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1994, Human Studies
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8 pages
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Phenomenology is, at the very least, a choice to study an environment from a situated location in actual experience and oriented toward particular aspects of the spectrum of human activity. Communication is, at the very least, a process of informing someone about something, and so forming and perhaps transforming both the environment and those who communicate within it in particular ways. The essays in this issue of Human Studies show various sorts of phenomenological analysis at work in studying diverse aspects of human communicative activity. Thus, the essays themselves provide illustrations of how phenomenology can be useful, and actually is used, in communication research. Rather than summarize those investigations here, I would like to preface them with a consideration of why phenomenological analysis is suited to the subject matter of interest to these authors. Although readers of Human Studies typically are knowledgeable about phenomenological research, that comprehension may well not extend to reasons for using phenomenology to investigate communicative phenomena as distinct from, although also correlated with, phenomena of interest in longer-established disciplines within the human/social sicences. In what follows, therefore, I want to tell something of the character of this research area, and will focus on two topics in doing so. The first is the predominant mode of theorizing in the discipline; the second is the predominance of practice over theory. After this brief depiction of these dimensions of the field, I will set out some reasons in support of my claim that phenomenology is a preferable alternative orientation for communication research. Communication research as an academic discipline began in the early years of this century with assumptions which many in the human/social sciences now characterize as empiricistic, scientistic, or even, positivistic. Certain conceptions of human beings and our environments-and thus, of the subjects and objects of communication-were borrowed from academically acceptable and generally admired practices in the physical sciences,
1988
First comprehensive explication of the Philosophy of Communication in two parts as (1) Communicology and (2) Semiology within the methodological context of Phenomenology as Applied Research. Each Part contains two sections: (1) Eidetic Studies based in Logic and (2) Empirical Studies based in Experimentation as Lived-Experience. Thus, a unique Discourse comparison of both the Philosophy Approach (eidetic studies grounded in logic) and the Human Science Approach (empirical studies grounded in linguistics).
Communicology is a tradition in the human sciences studying discourse in all of its semiotic and phenomenological manifestations of embodied consciousness and of practice in the world of other people and their environment. Since the foundational work during the 1950s by Jürgen Ruesch in Semiotic approaches to human relations (1972), and by Ruesch and Gregory Bateson in Communication (1968), a widely accepted understanding of the networks of human discourse includes: (1) the intrapersonal level (or psychiatric/aesthetic domain), (2) the interpersonal level (or social domain), (3) the group level (or cultural domain), and (4) the intergroup level (or transcultural domain). These interconnected network levels contain the process outlined by Roman Jakobson's theory of human communication (1971, 1972). In homage to the phenomenological work in →semiotics and normative logics by Charles S. Peirce and Edmund Husserl (Phenomenology), Jakobson explicated the relationship between an Addresser who expresses (emotive function) and an Addressee who perceives (conative function) a commonly shared Message (poetic function), Code (meta-linguistic function), Contact (phatic function), and Context (referential function) (Models of Communication). Operating on at least one of the four levels of discourse, these functions jointly constitute a semiotic world of phenomenological experience, what Yuri M. Lotman (1994) termed the semiosphere. Communicology is the critical study of discourse and practice, especially the expressive body as mediated by the perception of cultural signs and codes. It uses the methodology of semiotic phenomenology in which the expressive body discloses cultural codes, and cultural codes shape the perceptive body – an ongoing, dialectical, complex helix of twists and turns constituting the reflectivity, reversibility, and reflexivity of consciousness and experience. Communicology theoretically and practically engages in the description, reduction, and interpretation of cultural phenomena as part of a transdisciplinary understanding. The scientific research result is description (rather than prediction) in which validity and reliability are logical constructs based in the necessary and sufficient conditions of discovered systems (codes), both eidetic (based in consciousness) and empirical (based in experience).
