2021 "Water And Sea" IAWIS Congress

ONLINE PROGRAMME 12-16 JULY 2021 12 th INTERNATIONAL IAWIS/AIERTI CONFERENCE WATER AND SEA IN WORD AND IMAGE Essential Information ■ Organisation of the sessions: Opening and presentation of the speakers by the chair; each talk lasts a maximum of 20 minutes (15 minutes for young scholars) and is carried out either in English or in French; the discussion, in English and in French, takes place at the end of the session. ■ Link to join the conference: https://unilu.webex.com/unilu/j.php?MTID=m374082b03260146f7394603b0c079bf7 Click on the link or copy-paste it to your browser. ■ Except when there is only one main event, sessions are divided into different Rooms, as indicated in this programme Please join by yourself the Room (number 1, 2, 3 or 4) of your choice during each session Having trouble finding your breakout session? Click on Participants, then View all breakout sessions and finally on the Room (1 to 4) that you wish to join ■ For speakers: use the Share button to display your documents ■ For all: use the Chat button for questions and interventions during discussions, as well as your microphone and camera ■ In case of technical problems, you can write to [email protected] ■ The sessions will not be recorded ■ All abstracts, information on art events, performances and more on our website https://waterandsea2021.uni.lu ■ The present programme is using the Luxembourg time zone (UTC +2). Please check what time it will be in your part of the world our 12 time zones! ■ For the best experience, please download the free WebEx app: https://www.webex.com/downloads.html □ □ □ □ □ □ □ □ ■ □ □ □ USA (HST): UTC -10 USA (PDT): UTC -7 Canada (MDT): UTC -6 USA (CDT) & Peru: UTC -5 USA & Canada (EDT): UTC -4 Canada (ADT), Argentina, Brazil: UTC -3 Senegal: UTC +0 UK & Portugal: UTC +1 Luxembourg, France, Italy…: UTC +2 Romania, Greece, Russia, Israel: UTC +3 Australia: UTC +10 New Zealand: UTC +12 ■ Some examples of local times are provided in this programme Monday 12.07 NATURE/ENVIRONMENT/HEALTH 14:00-15:30 ROOM 2 Re-Viewing, Re-Imagining Regional Waters in Word and Image (Northern Atlantic Arc) Lindsay Blair: The Ring Net: Angus Martin and Will Maclean 11:00-12:00 OPENING CEREMONY Nathalie Roelens Philippe Laplace: Picturing St Kilda: Tourism and the Evolution of Visual Representation of the Archipelago from the 19th to the 21st Century Georg Mein (Dean) Peter Gilles (Head of Department) Liliane Louvel (President of IAWIS) Monika Szuba: Reimagining Marine Energy: Tidal Rhythms in Alec Finlay’s Collaborations 16:00-17:30 ROOM 1 00-11:30 in the USA (EDT): 10: Water, Knowledge and Agency in Scientific and Technical Illustration… Lauren Beck: Water in Seals and Coats of Arms of the Industrial Age and the Politics of Identity and Place in the Americas Jeanne Britton: Visualizing Historical Knowledge: Giovanni Piranesi’s Layered Images of Roman Aqueducts Catherine J. Lewis Theobald: Picturing Canals, Arteries of a Changing Body Politic in 18th Century France and England 12:00-13:00 KEYNOTE Marah Hardt An Intimate Act: Sex, Sustainability, and the Future of Our Planet Ocean 14:00-15:30 ROOM 3 Fluid Boundaries: Water as Metaphor and Material Ashley Mason: Drip/Drip/Intercede 13:00-14:00 BREAK (1 hr) 14:00-15:30 ROOM 1 :30 DT): 07:00-08 in the USA (C Water, Knowledge and Agency in Scientific and Technical Illustration from the Age of the Industrial Revolution Kevin L. Cope: When Watercolor Meets Waterfall – Or Geyser: Illustrating (and Occasionally Explaining) Extreme Aqueous Environments Leigh G. Dillard: The Contemplative Man’s Recreation: Illustrating the Human Element in The Compleat Angler Laurence Roussillon-Constanty: Spas, Watering-Places and Health in the 19th