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2020, КОЛЛЕКЦИЯ ГУМАНИТАРНЫХ ИССЛЕДОВАНИЙ
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As a therapeutic tool, art is a way to develop reflexive self-awareness. We suggest that establishing a link between art-therapy and the advancement of self-consciousness is a necessity taking into account that consciousness compounds awareness of one’s body and one’s environment. Then we can regard self-awareness as recognition of consciousness. We suggest that the human body plays a key role in the process of conscious experience and that art can refine this process, increasing the awareness of self and others.
КОЛЛЕКЦИЯ ГУМАНИТАРНЫХ ИССЛЕДОВАНИЙ, 2020
As a therapeutic tool, art is a way to develop reflexive self-awareness. We suggest that establishing a link between art-therapy and the advancement of self-consciousness is a necessity taking into account that consciousness compounds awareness of one’s body and one’s environment. Then we can regard self-awareness as recognition of consciousness. We suggest that the human body plays a key role in the process of conscious experience and that art can refine this process, increasing the awareness of self and others.
This paper introduces the bodymind model of Art Therapy and delineates the processes through which it has salutary effects on individuals coping with a variety of health related challenges. The goal of this model is to articulate how activation, reorganization, growth and reintegration of the self can emerge from bodymind processes activated by art therapy. It provides a framework for the conduct of research that will test the key theoretical mechanisms through which art therapy benefits clients. We expect this model to be a spring board for discussion, debate and development of the profession of art therapy. Furthermore, this model contribute to procedures to conduct sound mechanistic studies. Social scientists and medical professionals can also use the information to consider further how art making contributes to health.
Journal of Creativity in Mental Health, 2011
Art Therapy, Research, and Evidence-Based Practice presents an array of information about art therapy and advocates the need to incorporate evidence-based practice into both the research and practice of art therapy. Gilroy makes arguments and presents detailed suggestions for incorporating art therapy and evidence-based practice to make art therapy more scientific and thus more widely accepted and valued by the scientific community. Edwards (1999) and Pounsett, Parker, Hawtin, and Collins (2006) attest to the increasing pressure placed on art therapists to incorporate research and clinical effectiveness outcomes into their practice. Therefore, Gilroy's book serves as a valuable contribution to the art therapy field. Gilroy has authored other publications on art therapy including Art Therapy: A Handbook (1992) and Pictures at an Exhibition: Selected Essays on Art and Art Therapy (1989). Gilroy is also the co-editor of Art and Music Therapy and Research (1994) and The Changing Shape of Art Therapy: New Developments in Theory and Practice (2000). Gilroy became an art therapist in the 1970s as a result of her background and interests in visual art, research, and psychology. Art therapy is a process for awakening creativity and is a means for accessing hidden resources to express internal conflicts and find solutions to current problems (Synder, 1997). It focuses on nonverbal communication and the facilitation of a trusting safe environment where individuals can express strong emotion (Harden, Rosales, & Greenfield, 2004). Since the 1940s, formal efforts have been made to combine art therapy with psychotherapy, and art therapy has been a part of psychotherapeutic and psychiatric therapy (Craw-ford & Patterson, 2007; Waller, 1991). The psychological effects of creative expression, such as that expressed with art therapy, include a) positive mood, b) a sense of confidence and selfefficacy, c) enhanced ability to self-express, d) promoted self-awareness and self-acceptance, e) improved insight, f) lessened anxiety, g)
The Arts in Psychotherapy, 1993
Http Dx Doi Org 10 1080 17454832 2013 786107, 2013
ABSTRACT This article explores the development of symbols in art therapy. It is particularly interested in the moment when art materials are lifted up from their concrete materiality and acquire symbolic significance in the context of the therapeutic relationship. This investigation into symbol formation is explored by comparing two individuals' different uses of water. The first is based on Helen Keller's encounter with water as described in her autobiography The Story of My Life (1903). This account is then compared to the use of water by an adolescent boy with profound autism, in an art therapy session. The theoretical perspectives of art therapy theory and developmental psychology are used to examine the particular interpersonal and intrapersonal conditions that may be required for the development of reflective self-awareness and the emergence of symbol formation. Some implications for practice are explored towards the end of the article.
2016
This thesis takes the form of an extended literature review in which the reader can journey with the researcher in what hopes to be an interesting and subjective exploration. The aim of this investigation is to place an understanding of the 'felt sense' in the context of art therapy and to make connections between the theoretical frameworks of depth psychology and their place in the application of art therapy. The 'felt sense' in art therapy does not have a long tradition of empirical research within art therapy. Therefore this research is viewed in a broader general context, which involves a description of the researchers exploration of the literature. In each chapter the researcher will explore a theme, summarizing, synthesizing and at times critiquing the relevant literature. The concern of this exploration is to view the attributes of the felt sense and in doing so to explore relevant connections to its role in art therapy.
Arts in Psychotherapy, 2007
Self-portraiture can be a means of self-reflection and accepting the self. Art therapists can be informed of the benefits and drawbacks of recreating the self by examining the art of artists who experienced melancholy and depression. Vignettes of artists whose self-portraits were healing, as well as of artists who became stuck in feelings of despair, are described. Self-portraiture is an introspective tool that can be beneficial with many client populations. Examples from the literature in art therapy regarding the use of self-portraits in therapy augment the importance of this genre and describe some of the clinical applications of self-portraiture.
This article provides an approach to central specific active factors effective in the arts therapies that (a) can be distinguished from therapeutic factors present in other medical treatments and psychotherapies, and (b) that can be assumed to work as mechanisms of effectiveness across the arts. In the absence of a current aesthetic model for the arts therapies from psychology or the cognitive sciences that includes active art-making, a theory framework of embodied aesthetics is suggested that encompasses the active (expression) and the receptive (impression) aspects of the aesthetic experience. Five specific factors of arts therapies are identified: aesthetics, hedonism, nonverbal communication/metaphor, enactive transitional support and generativity. Aesthetics, including beauty and authentic expression, is considered to be the most specific arts therapy factor. The framework presented grounds the question of active factors in an embodied enactive model of the aesthetic experience, in which art-making is considered alongside art perception.
Self-portraiture can be a means of self-reflection and accepting the self. Art therapists can be informed of the benefits and drawbacks of recreating the self by examining the art of artists who experienced melancholy and depression. Vignettes of artists whose self-portraits were healing, as well as of artists who became stuck in feelings of despair, are described. Self-portraiture is an introspective tool that can be beneficial with many client populations. Examples from the literature in art therapy regarding the use of self-portraits in therapy augment the importance of this genre and describe some of the clinical applications of self-portraiture.
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