Two claims are at stake for a science of communication. This essay brings into focus the philosophical distinctions between the human science of communication and the social science of communication. Social science is argued to be the dominant paradigm in mainstream communication inquiry in the United States. Its underlying basis is information theory. Communicology is a human science that differs from social science in that it focuses not on the message but rather the cultural-semiotic constraints on embodied phenomenological experience. This is a unique human science approach. The grounds for comparison are located in the history of these contrasting views and in their problematic concerns. American pragmatism and social psychology are depicted as analogous to European philosophy and the Geisteswissenschaften. As this essay argues, the human science of embodied discourse is historically rooted in semiotics and phenomenology and lead to a synthesis in contemporary communicology. Communicology is distinguished from cultural studies, and a vision for the future discipline is advanced.
Empedocles: European Journal for the Philosophy of Communication, 2013
Keywords communication theory communication studies traditions of thought DIsCussIoN Peter simonson university of Colorado, Boulder Leonarda García-Jiménez state university of Murcia Johan siebers university of Central Lancashire robert t. craiG university of Colorado some foundational conceptions of communication: revising and expanding the traditions of thought abstract This work presents and defines three meanings of communication taking into account some of the traditions of thought that founded our field of study. These three conceptions are: communication as an architectonic art; communication as a social force;
Revista Latina de Comunicación Social, 2020
Introduction: In “Ferment in the Field” (1983), 37 years ago, Katz stated that the best thing that had happened to communication research was to stop looking for evidence of the media's ability to change opinions, attitudes and actions in the short term to analyze its role in the configuration of our images of reality. Mattelart (1983) encouraged scholars to study the interaction between audience and media from a noncommercial perspective and Ewen (1983) proposed using oral histories or literary sources. Four decades later, the short-term effects of media continue to be studied, predominating the analysis of their content (Martínez Nicolás and Saperas, 2011, 2016), the type of analysis on which, as it happened thirty years ago (Cáceres and Caffarel, 1992; p. 12), the field seems to support its specificity, suffering the lack of an intellectual institutionalization (Peters, 1986; Lacasa, 2017) which can be filled through a meta-research of ideas that distills perspectives, concepts and methods used in communication research. Method: Through the analysis of three reference volumes in meta-research, the volumes of the Journal of Communication “Ferment in the Field” (1983) and “The Future of the Field. Between fragmentation and cohesion” (1993), and the volume 1 of Rethinking Communication (1989) “Paradigm Issues”. Results: We will be bringing perspectives regarding the meanings of communication, the disciplinary character of the field of communication research and regarding the requirements needed for turning this field into a discipline. The perspectives and proposals emerge, mainly, from two ways of understanding communication: as product or result and as a relationship.
Estudos em Comunicação, 2017
Theories and Models of Communication, 2013
This chapter charts the historical influences on the theories and models that shaped the communication discipline. This chapter illustrates the importance of U.S. and European scholars from not only the beginnings of the communication discipline, but those who were pre-eminent in other academic disciplines such as sociology, psychology, political science and journalism, as well as examining emerging scholarship from Asia that focuses on understanding cultural differences through communication theories. The chapter traces the foundations and heritage of the communication from five perspectives: (1) communication as shaper of public opinion; (2) communication as language use; (3) communication as information transmission;
2015
A proper understanding of communication research and the way it has been carried out cannot emerge without some consideration of the theoretical backgrounds of the different methodological approaches to communication analysis. In the last few years the most important progress has been made in the field of so called reflexive methodology. According to Alvesson and Sköldberg, the syntagm reflexive methodology (2000) denotes complex relationships between the knowledge-development processes and variable contexts in which knowledge develops, including all actors. The aim of the paper in that sense is to present some influences of the poststructuralist theory that are relevant to qualitative methodological strategies in communication studies. The paper begins with presenting the key theses of structuralist and poststructuralist approaches. This is followed by the section devoted to the central figure of Derrida and deconstruction. Then an illustration is given of some of the implications ...
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