Century Visual Imagination: Voyage aux Eaux des Pyrénées Pierre-Emmanuel Perrier de La Bâthie: L’eau et le corps chez Bruce Nauman : la fontaine comme forme artistique contemporaine 14:00-15:30 ROOM 4 Marc Courtieu: De la vague Water Carrier of Images: How to Surpass the Uncatchable :00-16:30 in Greece: 15 Sophia Felopoulou: Mots et images de l’eau et de la mer dans l’œuvre théâtrale de Samuel Beckett Armand Erchadi: L’épopée de l’eau : à propos des Lusiades de Camões 16:00-17:30 ROOM 2 The Seventh Art Explores the Seventh Continent: New Mirror of Our Future Charlotte Bank: The Sea as a Metaphor for Critique in Contemporary Middle Eastern Art Francesca Gallo: Entre symbole et territoire : l’eau, les rivières et les mers dans l’art vidéo italien Astrid Zenkert: Ocean without a Shore: Water as Fluid Border and Zone of Transformation in Bill Viola’s Video Installations 16:00-17:30 ROOM 3 Picturing the End of the World: It’s Time to Pay Attention Pamela Krause : Ode à l’amertume du monde chez Saint-John Perse Laurence Petit: From the “Shipwreck of Knowledge” to the Necessity of “Being-in-the-World”: John Banville’s Ghosts 15:30-16:00 BREAK (30 min) Silvia Riccardi: Apocalypse at Shore: Water and Punishment in Blake’s Illustrations of Dante’s Inferno Monday 12.07 NATURE/ENVIRONMENT/HEALTH 16:00-17:30 ROOM 4 ): 07:00-08:30 in the USA (PDT Figuration of Water: Women and Aquatic Polymorphisms in the Arts Timothy Erwin: Jane Austen’s Oceans Béatrice Laurent: The Woman-in-a-shell Motif in 19th Century Western Art Catriona MacLeod: Women Underwater in Nazi Cinema Carine Roudière-Sébastien: L’eau, l’air, la terre : trois éléments pour une « fille de feu » – Mélusine dans les œuvres de deux auteurs-médecins-alchimistes du XVIe siècle, Rabelais et Paracelse Tuesday 13.07 HISTORY/PHILOSOPHY/RELIGION 11:00-12:00 KEYNOTE Jean-Jacques Wunenburger Poétique de la mer, l’impensé bachelardien 12:00-13:00 KEYNOTE Massimo Venturi Ferriolo Fons vitae. The Water Source of Landscapes 13:00-14:00 BREAK (1 hr) Ecological Anxiety Disorder Link to the video: https://vimeo.com/568965744 Password: EAD_2022 14:00-15:30 ROOM 1 08:30 in Peru: 07:00- The Sea in the Hagiography and Iconography of the Christian Saints Vincent Grégoire: Marie de l’Incarnation ou l’iceberg miraculeusement évité Cécile Michaud: Entre le ciel et les eaux. La Vierge, la mer et la figure de la sirène dans la prédication, la poésie et l’iconographie au Vice-royaume du Pérou Celia Rubina: L’univers aquatique en image et paroles : de la gravure européenne à la peinture coloniale des Amériques The Biblical or Mythical Imaginary of Water and Sea Jacques Athanase Gilbert: L’immersion n’est pas une lustration : de la purification à la conversion Alex Kiefer da Silva: Oxum femme, mère et reine : le culte de la déesse de l’eau douce, de l’amour et de l’or dans les traditions religieuses afro-brésiliennes, symbole de l’autonomisation des femmes aujourd’hui Divya Kumar-Dumas: Shapes of Water: Confronting Sculptural Reliefs at Mamallapuram 14:00-15:30 ROOM 3 Introduction by Paola Capone 17:00-18:00 BREAK (30 min) 18:00-19:00 PROJECTION Sandy Flinto & Pierrick Grobéty 14:00-15:30 ROOM 2 At the Whim of Water: Texts and Images Sanda Badescu: Image de la mer comme mystère humain chez Proust Carlo Lavoie: La rivière et l’appel de la région : appartenance acadienne et poésie du Madawaska Corina Sandu : Images de la mer dans la conscience troublée d’un opiomane amoureux 14:00-15:30 ROOM 4 0-10:30 in Brazil: 09:0 Waves that Makes Us Enjoy and Teach Us how to Desire Kathleen Maxymuk: Water: Mirror and Mediator in the Films of Jean-Luc Godard and Éric Rohmer Palmireno Neto: In Search of the Ultimate Soul: the Sea in Mário Peixoto’s Cinema and Poetry Jean-Marie Weber: Se jeter