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The ultimate cause of much historical, social and cultural change is the gradual accumulation of knowledge of the environment. Human beings use the materials in their environment to meet their needs and increased human knowledge of the environment enables human needs to be met in a more efficient manner. Humans have a need to communicate, as they are social beings, and the development of printing enabled them to communicate in a more efficient manner. The human environment has a particular structure so that human knowledge of the environment is acquired in a particular order. The simplest knowledge is acquired first and more complex knowledge is acquired later. Inevitably, printing was invented after the invention of writing, as it is a more efficient way of writing. Printing, as developed in Europe in the 15th century, also required the prior invention of paper, the knowledge of which had spread from China, and of moveable metal type, inks and presses. The order of discovery determined the course of human social and cultural history as knowledge of new and more efficient means of communication, resulted in the spread of new scientific ideas and technology, and in the development of new social and ideological ideas, such as the reformation, the enlightenment and democracy. This means human social and cultural history, has to follow a particular course, a course that is determined by the structure of the human environment.
This is my current statement of my very long-term research project. It will be a book exploring the history of the philosophical ideas that influenced the earliest development of text and image printing in Europe c. 1370-1440. This dynamo of change, including typography and engraving, which is collectively called "printing"-sometimes called the first industrial complex-is conventionally said to have arisen rather abruptly around 1445 and then rapidly spread down the Rhine and through Europe, with little constraint and with no evident conceptual framework from the previous phase of European culture. Early printing has long been studied from the points of view of history of technology, socio-cultural history, and economic history. But an approach through the history of ideas and intellectual history has not been attempted, with a couple of thin exceptions, and so will be almost completely new in the field. Yet we know that ideas, including abstract concepts, are highly dynamic, readily spreading great influence. My researches apply this principle to the period before the deployment of print through the historiographic methods of the history of ideas and intellectual history applied to very late Medieval and very early Renaissance concepts of nature and humankind. Impressum is not a history of the book or printing history or history of technology project; rather, it is an unconventional study of a fresh area in intellectual history and the history of philosophy that can extend and deepen book history, art history, Western cultural history, and the history of communication. The intellectual history questions about the inception of typography include: what conceptions contributed to make the attraction of replicative techniques so powerful in this period as to motivate the invention of new media? What ideas allowed for the experiments in craft technique that initiated the massive infusion of texts and images in Western culture beginning c. 1450? To address these questions, I examine the changes in several central philosophical ideas in this period prior to the first printed texts and how these ideas might have been taken up by the new technology. It is unlikely that many new fragments of early printing or pieces of printing equipment will be discovered, but philosophy and theology in the period is so massively documented that it can be a rich field for study of the invention of printing. Therefore I suggest that we approach this question of "pre-print" by observing the successive and branching ideas in late scholasticism that constellated in the invention and deployment of replicative technologies. Printing involved impress of the original of text, image, and data into copies by a cluster of technologies that ultimately created a system of storage, diffusion, and retrieval. Putting part of the origin of the age of printed communication into the context of philosophical ideas will show that at its start it involved, on the part of the person or persons who invented the craft and on the part of those who developed and used it, general moral and philosophical concepts.
The European World 1500-1800, ed. Beat Kumin, 2022
Annual Review of Applied Linguistics, 1996
Tracing the sociocultural influence of any technology is fraught with problems. First, many of the influences cited are likely to be too large and diffuse to be tested under experimental conditions in the laboratory. Second, the technology is likely to be, at most, an accessory to many other influencing factors rather than a singular cause. Third, insofar as the technology can be isolated as a factor of influence, the direction of the influence is often two way. The technology may cause changes in sociocultural states, but existing sociocultural states are also likely to result in the technology being used and evolved in unanticipated ways.
The matter I am going to present you grows from a long-term research project I started early in 2014. The problem I set myself is, how to deepen our understanding of the role of the book as an access-point to the history of the formation of values and meaning in Western culture. For the diffusion of texts and images by human, then mechanical, and now electrical and nuclear power, has been a central project of the humanities throughout its history. It may even be said with justice that this is its defining activity.
On_Culture, 2019
In order to distribute our thoughts and feelings, we must make intelligible and distributable copies of them. From approximately 1375 to 1450, certain Europeans started fully mechanized replication of texts and images, based on predecessor “smaller” technologies. What they started became the most powerful means for the distribution, storage, and retrieval of knowledge in history, up until the invention of digital means. We have scant information about the initiation of print technologies in the period up to Gutenberg, and the picture of Gutenberg that we have has become a great deal more complicated than hitherto. There has not been, however, an approach to the “pre-printing” period in terms of the history of idea or intellectual history. After a brief survey of established approaches, this essay argues that distribution by impression, or print, is bound up with ancient metaphors for understanding communication by the making of multiples. I suggest that there is a rich field of study for printing history in the sophisticated concepts of reality that medieval and late Scholastic philosophy developed. These concepts helped to express and develop a desire or need for communication that led to the technology of replicating texts and images for wide and continued distribution.
Economic historians chasing the holy grail of their discipline have suggested innumerable explanations for the eighteenth to nineteenth century industrial revolution in the West, a process of both “little” and “great” divergence. This paper continues in such a – perhaps futile, but also fruitful – vein. It sketches a line from the development of the metal movable-type printing press in the fifteenth century to the proliferation of the new form of print and the unique occurrence of industrial capitalism. Consequently, this paper combines econometrics and statistical analysis, qualitative historical and comparative research, and philosophy of communication and innovation in defending the thesis. It hypothesizes that the industrial revolution and advent of modern capitalism uniquely occurred when, where, and in the manner it did because of a variety of proximate factors, but which themselves are derived from the development of the movable-type printing press and its corresponding communicative revolution. Ultimately, the following provides a novel contribution in economic history by considering the media studies/communicative argument, a peripheral and understudied aspect of economic history, elevating the development of the printing press as the first truly mass media that had important consequences for the development of the modern world.
Day One: The cost of living and the cost of books in 15th-century Europe Day Two: The transmission of texts in print and the distribution and reception of books Day Three: Illustration and digital tools
Praxis International Journal of Social Science and Literature, 2023
Printmaking has a long and rich history that dates back thousands of years. The earliest forms of printmaking were developed in ancient china, where the artist would create prints using wood blocks as early as the 7th century. However, in the 15th century in Europe, printmaking began to develop into a proper art form. Johannesburg was a German goldsmith printer and inventor widely credited with movable type printing in the mid-15th century. In 1455 Bible was the first important Book in history. In the 16th century, Goa was the first place in India where printing technology started during the British period. Initially, it was used for religious printing and some commercial printing, like religious posters, pamphlets etc. later 20th century, this printing process transformed into fine art printmaking techniques. It became an educational part of developing printing technology and technician. This printing technology became a curriculum for the Art & Craft College, like Madras art college, Kolkata Govt. Art and Craft College, J.J art college, Lahore art college (now in Pakistan), and another essential college is Kala Bhavana under the Visva Bharati University. From post-colonial to contemporary times, printing to printmaking evolved in many ways. Most places academically followed the colonial curriculum, but commercial printing technology rapidly changed. Academically Visva Bharati University Santiniketan develops new technology for the students.
1976
Finally 44 years after publication, the file reproduction of Colin Clair's fundamental work reappears here. This lavishly illustrated book is a detailed account of the story of printing from moveable type from the 15th century, the time of Gutenberg, to the present day. The author describes the development of the craft in a variety of European countries, and all the major innovations and printers are considered chronologically and in detail. Particular emphasis is given to the 15th and 16th centuries, the period when early difficulties were being overcome and technical knowledge was rapidly increasing.
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