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¶ÚԉȿıÂÛË ∏ ÂÌÔÚ›· ·ÓıÚÒˆÓ ‚Ú›ÛÎÂÙ·È Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ· ÛÙ·-ıÂÚ¿ ÛÙÔ Â›ÎÂÓÙÚÔ Ù˘ ÚÔÛÔ¯‹˜ ÙÔ˘ ¤ÏÏËÓ· ÔÈÓÈÎÔ ‡ ÓÔÌÔ-ı¤ÙË, ÛÙËÓ ÚÔÛ¿ıÂÈ¿ ÙÔ˘ Ó· ·ÎÔÏÔ˘ı‹ÛÂÈ ÙË Û¯ÂÙÈ΋ ‰ÈÂıÓ‹ ‰ÈηÈÔ·Ú·ÁˆÁÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· 1 . ∞ÔÊ·ÛÈÛÙÈÎfi˜ ÛÙ·ıÌfiÙ Ô ‡Ù˘ Ù˘ ÚÔÛ¿ıÂÈ·˜ ˘‹ÚÍÂ Ô Ó. 3064/2002 2 , Ì ÙÔÓ ÔÔ›Ô, ÌÂÙ·Í ‡ ÙˆÓ ¿ÏψÓ, ·Ó·ÌÔÚÊÒıËΠÙÔ ÂÚȯfiÌÂÓÔ ÙÔ˘ ¿ÚıÚÔ˘ 351 ¶∫, ·ÏÏ¿ Î·È ÚÔÛÙ¤ıËΠÛÙÔÓ ÔÈÓÈÎfi ÎÒ‰È-η ÙÔ ¿ÚıÚÔ 323∞. ∏ ‰Â‰Ô̤ÓË Û ‡Ó‰ÂÛË ÙˆÓ ÚfiÛÊ·ÙˆÓ ÂÛˆÙÂÚÈÎÒÓ ÓÔÌÔ-ıÂÙÈÎÒÓ ·ÏÏ·ÁÒÓ Ì ÙȘ ‰ÈÂıÓ›˜ ÂÍÂÏ›ÍÂȘ Â›Ó·È ¿ÏψÛÙ ÔÚ·Ù‹ Î·È ÛÙË Ì›˙ÔÓ· ÛΤ"Ë Ù˘ ÚÒÙ˘ ¯ÚÔÓÈο ‰ÈηÈÔ‰ÔÙÈ΋˜ ÎÚ›-Û˘3 ·fi fiÛ˜ ·ÔÙ¤ÏÂÛ·Ó ·ÊÔÚÌ‹ ÁÈ· ÙÔ ‡Ù˜ ÙȘ ÛΤ"ÂȘ. ™ÙËÓ ÂÈÛ·ÁÁÂÏÈ΋ ÚfiÙ·ÛË Ô˘ ·Ô‰¤¯ıËΠÙÔ Û˘ÁÎÂÎÚÈ̤ÓÔ ‚Ô ‡ÏÂ˘Ì· Á›ÓÂÙ·È ¤ÙÛÈ ÏfiÁÔ˜ ÁÈ· «‰ÈÂıÓ‹ ηٷÎÚ·˘Á‹ ηٿ ÙËÒ Ú·˜ Ì·˜ ÁÈ· ÂÏÏÈ‹ ·ÓÙÈÌÂÙÒÈÛË ÙÔ˘ ÚÔ‚Ï‹Ì·ÙÔ˜», ‰È·›ÛÙˆ-ÛË Ô˘ Û˘Ó‰˘¿˙ÂÙ·È Ì¿ÏÈÛÙ· Ì ÙË ı¤ÛË fiÙÈ «Î˘ÚÈfiÙÂÚÔ˜

Encyclopedia of Arabic Language and Linguistics (EALL), 2007

General information and linguistic description of Ḥassāniyya, the mother tongue of the Arabic-speaking population of the western Sahara, especially the Moors (Bīđ̣ān) of Mauretania and the former Spanish Sahara (from the Sagya el-Ḥamra and the Rio del Oro).

Moh Ali, 2022

UTS PENDIDIKAN PANCASILA

Mash'ar, 2013

THE COVEB DESIGN \Ve cannot neglect giving due recognition among these pages to a very inspiring composition of the cover design, as a piece of art, submitted to us by Dr. Toribio Herrera, Secretary of the School of Fine Arts, University of the Philippines, without feeling a sense of incompleteness for this work. The ideas eonve~,:cd to the canvas were inspired the two following stanzas of Dr. Hizal's immortal Ultimo ~4dios which portray the sterling character and the essence of the firm conviction and undying faith of the greatest Filipino Hero. "Si sobre mi sepulcrd vieres hrotar nn dia Entre la cspesa yerba sencilla, hnmildc flor, Acercala a tus labios y besa al alma mia, Y sienta yo en mi frente, hajo la tumba fria, De tu ternura el soplo, de lu halilo el ealor.