à l’eau, même si on ne sait pas nager Tuesday 13.07 HISTORY/PHILOSOPHY/RELIGION 15:30-16:00 BREAK (30 min) 16:00-17:30 ROOM 1 The Sea in the Hagiography… Massimo Leone: The Semiotics of Waves in Religious Cultures Silvia Marin Barutcieff: From the River to the Sea. Swimming against the Stream in the Alpine Iconography of Saint Christopher (1350-1530) Mia Nakayama: Reimagining Santa Maria della Strada through Kannon: Resonances of Buddhist Patroness of the Sea in Japan’s Christian Imagery 16:00-17:30 ROOM 2 The Biblical or Mythical Imaginary of Water… Daniel Laliberté: « Faire parler le rite » – Tensions entre symbolisme universel, désirs de ritualité et tradition croyante particulière Kathi Lentz: Métaphores de l’eau dans l’enseignement sapientiel de Ben Sira Daphné Vignon: La mer dans l’imaginaire politique ou la pensée d’une impossible frontière 16:00-17:30 ROOM 3 Liquidity Incorporated: Early Capitalism on the High Seas in Contemporary Text and Image Holger Kuhn: The Forgotten Space and 4 Waters: Deep Implicancy: Liquidity and Flows in Contemporary Video and Film Elisabetta Rattalino: Sizing the Blueness of the Italian Sea: The hydraulic practice of Pino Pascali in 32 mq di mare circa 17:30-18:00 BREAK (30 min) 18:00-19:30 EXHIBITION Jean-Marie Ghislain & Leina Sato Water, towards Reconciliation and Joy Link on our website https://waterandsea2021.uni.lu Wednesday 14.07 LITERATURE/MYTHS/ART/HERITAGE 11:00-13:00 ROOM 1 :00-12:00 in Portugal: 10 Young Scholar Round Tables Florian Breitkopf: Polyphonic Critical Ekphrasis: Clemens Brentano’s Dialogs on Caspar David Friedrich’s The Monk by the Sea (1810) Dominika Bugno-Narecka: Neobaroque Image of Water in A History of the World in 10 ½ Chapters and The House that Jack Built Polina Pavlikova: How the Film Industry Made “Water City“ a Key-Image of Joseph Brodsky’s Identity Myth: SaintPetersburg – New York – Venice David Pinho Barros: The Swimming Pool Graphic Novel: Developments of an Intimist Subgenre in Franco-Belgian Comics 11:00-13:00 ROOM 2 0-12:00 in the UK: 10:0 Célia Jerjini: La mer Méditerranée comme puissance créatrice chez Jean-Daniel Pollet Nicolas Piedade: Espaces anthropophages : une archéologie culturelle fluviale ? Assimilation et restitution identitaire dans Macunaíma de Mário de Andrade (1928) et Joaquim Pedro de Andrade (1969) Wassim Seddik: Le navigateur carthaginois dans la bande dessinée, le cinéma et la littérature Amanda Tavares: (Re-)Mapping Mediterranean Crossings: Migrant Stories and Systems of Visibility in the Work of Bouchra Khalili Wednesday 14.07 LITERATURE/MYTHS/ART/HERITAGE 11:00-13:00 ROOM 3 Camille Adnot: Where Monsters Wander in the Foamy Paths’: The Chaotic Waterscape of Blake’s The Four Zoas Simon-Gabriel Bonnot: Les mots aiment bien faire trempette Astrid Fizyczak: La mer et le dépassement du stade du miroir 14:00-15:30 ■ GENERAL ASSEMBLY (FOR ALL IAWIS MEMBERS) ■ Max-Nänny-Prize for the Best Article in Word and Image Studies Rebekah Cochell: Rivers and Lakes in Medieval Folklore as Presented Through the Medium of Illustrated Books with Disfluent Fonts Diana Requena Romero: L’étanchement de l’eau et la fin de la vie dans Les Poissons morts de Boris Vian Rym Sellami: L’eau, signe d’une conscience malade ou d’un processus de guérison ? Le cas de Jérôme de JeanPierre Martinet Ágnes Tóth: La Mer du Nord sous la plume de Maurice Carême et l’esquisse de Henri-Victor Wolvens Xavier Fontaine: Agitation maritime et rendu kaléidoscopique. Les récits de voyage de Charles De Coster dans Le Tour du monde Jean-Michel Galland: La mer démontée : un décryptage bourdieusien de l’œuvre de Jean-Gabriel Daragnès 16:00-17:30 ROOM 1 Nicolas Hebbinckuys: Traverser l’Atlantique au début du XVIIe siècle : Poétique du « franchissement