanity's struggles
through nuclear war, global natural disasters, and the zombie apocalypse in film.
HB 9780764345876 £28.99 April 2014 Schiffer 427 pages
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9
SUSSEX ACADEMIC PRESS
Now Available in Paperback
A SOCIETY IN DISTRESS
The Image of the Czech Republic in Contemporary Czech Feature Film
Jan Čulík
REVIEWS: “Jan Čulík’s book is an excellent, well-organized, thoughtful, informative,
illuminating and thoroughly scholarly work. It is also easily accessible to the general readership.
I fully recommend it.”
Josef Škvorecký, Novelist. The Late Professor Emeritus of English and Film, University of
Toronto
“This is a remarkable contribution to the analysis of the value system disseminated by
contemporary Czech cinema within Czech society.”
Professor Jiří Holý, Charles University, Prague
“Jan Čulík, in A Society in Distress: The Image of the Czech Republic in Contemporary Czech
Feature Film, confers coherence on his potentially intractable subject by focusing on how
modern Czech cinema depicts Czech society and identity. For Čulík, the Czech self-image as
evident in cinema is caught between inflated pride and intense excoriation. Čulík’s book is
invaluable as a source of information on a national cinema that has long since receded from
visibility. Čulík’s analysis is admirably rigorous, pungent and direct.”
Slavonic & East European Review
PB 9781845196301 £35.00 January 2014 Sussex Academic Press 340 pages
UNIVERSITY OF ALBERTA PRESS
AT THE LIMIT OF BREATH
Poems on the Films of Jean-Luc Godard
Stephen Scobie
"I wanted this to be a narrative. So finally Jean-Luc went all the way: every line in the script a
quotation from somewhere else. Every blessed line. Love doesn’t die. It’s people who die. Love
just goes away.” from NOUVELLE VAGUE / New Wave (1990)
Stephen Scobie celebrates “the greatest film director of his age” with poetry exploring 44 of
Godard’s films. Subtle yet profound unities play from poem to poem. Characters, locations,
images, and the generous use of quotation jump-cut and recur to send the imagination reeling
through the larger works of both artists. Readers will be seduced to linger within the writing
and encouraged to seek beyond, to Godard's own oeuvre. The book is sharply envisioned and
carefully cadenced so as to delight readers who may not be familiar with Godard's films. Those
already acquainted with Godard's work will find At the limit of breath a most rewarding
experience.
AUTHOR INFORMATION: Stephen Scobie was born in Scotland, and has lived in Canada
since 1965, teaching at the Universities of Alberta and Victoria. A widely published poet, he
won the Governor General's Award in 1980 for McAlmon's Chinese Opera. He has also
published extensively in the criticism of Canadian literature. He is a Fellow of the Royal Society
of Canada. Stephen Scobie lives in Victoria.
PB 9780888646712 £16.99 August 2013 University of Alberta Press 104 pages
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10
UNIVERSITY OF REGINA PRESS
ART OF IMMERSIVE SOUNDSCAPES
Edited by Pauline Minevich, Ellen Waterman
What is an immersive soundscape? It can be as simple as a recording made in a forest: leaves
crunching underfoot, birds chirping, a squirrel chattering. Or it can be as complex as a movie
soundtrack, which involves music but also uses many other sounds—to set the mood for the
action and to literally put the viewer in the picture. Sound art defies categorization, and artists
using this medium describe their work in many different ways: as sound installations, audio art,
radio art, and music.
The Art of Immersive Soundscapes provides a fascinating tour of contemporary sound art
practices that comprises scholarly essays, artists’ statements, and a DVD with sonic and visual
examples. Included are perspectives from soundscape composition and performance, sitespecific sound installation, recording, and festival curation. The book and accompanying DVD
will appeal to a broad audience interested in music, sound, installation art, the environment,
digital culture, and media arts. Importantly, it recognizes the pioneering place of Canadian
sound artists within this international field.
PB 9780889772588 £33.50 December 2013 University of Regina Press 240 pages
WILFRID LAURIER UNIVERSITY PRESS
DETECTING CANADA
Essays on Canadian Detective Fiction, Film & Television
Edited by Jeanette Sloniowski & Marilyn Rose
The first serious book-length study of crime writing in Canada, Detecting Canada contains
thirteen essays on many of Canada’s most popular crime writers, including Peter Robinson,
Giles Blunt, Gail Bowen, Thomas King, Michael Slade, Margaret Atwood, and Anthony Bidulka.
Genres examined range from the well-loved police procedural and the amateur sleuth to those
less well known, such as anti-detection and contemporary noir novels. The book looks critically
at the esteemed sixties’ television show Wojeck, as well as the more recent series Da Vinci’s
Inquest, Da Vinci’s City Hall, and Intelligence, and the controversial Durham County, a critically
acclaimed but violent television series that ran successfully in both Canada and the United
States.
The essays in Detecting Canada look at texts from a variety of perspectives, including
postcolonial studies, gender and queer studies, feminist studies, Indigenous studies, and critical
race and class studies. Crime fiction, enjoyed by so many around the world, speaks to all of us
about justice, citizenship, and important social issues in an uncertain world.
PB 9781554589265 £33.50 March 2014 Wilfrid Laurier University Press 290 pages
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11
THE LEGACIES OF JEAN-LUC GODARD
Edited by Douglas Morrey, Christina Stojanova, Nicole Côté
The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years
and yielded a hundred or more discrete works in different media cannot be overestimated, not
only on French and other world cinemas, but on fields as diverse as television, video art, gallery
installation, philosophy, music, literature, and dance.
