FRAN K E L I N ST I TUTE
A N N U A L 201 8
Jews and
the Material
in Antiquity
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Frankel Institue Annual 2018
Jews and the
Material in Antiquity
RACHEL RAFE NEIS &
JEFFREY VEIDLINGER
H
ow did Jews in the ancient Mediterranean
engage, sense, and construct material
entities, artifacts, bodies, buildings and
more? How did those who were not
Jewish perceive or represent the relationships
between Jews and matter? How has the history of
Jews and matter been reconstructed in modern
scholarship and how might scholars approach the
nexus of Jews and the material more productively?
hese questions were the focus of the 2017-2018
Frankel Institute for Advanced Judaic Studies,
which was organized around the theme “Jews
and the Material in Antiquity.” Head Fellow
R AC H E L R A F E N E I S brought together a group of
distinguished scholars from around the world with
expertise in archaeology, art history, ancient history,
rabbinics, early Christianity, and comparative and
ancient religion. he group charted new ways of
studying the interface of material culture, materiality, and Jewish history from the third century BCE
to the eighth century CE and from Palestine to
Babylonia. Learning and conversation was stimulated not only in weekly workshops, public events,
and conferences, but also in the context of several
hands-on workshops with curators, artists, and
makers. he group modeled a comparative and
collaborative approach to the study of antiquity
and to Judaism.
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Frankel Institue Annual 2018
Fellows approached the theme from a variety of
Finally, two fellows worked on ancient natural
perspectives. D E B O R A H F O R G E R considered the
worlds: C . M I K E C H I N studied the world imagined
variegated materialization of the divine in Second
by late ancient thinkers using an object-oriented
Temple Jewish authors, TO D D B E R Z O N worked to
approach, which reconigures the intellectual history
understand the ways in which Jews and Christians
of late antiquity as a speculative environmental
understood the materiality of language and tongues
history of imagined worlds and R AC H E L R A F E N E I S
(literal and otherwise), and C H AYA H A L B E R S TA M
grappled with late ancient science through the
read Second Temple and rabbinic sources through
theories of reproduction and generation of human
feminist materialist lenses to illuminate the complex
and nonhuman species held by rabbis and others.
relationships between partiality and justice.
Several fellows sought to understand artifacts and
their vitality in ancient Jewish and Mediterranean
cultures: J UA N T E B E S considered Idumeans
through the relationship between Jewish textual
sources and the art, pottery, and porcine remains
in the archaeological record; R I C K B O N N I E studied
the use and sensory experience of synagogues and
ritual installations, with very cautious use of textual
sources; and S E A N B U R R U S explored Jewish visual
culture in Palestine and in the diaspora through a
series of case studies across diferent media. Other
fellows worked at the interstices of material and
text: M E G A N N U T Z M A N studied amulet inscriptions
for healing and their use by Jewish, Christian,
and other people in late antique Palestine;
M I C H A E L S WA R T Z analyzed divination texts and
artifacts alongside the performative and economic
conditions of the professionalized liturgical poets;
and DA N I E L P I C U S researched reading as a material
practice among late ancient Jews and rabbis.
We hope you enjoy exploring these new dimensions
of scholarship on Jews and material in Antiquity.
As a special gift to our readers this year, we invite
you to challenge yourselves with the Activity Pages
included as an appendix to this volume. We thank
C . M I K E C H I N and C H AYA H A L B E R S TA M for their
contributions to the editing process and for putting
together the Activity Pages. ●
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Frankel Institue Annual 2018
a pun on Edom’s name? We’ll probably never know,
luminous delicate earthen
but we know a lot about the pots with which
Edomites and Judaeans cooked, ate, and drank.
A bowl from Horvat Qitmit in 7th century BCE
northern Negev
A potter living in Horvat Qitmit, or at a nearby locale
within the ancient kingdom of Edom, manufactured
a ine globular bowl, using the whitish-green clay
coming from the local loess so typical of the northern
Negev. Its thin walls and painted decoration—including
bands, lines, and dots in red, brown, and black—
exhibit the potter’s advanced skills. Bowls of this
kind, and others with latter or deeper bodies, were
widely popular in Edom and the Negev during the
7th and irst half of the 6th centuries BCE, especially
in the Edomite city of Buseirah. hough seemingly
mundane objects, they tell a profound story of how
the persons who populated the ancient Mediterranean
JUAN MANUEL TEBES
world—including those from Israel—appropriated,
rejected, and even at times embraced aspects of
Pots
neighboring cultures in order to bolster the cultural
status of their own.
It’s not diicult to guess why these ine bowls
T
he setting is known: Esau came back
enjoyed such popularity: they are aesthetically
exhausted from the countryside and saw
appealing and performed their function as serving
his younger brother Jacob cooking a stew.
So he asked Jacob to feed him with that
red (adom in Hebrew) stew; Jacob agreed but only
after trading the stew for Esau’s birthright. his is
why, the story goes, Esau was known as Edom. his
seemingly common biblical family story, recounted
in Genesis 25:29-34, attempts to explicate the
origins of the name of the ancestor of the Edomites,
people that inhabited southern Transjordan during
the irst half of the 1st millennium BCE. Was the
adom stew a real meal known by the author(s) of the
story—apparently prepared with lentils and accompanied by bread—or is just a literary device to make
“Edomite” painted bowl from Tel ‘Aroer in the northern Megev.