transocéanique » dans le genre viatique Sensible Perception of Water – Poetics of Movement and of the Infinite Stefano Maria Casella: “Where All the Waters Meet”: Seas Lakes Rivers in T.S. Eliot’s Poetry Ana Lía Gabrieloni: The “laisse de mer” as a Poetic Emergent Image of Natural History Miriam Vieira: The Water Under the Bridge (Brooklyn Bridge) 16:00-17:30 ROOM 2 0 DT): 10:00-11:3 in Canada (E Water as Material and Medium in Contemporary Art 16:00-17:30 ROOM 4 0 rg: 17:00-18:3 in St. Petersbu Verbal and Visual Representations of the Pacific Ocean and Its Islands Daniel Gane: Describing the Ocean and the Journals of 18th Century Pacific Exploration Richard Hobbs: Time and Place in Gauguin’s Avant et après Aurélien Lorig: Octave Mirbeau : une représentation littéraire et artistique des eaux au service de l’écriture réfractaire Andrey Kostin: Puddle, Path and Poetry: Lomonosov’s Verbal Imagination of Transcontinental Navigation Frances Guerin: Energy into Art: The Repurposing of Water in Ruhr Valley, Germany Janna Schoenberger: Ger Van Elk’s Ludic Canal Cruise 13:00-14:00 BREAK (1 hr) Seas and Oceans in Book Illustration from the 17th Century to the Present Day – Perilous Journeys 15:30-16:00 BREAK (30 min) 11:00-12:30 in Argentina: 11:00-13:00 ROOM 4 16:00-17:30 ROOM 3 Carla Taban: Water Marks: Water as Material in Two Beckettian Site-Specific Installations 17:30-18:00 BREAK (30 min) Wednesday 14.07 LITERATURE/MYTHS/ART/HERITAGE 18:00-19:30 ROOM 1 Sensible Perception of Water… Anikó Ádám: La perception sensible de l’eau – la poétique du mouvement et de l’infini Anikó Radvánszky: « Que fais-tu pour apaiser une mer en fureur? » Sur l’imagination de l’eau violente (Swinburne et Bachelard) Françoise Sammarcelli: Perceiving Water, Inscribing Wonder: Aspects of Thoreau’s Poetics of Movement and the Unsayable in Walden 18:00-19:30 ROOM 2 :00-03:30 in Sydney: 02 18:00-19:30 ROOM 4 All Is Lost: Shipwrecks in the Contemporary Imagination Roy Grundmann: Goebbels’ Ghost in History’s Anteroom: Titanic (1943) Thursday 15.07 LITERATURE/MYTHS/ART/HERITAGE 11:00-12:00 KEYNOTE Bertrand Westphal Ronit Milano: Visualizing the Invisible: Damien Hirst’s Treasures from the Wreck of the Unbelievable Vega Tescari: Shipwreck with Spectator: Claudio Parmiggiani’s Oeuvre Le liquide et l’effroi 12:00-13:00 ROOM 1 Frederico Câmara: Gift: Attempts to Sweeten the Population of a City Adília Carvalho, introducing artist Marco Godinho ROOM 2 Sébastian Thiltges, introducing novelist and poet Jean Portante Water as Material and Medium… Bill Balaskas: A “Poor” Material: Water in Arte Povera and the Work of Jannis Kounellis ARTISTIC EVENTS ROOM 3 Simone Grossman, introducing artist Hervé Massard 13:00-14:00 BREAK (1 hr) Fabiana Senkpiel: Life is a River in a Constant State of Flux: Curriculum (2004/2008) by Isabelle Krieg 18:00-19:30 ROOM 3 19:00-20:30 in Romania: Seas and Oceans in Book Illustration from the 17th Century to the Present Day – The Sea from Cartography to Poetics Sophie Aymes: “A Little Deeper into the Sea”: William Hyde’s Illustrations to Ford Madox Ford’s the Cinque Ports Monica Tilea: Le punctum poïétique d’une mer indéfinie 14:00-15:30 ROOM 1 Northern Seas in Word and Image Davide Finco: On Freedoms, Dreams, Wisdom, Life: Björn Larsson’s Northern Sea(s) Thomas Mohnike: Melancholic Men Looking at the Sea: A Short Intermedial History of a Mytheme Complex Since 1800 Christelle Serée-Chaussinand: Of Whales and Men: Caitríona O’Reilly’s Septentrional Voyage in The Sea Cabinet (2006) Thursday 15.07 LITERATURE/MYTHS/ART/HERITAGE 14:00-15:30 ROOM 2 The River: Reality, Myth, and Metaphor :00-13:30 in Senegal: 12 14:00-15:30 ROOM 4 0-14:30 in the UK: 13:0 Water in All Its Forms: Seas, Tsunamis, Thunderstorm in