The Legacies of Jean-Luc Godard marks an initial attempt to map the range and diversity of
Godard’s impact across these different fields. It contains reassessments of key films like Vivre
sa vie and Passion as well as considerations of Godard’s influence over directors like Christophe
Honoré. Contributors look at Godard’s relation to philosophy and influence over film
philosophy through reference to Wittgenstein, Deleuze, and Cavell, and show how Godard’s
work in cinema interacts with other arts, such as painting, music, and dance. They suggest that
Godard’s late work makes important contributions to debates in memory and Holocaust
Studies.
The volume will appeal to a non-specialist audience with its discussions of canonical films and
treatment of themes popular within film studies programs such as cinema and ethics. But it will
also attract academic specialists on Godard with its chapters on recent works, including Dans le
noir du temps (2002) and Voyage(s) en utopie (2006), interventions in long-running academic
debates (Godard, the Holocaust, and anti- Semitism), and treatment of rarely discussed areas
of Godard’s work (choreographed movement).
PB 9781554589203 £40.99 January 2014 Wilfrid Laurier University Press 235 pages
THE MEMORY EFFECT
The Remediation of Memory in Literature & Film
Russell Kilbourn
The Memory Effect is a collection of essays on the status of memory - individual and collective,
cultural and transcultural - in contemporary literature, film, and other visual media.
Contributors look at memory’s representation, adaptation, translation, and appropriation, as
well as its mediation and remediation. Memory’s irreducibly constructed nature is explored,
even as its status is reaffirmed as the basis of both individual and collective identity.
The book begins with an overview of the field, with an emphasis on the question of subjectivity.
Under the section title Memory Studies: Theories, Changes, and Challenges, these chapters lay
the theoretical groundwork for the volume. Section 2, Literature and the Power of Cultural
Memory/Memorializing, focuses on the relation between literature and cultural memory.
Section 3, Recuperating Lives: Memory and Life Writing, shifts the focus from literature to
autobiography and life writing, especially those lives shaped by trauma and forgotten by
history. Section 4, Cinematic Remediations: Memory and History, examines specific films in an
effort to account for cinema’s intimate and mutually constitutive relationship with memory and
history. The final section, Multi-Media Interventions: Television, Video, and Collective Memory,
considers individual and collective memory in the context of contemporary visual texts, at the
crossroads of popular and avant-garde cultures.
HB 9781554589142 £70.99 December 2013 Wilfrid Laurier University Press 342 pages
Gazelle Book Services Ltd /+44(0) 1524 68765 /
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12
PARALLEL ENCOUNTERS
Culture at the Canada-US Border
Edited by Gillian Roberts, David Stirrup
The essays collected in offer close analysis of an array of cultural representations of the
Canada–US border, in both site-specificity and in the ways in which they reveal and conceal
cultural similarities and differences. Contributors focus on a range of regional sites along the
border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual
art, television, and cinema produced on both sides of the 49th parallel.
The field of border studies has hitherto neglected the Canada–US border as a site of cultural
interest, tending to examine only its role in transnational policy, economic cycles, and legal and
political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the
locus of that discussion north to the 49th parallel, the contributors ask what added
complications a site-specific analysis of culture at the Canada–US border can bring to the
conversation. In so doing, this collection responds to the demands of Hemispheric American
Studies to broaden considerations of the significance of American culture to the Americas as a
whole - bringing Canadian Studies into dialogue with the dominantly US-centric critical theory
in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and
transnationalism.
AUTHOR INFORMATION: Gillian Roberts is a lecturer in North American Cultural Studies
at the University of Nottingham. She is co-investigator of the Leverhulme Trust–funded Culture
and the Canada–US Border international research network. She recently completed a
monograph on cultural representations of the Canada–US border. David Stirrup is a senior
lecturer in American literature at the University of Kent. He is the principal investigator of the
Leverhulme Trust–funded Culture and the Canada–US Border international research network.
PB 9781554589845 £40.99 November 2013 Wilfrid Laurier University Press 314 pages
TWO BICYCLES
The Work of Jean-Luc Godard & Anne-Marie Mieville
Jerry White
Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers;
they have worked across forms, across media, and across countries. This book, the first to be
devoted specifically to the work they did together, examines the way they expanded the
possibilities of cinema by using cutting-edge video equipment in a constant search for a new
kind of filmmaking.
Two Bicycles examines all of the films, videos, and television works that the two did together,
and moves slowly across France and Switzerland, with detours in Quebec, Mozambique, and
Palestine. Their amazingly varied body of work includes a twelve-hour television series, some
experimental videos, an acclaimed feature film with Isabelle Huppert, a cigarette commercial,
and much else. Overall the book shows the degree to which this work departs radically from
the legacy of the French New Wave, and in many ways shows signs of having been formed by
the distinct culture of Switzerland, to which Godard and Miéville returned in the 1970s to set
up their “atelier,” Sonimage.
Two Bicycles offers a chance to explore a body of work that is as unique and demanding as it is
rich and revelatory. Godard and Miéville have worked together for four decades but have never
seemed more relevant.
PB 9781554589357 £33.50 August 2013 Wilfrid Laurier University Press 219 pages
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13
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