Courtesy of Hebrew Union College
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Frankel Institue Annual 2018
and drinking vessels for the table quite eiciently.
this “Edomite” potter, and others like him, deliber-
Yet there is a deeper social (and political) aspect
ately manufactured their pots with characteristics
to consider: these bowls bear a striking resemblance
diferent from those in use in the Negev Judaean sites.
to contemporary ine carinated Assyrian vessels,
In doing so, they created and maintained social
known by their revealing name of “palace ware”
boundaries with their western neighbors.
and associated with elite drinking rituals. his is a
perfect example of what anthropologists call elite
emulation and conspicuous consumption: in short,
the use of food consumption to imitate the ethereal
power emanating from the power centers of civilization. “Edomite” bowls performed this function
extraordinarily well. hese open and shallow pots
highlighted the display of high-valued food among
guests. heir polychrome painted and molded
decoration appealed to the eye while their delicate
surface texture, hardness, and proile caressed the
hands, thus establishing social bonds of solidarity
between peers while at the same time maintaining
unequal relations of status and power.
A cooking pot from Tel Malhata in 7th century BCE
northern Negev
A domestic potter living in Edom or the eastern
Negev manufactured a diferent pot with the
clay from the local Nubian sandstone typical of
the Petra region, in what is Jordan today. He made
it open and neckless, although at other times
he prepared cooking pots with a short neck.
he remarkable thing is that someone—probably
the potter or another villager or pastoral nomad
moving between Edom and the Negev—transported
it to the Judaean town of Tel Malhata, a distance
of about 37 miles as the crow lies.
Why would someone take the trouble to carry a
bulky casserole-like dish across a desert landscape
when similar pots were available at the destination
point? We know that cuisine is one of the most
traditional aspects of culture, so it’s possible that
“Edomite” casserole-like dishes presented a
wider oriice than did their Judaean counterparts,
making it easier to insert and remove food and,
most importantly, allowing a greater evaporation
of liquids. his gave the resultant food a diferent,
“dryer” taste. Flavor was also manipulated by the
use of sandstone clays; these clays contain a high
proportion of quartz particles that decrease shrinking during iring, thus permitting higher temperatures
and contributing to a more “burnt” efect in taste.
Meals cooked in a casserole-like dish such as
these tasted diferently than those prepared in
the Judaean pots.
A holey bowl from Tel Maresha in 2nd century BCE
Idumaea
Five centuries later Edom was gone, but its culture
survived in Idumaea (the Greek name for Edom),
a heavily Hellenized territory in the Judaean
mountains. A potter living in Tel Maresha, the
most important Idumaean city, was adamant about
producing very peculiar vessels: bowls, plates,
and jugs with one, two, or more holes in the bases
and under the handles. What was the rationale in
puncturing vessels after iring, turning them into
earthenware that was not functionally usable, a
phenomenon also present in pottery found at other
contemporaneous sites?
Scholars have long debated the meaning of this
practice, but the current consensus suggests possible
ritual signiicance. Jewish notions of purity and
impurity, which we know of from much later-dating
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Frankel Institue Annual 2018
Mishnaic sources, may be at play. If this is the case,
TODD S. BERZON
then the holes were likely meant to prevent the
reuse of the vessels. his would render the vessels
pure, or preclude them from being deiled. If our
potter and his clients from Maresha were following
early precedents of the halakhic rules, then the
Monuments
Bowls, cooking pots, and other seemingly common
T
vessels tell a long story of ethnic boundaries, social
political values. hey were celebrated monuments
hierarchies, and class camaraderie, but they also
of their time, and continue to inspire reverence and
reveal shared ritual values across diferent ethnic
awe to the present day. here is one monument,
communities in ancient Edom (and later Idumaea),
however, that stands in stark opposition to this list
and their ancient Judaean (and later Jewish) coun-
of magisterial achievements. It is a monument that
terparts in the Negev. It may be that Judaeans and
was never completed and likely never existed. It was
Edomites could inally share a bowl of a good lentil
built as much from pride and hubris as it was from
Idumaeans’ forced conversion to Judaism, as
described by Flavius Josephus, would have been
easier than usually assumed.
adom stew. ●
he Statue of Liberty. he Taj Mahal.
he Pyramids of Giza. he Colosseum.
he Great Wall of China. hese massive
structures are enduring symbols of
cultural power, social bonds, natural resources, and
brick and mortar. For that very reason, it is perhaps
the most consequential monument never to have
existed: it is the biblical tower of Babel.
lentils flavor speech
According to Genesis 11, a linguistically united and
ambitious human race decided to build a city with
a tower that would reach heaven so as to “make a
name” for itself; “otherwise,” the inhabitants of
Babel feared, “we shall be scattered abroad upon
the face of the whole earth” (Gn 11:4 et seq.).
God, evidently fearing the power of a uniied and
motivated human race—“look, they are one people,
and they all have one language; and this is only the
beginning of what they will do; nothing that they
propose to do will now be impossible for them”—
halted construction of the city by confusing humanity’s singular language. God further concretized this
linguistic chaos by scattering humans across the
earth. he tower of Babel is the Bible’s explanation
of linguistic and national diversity. It is a story of
human diference.