Contemporary Japanese Popular Culture Aneesh Barai & Nozomi Uematsu: Tsunamis, Nuclear Power and Animations by Studio Ghibli Filippo Cervelli: Sea and Knowledge: The Secret of Blue Water and Jules Verne Véronique Plesch: The River of Life: Drawing Lessons from Thomas Cole in Images and Words Bocar Aly Pam: Poétique d’espaces charnières : le pont et les fleuve symboles de passage, de rencontre et de liaison intercommunautaires dans le roman Un Pont de lumière pour le fleuve (Sada Weïndé Ndiaye) Kirsty Bell: Le fleuve comme procédé littéraire et interartistique dans les essais de Louise Warren 14:00-15:30 ROOM 3 Rivers, Lakes and Ponds in Book Illustration from the 17th Century to the Present Day Brigitte Friant-Kessler: Lignes d’eau et de formes : Stanley William Hayter, Ophelia et l’abstraction Pouneh Mochiri: « Le dessein d’un jardin autant délectable et d’utile invention » : l’évocation des jeux d’eau dans quelques recueils descriptifs à la Renaissance Gabrielle Thierry: L’esthétique musicale de l’eau. Comment la synesthésie agit sur l’Ophelia de Shakespeare pour en réaliser sa partition colorée 15:30-16:00 16:00-17:30 BREAK (30 min) ROOM 1 Northern Seas… Maria Hansson: L’eau et les rêves. Blommér vu par Victoria Benedictsson Anders Löjdström: Le Kattegat dans les glaces : la mer dans Les Écus du messire Arne de Selma Lagerlöf Roger Marmus: « Till Havs ! Till Havs ! » Appel du large et retour au rivage dans le manuel scolaire suédois Läsebok för folkskolan (1868) 16:00-17:30 ROOM 2 Representing Numen Aquae in Literature, Folklore and Modern Popular Culture Hanna Chuchvaha: Sea Monsters and Popular Imagination in Russian Popular Prints and Chapbooks: Bogatyr Eruslan Lazarevich and His Adventures Eloy Martos Núñes, Estíbaliz Barriga Galeano, Mar Campos Fernándes-Fígares, Aurora Martínez Ezquerro: Représenter les numen aquae dans la littérature, le folklore et la culture populaire moderne : l’état de la question Friday 16.07 MIGRATION/GEOGRAPHY/TOURISM 12:00-13:00 KEYNOTE Olivier Francis Freezing Days in Antarctica: Embarking on a Journey Towards the End of the World 13:00-14:00 BREAK (1 hr) 14:00-15:30 ROOM 1 Diasporic Narratives on Sea Borders and Migration 14:00-15:30 ROOM 3 Mare Nostrum: Word and Image and the “Mediterranean Proof” Marta Carraro: À l’eau – Contestation et hybridité chez Toni Maraini Albert Göschl: The Metaphor of the Shipwreck in the ‘Last Mediterranean Age’ Cecilia Piantanida: Representing Mediterranean Migration in Contemporary Italian Fiction 14:00-15:30 ROOM 4 00-10:30 in Canada (ADT) : 09: The Sea: Infinity and Limitation Adília Carvalho: La Ville d’Ulysse de Teolinda Gersão Kim Huynh: Elastic Memory 00-07:30 in Canada (MDT) : 06: Christa-Maria Lerm Hayes: Vivisective and Forensic Mapping: Brian O’Doherty’s Northern Irish Mathilde Savard-Corbeil: L’incroyable épave de Damien Hirst : fictionalité, narrativité, matérialité 14:00-15:30 ROOM 2 30 in Wellington: 04:00-05: Symbolic, Sociocultural and Spatial Impact of the Ocean Crossing and of the Net Navigation Charles Rice-Davis: Droves: Representing Overseas Mass Migration Lauren Weingarden : Hijacking the Seine: Stéphane Thidet’s Détournement Blanca Navarro Pardiñas: L’écriture et la mer : le cas d’Antonine Maillet Luc Vigneault: La mer et l’éthique de la limite. Réflexion sur l’œuvre de Thierry Hentsch Our partner Brill Publishers offers a selection of books for a special price with a 35% discount code that you will find on this PDF document, along with a list of publications. Please order through https://brill.com before 1 September 2021 in order to benefit from the discount. 15:30-16:30 CLOSING REMARKS Laurence Roussillon-Constanty FREE ATTENDANCE BUT REGISTRATION COMPULSORY CONTACT [email protected] [email protected]