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2019, https://arted.us/development.html
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This visually appealing resource presents milestones in children’s artistic development in early adolescence using youth-centered behaviors that include: “I am thinking” (cognitive development). “I am growing” (physical development). “I am feeling” (social/emotional development). “I am creating” (artistic development). Its outline format is derived by research on children’s artistic development theories and best practices presented in the textbook Teaching and Learning in Art Education: Cultivating Students' Potential from Pre-K through High School (Routledge, ISBN# 9781138549326).
https://arted.us/development.html, 2019
This visually appealing resource presents milestones in children’s artistic development in adolescence using youth-centered behaviors that include: “I am thinking” (cognitive development). “I am growing” (physical development). “I am feeling” (social/emotional development). “I am creating” (artistic development). Its outline format is derived by research on children’s artistic development theories and best practices presented in the textbook Teaching and Learning in Art Education: Cultivating Students' Potential from Pre-K through High School (Routledge, ISBN# 9781138549326).
Dimensions of Early Childhood, 2017
In spite of the great emphasis on learning academic subjects even during the early years, the importance of art activities should not be overlooked since these kinds of activities benefit young children's development in a variety of ways, including cognitive, creative, social, and emotional development (Belz, 2011). Children can count, sort, and classify objects, identify how properties change and discover examples of cause and effect, make their own decisions, and order their behavior to accomplish a goal (Koster, 2012), which can promote cognitive development. They learn about the names of colors, different textures, and spatial relationships. Furthermore, arts become a great communicative tool for young children who often have a hard time verbalizing their ideas and feelings. Therefore, art enables children to express themselves using various media, affirming their freedom of expression (Wallace, 2015).
International Journal of Art & Design Education, 2006
Every invention and creation, no matter in what field, is the outcome of a search for solutions and distinct ideas. Creativity is a sine qua non for development and improvement. This view has been a central focus in every field and a considerable volume of research has sought to find out how creativity starts, occurs and develops. Creativity is also a principal element of change and progression. Art can be defined as the manifestation of creativity and imagination. As the lively debate about what is art and what is not art continues, new meanings are assigned to art. Art is, in general, a reality that should exist in everyone's life, whether an adult or a child. Since creativity emerges as the beginning of art in children, children’s art (paintings, drawings and other works produced by children) is of key importance. A child’s development can be followed in his or her art.
2021
This is my thesis on Artistic Development in Children with Judith Burton, a manifesto and philosophy of art education. Introduction — My philosophy & vision of Art Education Section I — Artistic Development in Children Section II — Lesson Planning Section III — Field Observations in Children at PS 452 Section IV — Epistemological Legitimacy of Art Education Holistic Assessment in Art Education A Note on Standardization Multilingual and Multicultural Immersion
Art programs typically stress that art raises levels of self-esteem through creative selfexpression. School curriculums use art to improve cognitive learning and problem solving abilities. Yet many programs overlook the hidden dimensions of art: the social dimensions for fostering program goals. In a program with preschool children I have been using four social dimensions of art to heighten aesthetic perception, improve a child's artistic creativity and nurture their self esteem.
2019
This report, entitled From Early Childhood to Youth: Growing up with the Arts, authored by Prof. Dr. Feyza Çorapçı within the scope of the cultural policy studies of the Istanbul Foundation for Culture and Arts (İKSV), discusses the role of arts exposure from early childhood onwards from the perspective of developmental psychology. While prepared in the transformation process of İKSV into a child-friendly cultural institution, it is a step taken by the foundation towards meeting the need for research review and policy analysis on children’s engagement with the arts. The report evaluates the role of various art disciplines on the fundamental developmental competencies from early childhood into adolescence.
https://arted.us/development.html, 2019
This visually appealing resource presents milestones in children’s artistic development in early childhood using child-centered behaviors that include: “I am thinking” (cognitive development). “I am growing” (physical development). “I am feeling” (social/emotional development). “I am creating” (artistic development). Its outline format is derived by research on children’s artistic development theories and best practices presented in the textbook Teaching and Learning in Art Education: Cultivating Students' Potential from Pre-K through High School (Routledge, ISBN# 9781138549326).
Journal of Art & Design Education, 1997
In Hungary, where fine arts and high culture in general were the focus of educational efforts of art teachers for more than 150 years, educational reforms begun as a result of political changes in 1989, represent an overwhelming challenge. Art teachers of teenagers ready to modify their curricula need insights into the emerging teenage subcultures their students are part of in order to understand their visual world and incorporate this in art eduction. The authors of this paper have collected case studies of symbolisation processes of young peopole between 14–18 years of age and undertaken two large questionnaire surveys on the visual environment of adolescents. This paper contrasts international youth styles as recorded by T. Polemus in UK and P-A Maset et al in Germany with Eastern European trends, summarises results of the Hungarian surveys, and outlines teaching efforts that accommodate the visual language of youth subcultures in order to help adolescents further on the road towards a creation of self.
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